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  1. SF Old Republic SC - Unknown license
  2. SF Old Republic SC - Unknown license
  3. SF Old Republic SC - Unknown license
  4. SF Old Republic SC - Unknown license
  5. SF Old South Arabian by Sultan Fonts, $9.99
    Historical Background Old South Arabian Script (OSA) was used before the Islamic era not only in the southwest corner of the Arabian Peninsula, but actually in the entire Peninsula. In addition, samples of OSA have been found as far as Uruk in Mesopotamia, Delos in Greece, and Giza in Egypt. Archaeological finds show that as far back as the 8th century BCE, OSA was used in trade, religious writing, and in civil records. Following the spread of Islam in Yemen, the decline of OSA began in the 7th century CE as it was gradually supplanted by Arabic script. OSA was typically known by the name of the then-dominant peoples in the Southern Peninsula. At various times, it was known as Sabaean, Qatabani, or Hadramite, among others. Although it was used for a variety of languages, OSA is most strongly associated with Sabaean. Many Peninsular languages borrowed OSA before introducing further changes of their own. Prime examples are the Thamudic, Safaitic, and Lihyanite scripts which eventually developed into independent scripts. The westward migration of the Sabaean people into the Horn of Africa introduced the South Arabian consonantal alphabet into the region. The transplanted script formed the roots of the Geez script of Ethiopia, which, in time and under presumably external influences, developed into a rich syllabary unlike any other Semitic script in history. Even a cursory examination of the letter forms of Modern Ethiopic writing reveal a striking similarity to South Arabian Script. OSA inscriptions typically reveal a dominant right-to-left directionality, although there are also many cases of alternating directions, known as boustrophedon writing. Figure 1 is a fine example of this style of writing. OSA inscriptions were discovered early in the 19th century. Soon thereafter, two orientalists, Gesenius and Rödiger, made great strides towards deciphering the script. Styles of Writing Old South Arabian inscriptions have survived primarily on stone, ceramic, and metallic surfaces. Hundreds of artifacts have been found and, to this day, continue to be discovered. Some of the best examples number of inscriptions on softer materials, such as wood and leather, have also been discovered. Although there is a significant difference between the styles of letters on the hard surfaces and those on the soft. Old South Arabian (Musnad) is composed of 29 letters , that is one letter more than the Arabic alphabet, which is between “S” and “Sh”, and names “Samekh”. Aspects of difference between Musnad and the present Arabic writing is that Musnad is written in separate letters, and the shape of the letters do not change according to its place in the word. However, some letters change according to the beginning of the writing. Musnad is either prominent, or deep. Prominent writings are for important writings and deep writings are for ordinary. The material on which the Musnad was written were stones, rocks, wood, and metal. In the course of its development the Musnad use appeared in the “Lehyanite’, “Thamudic”, “Safaitic”, pen to which many changes and amendments were made. And from it “Habashi’ writing was born. As regards his place among the Arabs of the Peninsula , when we look at the internet and its role in cultural dialogue , the Arabs of the Peninsula considered Musnad inscription which was indisputably their national writing until the dawn of Islam. It was used by people in all parts of Arabia in their homeland and abroad . It was their means of chronology and record of their glories and history.2- Features of Musnad Script: 1. It is written from right to left and vice versa. 2. Its letters are not joined. 3. Shape of letters are uniform despite their positions in the word. 4. Words are separated by vertical lines. 5. A letter is doubled in case of assertion. 6. No points and punctuations. 7. Easy to be learned by beginners. My OSA Musnad Font My design and technical work is only a treatment of the OSA Musnad as a symbol of writing. And it is possible to use in computer.. My design is not aimed at demonstrating the linguistic and intellectual structure of the Old South Arabian (Musnad). It is so simple that it could be easy to learn by learners and those who are interested in the OSA Musnad letters in computer. The basis of such importance is that it spares a lot of time and effort for researchers and students in this field. Formerly they used to write the Musnad texts either by handwriting or scan them , But now they can easily write its texts in OSA Musnad by using keyboard directly, so that they can change , amend and fulfill easily and accurately . So, we made use of speed, easiness and accuracy. And anyone interested in the South Arabian history in any part of the world can due to this design read and write OSA Musnad letters most easily. This design will also be used by historians and archeologists. , as well as specialist linguistics . The design also demonstrates the aesthetics of the Himyarit writing. About this font family Old South Arabian is An Arabic, Old South Arabian and Latin typeface for desktop applications ,for websites, and for digital ads. Old South Arabian font family contains two types: Old South Arabian and Old South Arabian serif. The font includes a design that supports Arabic, Old South Arabian and Latin languages. Old South Arabian typeface comes with many opentype features.
  6. Wolf's Bane Bold Shadow - Unknown license
  7. Prescript Cn Bold Italic - Unknown license
  8. Wolf's Bane Bold Pro - Unknown license
  9. Bionic Type Expanded Bold - Unknown license
  10. Year 3000 Bold Italic - Unknown license
  11. D3 Euronism Bold italic - Unknown license
  12. WC ADDENDUM Bta Bold - Unknown license
  13. AuX DotBitC Xtra Bold - Unknown license
  14. Futurex Metal-gear Bold - Unknown license
  15. D3 LiteBitMapism Bold-Selif - Unknown license
  16. Wolf's Bane Bold Outline - Unknown license
  17. D3 Skullism Alphabet Bold - Unknown license
  18. D3 Skullism Katakana Bold - Unknown license
  19. Rowling Stone Semi Bold - Unknown license
  20. Bold Metal Stencil JNL by Jeff Levine, $29.00
    An image of a vintage, hand-cut metal stencil with just a set of bold numerals inspired the design of Bold Metal Stencil JNL. The typeface is available in both regular and oblique versions.
  21. Plz Print Bold Cond by Outside the Line, $19.00
    A bold, energetic, friendly font with a little bounce to it. A good, casual headline font. Works back well with Plz Print or Plz Script.
  22. Bold Display Sans JNL by Jeff Levine, $29.00
    Bold Display Sans JNL is loosely based on one of the classic alphabets found within a Speedball Lettering Textbook of the 1940s; itself called "Bold Display". The original featured a stippled texture and inline curves placed in random patterns throughout the letters. This more simplified, all-caps version is for titling requirements where a strong, yet casual design is needed.
  23. OL Hebrew Headline Bold by Dennis Ortiz-Lopez, $30.00
  24. Bold Pen Lettering JNL by Jeff Levine, $29.00
    The title on the cover of Street & Smith’s “Wild West Weekly” for Jan. 27, 1934 made for an interesting contrast in terms. Here was a pulp magazine dedicated to stories of the Old West, but its title was hand lettered in an extra bold, squared shape style using a round pen nib – not exactly an alphabet that represented cowboys and desperados… This aside, this type style made for a good digital font revival, and it is now available as Bold Pen Lettering JNL in both regular and oblique versions.
  25. Cheltenham ExtraCondensed Pro Bold is one of the fonts of the SoftMaker font library.
  26. Bold Line Icons Font by Howcolour, $42.00
    Enjoy this exclusive set of line vector icons font pack including 3700 icons with a cheat sheet. They are pixel perfect and infinitely scalable. You can use these icons to design websites, apps, blogs prints. Created with taste and passion! Please Send a message to info@howcolour.com with your order code to get a link to Cheatsheets file.
  27. Gojacky Bold Script Font by IbeyDesign, $17.00
    Gojacky Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.
  28. Agustaf Bold Script Font by IbeyDesign, $17.00
    Agustaf Bold Script Font is a gorgeous and bold handwritten font, crafted to give your headlines and logotype projects a stylish touch. This font reads strong, confident, and dynamic and can add tons of nostalgic character to your designs.
  29. Slab Four Rounded Bold by Wooden Type Fonts, $15.00
    An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look, bold version.
  30. Bodoni Classic Bold Ornate by Wiescher Design, $39.50
    Bodoni Classic Bold Ornate is another puzzlestone in my ever growing Bodoni Classic family. This time the letters are ornated within the limits of the letter, this keeps the classic form of the typeface intact and still gives it ample decoration. Please use this font only sparingly to decorate text or use it as initials only. Your Bodonimaniac, Gert Wiescher
  31. Sign Gothic Bold Condensed by BA Graphics, $45.00
    Strong Bold Condensed Gothic great for poster and display work.
  32. Ali SRF by Stella Roberts Fonts, $25.00
    Ali SRF is named for Stella's son, and was designed for Stella Roberts by Ray Larabie of Typodermic Fonts. The net profits from my font sales help defer medical expenses for my siblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.
  33. Off - Unknown license
  34. Old Hero - Unknown license
  35. OLD SYDNEY_DEMO - Personal use only
  36. Old Copperfield - Personal use only
  37. Old Town - Personal use only
  38. Old Typewriter - Unknown license
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