YES! Seemingly insoluble lettering challenges can now be resolved by Comicraft’s uneFXpected and eFXceptional new font, FXMACHINA! Generate Enormous Threatening Sound Effects or Sinister Spikey Logos and Titanic Title Lettering with this Nefarious Machination designed by John Roshell. Crossover Events between Parallel Universes will instantly become Darker and more Secretive with the application of this Apocalyptic Omega/Alphabet. It’s like a Celestial Intervention! FXMachina features upper and lowercase characters, Western & Central European accents, and “Spike Mode” in Opentype Stylistic Alternates.

Cogeen is a fun display typeface that may be used for a variety of projects. This typeface is meant to be as distinctive as possible in order to generate a unique and memorable impression, making your project appear powerful and charismatic. Of course, this typeface is appropriate for a wide range of creative applications, including game covers, titles, book covers, outdoor events, posters, banners, promotional material, movie titles, YouTube covers and thumbnails, children’s games, cartoon projects, and other unique projects.

Bannertype is – at least for my feeling – the most German of all fonts. It was used heavily mostly in newsprint and advertising in the early 1900s. I designed a dirty version of the narrow font in 4 stages of dirtiness, plus one free shadow font. Since the font has too many points I cannot generate a OTF-version, I am over the limit for that. But I have tried this TrueType version and it works like a jiffy in MacOS 10.8.2!

Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals M and W are widely splayed, P and R have very large upper bowls. The Lowercase a h m and n of the Windsor font have angled right hand stems, e has an angled cross-stroke. The overall effect is one of friendliness and warmth. Use the Windsor font in advertising, on posters and for general display work.

The Wall Street Journal commissioned the original version of Escrow. Cyrus Highsmith designed forty-four styles in this new Scotch series, which sets the tone of the front page of the Journal, envy of the newspaper industry. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Windsor is an unusual design cut by Stephenson Blake in 1905. Windsor is a bold face with heavy rounded serifs and strong diagonal stress. Capitals “M” and “W” are widely splayed, “P” and “R” have very large upper bowls. The Lowercase “a”, “h” “m” and “n” of the Windsor font have angled right hand stems, “e” has an angled cross-stroke. The overall effect is one of friendliness and warmth. Use the Windsor font in advertising, on posters and for general display work.

Introducing Dancing Rose new generation Display Typeface. Dancing Rose Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Dancing Rose is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

We are introducing Mellar, a Variable display font. Mellar is an obese font with a simple and bold modern look. It consists of 2 styles: round and square, also three widths on each type: Toppo - Medio - and Botto. Mellar is a variable font, officially known as Open-Type Font Variations. You can generate many styles with the three available slider axes. Mellar will add fresh fun vibes to your designs. This font is perfect for clothing, book covers, titles, etc.

Nortika is a classy and distinct serif font. Add it confidently to your favorite creations and let yourself be amazed by the outcome generated. This font is PUA encoded which means you can access all glyphs and swashes with ease! Nortika is also included full set of: Uppercase and lowercase letters Multilingual symbols Numerals Punctuation Standard ligatures Discretionary Ligatures Alternates Wish you enjoy our font and if you have a question, don't hesitate to drop message & I'm happy to help :)

Introducing **Werner Display** new generation Decorative Typeface. Werner Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Werner is created with all the tasks of a corporate font and also for the usage in a variety of projects, including **branding, logos, titles, headlines, posters, screens, display, digital ads**, and everything else. We are putting a lot of effort on this font as a long-term project.

Introducing Cristaloak - a rough monoline script font. This font has a rough shape in the body of the font, different from monoline fonts in general. The rough shape of this font will make the retro/vintage feel more visible. Cristaloak is perfect for vintage design, badge, logos, t-shirt, poster, branding, packaging, signage, book cover and so much more! Come with opentype feature with a lot of alternates, its help you to make great lettering. This font is also support multi language.

Aberlo Display new generation Typeface. Aberlo Dispaly Typeface created with the vision of attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Aberlo is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding product, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Monotype Caslon Titling was made available for hot metal casting in 1932. The capital Monotype Caslon Titling letters were based on types from the Stephenson Blake Foundry, previously the Caslon Foundry. Originally designed by William Caslon in the eighteenth century, Caslon is considered an old face although it has characteristics which were later found in the transitional typefaces. The Monotype Caslon Titling font has a distinctive style, generous width and strong color, ideal for use in advertising, magazines and on book jackets.

Geometric dimensioning and tolerancing (GD&T) is a system for defining and communicating engineering tolerances. It uses a symbolic language on engineering drawings and computer-generated three-dimensional solid models that explicitly describe nominal geometry and its allowable variation. This highly specialized symbol font is designed specifically to be used by engineers to describe CAD produced outside the CAD environment. Included is a chart featuring character names and keyboard placement. Complies with ASME Y14.5M-1994. Updated to include 2009 addition of ‘unilateral’ symbol.

Athaar is a bold, modern sports font with dramatic movements and a strong feel for your latest project that requires a modern sports look. It is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product design, labels, photography, watermarks, invitations, stationery, and any project that requires a modern sport style. Athaar comes with uppercase, lowercase letters, numbers, punctuation, and many variations of each character, including OpenType alternatives and general binders to allow you to customize your design.

Bronkoh: A Subtly Softened Sans. Bronkoh aims to give a friendly face and soft touch to type both on screen and in print. Humanist forms and generous apertures make this a sturdy and legible face while its softened curves and terminals give it an approachable and welcoming spirit. The large character set and extensive latin language support make Bronkoh a highly functional font; This in conjunction with eight weights from thin to heavy, and matching italics add to its versatility.

Main idea of this font depends on creating a “well designed handwriting typeface”. With general brush script characteristics, this font is also designed in detail letter by letter to create the best geometric values. It is particularly designed to achieve better connections between letters as well as the best rhythm for words. It is not just a hand brush typeface, Flow handscript is a high quality designed typeface that can be used for graphic design like packaging, branding, poster design and invitations.

In the 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews is an example of what is termed “poster lettering” that is so free form and unusual it borders on the eccentric. Resembling lettering more commonly found in 1960s “underground comics” of the Hippie generation rather than of the Art Nouveau period, it oddly enough works well in both styles. This novelty typeface is now available as Hippie Comics JNL in both regular and oblique versions.

Introducing Flockin Display new generation Decorative Typeface. Flockin Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Flockin is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Aquinas is distinguished by the contrast between its upright, generous capitals and its narrow, slanted lower case letters which look almost like italics. The combination of these so different alphabets creates an opportunity to give texts an unusual yet elegant look. Aquinas is suitable for both running text and headlines and should be used in point sizes of 10 or larger. The lyrical and sophisticated feel of Aquinas makes it a particularly good typeface for poems, songs and other artistic texts.

ITC Clover is the work of California designer Jill Bell. ITC Clover's design is even, rounded, and friendly. It has the look of the loopy cursive writing taught in grade school, although its shapes are much more controlled. Capitals are decorated with generous loops and curlicues, which combine with a lowercase alphabet that is only reserved in relation to the capitals. The letters almost dance across the page even when they are static, and they bring their own dynamism to any animation.

Rebnick is a sans serif typeface where in the early design process, the adjacent stems and bars weren’t weld seamlessly and perfectly. You can actually find glitches which were carefully transformed into a custom language in it’s own and later became the coherent generic rule that keeps everything together. In display sizes, the ink traps give the font’s own character, while in small text sizes they create a good legibility and a well-balanced ratio between the black and white spaces.

Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron unites their contradictory approaches to create an expressive, yet versatile grotesk. As a result, Patron is characterised by a generous x-height, flared stroke endings and an unconventional shift in balance, inspired by Excoffon and a rigorously precise, modern interpretation for which Lange was most famous.

Introducing Miller Display new generation Decorative Typeface. Miller Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Miller is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

Rebeck Black is a typeface that evokes the best of two worlds, the classic and refined lines, the high contrast and forceful movements of the 18th century together with fresh strokes and risky characters that combine perfectly to place this typeface in the modern and avant-garde times of the 21st century. Created to be different, generate power and visual impact, it is ideal for use in identities, headers and all types of graphic pieces that seek to enhance the message.

Hagia Signature. Is a unique and natural script font. Its general appearance is in the form of light brush strokes and free flowing. Like the dancer's hand movements when we make upstroke and downstroke. Thick-thin in irregular but blended in harmony. It is a style that liberates expression, full of soul and character. We created this font for branding and only for branding. it's a great font applied to modern logos. Equipped with 99 ligatures to make a natural impression

Introducing Zoomber Display new generation Decorative Typeface. Zoomber Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Zoomber is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Sopi is a typography of ornaments, borders and combined frames. It was inspired by the design of limestone tile floors, located in different places in Buenos Aires. All characters have the same measure, which enables the possibility of any desired combination. In the case of edges or combined frames, the typography was programmed in a way that is possible to generate textures with 2 or more colors, attempting to rescue the colorful designs that were original thought in the limetone tile floor.

Introducing Cathyna Display new generation Decorative Typeface. Cathyna Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Cathyna is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

Introducing Rose Avenue, an extra bold serif font with soft, charming rounded edges and curves. Rose Avenue brings chunky retro typography to the modern era, and includes 70 additional special characters with additional flair and flourishes - providing you with a variety of captivating custom text arrangements. Whether it's a fancy retro-inspired logo, or engaging bold header text - Rose Avenue is able to deliver. Accessing Alternate Characters • Many letters of this font have multiple alternate versions (see final image). In order to access each one, simply make sure 'Standard Ligatures' are enabled, and follow your letter with a number. For example, typing 'A1, A2, A3, A4, A5' will generate the 5 alternate versions shown for capital A. Accessing Ligatures • There are 10 lowercase ligatures (double letters) included. In order to access these, simply make sure 'Standard Ligatures' are enabled, and the ligatures will automatically generate as you type. All special characters can also be accessed via a Glyphs panel. Language Support • Rose Avenue supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Corsa Grotesk is our very own tribute to two typographic giants: the Futura and Avenir typefaces. It is Designed with geometric simplicity in mind with well balanced strokes and modern touch. Generous proportions and x-height with more contemporary details - the single story ‘a’ and the horizontally barred ‘k’ being just two of many examples makes it shine in every jobs it takes. Corsa Grotesk blends the classic geometric aesthetics into a well-balanced font with generous proportions and minimal contrast. It features 10 weights ranging from Hairline to Black plus matching italics, as well as Cyrillic support for Bulgarian and Russian localizations. Filled with all the essential OpenType features like tabular figures, fractions, ligatures etc, it is a great choice for branding, advertising, user interfaces or any text that needs a bit of polish and a slick, present-day look that still feels familiar. With its 2.0 version we managed to polish the font even more. We revisited every path and fixed all the inaccuracies throughout. Corsa Grotesk now comes with way better and consistent spacing and kerning, just the right amount of contrast and balance. Live Tester | Download Demo Fonts | Subscribe

Wicked Hearts Is a chunky Serif font with an edge - it's a cool modern take on a retro classic, and it's ready to make a lasting impression on your merchandise, quote designs, header text, logos & branding, advertisements and much more. It's packed with plenty of alternates and ligatures to really bring it to life, and give you a wide range of customisation options. FAQs; Accessing Alternate Characters • Many letters of this font have multiple alternate versions (see image). In order to access each one, simply make sure 'Standard Ligatures' are enabled, and follow your letter with a number. For example, typing 'A1, A2, A3, A4' will generate the 4 alternate versions for capital A. Accessing Ligatures • There are 12 lowercase ligatures (double letters) included. In order to access these, simply make sure 'Standard Ligatures' are enabled, and the ligatures will automatically generate as you type. Standard Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Language Support • Wicked Hearts supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Zulia is located in the west of Venezuela and it is the state in where Joluvian grew up. It is a region of sunshine, high temperatures, oil and cheerful people, although we choose the name to honor his mother who is from there (zuliana) and who is proud of her land and everything that it represents the area. Zulia is also his first typographic project. It is based on two of his favourite calligraphic styles: italic and brush pen. He started with simple and contrasted strokes on paper with brush and marker. After that he developed the full alphabet and its various options for each letter, starting from a set of handmade forms that could be connected in different ways according to the user needs. What motivates him to involve this style was to create a differentiation with his daily work by generating a heavier type, contrasted and low rise. Zulia finally got life of its own with the participation of Alejandro Paul and a feedback of techniques and skills that were generated with the duo work. Zulia is not just a typeface, Zulia is his love of letters.

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Attached" because the "alef" and "lam" are attached together. The first "Alef" has a "fatha", this indicates to pronounce the first letter. So instead of saying "R-RAHMAAN" you say "AR-RAHMAAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation & spelling according to the Holy Quran). You will also notice that the decorative letters in this font are bigger than usual, we also used the traditional "soukoun" instead of the "Quranic soukoun" & we were a little bit more generous than usual with the decorative symbols. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Alef, Tah & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% Error Free, and you can use them with your eyes closed. All the “Tachkilat” are 100% Error Free, all the "Spelling" is 100% Error Free, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. --------------------------------------------------------------------------------------------------------------------------- Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

Introducing our new product the name Primavera Sans Serif Font Family comes with 9 different weights. Modern Sans Serif font that feels beautiful classy, elegant, and modern. This font is perfectly suited for a wide variety of projects, such as signature, stationery, logo, wedding, typography quotes, magazine or book covers, website headers, clothing, branding, packaging design, and more. Also for fashion-related branding or editorial design and displays both masculine and feminine qualities.