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  1. Lankie by Gerald Gallo, $20.00
    Lankie is a clean, contemporary, geometric, condensed sans serif font. The font is ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.
  2. Linotype Freytag by Linotype, $29.99
    Linotype Freytag is a condensed display face with simple, geometric shapes. With its highly readable and trendy letterforms, it is perfect for flyers, advertising, packaging, posters and magazine headlines.
  3. Chisel by Linotype, $29.99
    An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.
  4. Table Wood JNL by Jeff Levine, $29.00
    Concave Tuscan Extra Condensed is a classic wood type sans serif design that is the basis for Table Wood JNL, which is available in both regular and oblique versions.
  5. Convicted JNL by Jeff Levine, $29.00
    Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.
  6. Lucidity by DogHead Studio, $20.00
    Lucidity is a condensed, handwritten font with emphasis on texture and default wide spacing. This makes it a versatile font for display, medium amounts of text, and T-Shirts.
  7. Newshawk JNL by Jeff Levine, $29.00
    Jeff Levine's Newshawk JNL emulates the tall, condensed headline fonts often used years ago when an urgent story broke and a newspaper rushed an "Extra" edition to the streets.
  8. Bluset Now Mono by Elsner+Flake, $35.00
    Bluset Monospaced enlarges the re-worked and expanded text- and headline typeface family Bluest Now with 6 new cuts. The concept for Bluest Now was based, in its original form, on a corporate design typeface by Elsner+Flake in 2004, ordered by the Landor Agency for a large German energy corporation. Regularly re-worked and brought up to modern standards, the typeface is still used to this day. Because of its large x-height and its well-balanced appearance, Bluset Now Mono is also excellent for use in small typesizes. The three Roman cuts, Regular, Medium and Bold, and the corresponding obliques, allow a clear differentiation of base- and display applications for every typesize. The character complement has been created for 72 Latin-based language areas and thus allows a neutral text exchange across language borders. Translation Inga Wennik
  9. HelenaDEMOVERSION - Personal use only
  10. Iranica by Naghi Naghachian, $64.00
    Iranica is a new creation of Naghi Naghashian. It is extremely legible even in very small size. "Iranica" is reminiscence to my birthplace and my cultural root. Iranica is a modern Sans Serif font family. This innovation is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Iranica supports Arabic, Persian and Urdu. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography. It also includes proportional and tabular numerals for the supported languages. Iranica design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Iranica's simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Iranica was developed for multiple languages and writing conventions. Iranica supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography. This typeface offers a fine balance between calligraphic tradition and the Roman aesthetic common in Latin typography.
  11. Tuba by Canada Type, $24.95
    Initially commissioned in the summer of 2009 for a popular North American ice cream parlor chain we cannot name, Tuba started with a reconceptualization of a somewhat flawed '72 alphabet idea by Swiss graphic designer Erwin Poell. During the back-and-forth of the custom project, other ideas seeped into the design, mostly from other Canada Type fonts, like Fab, Jonah, Jojo and Teaspoon. The end result was what the client called a "sugar circuit trigger alphabet". This now is the retail version of that project. Tuba's main style is a straight-forward mix of 60s/70s art nouveau ideas and late-70s/early-80s tube aesthetic. The Highlight and Outline styles are almost necessary spinoffs for this kind of typeface. And the all-caps Black style is a nod to the fat font fad of the past couple of years. All styles contain many alternates – so many that each style is almost two fonts in one. Make sure to check out the character sets for a few nice and useful surprises. Life's too short. Seek sweetness. Get gooey.
  12. Going Clap by Ahmad Jamaludin, $17.00
    Introducing Going Clap, the font that's all about bold and nostalgic vibes! This chunky slab serif typeface is your secret weapon for making text pop with artistic and vintage flair. With 8 unique font families, including Condensed, Normal, Semi Expanded, Expanded, and their cool shadow versions, you'll find the perfect style for any project. But that's not all! When you choose Going Clap, you'll also get a fantastic bonus—56 retro mascot illustrations for that extra touch of character and nostalgia. What's included? Going Clap Main File Has 8 fonts: Condensed, Normal, Semi Expanded, Expanded, Condensed Shadow, Normal Shadow, Semi Expanded Shadow, Expanded Shadow Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Thank you, Dharmas Studio
  13. Dionisio by CastleType, $49.00
    Dionisio, a CastleType original, takes its inspiration from one of the overlooked treasures of the CastleType library: Ransahoff. The latter is extremely condensed and very elegant. I particularly like its hairline slab serifs and cross-bars. I decided to use it as a starting point for a new design, but to make the proportions more classic and to make it more sensuous with gentler curves and bracketed cross-bar serifs. The result is very Bodoni-like, but less extreme and more contemporary looking. Meanwhile, Dionisio maintains a hint of Ransahoff with condensed letterforms and very fine serifs. Dionisio brings together the best of both, making it the perfect choice where a slender, sophisticated typeface is needed. Dionisio is available in two widths: normal and condensed, five fonts each. Includes an extensive character set and OpenType features.
  14. Burpee by Yock Mercado, $12.00
    Burpee is a basic condensed sans typeface, designed for headlines that needs be powerful and punchy, Burpee is inspired in sports, looking for a visual impact that get the attention.
  15. Credititle by Jonahfonts, $29.95
    A condensed tall upright font with lowercase small-caps. Basically designed for movie posters. May also be used for a variety of tight-fitting type designs, from packaging to captions.
  16. Alleyway JNL by Jeff Levine, $29.00
    Alleyway JNL is an original typeface by Jeff Levine drawing heavily on Art Deco influences. It's elegant, condensed design is perfect for anything from invitations to letterheads to ad copy.
  17. Pool Deck JNL by Jeff Levine, $29.00
    There's nothing too fancy about Pool Deck JNL, which is based on an older typeface design. It's your basic sans serif condensed type style with a few unconventional letter shapes.
  18. Cadenza by Studio K, $45.00
    Cadenza is a bold condensed display font that combines flair with functionality, elegance with utility. Its weight and readability make it ideal for newspaper and magazine headlines, titling and signage.
  19. Cheyenne JNL by Jeff Levine, $29.00
    Cheyenne JNL is a classic slab serif wood type with chamfered corners. Its tall, condensed design is perfect for short headlines that emulate the Old West and similar nostalgic themes.
  20. Gwyner by Typomancer, $24.00
    Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.
  21. Minty March by Angele Kamp, $24.00
    Minty March is an adorable handwritten font that is perfect for cards, invites, birthday invitations and more. This condensed, serif also works well when combining it with a script font.
  22. Moftein Sough by Martype co, $15.00
    Moftein Sough Is a condensed serif font pairing with playful dingbat to make it satisfying, also suitable for minimalist, chic, branding, packaging and merch design to boost your design exploration.
  23. Winterfell by Alan Meeks, $45.00
    It is difficult to define the classification of Winterfell. The caps are definitely Roman however the lowercase is italic and slightly calligraphic. Because of its old style look I decided to describe it as modern medieval. This design reminded me of Game of Thrones hence the name Winterfell.
  24. JAF Domus Titling by Just Another Foundry, $42.00
    JAF Domus Titling is a rounded typeface with classical Roman proportions. It is unique in that it was designed as an all-caps sans from the beginning. The fonts range from Extralight to Extrabold and include a large number of accented characters as well as small caps and alternates.
  25. Elisabeth by Typadelic, $19.95
    Inspired by handwritten roman lettering, Elisabeth maintains a classic antique appearance but its rough edges lend an air of character and charm. Good looks aside, Elisabeth is technologically up to today’s standards and works well in many applications. Use at larger sizes, headings, invitations, scrapbooking, menus and advertising.
  26. Klee by ITC, $29.99
    Klee is the work of British designer Timothy Donaldson, who was inspired by the work of the famous modern artist Paul Klee. The capitals can be used alone or with the lowercase letters. Klee is a unique, roman typeface whose fine line structure gives it a delicate, feminine appearance.
  27. Dalliance by Emigre, $125.00
    Dalliance Script is based on the elegant handwriting found on a map of a horrific battle between the Habsburg Coalition and France which took place at Ostrach, in southwest Germany, in 1799. A roman style, and flourishes, were added to turn Dalliance into a fully functional typeface family.
  28. Prague by ITC, $29.00
    Prague was designed by Michael Gills, who was strongly influenced by the work of Czech designer Oldrich Menhart. It is a strong, angular roman typeface with classical overtones. The exciting vibrancy of Prague is suitable for a wide range of advertising work requiring a traditional or classical approach.
  29. Halvan by driemeyerdesign, $35.00
    HALVAN –a striking type with half-serifs The Halvan font family comes in 5 styles from Roman to Bold, Italic and a Small Caps Version. Each version includes old style figures and lining figures. It is a versatile type and can be used in a wide range of circumstances.
  30. LP Saturnia Sans by URW Type Foundry, $35.99
    Following up on the LP Saturnia, which is a modern interpretation of the classic Roman letterforms, comes the LP Saturnia Sans. While keeping the clear forms, this well-balanced Sans transports the original draft even further in the modern and at the same time preserves its classic character.
  31. Detective Bureau JNL by Jeff Levine, $29.00
    Traditional stencil type faces have always projected images of strength, power, police, military or industry. The hand-lettered title card for 1951's "Detective Story" (directed by William Wyler) is a perfect example of this. A bold Roman letter style, it was the perfect inspiration for Detective Bureau JNL.
  32. Doki Doki Tokimeki by Megami Studios, $12.50
    Designed with visual novels and romantic text in mind, Doki Doki Tokimeki (taken from the Japanese sound for a heartbeat and the word heartbeat itself) is a romantically-inclined sans serif. From playful, yet friendly letters to a range of dingbats and a series of alternate heart-shaped glyphs, it’s sure to make your heart go pitter-patter as well!
  33. Homes Honey by Multype Studio, $14.00
    Homes Honey is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to branding, wedding invitations, label, logo and other romantic projects. Font Features : Lowercase beginning and ending swash, Connecting heart This font is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!
  34. Ajuice Script by Panatype Studio, $9.00
    Ajuice Script Font is a high contrast script font with a romantic theme with two font styles ( Regular & Round ) which is perfect for your designs that want a romantic style, modern vintage, elegant, soft, and carefully crafted for all graphic design needs. File Includes : OPENTYPE FEATURE Contextual Alternates Following Language Support : LATIN EXTENDED ( Western European, Central European, South Eastern European )
  35. Chilango by Ed Garland, $28.00
    Chilango is a beautiful new typeface based on the gorgeous hand-painted street signs of Mexico City.., It come with 7 weights and a unique Italic family. Throughout Mexico City, from the Centro Historic (Zocalo) through La Condessa, Polanco and Guerrero - from La Roma to San Rafael to Atlampa to Lomas, you can be sure to see the iconic hand painted blue with white lettered street signs wherever you go. It is an exuberant and flourishing font that represents this fabulous flourishing city to its core. It is a historical one, classy and stylish and deeply routed in the curvature and designs of the Spanish heritage.
  36. Skillet by Fenotype, $19.00
    Skillet is a bold vintage style serif font full of hedonism and joie de vivre. Skillet has strong character and extremely smooth features and self-confidence that springs from within. Skillet comes in two weights: Regular and Condensed. Even though the difference is small, Regular takes over the space while Condensed gives a more intimate impression. Skillet comes with a wide range of OpenType -features. Keep Standard Ligatures on in normal use. Try Discretionary Ligatures, Swash, Stylistic or Titling Alternates for custom headlines or logos.
  37. Densa by Graviton, $24.00
    Densa font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a condensed sans serif typeface with some unconventional display endings. Its condensed design makes it very effective for space economizing and its display features make it a very interesting option for display usages such as logos, packaging and posters. It has been conceived to be most suitable for headlines and short length text blocks. Densa consists of 8 styles. Each containing small caps and glyph coverage for several languages.
  38. Option by Vladimir Likh, $10.00
    Option is a modern condensed sans serif. Inspired by geometric architectural fonts. But despite the geometric construction every single letter was build based on optical evaluation. This approach makes Option more organic and lively in a text line. Option was created for wide spaces. Condensed and thin, but extremely sweeping vertically font makes your massage elegance and strong. The font functions great in many sizes and surroundings. The family comes in one weights plus italics. Creating of bold weight is underway. Options supports Cyrillic as well.
  39. Flipante by Resistenza, $39.00
    Our condensed to extended font is perfect for multiple uses, from branding to packaging designs. Its extendable and variable design makes it great for all kinds of projects. Its tubular shapes, ink traps and juicy curves make it both aesthetic and functional. Its condensation also allows a great flexibility, allowing you to adapt it to any project's need. Its versatility also makes it great for both print and digital projects. With this font's easy to use features, your designs will look good on any project or medium.
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