PHOENICA is a contemporary humanistic typeface family suitable for traditional high-resolution print purposes, office application and multi-media use. Of the creation formed the basis an idea which was developed for the first time by Lucian Bernhard approx in 1930 with the Berhard Gotic and was taken up in the last time by different written creators repeatedly: the repeated elimination anyway (in comparison to a Antiqua, e.g. Garamond) already very much diminished form Grotesque (as for example Helvetica) by systematic leaving out of the serifs. The horizontal direction of the writing is thereby stressed remarkably by which so-called »Rail effect« originates. The eyes can grasp the line to be read very well what is ordinarily left to a Serif-stressed font. By this desired effect is suited PHOENICA also for big text amounts. In numerous test runs Stems and tracking was compared to experienced fonts and was adapted. The experienced was taken over without renouncing, nevertheless, the modern and independent character PHOENICA. PHOENICA offers to you as a welcome alternative to the contemporary humanistic Sansserif. It is a very adaptable family for text and Corporate design uses. Several companies have discovered PHOENICA meanwhile as a Corporate font for themselves and use them very successfully. She provides a respectable typeface combined with refinement and elegance. Every PHOENICA family has at least six weights in each case in regular and italic. In addition more than three fine Haarline weights (Hairline 15, 25, 35). These are a total of 27 possibilities. Phoenica as well as Phoenica Condensed are excellently readable fonts, because they were optimised especially for amount sentence. Both basic styles (Regular and Condensed) are tuned on each other and follow the same form principle. The family is neither exclusively geometrical nor is constructed humanistically, the forms were sketched on quick and light Recognition effect of every single letter. The PHOENICA family design and logo is suited for all only conceivable uses like newspapers and magazines, for the book typography and Corporate Design.

Chillgangs is a monoline display typeface inspired from graffiti culture, with alternative glyphs and swashes. Chillgangs is perfect for apparel, logo, social media posts, advertisements, product packaging, product designs, label, and many more.

Ditho is an excellent handwritten script font. Ditho is suitable for social media posts, advertisements, logos & branding, invitations, product design, photography, watermarks, labels, wedding designs, product packaging, any event that requires a handwriting.

Priscilla is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

Retro Vintage , Inspired by 70s Design Era. Retro Vintage offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs. Includes a shadow/extrude version.

Santup is a display font that comes with a playful style. suitable for posters, tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Retro Sanderia, Inspired by 70s Advertising Design With 2 Style : Regular & Shadow Retro Sanderia offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Graphically drawn condensed bold style with abbreviated square serifs. PitchPipe was designed for all media and can be used in a wide range of point sizes. PitchPipe requires subjective display kerning and compensation.

Trostie Love is a handwritten font, cute and fun. This font is perfect for quotes, headings, blogs, logos, invitations, wedding, watermark, social media posts, product packaging, product designs, label, special events and more!

Retro Styla , Inspired by 70s Design Era , With 2 Style : Regular & Shadow, Retro Styla offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Introducing a new handwritten script font by Aestherica Studio. Bellowers is perfect for product packaging, branding projects, magazines, social media, wedding, or just used to express words above the background. Enjoy the font.

Cybestpunk is a display font that comes with a cyber tech style. suitable for tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Castonvilla is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

Hello Signature is a handwritten script font, this font is perfect for logos, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, special events, or anything else.

Oliver Notes is a new modern and stylish handwritten font. It's perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.

Qundeasy is a sloppy and cute handwritten font. First of all, it is suitable for handmade style design. Сan create interesting logos, posters, banners, social media creatives, postcards and greetings with this font.

Introducing by Adante.Creative Magnefida A Handwritten Script Font Magnefida is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Magnefida also multilingual support.

Xerochasy is a bold script with classic touch and very readable at glance. Really perfect for you who needs a typeface for especially logotype, apparel, invitation, branding, sticker, social media, packaging, advertising etc.

Hellowhiten is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Juliane is a thin lettered and delicate script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Scrouble is a display font that comes with a playful scribble style. suitable for tshirt, branding, social media, and so on. contains standard English letters, numbers, punctuation, and several accents that support multilingualism.

Quillain is a casual, fun handwritten font, created by using a marker. Clean and stylish, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects.

Mono-weight extra condensed display face. Lowercase sits on a floating baseline. Downtown was designed for all media and works best at 24 point and above. Downtown requires subjective display kerning and compensation.

Avengeline is a beautiful and refined script font. It has a classy, elegant and modern look that can be used for logos, branding, invitations, stationery, wedding designs, social media posts, and much more!

Fionetta is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

It is difficult to define the classification of Winterfell. The caps are definitely Roman however the lowercase is italic and slightly calligraphic. Because of its old style look I decided to describe it as modern medieval. This design reminded me of Game of Thrones hence the name Winterfell.

XPhyngern is a collection of pointing fingers taken from a variety of sources. Some come from the 19th century, when there were a great many used. Others are based on fingers I found in reproductions of medieval manuscripts. If you need a interesting pointing finger, try this typeface.

Cabazon is an informal blackletter inspired by handlettering samples from many sources, and various time periods. Works by Rudolf Koch and Friedrich Heinrichsen are reflected, as well as the work of showcard lettering artists Ross George and Samuel Welo. Medieval manuscript samples were also helpful in developing this style.

We named this font Scholz Secession. Fin-de-siecle Vienna, Austria is the source of this Jugendstil design from Schriftgiesserei Eduard Scholz. The original release was under the name Reklameschrift Secession. Most of the curve strokes look like commas to me. The letters are as soft and plump as the comforter on the bed I slept on in a Salzburg B&B many years ago. I was traveling with a college buddy and our next stop was Vienna. There a kind, young student named Hanna and her boyfriend took us under their wing. One of the places Hanna proudly showed us was Otto Wagner’s Majolika Haus, built in 1898, and only about 8 blocks from Secession Hall. Hanna explained to us that the style was called Jugendstil and represented Art Nouveau as interpreted within the framework of their culture. I even took a picture. After all, memories are part of who we are. Figures are old-style for text use. This font would not be my first choice for a spread sheet. Included are German ligatures ch (alt-0123) & ck (125), two period ornaments (135, 175) and lower case o and u with Hungarian long umlaut (215, 247)). A very likeable and easy-to-use font.

Alizé is a three-weight typeface inspired by the chancery italic of the 16th century. It is a high-contrast face, created with syncopations in axes and proportions and subtle irregularities that form a lively and delicate weave, suitable for setting a single word, a special expression, or a short block of prose. The family does not contain a roman, and instead promotes the italic as a primary style, a common printing convention in the 16th and 17th centuries. The italic lowercase predates inclined capitals by about twenty years, and as a nod to this typographic evolution, Alizé’s capitals, small capitals, and figures are very slightly inclined to match the energy of the lowercase. The low x-height and long ascenders and descenders, features associated with finesse and luxury, are reminiscent of the Venetian-style italic, but are further emphasised. Unlike the Venetian italic, however, Alizé has a sharp slope, giving a prominent sweep across the page (alizé is the name of trade wind). Each font of Alizé has a character set count of exceeding 700, and contains an abundance of ligatures, dynamic fractions, ornaments, and pan-European language support. They have also been manually hinted for the highest-quality display on both print and screen.

Hal Taylor's ITC Outpost was not the result of a detailed design brief, nor was there a methodical development of key concepts or characters. Outpost just seemed to emerge all at once during a brief sketching session," says Taylor. "I guess what I was thinking of was an antiquated Western perception of some sort of Middle Eastern hand lettering - a 'mysterious East' sort of thing." ITC Outpost's sense of the exotic has an almost Art Nouveau quality, with its sensuous curves and sweeping strokes. The open bowls and opposing weight bias in many of the characters add to the design's striking personality. A suite of alternate and swash letters enables the setting of distinctive display copy. ITC Outpost's family of roman, italic, and swash characters is compact but versatile. The caps have the grace and authority of a titling face. Add in the lowercase and swash letters and copy is transformed into something lighthearted and full of verve. ITC Outpost creates dramatic headlines and adds a flourish to invitations, menus, logos and packaging An accomplished designer, Taylor has spent most of his career in the lettering and typographic arts. He began as a photo-lettering typographer, setting headlines and creating custom lettering, and now works in the publishing industry. "

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. A few of the many interpretations from the early twentieth century were true to the source, as well as strong enough to last into the digital era. Caslon Black was designed by Dave Farey in the ITC library.

Vintage sheet music for a song from the 1941 animated feature "Mr. Bug Goes to Town" featured a casual, hand-lettered inline type style on its cover page. Recreated as the digital font Go to Town JNL, this design is presented in all the imperfect glory of pen and ink lettering. Go to Town JNL is available in the regular inline version as well as a solid version. A bit about the cartoon: The project was created by the legendary Fleischer Studios in Miami, Florida (they had relocated from New York City), after they could not obtain the rights to adapt Maurice Maeterlinck's "The Life of the Bee". Beset by the expenses of relocating to Florida, growing production costs on the full-length feature cartoon and other problems; mid-way through the making of "Mr. Bug Goes to Town" the Fleischer brothers were forced to sell their studio to their distributor (Paramount Pictures) in order to continue in operation. It was released on Dec. 5, 1941 - just two days before the Japanese attack on Pearl Harbor. The release [and subsequent re-release by Paramount as "Hoppity Goes to Town"] was a disappointing failure, earning [as late as 1946] only $241,000 of the initial cost of $713,511 it took to make the film.

Once upon a time (a.ka. 1984), there was a Goth band who called themselves "Hemingway's Shotgun." As a symbol of his commitment to this band, the bass player acquired a tattoo of a shotgun on his forearm. Unfortunately, this tattoo wasn't very well drawn: the barrel was much too short, and was much thinner at one end than the other. The tattoo rather resembled a small, cordless, rechargeable hand-held vacuum cleaner. Thus, the band "Hemingway's Dustbuster" was born.