A revival of one of the popular wooden type fonts of the 19th century, condensed, bold, curved serifs, a very useful design for display, upper and lower case.

BD Westwork is a very condensed, bold and distinctive display typeface – great in combination and in contrast with delicate illustrations, photos and body text with and without serifes.

Based on vintage wood type, Nostrand JNL is a tall, condensed serif face - named for an avenue in font designer Jeff Levine's home town of Brooklyn, New York.

A font family in continuation of the bb-book A , also kicking up weight, width and contrast, but upside down. 4 styles: condensed, regular, expanded and ultra-expanded.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

Binattiah Script has a romantic and modern calligraphy, ready to give your design a fresh and fabulous Style. Binattiah Script comes as a single font file packed full of great features. Perfect for weddings, branding and romantic invitations and also suitable for various purposes such as digital lettering, headings, logos, wedding invitations, t-shirts, letterheads, signage’s and much more!.

Loventha font is the latest script written by Arkrist Letter studio. A font inspired by a very romantic thing. Designed with great care so as to produce very neat and elegant letter lines, it looks beautiful and romantic. Loventha is very suitable for greeting cards, t-shirt designs, logos, etc. Loventha is a masterpiece created with love!

Styla is a refined romantic sans, in the best tradition of Didot and Bodoni. The combination between Styla’s feminine grace and sharp endings creates an air of seduction, ideal for magazines, ads and books on fashion, fine arts, philosophy, luxury goods, women and love. A typographic jewel, Styla brings romantic sensuality and refinement to the world of sans-serifs.

Article Script has a romantic and modern calligraphy, ready to give your design a fresh and fabulous Style. Article Script comes as a single font file packed full of great features. Perfect for weddings, branding and romantic invitations and also suitable for various purposes such as digital lettering, headings, logos, wedding invitations, t-shirts, letterheads, signage’s and much more!.

PELICANO – A simple and friendly sans serif typeface. Handmade by Lauren Kilbane in sunny South Florida, USA. This font has a clean, organic feel that is perfect for marketing your favorite products. Use this font for: ads, album covers, apparel, cards, flyers, invitations, logos, menus, merchandise, packaging, signage, web, and more. -225 Glyphs Total: Uppercase, Lowercase, Numbers, Symbols, Punctuation, and Language Support. -Language Support: Danish, English, French, German, Irish, Italian, Portuguese, Spanish, Swedish, and Swiss German.

Billistone is a unique handwritten font. Its natural flow and easy signature style makes it perfect to use for logos, signatures, quotes, badges, labels, packaging design, blog headlines or any other design project. What's Included : Uppercase, Lowercase, Numerals & Punctuations, Ligature Multilingual support for the following languages : Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swahili, Swedish, Swiss German. If you have any Question please message me.

Costyle is a handwritten font. Its unique flow and easy signature style makes it perfect to use for logos, signatures, quotes, badges, labels, packaging design, blog headlines or simply use it in your next design project. multilingual support for the following languages : Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, German, Icelandic, Indonesian, Irish, Italian, Norwegian Bokmål, Norwegian Nynorsk, Portuguese, Spanish, Swahili, Swedish, Swiss German. if you have any Question please Message Me. Big Thanks Ergibi Studio

Introducing "AZN Unified" font by AthayaDZN. UNIFIED was inspired by the evolving sports world that recently just expanded into the digital verse. UNIFIED’s rounded and sharp look is representing its nature of unity, equipped with 4 different angles of corners, UNIFIED achieved its mixed modern style of a bold serif font. Language Support : Afrikaans, Albanian, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Luxembourgish, Norwegian, Portuguese, Romansh, Scottish Gaelic, Spanish, Swedish, Swiss German, Uzbek (Latin).

Linotype Mano is a fresh new font from the Swiss designer Marco Ganz. Urgent and vital, the typeface suggests swift communication or the latest trends: spontaneous and informal, personal and individual. Ganz deliberately gave the characters a marked lean to the right, similar to that of quick handwriting. But Linotype Mano is not only nimble and quick, it also retains its legibility as a text font. Linotype Mano is as dynamic, brisk and casual as modern pop music.

TT Runs useful links: Specimen PDF | Graphic presentation | Customization options TT Runs Version 2.0—an Unusual Wide-Proportioned Sans Serif! An update that expands the font's capabilities. TT Runs is a font designed for the sports industry. Before starting the development, we researched the identities of various Olympic venues and analyzed current sports brands. We put in maximum effort to design a unique yet elegant modern font well-suited for the sports sector. TT Runs has wide and unusual proportions that are different from traditional ones. It is because of the reversed contrast, which refers to the distinction between the upper and lower parts of letters. The uppercase letters have distinctive inverted proportions, particularly noticeable in characters like K, C, S, and R. This design choice gives the font an original personality and makes the letters look stylish and suitable for both athletic and casual sportswear. While updating the font, we kept its distinctive characteristics and preserved the graphical look of the majority of the characters. However, we thoroughly redesigned the outlines and italic font styles and updated the font's technical aspects entirely. As a result, TT Runs has become more convenient to use, and its range of applications has significantly broadened. - More projects and countries! The set of each font style has expanded from 791 to 917 characters. We added new languages and characters of the expanded Latin and Cyrillic writing systems. - Perfect italics! The new italic font styles are flawless from both graphical and technical points of view. The updated variable font. We have united the roman and italic font styles. You can now change the font on the axes of slope and weight, choosing the suitable values. - The new set of OpenType features! We added the updated numerators with currency symbols, numbers in filled circles, and localization features for the Dutch, Catalan, Turkish, Serbian, Bashkir, Chuvash, Bulgarian, and Romanian languages. TT Runs is an expressive font. It looks aesthetically pleasing on both athletic and casual clothing and is well-suited for printing on any material. Due to its proportions, the font is an ideal choice for headings, offering excellent readability and an elegant appearance in bigger blocks of text. Created with the sports industry in mind, this font brings a touch of style to any modern project. FOLLOW US: Instagram | Facebook | Website TT Runs OpenType features: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, tnum, onum, lnum, pnum, case, dlig, liga, salt, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, calt. TT Runs language support: English, Albanian, Basque, Catalan, Croatian, Czech, Danish, Dutch, Estonian, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Maltese, Moldavian (lat), Montenegrin (lat), Norwegian, Polish, Portuguese, Romanian, Serbian (lat), Slovak, Slovenian, Spanish, Swedish, Swiss German, Valencian, Azerbaijani, Kazakh (lat), Turkish, Uzbek (lat), Acehnese, Banjar, Betawi, Bislama, Boholano, Cebuano, Chamorro, Fijian, Filipino, Hiri Motu, Ilocano, Indonesian, Javanese, Khasi, Malay, Marshallese, Minangkabau, Nauruan, Nias, Palauan, Rohingya, Salar, Samoan, Sasak, Sundanese, Tagalog, Tahitian, Tetum, Tok Pisin, Tongan, Uyghur, Afar, Asu, Aymara, Bemba, Bena, Chichewa, Chiga, Embu, Gikuyu, Gusii, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Kirundi, Kongo, Luba-Kasai, Luganda, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Mauritian Creole, Meru, Morisyen, Ndebele, Nyankole, Oromo, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Swahili, Swazi, Taita, Teso, Tsonga, Tswana, Vunjo, Wolof, Xhosa, Zulu, Ganda, Maori, Alsatian, Aragonese, Arumanian, Asturian, Belarusian (lat), Bosnian (lat), Breton, Bulgarian (lat), Colognian, Cornish, Corsican, Esperanto, Faroese, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Interlingua, Judaeo-Spanish, Karaim (lat), Kashubian, Ladin, Leonese, Manx, Occitan, Rheto-Romance, Romansh, Scots, Silesian, Sorbian, Vastese, Volapük, Võro, Walloon, Walser, Welsh, Karakalpak (lat), Kurdish (lat), Talysh (lat), Tsakhur (Azerbaijan), Turkmen (lat), Zaza, Aleut (lat), Cree, Haitian Creole, Hawaiian, Innu-aimun, Lakota, Karachay-Balkar (lat), Karelian, Livvi-Karelian, Ludic, Tatar, Vepsian, Guarani, Nahuatl, Quechua, Russian, Belarusian (cyr), Bosnian (cyr), Bulgarian (cyr), Macedonian, Serbian (cyr), Ukrainian, Gagauz (cyr), Moldavian (cyr), Kazakh (cyr), Kirghiz, Tadzhik, Turkmen (cyr), Uzbek (cyr), Azerbaijan, Lezgian, Abazin, Agul, Archi, Avar, Dargwa, Ingush, Kabardian, Kabardino-Cherkess, Karachay-Balkar (cyr), Khvarshi, Kumyk, Lak, Nogai, Rutul, Tabasaran, Tsakhur, Buryat, Komi-Permyak, Komi-Yazva, Komi-Zyrian, Shor, Siberian Tatar, Tofalar, Touva, Bashkir, Chechen (cyr), Chuvash, Erzya, Kryashen Tatar, Mordvin-moksha, Tatar Volgaic, Uighur, Rusyn, Karaim (cyr), Montenegrin (cyr), Romani (cyr), Dungan, Karakalpak (cyr), Shughni, Mongolian, Adyghe, Kalmyk, Talysh (cyr) .

The origins of Bembo go back to one of the most famous printers of the Italian Renaissance, Aldus Manutius. In 1496, he used a new roman typeface to print the book de Aetna, a travelogue by the popular writer Pietro Bembo. This type was designed by Francesco Griffo, a prolific punchcutter who was one of the first to depart from the heavier pen-drawn look of humanist calligraphy to develop the more stylized look we associate with roman types today. In 1929, Stanley Morison and the design staff at the Monotype Corporation used Griffo's roman as the model for a revival type design named Bembo. They made a number of changes to the fifteenth-century letters to make the font more adaptable to machine composition. The italic is based on letters cut by the Renaissance scribe Giovanni Tagliente. Because of their quiet presence and graceful stability, the lighter weights of Bembo are popular for book typography. The heavier weights impart a look of conservative dependability to advertising and packaging projects. With 31 weights, including small caps, Old style figures, expert characters, and an alternate cap R, Bembo makes an excellent all-purpose font family.

The origins of Bembo go back to one of the most famous printers of the Italian Renaissance, Aldus Manutius. In 1496, he used a new roman typeface to print the book de Aetna, a travelogue by the popular writer Pietro Bembo. This type was designed by Francesco Griffo, a prolific punchcutter who was one of the first to depart from the heavier pen-drawn look of humanist calligraphy to develop the more stylized look we associate with roman types today. In 1929, Stanley Morison and the design staff at the Monotype Corporation used Griffo's roman as the model for a revival type design named Bembo. They made a number of changes to the fifteenth-century letters to make the font more adaptable to machine composition. The italic is based on letters cut by the Renaissance scribe Giovanni Tagliente. Because of their quiet presence and graceful stability, the lighter weights of Bembo are popular for book typography. The heavier weights impart a look of conservative dependability to advertising and packaging projects. With 31 weights, including small caps, Old style figures, expert characters, and an alternate cap R, Bembo makes an excellent all-purpose font family.

In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e." Jenson Old Style™ was designed by Freda Sack and Colin Brignall for Letraset in 1982. Because of its darkness, this version is best used for display designs that call for a sense of old-world elegance and solidity."

Milligan is named in honor of the late Spike Milligan, a wonderful comedian who (amongst many other things) wrote and start in the Goon Show. It's a jolly, boisterous display Roman which can bring a sense of liveliness and fun to any project where it's used.

Bonlivet is an all capitals display face, which starts from Roman letter forms and pushes them into wild decorative extravagance. There is a somewhat early 20th century feel to this, but really it’s just a bit of good fun, with a hint of elegance thrown in.

The cover of the 1908 sheet music for "When the Meadow-Larks Are Calling, Annie Laurie" has the title hand lettered in a semi-formal Art Nouveau Roman type design with gentle spurs. This is now available as Meadowlark JNL in both regular and oblique versions.

Inspired by 15th century Venetian italic book texts and based on examples from volumes on the history of type. Fourteen64 has a rugged charm and lots of character featuring 'Roman' capitals with italic lowercase. Includes alternate characters, extra ligatures and a small selection of medieval ornaments.

Thud is a family of seven weights with roman and true italics. Weights are done with parabolic formula by Luc(as) de Groot for each weight to be optically in between the next weight. Made for headlines, but kerned well enough for larger amounts of text.

This quirky little gem was patterned after single-stroke handlettering originally crafted by John M. Bergling, whose peregrinations through pulchritudinous penmanship also provided the inspiration for Erehwon Roman NF. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Ignatius is the work of British type designer Freda Sack, a traditional roman typeface featuring an open, engraved effect. The stately capitals can be used alone or combined with the complementing lowercase and both should be set closely. Ignatius will give any work a classic look.

Zephyr is a sinuous Roman font available in both Regular and Openface (inline) versions. This classically inspired font set conjures up a gentle, relaxing breeze from the West and Southwest. Subtle and not-so-subtle variations offer a refreshingly modern take on these age-old letterforms.

Australis is a hybrid roman font that won first prize in the Morisawa International Type Design Competition in 2002. After 10 years the family is finally complete and its release coincides with the reopening of the competition in 2012, in Japan. Designed by Francisco Gálvez Pizarro.

Elysium is the work of Michael Gills who was in turn influenced by Czechoslovakian designer Oldrich Menhart. The typeface is an old style roman font whose refreshing quality comes from the designer's love of calligraphy. Elysium has a crisp appearance coupled with creative and unique letterforms.

Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar in style to Staunton’s Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign of Queen “Bloody” Mary.

Mr. Nakata is another one of my favorite Haruki Murakami characters. Nakata typeface is handwritten, sloppy and messy, but comes with intelligent features like alternates and ligatures, to make it look more like handwriting and less like a font. Of course, Nakata speaks most Roman-based languages.

Get yourself ready to jump on into the future-verse realm with the VOGATRON. A solid-strong futuristic sans-serif display fonts with a wide range of possibilities in usage. We're not joking when we say wide. The variety of styles that comes in 15 weights, from Condensed to Expanded, will make you ask no more for another choice. Fortunately, we're living in the best moment in this era of Retro-Futurism trends, when the retro and futuristic vibes are running side-by-side in terms of visual implementation nowadays. Which makes VOGATRON are easier to play with on every occasion. Perfectly fit for futuristic branding, retro gaming vibes, posters, esport logo, visual branding, social media content, streaming overlay design, animation project, you name it.

Steelplate Gothic Pro is a sans serif font family with traditional and drop shadow weights. It shares letterform similarities to conventional Copperplate Gothic families, but has no spur serif endings. Most of the original designs came from the Western Type Foundry when BB&S acquired it in 1918; all were cut by Robert Wiebking. It was recast in 1954 by American Type Founders (ATF). Steve Jackaman (ITF) designed and produced a digital version of the original single weight in 1997. In 2017, Jackaman completely redrew and expanded the family, adding entirely new condensed variants and true small caps. Steelplate Gothic Pro has a masculine, industrial feel, and works effortlessly at display and subhead sizes. It shares letterforms with its sans serif sister family, Barnsley Gothic.

Config Rounded is a condensed geometric sans with rounded corners. Config’s sibling, this typeface was influenced by geometric sans with circular forms on the tops and bottoms of characters, but the proportions have been condensed by incorporating straight sides for a design that is efficient yet friendly. Use it for a subtle softness that still looks modern and strong. With 10 weights, there are options to fit the need—black and thin for extreme uses and intermediates for more common needs.

Komrile is a serif font combines a vintage look with a modern flair that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, social media posts, photography, watermark and so much more. Komrile comes with regular, italic, Condensed and Condensed italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates and multilingual support. OpenType Features Kerning Alternates Ligatures Stylistic Sets If you have any questions, please feel free to get in touch. Thank you

Aeroport is a new typeface in the spirit of both German geometric sans serifs and Swiss neogrotesques. Its deliberately wide proportions and relatively short capitals account for the excellent way the type carries the line. Its short ascenders and descenders allow for very tight leading. When used in large point sizes, Aeroport reveals its industrial ancestry and its unconventional design: the somewhat unbalanced top of the lowercase a, the capital B that has deliberately not been compensated optically, the overly wide capital M. In smaller sizes the type creates a starkly different effect: its measured widths and low contrast make a text setting appear neutral and homogenous. This versatility is what makes Aeroport a multipurpose sans serif suitable for a wide variety of typographic applications. The family includes four weights with their italics and a monospased style. Character set includes an alternate lowercase a, two sets of figures and currency symbols, uppercase punctuation, and a set of arrows. Includes Latin and Cyrillic sets supporting over forty languages. Designed by Gayaneh Bagdasaryan & Vyacheslav Kirilenko, 2017.

Tradition and romance joined in the beautiful typeface, inspired by old hand drawn signs in Tel Aviv.

Betico’s Hand is based in Elberto Roman’s handwriting. It could be used even in a formal project.

Brenda Valentine is a cute handwritten font. It will add a romantic touch to any crafting project.

The Modern Times is the most popular font developed by me. It was sold more than any other of font that I created. The earlier version supported Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Georgian languages. Last year, I decided to update it. The new version is called TA Modern Times. Its OpenType features include 1200 glyph, Stylistic Alternates, Stylistic Set 01–12, Standard and Discretionary Ligatures, Numerators, Denominators, Subscript, Superscript, Ordinals, Contextual Alternates and Kerning. Currently, supported languages are as following: Western Europe, Central/Eastern Europe, Baltic, Turkish, Romanian, Cyrillic, Greek, Hebrew. Additionally, the font has multiple styles such as Semi Condensed, Condensed, Extra Condensed, Ultra Condensed, Rounded, Inline, Outline, Semi Expanded, Expanded, Extra Expanded, Ultra Expanded. 6 previous versions of the font are FREE. You may download and enjoy it. Latin Plus languages supported 95% Latin Plus diacritics included 88% TA Modern Times OpenType features list: aalt, calt, case, dlig, dnom, frac, kern, liga, locl, numr, ordn, salt, sinf, ss01, ss02, ss03, ss04, ss05, ss06, ss07, ss08, ss09, ss10, ss11, ss12, subs, sups TA Modern Times graphic presentation at Behance

Broadgauge Ornate originated from MacKellar, Smiths & Jordan in 1869 and was only available as an all caps font with numbers. Today this old beautiful wood type rises again from the archives complete with original numbers and an all new lowercase. An all caps Greek character set has also been added plus accented characters for western, central and Eastern European countries. Included in each font file are two sets of left and right pointing hands located on the Less Than and Greater Than keys and also on the Bracket keys. Because this font works well with a Las Vegas theme I've decided to make the pointing hands gambling related with one set of hands rolling dice and the other holding cards. The condensed versions were created because in today's computer graphics applications people stretch and condense fonts to fit their project but don't notice the change in vertical stroke widths or line thickness. After compressing the letter shapes of each Broadgauge Ornate condensed font the vertical lines were corrected making sure they were the proper width or thickness. The results are balanced condensed versions that weren't simply compressed with out consideration for their appearance.