The versatile neo-grotesk typefamily, inspired by the swiss academia with a contemporary mood. The shape of the letters are more pliable compered to classic grotesk typefaces. The Expanded series enlarges horizons... and type! -- Taking inspirations from classic grotesk letterforms, both from the European tradition (specifically the Swiss school) and the American tradition, HypeType's Arcadia Grotesk is modernized with its shorter ascenders and descenders to give more compact blocks of text and with more contemporary and dynamic forms. -- hype-type.com // kidstudio.it

Controller is a geometric rounded sans serif including 5 weights and corresponding obliques and their extended style are ready. Originally, the designer was inspired by a mixture of techno and organic design in the end of 20th century around the West Coast. The letterforms of this font are designed geometric but are also slightly rounded to make a natural, warm and organic impression. Uppercase N has its alternative glyph that can be accessed by using OpenType stylistic feature. Controller is a versatile and useful family for a wide range of projects. We released 4 big Sci-Fi families in 2013. Check it out! Clonoid Controller Geom Graphic Space Colony

Monospaceland is a round monospaced typeface in 7 weights with rich language support (Cyrillic included), small capitals, and some double-width alternatives for added fun. It includes obliques and reverse obliques, making a total of 21 fonts. Plus, the family pack comes with a two-axis variable font to allow setting arbitrary weight and slant angle.

The idea of symmetry came to me when I was lookig for a geometric sans font. None of the things that I found did have the mathematically perfect symmetry. So, I went ahead and created one. I have used complex mathematical equations to get the perfect angle in every letter. Diameter comes with two styles square corner and rounded corner, each with regular and bold weights.

The hand lettering found on the cover of the 1912 sheet music for "Somebody Else is Getting It" featured a blockish Art Nouveau style with rounded corners and a very lurid title [although it likely had a more innocent meaning in those days than the casual observer might interpret today]. Now available as Nouveau Standard JNL, it is available in both regular and oblique versions.

Monoska is a display monospaced font designed with classic industrial taste and rounded font style by Radinal Riki. Inspired by retro vhs font. created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, logos and more. Come in only one weight, this entire font is capitalized and with a character set that covers over 100 languages.

Proto Mono™ is a modular monospaced font built with rounded shapes, designed with tech industrial taste by Radinal Riki. Created for electronic displays found in our modern techie world such as postal packing slips, airline tickets, informational video displays, ads, and more. Come with 2 styles with 4 weights each. This entire font is capitalized and with a character set that covers over 100 languages.

This Bodoni-like font sets out to slightly square off rounded shapes, adding a very slight curve to the join from the square serif and stem, and minimizing and softening the pronounced bulbs found in Bodoni. There are hints of Walbaum and Melior but the overall effect is a more subtle, and interesting letterform that is friendly, fresh and contemporary. Ideal for corporate communications, ads and magazines.

Bernhard Blackletter can be compared to a tuba, adding its deep bass sound to the orchestra of blackletter fonts. This font contains a bunch of useful ligatures, and to access all, it is recommended to activate both Standard and Discretionary Ligatures. You find the round s on the # key, and typing the combination N-o-period and activating the OT feature Ordinals gets you the numero sign.

Anglaise was designed for display and it likes to be big and present, filling the width of a whole spread. The repetition of vertical black and white space holds the typeface together and the contrasting straight and round shapes add the personality... for even more... use the OpenType features, and Anglaise will start merging and building new characters for you to play around with... Enjoy!

Jan Regular combines an experimental, bold, mono-weight geometric sans serif with the Arabic writing system's means of joining letters. Adding in script-like letter connections, a feature that is found in both western cursive and Arabic type, as well as distinctly Arabic-like accents above and below certain letters, Michael Parsons has created a cross cultural typographic statement. Jan Regular is best used for headlines, and small strings of text, in sizes large enough to view and appreciate the unique counter forms within the letters. This font is one of 10 creations from the young Swiss designer Michael Parson included in the Take Type 5 collection, from Linotype GmbH."

Axalp Grotesk™ is a post-Swiss-Style modernist sans serif type family characterized by the play between elegant rounded shapes and sharp angular details. It is minimal, legible, well balanced and charismatic. Its heavy weights deliver powerful yet friendly impact. Thin ones emanate elegance, fine lines and precision. The family has very versatile proportions and generous x-height allowing a successful use for user interfaces, all sorts of display and branding scenarios, as well as a paragraph text typeface. Contemporary minimalistic approach makes Axalp Grotesk an outstanding design tool for creating modern visual identities and user interfaces. A truly universal sans serif family where beautiful forms and proportion work together with careful spacing, kerning and hand-hinting. Axalp Grotesk is an attractive contemporary alternative to the classics of Swiss Design School such as Akzidenz-Grotesk, Univers and Helvetica. It is bright, crisp, modern and friendly in character, and features an alternative stylistic set for more minimalistic and neutral look, simplifying such characters as “Q”, “J”, “a” and “y”. The family has extended latin language support, as well as broad number of OpenType features, such as stylistic alternates, case sensitive forms, ligatures, contextual alternates, lining, oldstyle, tabular and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Designed by the swiss Haas'sche Schriftgiesserei, (Haas Type Foundry) Chevalier is a set of shaded capitals and figures, modern face or fat face in design. Ideal for business cards and classical letterheads.

Thirteen or 14 years ago I admired, out loud, a book I found on a shelf in Matt Carter's office. That Christmas I was pleasantly surprised to find that Matt had found another copy of the book and he gave it to me. The book was about the life of Oswald Cooper and it contained numerous specimens of Cooper's lettering jobs. Among them was an interesting image of 7 letter that spelled out the word 'Robusto'. These letters were used as the model for the font Robusto. All I needed to do was develop 221 other glyphs to finish the font.

32 borders and frames, round ones, square ones, rectangles and an oval. Curly Qs, vines, flowers, dots and swirls in outline and reverse. Plz note that this is not a dingbat font and needs to be used in large sizes of 72 point or more. Don't miss Rae's other frame fonts. Frames & Borders Too and the new Frames and Banners.

The pattern for this friendly face was found within the Keystone Type Foundry's 1884 specimen book, under the rather prosaic name of Round Gothic. This version retains all of the original's warmth and charm, while updating it to twenty-first century standards. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, along with localization for Lithuanian, Moldovan, Romanian and Turkish.

Swissra is an Arabic typeface that was inspired from Swiss graphic design. The motivation behind the typeface was to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Swissra also aspires to tribute the experience of Swiss graphic design and pass it on to the Arabic graphic design scene. Swissra features sharply cut terminals, which are either horizontal or vertical. It also features closed apretures and a high x-height. It comes with eight weights, that range from thin to black.

This script font is inspired by the flexible nib strokes to create a concatenation of refinement with character mixing the contrast with pronounced but rounded angles. This angles along with the inktraps give the font a better performance when printing. Texts will have a very even rhythm due to its consistency on the stroke’s angle and spacing. The words can receive a dramatic touch by using the wide range of glyphs with curly and refined ornamentation. There are lots of caps and number variants dressed up with a variety of swashes. Also, two sets of versatile ornaments will be found: a first set of ending flourishes that match with any lowercase letter and a second set of independent flourishes to be placed around the words. Quarzo will give a great sophistication level to invitations, cards, tags, menus, advertising and packaging. Its character map covers Western and Central European characters.

Relation De Luxe - Font Duo This paired font looks modern and classic. Charming with round and blurred effects. It is suitable for you to apply to logo designs, branding, magazine covers, social media posts, quotes, wedding invitation, packaging labels, business card and much more to be applied. Features: Uppercase, Lowercase, Numeral, Punctuation, Multilingual, Alternates, Ligatures, & PUA Encoded. Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Thanks :)

This blackletter font displays best the voluptuous coziness of South German Baroque. You almost automatically visualize Alpine villages and Swiss chalets, or buxom girls serving beer in steins or herding their bell-ringing cattle.

Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs. It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions.

Another variant to the ever-popular Art Deco sans lettering with solid centers (no counters) was found in the hand-lettered title on the cover of the 1933 song "There's A Ring around the Moon". This became the basis for the digital typeface Moonlit Walk JNL, available in both regular and oblique versions.

Introducing Elkoga - Round Serif Typeface A modern serif font with a rounded style that makes this font stylish and eye-catching. Comes with 8 families, from regular to bold and italic. You can apply it to your various design projects such as logos, packaging, covers, posters, social media posts, youtube thumbnails, wedding invitations, quotes and much more you can make with this great item for any design! Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish,Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer. Thanks.

Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language. Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. The MRF version includes 7 weights all together.

Versatile pixel fonts inspired by underground LEDs in Vienna. 4 styles (Pro, Poster, Caption, Mosaique) with different shapes and proportions are bound to one pixel grid to be combined perfectly in 5 pixel shapes: Square, Rounded, Dots, Hatch, Polaris. Pro: strong emphasis, wide proportions, best for legible text. 400+ symbols, greek alphabet. Poster: strong + compressed for large text use. Caption: legibilty for small text use. Mosaique: monospaced tiles with letters and pattern.

Norwich Aldine Reverse is a font of "streamer type" (reversed out type used for banners or streamers) originally designed around 1872. Norwich Aldine is slightly lighter and more open than Aldine. It features medium stroke contrast, heavy serifs, and large rounded bracketing (where the stems meet the serifs). Our version is based on wood type of unknown origin. We created dozens of special ligatures to reduce problematic kerning encountered with a monospaced reversed type.

Norwich Aldine Reverse is a font of “streamer type” (type reversed out of a solid) originally designed around 1872. Norwich Aldine is slightly lighter and more open than Aldine. It features medium stroke contrast, heavy serifs, and large rounded bracketing where the stems meet the serifs. Our version is based on wood type of unknown origin. We created dozens of special ligatures to reduce problematic kerning encountered with a monospaced reversed type.

Yes, you're right. Blauhaus should have been 'Blaues Haus', as that is the proper way of saying Blue House in German. But hey, Blauhaus sounds much better and in writing, it is quite similar to Bauhaus. Blauhaus is a stylish, rounded sans serif font, modeled after some early 20th century German typefaces. It is easy on the eye and it will certainly give your work a sophisticated punch. Comes with a classy collection of diacritics.

It all started with the letter S. I drew it, I liked it, I based a font around it! This is Pickled Limes, a tall and narrow single-case font. It's built clean from the ground up, for ultra-sharp lines and corners, as well as super-smooth curves. The slightly flared ends and quirky character mix make this font a ton of fun to use on its own, but it will also pair well with tons of hand-written styles! I've branched out on this one; in addition to over 300 Extended Latin characters, I've also included Unicode's 256 Cyrillic and 121 Greek characters for even more language support. Add in the 90+ alternates, ligatures, and catchwords, and Pickled Limes clocks in at just over 1000 characters. I hope you enjoy using my tasty Pickled Limes for your branding project, logo, crafting work, or design project. Happy fonting, MyFonts fans! :)

Florid Sans perfectly balances minimalist quality with a combination of contemporary details and classic styles. Florid Sans is geometric in nature with humanist quality rooted in the Swiss tradition. Comfortable, breathable apertures make it stunningly versatile.

Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely "less is more age" to the contemporary basic style "Less, but better age", we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and geometric rounded bowls and counters create a nice rhythm. Golden Decades consists of 8 weights and their matching Italics for a wide range of usages. Farther, Golden Decades is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Golden Decades covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternate for advanced typography.

Modulus Pro, the extensive update to Modulus. This update was built around the original Modulus Font. This rounded sans-serif has a larger glyph set which covers many languages. Modulus Pro now comes in 8 weights from Extra-Light to Black. This updated version was designed with the designer in mind, you have many stylistic alternates to get creative with and make some really cool customised typography. A large range of examples have been designed to show just how versatile and creative you can get with this font family. It's fun but has a cool, edginess to it at the same time. Modulus Pro is not just another rounded sans-serif, you are going to want this in your font list.

Z-Rex looks like the copies I was getting from a lousy copier before I threw it out. You might think it has been eaten by a T-Rex, or maybe it looks like swiss cheese blech.

Bursts is a collection of 174 round burst , seal, flower and sun designs. Bursts Two is a collection of 174 round burst, seal, star and snowflake designs. Bursts Three is a collection of 174 round burst , seal, flower and sun designs. Bursts Four is a collection of 174 round burst , seal, flower, fireworks and sun designs.