This is a stylized blackletter font with many OpenType features and 403 characters -- many of which are presently unknown for blackletter fonts: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on. The idea is a modern blackletter that is readable and usable for the American eye.

The French lettering book Album de Lettres Arti (1949) displayed a number of examples of unique, stylized typefaces. One in particular features a multi-line sans serif in a classic Art Deco style with open-ended characters. This design is now available as Sign Studio JNL in both regular and oblique versions.

The cover of the 1930s-era “Catalog of Artists’ Materials” from Ernst H. Friedrichs, Inc. (New York) has the words “Artists’ Materials” hand lettered in a stylized Art Deco sans serif type style. This unique design is now the digital font Art Materials JNL, which is available in both regular and oblique versions.

Azero is a extra heavy sans serif font with four style variations. The uppercase alphabet in particular is stylized to feature a wavy baseline on many of the characters, for a unique look that's just enough to add some unusual vibe and uniqueness. When your layout calls for heavy type with a wide (but not too wide) look, Azero is a strong choice. Great for bold headlines, logos, branding, wide horizontal banners, themes with a Hispanic flair, fitness products, food packaging, or retro poster styles.

Carelia is a modern multilingual (including cyrillic) serif family with classic forms, enhanced by extended OpenType features. It is well suited for all sorts of design - starting from web, to editorial and branding. Its stylistic alternates, swashes and ligatures (more 1200 glyphs in each font) will make your design even more stylized and unique. Carelia comes in two styles Upright and Italic - each has it's own character but both share the same curves and style. Both fonts are fully unicode mapped - can be used in any application of your choice.

San Marco is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. San Marco was designed by Karlgeorg Hoefer and brings to mind the style of the Italian Gothic found on the cathedrals of Milan and Florence as well as on the facade of St. Mark’s Cathedral in Venice. Its highly stylized characters make San Marco a good choice for extravagant typography.

Squared letters with rounded corners – Deco stylized letter forms – some characters with ‘hook’ semi-serifs – such is the mixed styles that comprise the hand lettered title “United We Stand” on a 1940s-era piece of sheet music. This unusual conglomeration of character shapes inspired the aptly named Hybrid Deco JNL, which is available in both regular and oblique versions.

Medieval Pixel VP is a highly stylized family of three fonts that combine familiar pixelfont forms with unique sharp details - evocative of a fantasy and historical aesthetic, retro video games, and horror movies. All styles include an extensive character set and numerous advanced OpenType features. Over 800 glyphs in each font ensure full support for over 200 languages.

Aprex Mono is a Mono spaced stylized industrial version of the Aprex Sans typeface, with multilingual support. The font is inspired by a basic sans serif glyphs structure, concerning the balance and optimization that bring a clean typeface, versatile for both display and body text use ideal for adding a touch of style to your creations and layouts!​​​​​​​

A British boxing film from 1953 called “The Square Ring” had its titles and credits hand lettered in a slab serif type style commonly referred to as “Egyptian”. Other familiar type fonts which share this influence are Karnak, Stymie and Beton. Sporting Event JNL was modeled from the film’s titles and is available in both regular and oblique versions.

Frasa is a contemporary serif family with characteristics that arise from the charms of Caslon and a touch of transitional style; the design offers distinctive proportions to serve long-running small text and the sturdiness of its own form to help as a headline font. Frasa shows that the family is shaped by the traditions of its ancestors through small details that show the personality of the typeface, such as pointed ball terminals and strong shoulders. The italic weights have their own beauty, which is created to humanize the form based on a stylized and natural cursive style with the aim of emphasizing the text's essential elements. The addition of small caps, old-style figures, ligatures, etc. to this type family satisfies conventional typographic requirements. Frasa typefaces can eventually lead to the use of powerful design tools to create editorial and casual design styles.

Clairvaux is a part of the 1990 program Type before Gutenberg, which included the work of twelve contemporary font designers and represented styles from across the ages. Linotype offers a package including all these fonts on its web page, www.fonts.de. Herbert Maring developed his Clairvaux based on early Gothic typefaces. Its clever design resulted in highly stylized yet legible characters.

Hand lettering on the packaging for an Arrow "Commander" Staple Remover seen in an online auction is the inspiration for the unusual and angular typeface comprising Staple Remover JNL. The Art Deco era of the 1930s and 1940s offers many wonderful examples of stylized and experimental lettering, and this, by far is one of the more eclectic styles of the time.

Zenaida is a distinctive display serif font adorned with stylized serifs, evoking a floral essence. Its graceful, flowing ligatures and stylistic alternates add an organic touch to text. Featuring a range of styles including Regular, Medium, Bold, ExtraBold, and an additional semibold weight, Zenaida offers versatility across various design applications, providing a diverse set of options to infuse character and distinction into projects.

Los Niches is a stylized sans serif typeface that combines modern, monoline characters with strokes and loops reminiscent of manuscript lettering. With a consistant, harmonious style Los Niches takes on a youthful flair when presented in bright colors, but is elegant and contemporary when dressed all in black. The flexible personality of Los Niches makes it ideal for catalogs, magazines or product packaging.

The More Than Life Bubble graffiti tag font is a typography style commonly used in street art and graffiti culture. It features rounded and inflated letters that create a three-dimensional, bubble-like effect. This style is often used for tagging, a form of graffiti in which an artist writes their name or a stylized chosen word to mark their territory or establish their presence. This font is perfect for your design needs with a graffiti theme. Features : - All Caps - numbers and punctuation - multilingual - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you

Aladdin Black is the 3rd member of our Aladdin Bold Font Family. This new style is extra bold and slightly rounded on the outsides of the glyphs. It is fat, fancy, fearless, forward, devilish, heavy, and stylized. Aladdin Bold was my first font introduced in 2012. I've always felt there were possibilities of adding styles to this family and something triggered the decision, so...here it is. I took much time deliberating over many of the finer details in this version of Aladdin and I hope the 'devil is in the details' for whoever decides to try on Aladdin Black.

The gaming world is loaded with so many cool logotypes that never see the full font light of day. The PowerUp family finds its origins of inspiration in the Super Mario Bros. logotype, and been expanded upon to create its two unique styles and extruded shadow typefaces. PowerUp celebrates the geometric sans serif stylings of the original logotype, both in its condensed and heavyweight forms, and gives them the full character set they deserve. It's fun and functional. Each font includes a full standard character set with expansive international support of latin based languages, and 2 weight/width styles and three shadow styles. This highly stylized family is ready to electrify design urges, both digital and beyond. Here's what's included with the PowerUp Family: 480 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. 5 styles: Regular, Black, Shadow, Black Shadow One, & Black Shadow Two. Layered Black & Black Shadow Two can be scaled down to 62% to match inspiration logotype. Here's why the PowerUp Family is for you: You're in need of a dynamic geometric font with extruded shadow layerable fonts You're a huge Super Mario Brothers fan You're a gamer, obsessed with all gaming related things You are looking for a techno style font family with Condensed AND Uber Black styles You just like to collect quality fonts to add to your design arsenal

Fendysa is a script font with beautiful romantic calligraphy style. Whether you’re looking for fonts for calligraphy scripts for DIY projects, Styll Love will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of special features including stylistic alternate glyphs and ligatures.

Gjallarhorn is based on uncial-style lettering by artist Willy Pogany from his titles for Padraig Colum's classic collection of Scandinavian myths, The Children of Odin. It has various peculiar letter forms, and the font includes two or more different versions of many of the characters. An excellent example of stylized hand lettering by one of the great decorative artists of the Art Nouveau period.

Regalhisa is a script Font with modern beautiful calligraphy Style. Whether you’re looking for fonts for calligraphy scripts for DIY projects, Styll Love will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of special features including stylistic alternate glyphs and ligatures.

Sheet music for the 1939 song “On the Paraña” featured Art Deco hand lettering in a classic “thick and thin” style, with many stylized characters. The publisher of the song was the Theodore Presser Company of Philadelphia, so the name “Presswork” aptly fit this typographic design. Presswork JNL is available in both regular and oblique versions. For trivia buffs, the Paraña is a river in Brazil.

CONSO is an elegant, modern and contrast sans-serif font family. It includes upright and Italic style, each of them has seven weights from thin to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. CONSO includes stylistic alternates with a teardrop-shaped tail for uppercase and lowercase, with them, you can change the style of your project and add personality to it and make it more stylized. This font is easy to use has OpenType features.

The cover title for the July, 1935 issue of Harper’s Bazaar magazine was hand lettered in a condensed, squared slab serif design with a few stylized characters. This is now available as Stylish Title JNL, in both regular and oblique versions. For many years, each issue of the magazine had its title rendered in different type styles; offering many unique variations to coincide with that month’s cover art.

Introducing Neotype. Abstract font family with colored halves. An interesting and unusual fonts in the glitch style. Combination of clear shapes with soft gradients. Geometric color stylization of letters. Features: - Uppercase and lowercase the same size but different colors. - Transparency in letters. - Kerning. IMPORTANT: - Check the glyphs in the font before buying! - SVG fonts contain raster letters. - Check it www.colorfonts.wtf - Try a FREE DEMO version before buying. ld.luxfont@gmail.com

The font Simeon is based on a historic Armenian handwriting notrgir that was made popular in 1756-1757’s by Johann Michael Fleischman who used it for Johann Enschede’s typefoundry and Armenian handwritten capital letters from other European sources edited by a modern Armenian designer. It also contains style and time appropriate Bastardo-Latin and a stylized Cyrillic, complete with full set of Armenian characters and ligatures, required Latin ligatures.

Rogenne is a display serif font. Rogenne font also have elegant touch in every single character there make look more classy and luxury. This font has alternate and ligature features which are good for stylizing your text for completing various projects such as banners, brochure, logos, products, labels, websites, posters, brands and many more. Feature: - Kerning - Alternative Style and Ligature - Uppercase and Lowercase Letters - Numeral - Punctuation and Symbols - Multilingual Supports

Introducing new serif display typeface its called Limit Corner. Inspired by victorian style with classic style .OpenType features some characters that allows you to mix and match pairs of letters to fit in your designs. It’s an all caps typeface, with strong and sleek letters. It features over 50 stylised alternatives, offering an infinite opportunity to customise and create logos, headlines, titling, product packaging, labeling, logo, classic shop, badges, movie title, t-shirt, posters, label, greetingcard, letterhead, book cover, etc. To access the alternat glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS and Adobe Indesign Features : Character Set A-Z Numerals & Punctuations (OpenType Standard) Accents (Multilingual characters) Thanks and enjoy designing.

What do you get when you cross Industrial Revolution with Art Déco? The raw force of steam-powered vessels with the panache of dashing streamliners? A sturdy industrial grotesque with a swanky stylized sans? We don't know, but our Layfort is a strong contender. It's a contrasted sans-serif typeface with old-style proportions: varying letter widths create a more vivid texture than your usual contemporary sans, and the true italics are narrower than the uprights. Layfort is elegant enough for fashion, art, and luxury; yet sufficiently sincere for serious business. And at 16 styles & 750 glyphs, it's ready for complex typographic demands (try the round dots at SS09). Let your designs fly!

Beehive is an Art Deco inspired display typeface with a unique slant, each word fits below one another neatly, which is perfect for creating stylised titling and logos. Beehive is made to look like a vintage, art deco styled typeface, the font is ideal for branding, posters, band artwork or album covers and endless other uses. Great for titling or medium sized text, made to be as big as possible because of the thin lines.

This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle. This an attempt at a readable sans serif for text. It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.

Stonecrop is a font unified by bold, imposing lines as well as its use of rounded rectangles as the central stylistic shape. Stonecrop loosely conforms to the monospaced font style, with near-equal widths for all letters and numbers (but not all symbols/punctuation), however it does incorporate kerning for all types of glyphs where appropriate to aid in legibility. A perfect font for usages that demand consistency and precision, while still maintaining a quirky and stylized handwritten effect.

BeneCryptine is not based on any particular calligraphic type style. It has exaggerated upper-case letters and hyperactive lower-case letters that give it a wild and undisciplined look. It comes in four styles: the base style, a decayed variant, a shadowed style, and a final style that looks much like the base style but which has the spacing of the shadowed style. This last style can be layered with the shadowed style to easily create lettering with two colors.