8,186 search results (0.041 seconds)
  1. Borough Park JNL by Jeff Levine, $29.00
    Borough Park JNL is named for a neighborhood in the southwestern part of the borough of Brooklyn, NY and was modeled from hand lettering found on vintage sheet music.
  2. Metal rocker by Letterafandi Studio, $14.00
    Metal Rocker is a natural handwritten font. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.
  3. Noodle by Letterhead Studio-VV, $15.99
    Noodleis a hand made font. It's a fun and whimsical font that would be perfect for greeting cards, toys, picture books or anything that requires a naive sensibility. Enjoy!
  4. Blastero by Letterafandi Studio, $14.00
    Blastero is a natural handwritten graffiti font. It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch.
  5. Baroque Borders A by preussTYPE, $21.00
    PT Baroque Borders A is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressive greeting cards, wedding invitations or decorative certificates.
  6. Javarosa by Letterniz, $25.00
    Javarosa is a handwritten script font. Looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design that requires a handwritten touch.
  7. Majestic Valentine by Seemly Fonts, $12.00
    Majestic Valentine is a tall and sweet font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!
  8. Sunkist Splash by Lemonthe, $15.00
    Sunkist Splash is clean and beauty bouncy script font. It’s the perfect font for branding, wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!
  9. Georado by Balpirick, $15.00
    Georado is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!
  10. Christmas Thania by Andrey Font Design, $14.00
    Christmas Thania is a friendly, fresh, rich, and elegant handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch.
  11. Rooters by Letterafandi Studio, $14.00
    Rooters is a Handwritten font. That font is perfect for; logos, greeting cards, package design, brand identity, craft design, any DIY project, book title, packaging, another project, and more.
  12. Anathalya by Letterniz, $27.00
    Anathalya is a handwritten script font. Looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and any other design that requires a handwritten touch.
  13. Christmas Mint by Brithos Type, $11.00
    Christmas Mint is a friendly, fresh, rich, and elegant handwritten font. It is ideal for holiday-themed greeting cards and for any crafting project that requires a romantic touch.
  14. Derivation by Seemly Fonts, $12.00
    Derivation is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!
  15. Weisshorn Brush by Bal Studio, $12.00
    Weisshorn Brush is a new brushed textured font which includes extra swashes. Perfect for brand projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm.
  16. TOMO Catcher by TOMO Fonts, $15.00
    TOMO Catcher is a sweet and friendly handwritten font. The extra narrow style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!
  17. SCR-N by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  18. SCR-I by URW Type Foundry, $39.99
    SCR fonts are screen optimized (also called 'pixel fonts'). Unlike standard fonts (and like the few well-hinted fonts like Verdana or Arial), they give a crisp look on screen at very small sizes, thus increasing legibility. The perfect applications for those fonts are web pages and software user interfaces (computer, cellular phones, console games and any other system that uses a screen interface). Unlike most pixel fonts, SCR fonts contain kerning information. Kerning is the adjustment of space between certain pairs of characters (like 'AV') to make text look more fluid, thus increasing legibility and appeal. To benefit from this feature, auto-kerning must be activated in the application. In Photoshop, kerning must be set to 'Metrics'. Although SCR fonts are optimized for screen, they can be used for print (in Illustrator or Indesign for example) for a decorative 'computer text' effect. In this case, there is no constraint: they can be used as any other font. For screen use (in Photoshop, Fireworks, Flash... ), they have to keep aligned with the screen pixel grid not to look blurred or distorted. To achieve this, here are the guidelines to follow: RESOLUTION If the application permits it (Photoshop, Fireworks), document resolution must be set to 72 pixels per inch. SIZE The font size must be set to 10 (or multiples of 10) points. POSITIONING & ALIGNMENT The reference points of text fields and text blocks (upper left corner for left aligned text, upper right for right aligned text) must be positioned at integer values of pixels. In Photoshop, text can be precisely moved with [Edit Free Transform]. In Flash, movie clips containing text fields must also be positioned at integer values on the stage. Text must be aligned to the left or right only. Center alignment can be simulated with left alignment by adding spaces at the begin of each line. To dispense with the positioning and alignment constraints, text anti-aliasing can be turned off if the application permits it (Photoshop, Flash MX 2004). OTHER SETTINGS Leading (line spacing), tracking (letter spacing), manual kerning and baseline shift must be set either to integer values of points or to multiples of 100 units (depending on the application). Vertical and horizontal scaling must be set to 100%. Faux bold or Faux italic must not be used. The document must neither be resized on export, nor allow resizing (Flash Movies).
  19. Dirty Headline - Unknown license
  20. Paris ND by Neufville Digital, $29.60
    Paris was designed by Crous-Vidal in 1953 and is part of the Grafía Latina collection. Paris Bold originally had two alternative capital letters O, one with pronounced 45° stress; they are both incorporated in the ND version. París is a Trademark of BauerTypes SL
  21. Alterous Text by ZetDesign, $15.00
    Alterous is made for a bold impression on each of your works. This font can be used for title and text display so it is suitable for all types of designs, whether posters, flyers, banners, t-shirts, screen printing, magazines, newspapers, logos, and others.
  22. Alterous Display by ZetDesign, $15.00
    Alterous is made for a bold impression on each of your works. This font can be used for title and text display so it is suitable for all types of designs, whether posters, flyers, banners, t-shirts, screen printing, magazines, newspapers, logos, and others.
  23. Ellisea by cm5dzyne, $10.00
    Ellisea (pronounced L-S-E) blends traditional letter shapes with straight lines to project a strong, unique image perfect for display purposes or medium-length text blocks. Ellisea is best used in printed material but is attractive in small sizes on screen as well.
  24. Fan Magazine JNL by Jeff Levine, $29.00
    In the December, 1934 issue of Modern Screen magazine, a number of feature article headlines were hand lettered in a condensed slab serif with a relatively uniform stroke weight. This is now available digitally as Fan Magazine JNL, in both regular and oblique versions.
  25. Inline Square JNL by Jeff Levine, $29.00
    Inline Square JNL is modeled from the hand lettered title found on the 1935 sheet music for "Cielito Lindo (Beautiful Heaven)", and is available in both regular and oblique versions.
  26. VA Fluttered Lashes by V Anderson Designs, $14.00
    Fluttered Lashes is a handwritten monoline font with both discretionary and standard ligatures to give your products that handwritten feel. It's perfect for greeting cards, fun branding, and crafting files.
  27. Artful Nouveau JNL by Jeff Levine, $29.00
    Artful Nouveau JNL was modeled from the hand lettering on the sheet music cover for the 1910 song "Gee, But It's Great to Meet a Friend from Your Home Town".
  28. Strawberry Gossip by PizzaDude.dk, $20.00
    Here is something to talk about! Spread the word - spread the gossip! An elegant combination of thin and fragile lines, made with a fine pen. Fine lines, crunchy, sweet curls.
  29. Kinglet by Atlantic Fonts, $26.00
    Digging a typeface with a sweet mood? Kinglet is sassy, hand-drawn, and sports a royally fun set of double letter ligatures. Like it's namesake, Kinglet is lively and lovable.
  30. Nouveau Work JNL by Jeff Levine, $29.00
    Based on the sheet music title lettering for Al Jolson's 1920 song "Grieving for You", the casual style of Nouveau Work JNL is available in both regular and oblique versions.
  31. LD Enquirer by Illustration Ink, $3.00
    Have you Enquired lately? It's time...so choose the thick lines and slightly uneven character placement of LD Enquirer...perfect for light-hearted scrapbook pages, journaling, greeting cards, and tags.
  32. Rhineland Roman JNL by Jeff Levine, $29.00
    Rhineland Roman JNL was modeled from the hand lettered title of some 1939 German sheet music entitled "Ich Hab'Mir Fur Grinzing", and is available in both regular and oblique versions.
  33. Drexel JNL by Jeff Levine, $29.00
    The bold hand lettered title on the 1940 sheet music for the band piece "Drexel Marching Song" was the inspiration for Drexel JNL; available in both regular and oblique versions.
  34. Summer Ink by Seemly Fonts, $12.00
    Summer Ink is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!
  35. Almond Cake by Epiclinez, $14.00
    Almond Cake is a sweet and stylish handwritten font. Its natural and unique style makes it incredibly fitting for a large pool of designs. The only limit is your imagination!
  36. Wonderful JNL by Jeff Levine, $29.00
    A little bit of thick-and-thin Art Deco hand lettering is offered up in Wonderful JNL, based on some promotional text found on an old piece of sheet music.
  37. Jumping Unicorn by Subectype, $15.00
    Jumping Unicorn is a sweet and friendly display font. Its natural and cute style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!
  38. Lets Sparkle by Lucky Type, $12.00
    Let’s Sparkle is a brand-new handwritten font that will be perfect for books, wedding invitations, greeting cards, logos, posters, or anything else that needs a fun and happy look!
  39. Delina by Letterena Studios, $9.00
    Delina is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create!
  40. Grotley by Owl king project, $39.00
    Grotley is designed with a sweet shape, supported by several weights, making the equipment very supportive for all design needs or projects that look premium. let's start designing. Be happy
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