Dezen is a contemporary, mechanical grotesque typeface. Its letters were first constructed from individual modules and then optically refined to enhance its rhythm. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. 
When you add spacing, font can be used for shorter amount of text, 
bigger than 12 points. The Dezen type family consists of a wide variety of styles – solid and stencil. The Dezen Pro subfamily combines all 4 styles (Solid, Stencil 01, 
Stencil 02, Stencil 03) in a specific sequence, which originates a “pattern” for the alphabet (or dezen, in Slovak).

Dezen is a contemporary, mechanical grotesque typeface. Its letters were first constructed from individual modules and then optically refined to enhance its rhythm. Its tight letter spacing and narrow proportions make the typeface particularly well suited for display sizes and headlines. When you add spacing, font can be used for shorter amount of text, bigger than 12 points. Dezen type family consists of a wide variety of styles – solid and stencils. Dezen Pro subfamily combines all 4 styles (Solid, Stencil 01, Stencil 02, Stencil 03) in a specific sequence, which originates a “pattern” for the alphabet (or dezen, in Slovak).

Central Type Foundry of St. Louis issued this quirky little gem under the name of Quaint Roman around the turn of the twentieth century. This version is a little less gnarly than the original, but retains all of its eccentric charm.

Designed at ParaType in 1997 by Tagir Safayev. Based on Gasetny Chorny (“Newspaper Black”), of Ossip Lehmann foundry, St.-Petersburg, 1874, and Kompakte Grotesk of Haas. An old-fashioned German sans serif “Grotesque”. For use in advertising and display typography.

Experimental 90s geometric type. Regular and Stencil.

Céline was inspired by a recent trip to a vineyard in the South of France. A vintage stencil numeral set was etched onto the wine fermentation tanks. Céline is a one weight stencil display typeface with plans to expand the family with multiple weights and non stencil versions. Céline includes some language support, standard and discretionary ligatures. I hope you enjoy it as much as I did making it.

Doubleganger is a modern sans serif with contrast. The font is represented by condensed lowercace and extended uppercase. To get an elegant and contemporary design, combine them together. Doubleganger is suitable for retro and modern typographic posters and prints, feminine branding, design of books and fashion magazines. The font includes stylistic alternates for symbols: c, g, j, k, o, q, r, u, &, K, O, Q, R, W, 0, 1, 2, 3, 4, 5, 6, 7, 8, 9. There are also ligatures: sc, hg, sh, gh, ge, je, st, sp, sr, se, sa, ja, ph, qu, oo, ss, pp, ST, SS, QU, HA, SA, GA.

A large assortment of stencil lettering guides made in the 1940's, 1950's and 1960's have been a treasure trove of wonderful "lost" stencil type designs. Schoolmarm JNL continues this series by font designer Jeff Levine.

The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1899). For use in text matter.

Vacant is a precisely drawn, contemporary stencil face built with attention towards retaining pure underlying geometric forms and visual balance between letterforms. Stylistically, Vacant exudes a strong sense of clarity and sophistication which contrasts the unrefined nature of stencil typefaces.

Aorta was designed for independent subcultural zine. It have stencil in place of lower-case and digit stencil in place of old style digit. Aorta good for headlines, posters, editorial design... Aorta have condensed proportion and good in solid matter.

Tramp Steamer JNL is a re-interpretation of an old metal typeface that's been around for years. This is a bit different from many of Jeff Levine's other stencil revival fonts, which are modeled from actual paper and metal stencil guides.

Kroppen Round is a geometric, stencil-style font based on Talbot Type Kaleko Round, and is available in four weights. Kroppen is not strictly a stencil font given that several characters, notably the O, are not stencilled. The design has more to do with achieving each character from a single stroke, or series of single strokes. Kroppen Round features an extended character set to include accented characters for additional Central European languages.

Mercado is a versatile stencil font family with 3 styles and 3 weights of each style. I was inspired by local boutique supermarkets to create a stencil font family with both upper and lowercase as well as a large international characterset. Mercado Regular can be used at small point sizes without the stencil gaps filling in. It also makes a bold statement when used large. Mercado Display with it's precision slices is best used large, or in any design solution where the tight gaps will not become filled in. Mercado Sans is a quirky and strong sans serif based on the bones of the stencil version.

Nagato, simple, clean and elegant sans serif, pseudo-stencil.

I know there are already quite a few Stencil type fonts but maybe this fills a niche. A very chunky serif stencil where the serifs are closely aligned and help form the the curves of the letters. An Italic is also available.

The design idea for Meter Room JNL comes from a vintage brass hand-cut stencil of the words "High Voltage". What makes this stencil font a bit different than others is the placement and angle of some of the "breaks" within the letters.

This clean looking (all caps) font has characters made of gaps, which form the stencil divisions, spaced evenly along the strokes. The letterforms have a well-proportioned constructional appearance. The characters look like they have been built from interlocking bricks, the stencil gaps give them both rhythm and texture. The sans serif typeface also has a sense of movement because of the way the stencil gaps follow the horizontal, vertical or curved direction of the stroke.

Designed at Polygraphmash type design bureau in 1986. Based on "English" bold styles of the Ossip Lehmann type foundry (St.-Petersburg), of mid-19th century. The digital version was developed at ParaType in 1992 by Vladimir Yefimov. For use in advertising and display typography.

Variations on a theme by Nicholas J. Werner for St. Louis' Inland Type Foundry provided the pattern for this happy family, released in 1895 and 1899. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Sign and Design JNL is a casual brush alphabet modeled after an Alf R. Becker design that appeared in Signs of the Times Magazine. Thanks to Tod Swormstedt of ST Media and the American Sign Museum for providing the reference material to make this font.

Ruha Harline is a modern and mechanical serif typeface and is the result of stencil's RUHA development. Being the first typeface of the family, it sets the basic concepts for further development, on each version to come. The design approach, results from a rigid geometrical connection with the Roman du Roi, since the letterforms are imposed by the constraints of the RUHA ruler. The main typographic proportions are connected with the modern typefaces, like Didot or Bodoni. Maintaining the same structure with different typographical and stylistic properties, the stencil allows to explore a modern typeface, with vertical stress, high contrast between the thick and thin strokes and hairline serifs.

Are you looking for a new font to add to your collection? Look no further than St Saturn, a retro serif font that is both stylish and versatile. Whether you’re designing a logo, creating a website, or working on a print project, this font has the potential to elevate your work to the next level. Keep reading to learn more about the features that make St Saturn unique and how to use it effectively. 7 Weights Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures and Alternate Glyphs Multilingual Support for ä ö ü Ä Ö Ü … Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Bikra Plain and Bikra Stencil are tough and curve-less fonts.

Backstage is a bold sans serif stencil with subtly rounded corners.

Geometric stencil font completely based on curved lines. Soft techno style.

Acherus Militant is stencil version of Acherus Grotesque Acherus Militant Specimen

Platoon was designed as a much needed alternative to other stencil fonts that don't provide enough weights. Comes in four weights, regular, medium, bold and black, which gives it enough flexibility to make it the stencil of choice for posters, titling, book covers, and military-related designs.

Inventory JNL is based on a "solid letter" stencil where you trace the body of the letter and fill in the top and bottom connecting lines to each character. This is another font in Jeff Levine's series of digital designs based on classic lettering stencil guides.

A futuristic stencil typeface characterized by its extended forms and rounded terminals.

Another stencil font? Oh, yes. Circular trip time of bus number 17 is so long and designer has one relaxation: look over the letters in the bus. So many tables with bus stop names in it! And now you can write it yourself - enjoy new Marshrut Stencil typeface.

A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space. This gives the typeface an idiosyncratic almost arbitrary take on the utility Stencil aesthetic.

Powerful and angular. Power Grid comes in four versions: Regular, Stencil, Inline and Rounded. Inspired by 1920s constructivist posters, it's perfect for industrial and bold applications. Power Grid is all caps and includes a handful of alternate glyphs. 8 fonts 4 styles: Regular, Stencil, Inline and Rounded Alternate characters

Introducing, Black Point - Modern Font Duo | Stencil Serif & Signature Script Black Point is perfect combo fonts with modern stencil serif and signature script font. Contain two fonts, the delicate and stylish stencil serif and a free hand writing script. This font duo also support multilingual, number and symbol, with many ligatures in the signature script. You can use this font for any purpose and of course without trying to find the font pairing. This font perfect for branding, logo, fashionable design, magazine, and more.

Berkut This is a military font family inspired by the military and aviation style, including Six styles: regular, rough, printed, stencil, stencil rough, stencil printed. This font is a wide specialization, it will be an excellent option for creating projects in the military style in both modern and vintage versions. It is great for creating logos, labels, branding projects, magazines, mugs, flyers, posters and much more, and it is also perfectly readable in the text. This font is easy to use has OpenType features.

Canby JNL is the "solid" version of Jeff Levine's stencil font Shipped JNL.

Beach is a geometric stencil font in two variants. Powerful, futuristic and unique.