Proudly present New Yorkies - Bubble Type, created by ikiiko. New Yorkies is a handwritten bubble font with spontaneous curves inspired by the visual of the fashion street style. This type is in the form of free writing with a art, expressive, cheerful, and youth spirit. New Yorkies is very suitable for making a streetwear brand, poster or magazine layout, fashion design, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates Multilingual Support Works on PC & Mac

German type designers Verena Gerlach and Ole Schäfer created this sans FontFont in 2000. The family has 5 weights, ranging from Regular to Bold and is ideally suited for editorial and publishing and poster and billboards. FF CST Berlin East provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF creative industriesty Street Type super family, which also includes FF CST Berlin West.

Thought Balloons. No use for them any more. You can't be taken seriously when your thoughts are floating above your head in cute, puffy clouds. Doesn't look good. When the streets are extended gutters and the gutters are full of blood, a thought bubble just isn't noir enough, is it? It's gotta be GRIM. It's gotta be GRITTY. Let's face it... It's gotta be GRIM'N'GRITTY. In Italic and Bold Italic. Also Regular and Bold. But I've little use for them either. Talk is cheap.

Morton Taggity" is described as an impressive graffiti font. Fonts within this category often exhibit bold, dynamic, and expressive letterforms typical of graffiti art. Such fonts are commonly used in urban-themed designs, street art, posters, and various creative projects aiming for a bold and eye-catching typographic style. With "Morton Taggity," you can create designs that convey urban aesthetics and the energetic spirit associated with graffiti art. Its bold and expressive nature makes it suitable for projects where a vibrant and impactful typographic style is desired.

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

German type designers Verena Gerlach and Ole Schäfer created this sans FontFont in 2000. The family contains 4 weights and is ideally suited for editorial and publishing, poster and billboards as well as wayfinding and signage. FF CST Berlin West provides advanced typographical support with features such as alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining and tabular lining figures. This FontFont is a member of the FF creative industriesty Street Type super family, which also includes FF CST Berlin East.

Introducing our newest graffiti-themed font collection, with realistic flat marker 2 Style : Regular & Swash perfect for adding an edgy and urban touch to your designs. Our collection features bold and expressive typefaces that are inspired by street art and graffiti culture. Our graffiti fonts are designed to capture the energy and vibrancy of urban environments, with expressive lines and curves that create a sense of movement and fluidity. They are perfect for a range of projects, from advertising and editorial design to branding and packaging.

Introducing Balsoon - Inspired by urban typeface with texture style, Balsoon has strong character perfect for urban street design. Balsoon is perfect for branding, logo, invitation, stationery, product packaging, merchandise, monogram, blog design, game titles, cute style design, Book/Cover Title and more. Features : - Ending swash - Ligatures - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features. Hope you enjoy with our font! Attype Studio

Nu?! Vhat else vould you font?! Introduction to the first kosher vant...er...font! Yes, our Board certified rabbis made all the proper blessings so you can use this font guilt free. Just kidding, what's Jewish without a schmear of guilt. This font borrows its style from the 2nd. Avenue Deli all the way down to Guss Pickles on Essex street. If pastrami on white bread with ketchup is for you, this font is NOT. Its strictly pastrami on rye with mustard and slaw on the side.

Tendencies – Graffiti Font This font describes culture, hip-hop, gravity, style, spray, road, travel, is easy to use and will bring good harmony when the letters are connected with alternate styles and paired with each other Tendencies has more than 489 Glyphs FEATURES - Ligatures - Stylistic Alternates - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation USE Tendencies works great in any branding, board, logos, apparel, produk pagaking, magazines, label, films, stationary, poster, etc. and any projects that need street art taste.

STONES is a supercharged, street-wise brush font bursting with energy. With extra attention to quick strokes and sharp details, STONES is guaranteed to deliver an unapologetically loud & fast-paced message; ideal for logos, apparel, quotes, product packaging, or anything which needs a typographic turbo-boost. What you get : Numeral and Punctuation International Language Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word. Thank you for your purchase! Hope you enjoy with our font!

Stand Against Handwritten Graffiti Font Stand Against is a street display graffiti script font. With back slanted mono-line stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Stand Against font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or signature. Make a stunning work with Stand Against font. Cheers, MaulanaCreative

Morton Taggity” is described as an impressive graffiti font. Fonts within this category often exhibit bold, dynamic, and expressive letterforms typical of graffiti art. Such fonts are commonly used in urban-themed designs, street art, posters, and various creative projects aiming for a bold and eye-catching typographic style. With “Morton Taggity,” you can create designs that convey urban aesthetics and the energetic spirit associated with graffiti art. Its bold and expressive nature makes it suitable for projects where a vibrant and impactful typographic style is desired.

The first Clarendon was introduced in 1845 by R Besley & Co, The Fan Street Foundry, as a general purpose bold for use in conjunction with other faces in works such as dictionaries. In some respects, Clarendon can be regarded as a refined version of the Egyptian style and as such can be used for text settings, although headline and display work is more usual. Clarendon is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

YAPARI is a font inspired by a street typography located in a Makassar city 2005, this writing is poured into a font and then made several variations of width which are Wide, Extended, and Expanded kind of stretched font then have thickness ranging from Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Ultra. This font is suitable for use for design projects that have a bold impression and can also be used for all lines of media as well as formal and informal

Jim Rimmer’s first typeface was originally published in 1970 as a basic film type alphabet through a small, independent type house in central California. Its sources of influence (now calligraphic type standards by Dair, Goudy and Zapf) are ones that remained with Jim for the rest of his career. If you squint at Totemic in just the right way, you can see some recognizable themes Jim would later flesh out and make his own in later works throughout his career as a type designer and printer. Totemic is now available for the first time as a digital font, of the refined and expanded kind now expected from Canada Type. It comes with quite a few standard advanced typography features: Small caps, caps-to-small-caps, automatic fractions and standard ligatures, stylistic alternate sets, six kinds of figures, case-sensitive forms, and extended Latin language support. It also comes with a very unique and unprecedented feature: Variably stackable totem poles. Simply enable the discretionary ligatures feature, type any unique three-digit combination using numbers between 1 and 4, and watch the magic happens. With a name like Totemic, we just couldn't help ourselves. Many thanks to Andrew Steeves of Gaspereau Press for finding Jim’s lost gem in a most unexpected place, and for helping us bring it back to life 45 years after its analog birth. 20% of Totemic’s revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

Developed for ParaType (ParaGraph) in 1995 by Alexander Tarbeev, based on letterforms of various screen fonts. For use in advertising and display typography.

Its manuscript and informal profile emphasizes its sweet and feminine style.

Paula Fluiton is a font in an elegant signature style. This typeface is suitable when used for writing a brand name, as a logo or naming a product. When used for an invitation or greeting card, it will make the greeting you write more beautiful and luxurious.

FatSally is written with a broad felt-tip marker, scanned and finished by hand on screen, taking care to emphasize the typical "marker" feeling.

Illinoise is a mutation of one of the most beautiful screen fonts ever. But, there are no straight lines. Everything is shaking. Let's party!

ATF Franklin Gothic® A new take on an old favorite Franklin Gothic has been the quintessential American sans for more than a century. Designed by Morris Fuller Benton and released in 1905 by American Type Founders, Franklin Gothic quickly stood out in the crowded field of sans-serif types, gaining an enduring popularity. Benton’s original design was a display face in a single weight. It had a bold, direct solidity, yet conveyed plenty of character. A modern typeface in the tradition of 19th-century grotesques, Franklin Gothic was drawn with a distinctive contrast in stroke weight, giving it a unique personality among the more mono-linear appearance of later geometric and neo-grotesque sans-serif types. Franklin Gothic has been interpreted into a series of weights before, most notably with ITC Franklin Gothic. But as the original type was just a bold display face (later accompanied by a few similarly bold widths and italics), how Benton’s design is expanded to multiple weights and styles as a digital type family can vary significantly. Benton designed several gothic faces that harmonize with one another, including Franklin Gothic, News Gothic, and Monotone Gothic, that can serve as models for new interpretations of his work. With ATF Franklin Gothic, Mark van Bronkhorst looked to Benton’s Monotone Gothic—originally a single typeface in a regular weight, and similar to Franklin Gothic in its forms—as the basis for lighter styles. ATF Franklin Gothic may appear familiar given its heritage, but is a new design offering a fresh take on Benton’s work. The text weights are wider and more open than some previous Franklin Gothic interpretations, and as a result are quite legible as text, at very small sizes, and on screen. ATF Franklin Gothic maintains the warmth and the spirit of a Benton classic while offering a suite of fonts tuned precisely for contemporary appeal and utility. The 18-font family offers nine weights with true italics, a Latin-extended character set, and a suite of OpenType features. Download the PDF specimen for ATF Franklin Gothic.

An industrial-weight typeface inspired by graphics laser-cut from sheet metal.

A rounded-joined-script font, well suited for invitations and greeting cards.

Enthra Centro script is an elegant combination of a script . It is slender, feminine and classy, while still maintaining a friendly feel. Enthra Centro script is versatile and will work perfectly for e-commerce brands, wedding boutiques, initial name cards or any business that wants to appear upscale and chic. With its many varian stylistic character Enthra Centro script is perfect for creating original and functional designs. It has extensive language support and alternates, stylistic sets that add visual interest to every letter. You can use the Enthra Centro script for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, ads and the various web and screen usages. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style.

Soul Silver is an elegant. It is slender, feminine and classy, while still maintaining a friendly feel. Soul Silver is versatile and will work perfectly for fashion, e-commerce brands, trend blogs, wedding boutiques or any business that wants to appear upscale and chic. With its many varian stylistic character Soul Silver Script is perfect for creating original and functional designs. It has extensive language support and ligatures, alternates, stylistic sets that add visual interest to every letter. You can use the Soul Silver script for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, book covers, ads and the various web and screen usages. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style.

Chigland script is an elegant script combination. It is slender, feminine and classy, while still maintaining a friendly feel. Chigland script is versatile and will work perfectly for e-commerce brands, wedding boutiques, initial name cards or any business that wants to appear upscale and chic. With its many variant stylistic character Chigland script is perfect for creating original and functional designs. It has extensive language support and alternates, stylistic sets that add visual interest to every letter. You can use the Chigland script for high-end logotypes and magazine headlines, but let’s not forget greeting cards, invitations, posters, ads and the various web and screen usages. The overall feel of the font is elegant, sophisticated with a touch of informal and it is ideal if you want to convey a sense of class and style.

The Azbuka™ typeface family has its roots in a fairly pedestrian source. “The idea came in part from an old sign in London that read ‘SPRINKLER STOP VALVE’,” says Dave Farey, designer of the typeface. Like all good sign spotters, Farey took a photograph of the sign and filed it away for possible use in a lettering or typeface design project. In Prague a number of years later, the street signs reminded Farey of the London signage - and his camera came out again. Comparing the two back in his studio, he realized that the signs from London and Prague were not as similar as he initially thought. However, they were enough alike to serve as the foundation for a no-frills, 21st century sans serif typeface family. “I wanted to draw a wide range of weights, italic and condensed designs all in one go,” recalls Farey, “rather than add on to the family later.” His goal was to create a family that could be used for text and display copy, with sufficient weights to provide a broad typographic palette. Indeed, the completed design, created in collaboration with fellow type designer Richard Dawson, consists of twenty typefaces in eight weights ranging from extra light to extra black. The five mid-range designs have complementary italics. Seven condensed designs round out the family. Azbuka’s lighter weights perform remarkably well in blocks of text composition. “They’re clean and legible - and perhaps a little boring,” says Farey, “but they are perfect for copy with a down-to-earth, yet contemporary flavor.” The heavier weights are equally well suited for a variety of display uses. The designs are authoritative but not overbearing and will readily make a strong statement without calling attention to themselves. The condensed weights of Azbuka are ideal for those instances where you have a lot to say - and not much room to say it. The name Azbuka? It’s Russian for “alphabet.” And what more appropriate name could there be for this utilitarian, industrial-strength type family than alphabet? The Azbuka family is available as a suite of OpenType Pro fonts. Graphic communicators can now work with this versatile design while taking advantage of OpenType’s capabilities. The Azbuka Pro fonts also offer an extended character set that supports most Central European and many Eastern European languages

Adroit was designed by Phil Martin in 1981. Adroit’s letters have a strong contrast between thick and thin strokes and a distinct diagonal stress.

Gangnam is a captivating display font that dances to its own rhythm, embodying the spirit of the vibrant Gangnam district. Gangnam strikes the perfect balance between subtlety and impact, with a weight that is not bold, allowing the Korean-inspired letterforms to take center stage. The characters in Gangnam showcase a unique Korean touch, capturing the essence of the dynamic and stylish district. The large letters, while not bold, maintain a visible presence, creating an overall design that is both graceful and attention-grabbing. Gangnam is not just a font; it's a visual journey through the eclectic streets of Gangnam. In addition, enjoy the features here. Features: Alternates Ligature Multilingual Supports PUA Encoded Numerals and Punctuations The Korean-inspired design ensures that Gangnam infuses a sense of style and cultural authenticity into any project. Gangnam fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Holigan is a Modern Sport font that created special for Branding, Title and more stand out typography needs, with extra alternative styles that make your design more memorable. It's so perfect to add your style and headline overview for sport, technology, actions, and fighting theme. And specially for this font, we crafted for bold action style and modern feels so enjoy to create any project that will show your main idea out. Holigan Modern Sport font ready with: 4 Font variation characters prepared to get creative alternatives Preview as a inspirations that you can do with Holigan font Ready with All Uppercase characters Wish you enjoy our font. :)

AVEGA is a Modern Sport font that created special for Branding, Title and more stand out typography needs, with extra alternative styles that make your design more memorable. It's so perfect to add your style and headline overview for sport, technology, actions, and fighting theme. And specially for this font, we crafted for bold action style and modern feels so enjoy to create any project that will show your main idea out. AVEGA Modern Sport font ready with: 4 Font variation characters prepared to get creative alternatives Preview as a inspirations that you can do with AVEGA font Ready with All Uppercase characters Wish you enjoy our font. :)

Layer is a Layered Logo Modern Font that created special for Branding, Title and more stand out typography needs, with extra alternative styles that make your design more memorable. It's so perfect to add your style and headline overview for sport, technology, actions, and fighting theme. And specially for this font, we crafted for bold action style and modern feels so enjoy to create any project that will show your main idea out. Layer - Layered Logo Modern Font ready with: Font variation characters prepared to get creative alternatives Preview as a inspirations that you can do with Layer font Ready with All Uppercase characters Wish you enjoy our font. :)

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera Cyrillic shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. It has Bandera Cyrillic Text and Bandera Cyrillic Display sister families as well. Please check also Pro verion for pan-european support (full Latin-Greek-Cyrillic). Bandera is Spanish for 'flag'. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Here's yet another variation of the classic Futura Black Art Deco stencil form of display lettering. The inspiration for this typeface came from various images of the Blossom Dairy Co. restaurant, originally opened as an ice cream and sandwich shop located on Quarrier Street in Charleston, West Virginia. The restaurant first opened in 1938 as an outgrowth of the Blossom Dairy Co. itself, and existed under various ownerships until it permanently closed on Nov. 11, 2016. Digitally redrawn as Local Eatery JNL, it is available in both regular and oblique versions.