GrottoGoth is a sans serif created to expand the availability of fonts used in creating Gothic, Halloween, and overall spooky designs. This is the first font designed by Grey Fortress Enterprises. Additional variations are planned and other original fonts are in the works.

GASCO is a collection of natural handwritten letters inspired by the retro style of the 70s and 80s, the style seems to take us a little back to the manual era, this type of letter is very unique, you can change from modern to retro or vintage style with a combination of a collection of alternates so it is ready to help To make your design look elegant, in the image shown you can see what this letter can do. There is a condensed version and an italic version of the font included 9 Upright and 9 Italic weights, ranging from Sheer to Black, all coming in 1 Outline style. This font also comes with 1 more elegant display style.

Phlebodium - geometric sans serif typeface, 16 fonts Phlebodium is a modern geometric sans serif font family. Nostalgic, soft and playful font in 80s 90s 2000s techno rave style. BONUS: vector cannabis / hemp leaf, sunflower, mushroom / fungus, meat, unicorn, heart, pizza, hot dog, sun, phlebodium, clover, dog, cat, bear, sun character mascot illustrations and t-shirt designs Phlebodium type family available in 16 styles. 8 Italics 4 weights: Thin, Regular, Medium and Bold 2 widths: Normal and Condensed This bold typeface is ideal for use in display sizes. Perfect for headlines and logos, text blocks, any type of graphic design, printing, t-shirts, posters, branding, web and applications, social media and many more Phlebodium typeface contains 4 weights, normal, condensed and italic styles

Ermou is a display monospace font. The typeface has a distinct geometry using sharp angled corners as a tribute to writing and carvings of Ancient Greece. The name is derived from Ermou Street (Οδός Ερμού) or “Street of Hermes” named after the Ancient Greek messenger God and "the bringer of good luck" Hermes (Ἑρμῆς). The famous street was one of the first roads designed in modern Athens, Greece. Today Ermou is Athens’ commercial heart and top ten most expensive retail streets in the world. Ermou is great for team sports, display work, invitations, writing, architecture, fashion, posters, titles and headings.

Miramonte Pro was designed by Steve Matteson in 2006 as a friendly sans serif design suitable for user-interface design, corporate branding and publishing. The name means 'behold the mountains' in Spanish, suggesting the rustic, unrefined type design. Miramonte is based on Stanislav Marso's humanist sans serif released by Grafotechna in 1960. This revival includes a cursive style italic rather than a sloped roman. Miramonte Pro includes an extensive character set for publishing Central and Eastern European languages. Its OpenType features include proportional figures, and tabular figures.

Brothest Street Swag Font Give your designs an authentic handcrafted feel. Brothest Street Swag Font is perfectly suited to logo, stationery, branding, typography quotes, magazine or book cover, website header, clothing, branding, packaging design, restaurant and more.

In the early 1960s, the German Master Printers’ Association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design a new version of Claude Garamond’s serene and classical Roman. Its bold, and particularly its italic styles are limited by the requirements of Linotype casting machines, forcing the character widths of a given letter to match between styles, giving the italic its characteristic narrow f. The family’s name is taken from Jacques Sabon, who introduced Garamond’s Romans to Frankfurt. Sabon has long been a favorite of typographers for setting book text, due to its smooth texture, and in large part because Tschichold’s book typography remains world famous.

Breuer Text is a simple geometric sans with relaxed curves and slightly condensed proportions suitable for moderate lengths of body copy. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs for a warmer read. Breuer Text offers the distinct aura of technical precision in a personable tone, ideal for instructional copy or safety warnings. Its basic structure and conservative letterforms maintain a level voice without turning robotic or sterile. Pair with the two-font Breuer Headline family for a simple and complete editorial type system. Breuer Text includes Small Caps, Old Style Figures and Tabular Figures.

StudioSans — is a modern representative of the class of sans-serif fonts inspired by the traditional Swiss design and typography of the mid 20th century. This is a minimal, clean and open font family with friendly forms. Focuses on functionality, has a high x-height and short ascender and descender elements. This is combined with soft circles and high legibility of characters contributing to comfortable reading. The family contains six weights from ExtraLight to ExtraBold. Each of them has in its arsenal more than 450 glyphs and knows more than 50 languages. Support for OpenType Features focused on the Oldstyle Figures (including signs of currencies and interest), Case-Sensitive Forms, Standarts and Discretionary Ligatures, Slashed Zero and Etc.

This font is a late 19th Century French script overview inspired by numerous French letters, from around years 1850-1860, during the second French empire, under Napoleon the third. Most of them were written with very tiny characters on light sheets of paper, as postage prices were calculated from the letter's weight. The TTF and OTF versions are enriched with more than 50 ligatures and/or alternate characters. We also offer a choice of two sorts of Capitals. Why "1859 Solferino"? It was the last battle of the Italian independence war, opposing the victorious Franco-Italian army to Austria in June 24, 1859. The Red Cross was inspired directly from the carnage remaining on the battle field.

Visoko is a playful, geometric typeface inspired by post-modern fonts designed by Mecanorma from the 80s. This typeface has been designed on a grid of 7×6 squares but the goal was to create variations from the grid to give the character a destructured aspect. VISOKO is available in two styles : regular and italic and only in uppercase. It has aspects of Laser shapes and proportions but has modern additions that make it ideal for industrial brands and modern titles.

Typeface in 70s and 80s became the inspiration for Biago. soft and bold are the characteristics of Biago. The large and rounded legs make Biago unique and different from other serif fonts. Biago brings a warm, friendly, unique, and simple impression. Biago is intended for display purposes, such as large headlines, titles, logos, or anything that requires special characteristics and attention. Biago's five width, will give you the flexibility to express your interface and design. Italic and alternate versions are also included.

Hilofi Lavoris is an 80's retro sign painting style font. With bold stroke, italic and fun character with a bit of ligatures. To give you an extra creative work. Hilofi Lavoris font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Hilofi Lavoris font. Cheers, MaulanaCreative

Introducing a new font - an old biker. It is a multilayer vintage typeface with 5 styles. The font contains stylistic alternatives for uppercase and lowercase letters. Numbers, punctuation and multilingual characters for each style. The font design is inspired by gothic, biker and rock culture.

The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcased a beautiful, semi-condensed Art Deco alphabet called “Modern Gothic”. It has been digitally redrawn and is available as Restauranteur JNL in both regular and oblique versions.

Introducing Quelline Font. Are you looking for a bold handlettering decorative font that has a medieval gothic feeling? We can help! Try to download our Quelline Font. Suitable to use for any occasion such as book, logo, print, game, event, music, invitation and others. Thanks!

Based on Bank Gothic designed by Morris Fuller Benton in the 30th, Bank Sans Caps from Elsner+Flake offers a wide variety of weights from Light to Bold with Compressed, Semi Condensed and Condensed widths. All weights are also available with Cyrillic character sets.

Chicago Ornaments is a collection of decorative cuts cast by the Chicago Type Foundry of Marder, Luse & Co. of 139-141 Monroe Street in Chicago, Illinois. This collection was shown in their 1890 Price List. According to William E. Loy, at least some of them were designed by William F. Capitain. Chicago was one of the innovative Midwest type foundries, introducing the American Point System. These designs represent the late Victorian period. After 1890, with the posters of Jules Cheret taking Paris by storm, Art Nouveau gradually began to displace Victorian style. In type design, both styles competed against each other until about the end of the century. Designers may want to consider using these ornaments when using Victorian style typefaces, like our Cruickshank, Edison and Freak - as well as faces by others such as Karnac, Kismet and Quaint Gothic. Included in the font are a set of Dormer-inspired caps, numerals and a few other glyphs - also from the Victorian period.

Selfila is an incredibly stunning script font featuring beautiful and rich swashes. It will elevate any design idea! Containing 150+ OpenType feature.

In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e." In the 1990s, Robert Slimbach designed his contemporary interpretation, Adobe Jenson™. It was first released by Adobe in 1996, and re-released in 2000 as a full-featured OpenType font with extended language support and many typographic refinements. A remarkable tour de force, Adobe Jenson provides flexibility for a complete range of text and display composition; it has huge character sets in specially designed optical sizes for captions, text, subheads, and display. The weight range includes light, regular, semibold, and bold. Jenson did not design an italic type to accompany his roman, so Slimbach used the italic types cut by Ludovico degli Arrighi in 1524-27 as his models for the italics in Adobe Jenson. Use this family for book and magazine composition, or for display work when the design calls for a sense of graciousness and dignity.

What do you get when you cross Industrial Revolution with Art Déco? The raw force of steam-powered vessels with the panache of dashing streamliners? A sturdy industrial grotesque with a swanky stylized sans? We don't know, but our Layfort is a strong contender. It's a contrasted sans-serif typeface with old-style proportions: varying letter widths create a more vivid texture than your usual contemporary sans, and the true italics are narrower than the uprights. Layfort is elegant enough for fashion, art, and luxury; yet sufficiently sincere for serious business. And at 16 styles & 750 glyphs, it's ready for complex typographic demands (try the round dots at SS09). Let your designs fly!

Mirtha Display is a modern display font with distinct Art Nouveau details. Its lighter weights are condensed and sophisticated, while the heavier weights have a more powerful effect, making it perfect for headlines, posters, branding, logos, packaging and more. With a set of over 450 glyphs, this font supports a wide range of languages. Key OpenType Features include numerators and denominators, Old Style and Lining numbers, standard ligatures and localized characters such as Uppercase and Lowercase Sharp S. Mirtha Display covers 5 weights, 10 styles and 2 Variable cuts (regular and italic) to give you more design flexibility. Any suggestion to continue improving Mirtha Display will be welcome, do not hesitate to contact us!

The typeface which inspired Promotional Copy JNL can be found on hundreds of 45 rpm records from the 50s through the 80s, as well as in headlines from articles found in one of the music industry’s leading publications throughout their older issues – it was a favorite and a workhorse. Now’s your chance to create a facsimile of the record label you always wanted to have with your garage band… or at the very least, utilize this font for some clean and crisp text or headline projects.