This family of two character monograms and initial letters was inspired from a French portfolio containing about two hundred examples of "Chiffres - deux lettres", destinated to engravers and jewelers, published in Paris in 1864, drawn by French engraver, C. Demengeot. Unfortunately, a large part of the pages were lost, so we have had to redraw about two thirds of the complete monogram family. Each package contains numerals and two complete sets of two-letter monograms, for example the A-B set, containing AA AB AC... corresponding to caps keys alphabet and BA, BB, BC... corresponding to lower case keys alphabet. We have added an Initial set, with two choices of single characters. Warning: I and J have strictly identical monograms.

In 1932, Xanti Schawinsky (1904?1979) designed an alphabet that combines two styles: a neo-classic stroke contrast paired with characteristics of stencil lettering. This mix is a child of its time and seems to reflect the Swiss and Italian biography of Schawinski. Luca Pellegrini took on the modern look and re-drew the letterforms, interrupted by subtle spaces where thick and thin strokes meet. Although Schawinsky had already designed a complete alphabet and figures in the early 1930s, Pellegrini took the character set to another level, adding currency signs, mathematical symbols and all kinds of punctuation ? anything needed to set more than just headlines. Xants is a blend of Swiss elegance and exclusiveness with Italian charm and imperfection, a combination that never gets old.

Künstler Grotesk ML is one of a number of typeface designs that attempts to reconcile Germany’s blackletter tradition with the international familiarity of roman letterforms in a simple, robust design suitable for meeting the demands of a modern industrial economy, while rejecting the extraneous ornamentation of the departing Victorian era. It is an all-cap design with a number of playful ligatures. It has an appealing boldness that reverses well. Künstler means ‘artist’ in German. I had always assumed it was a person’s name until I came across the translation. Lesson: conjecture is not fact. Grotesk refers to a sans serif letterform tradition. Kunstler Grotesk was originally released by Bauer'sche Giesserei of Frankfurt am Main circa 1900. Künstler Grotesk ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 350 glyphs, 260 kerning pairs. 2. Added OpenType GSUB layout features: pnum, salt, dlig (19) and hist. 3. Revised vertical metrics for improved cross-platform line spacing. 4. Redesigned mathematical operators. 5. Included tabular (std) & proportional (opt) numbers. 6. Refined various glyph outlines. 7. Made CcNnOoSsZz-kreska available (salt). 8. Incorporated alternate glyphs in lower case.

Neographic is one of the first fototype fonts that had been designed by Robert Barbour and produced from the Monotype UK office for the Photolettering machine

Looking similar to a Deco-era classic typeface, Van Alt JNL has slightly different character shapes, but pays due respect to its inspiration by the original...

Based on a font design by Les Usherwood called Eldorado, we had to change the name because Linotype has a dissimilar typeface of the same name!

Wolfsblood is a new display face by Jim Ford, adapted from hand-lettered logos spawned by punk rock bands like The Misfits and Bad Brains. The style can be traced back further to Hollywood and the explosion of low-budget exploitation, horror and sci-fi films, which also had an influence in punk rock. Wolfsblood captures this bizarre dark-spirited lettering which has become a staple in the designer‘s work for bands and posters. The Wolfsblood font has an expanded character set with borders, dingbats (yes, Bats!), and contextual ligatures programmed to give the typeface a random appearance by default. As with some of Jim‘s other typographic experiments, Wolfsblood encourages the designer to play with upper and lowercase, and mixed-case settings, to replicate the decisions that a lettering artist might make. Wolfsblood is great for logos, posters, headlines and short bits of text, and will add a fun, aggressive energy to your dark and other-worldly creations.

The Ascender Sans Mono font family was designed by Steve Matteson as an innovative, refreshing sans serif design that is metrically compatible with Courier New. Ascender Sans Mono offers improved on-screen readability characteristics and the pan-European WGL character set. The Ascender Sans Mono Family (4 fonts) solves the needs of developers looking for width-compatible fonts to address document portability across platforms. Character Set: Latin-1, WGL Pan-European (Eastern Europe, Cyrillic, Greek and Turkish).

Monoreal, a basic coding font. Unlimited Single Fractions can be had. The GOTHIC STYLE is NOT monospaced and is kerned, designed for subtitles and other various applications.

This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

Geometric dimensioning and tolerancing (GD&T) is a system for defining and communicating engineering tolerances. It uses a symbolic language on engineering drawings and computer-generated three-dimensional solid models that explicitly describe nominal geometry and its allowable variation. This highly specialized symbol font is designed specifically to be used by engineers to describe CAD produced outside the CAD environment. Included is a chart featuring character names and keyboard placement. Complies with ASME Y14.5M-1994. Updated to include 2009 addition of ‘unilateral’ symbol.

Are you a game developer, retro enthusiast or lover of pixel art? Ever had trouble tracking down an 8-bit display font that's classy, coherent and truly complete? This type enthusiast and veteran pixel artist once had the same problem, and cut no corners to solve it. Lost Arcade features four styles, a myriad of special characters, broad language support and an accompanying symbol font with 64 pixel art symbols. For the purists out there, each square is proportional to its neighbor.

Heavy techno music, a personal computer, a font creation program and some inspiration had been the sources to the Face 2 Face font series. Alessio Leonardi and his friends had the demand to create new unusual faces that should be used in the leading german techno magazine Frontpage". Even typeset in 6 point to nearly unreadability it was a pleasure for the kids to read and decrypt the messages. The Provinciali letters look like they would be reversed in the spotlight."

Here's a Collector's Item Classic for all our fiends! Sit up in your Caskets and we'll help you spin a Shocking, Suspense-filled Tale of Terror with a font Bad Bad Leroy "JG" Brown found in the Vault! Give us your grimy little dimes and come down into the Crypt with us. We call this rotten little font... RIGORMORTIS! AHAHAHHAHHHAHHHHAHA-HAH-haa... Features: Four weights (Regular, Italic, Bold & Bold Italic) with alternate uppercase characters. Includes Western and Central European international characters.

NorB Architect Line architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They even can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Architect Line is a retracing from scratch of my "NorB Architect" font coming in a sharp and round look, featuring small caps with some long stems of the following letters: b, d, f, h, k, l so resulting in more dynamic lettering font. It comes with 8 weights: Regular Italic Bold Bold Italic Round Round Italic Bold Round Bold Italic Round Note: The Italic versions are intentionally set to 20° rather to 12° for more dynamic lettering look.

Introducing Rixiline Script, a unique blend of classic and modern font. imperfect style ups and downs, like a dance letters, smooth, clean and simple. Rixiline Script perfect for wedding, event, invitation, escort card, clothes, display, logos, quotes, slider blog, custom address, stamps, packaging, greeting card, etc. Rixiline Script comes with a complete set of standard characters, eastern diacritic symbols, consist 917 glyphs in total, and alternative characters as OpenType features to play with. The alternative characters were divided into several OpenType features such as Ligature and Stylistic Sets. You can create an attractive message by using the alternate characters in your design. The ZIP file are include the following: Webfont Features Rixiline Script : Basic Latin A-Z and a-z Numbers & Punctutation Symbols Stylistic Set Lots of Swashes, Ligatures & Alternates Script 917 Glyphs PUA Encode (Specially Coded Fonts) Support Latin Pro Character If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). Don't forget to check out other cool fonts on our store and wait for new fonts. Follow our shop for upcoming updates including additional glyphs and language support. feel free to send me a message, comment, like and share. If you have any question, don't hesitate to contact me by email. Thank You

Crafter Pieces - Multi-Style Font is a truly unique font that offers multiple styles within a single typeface. With a total of 8 different styles accessible through alternate characters, this font provides versatility and creative options for various design applications. From super bold and stencil to thin, slab, serif, sans-serif, sport, and postage stamp styles, Crafter Pieces is a font that can be applied to any design and suit any theme or style. Each style can stand on its own or be combined with others, making it a perfect choice for branding, logos, posters, quotes, books, magazines, headlines, and more. The versatility of Crafter Pieces is truly exceptional, as it allows you to experiment with different styles within a single font. The availability of 8 distinct styles in one typeface opens up a world of possibilities for your creative projects. Whether you need a super bold look for a striking poster, a stencil style for an edgy branding design, or a thin font for an elegant quote, Crafter Pieces has it all. With Crafter Pieces - Multi-Style Font, your design possibilities are endless. Whether you're working on a modern or vintage theme, an edgy or elegant concept, this font will be your go-to choice, offering a wide range of styles to suit every project and creative vision.

Carl Schraubstadter of the Inland Type Foundry probably had more to do with the design of this italic than he did with the roman. Great for Craftsman Era projects.

Sagebrush JNL was modeled from examples of a vintage French Clarendon wood type in which many of the characters had rounded parts rather than the traditional all-slab serif approach.

AlphaCharlie started as an experiment. But once I had a couple of letters, I thought it looked very interesting. So I just designed the whole set. Yours experimentally, Gert Wiescher

When Jim Lee sent us pages of his latest project, DIVINE RIGHT, we knew we had to do something special for him. Something Unique. We knew we had to create a whole new look for his book. We spent weeks holed up in our Colorado mountain retreat, meditating on the true nature of leading and kerning, sketching out ideas and rejecting all but the best of the best. As the dreaded deadline doom rapidly approached, we suddenly knew we had the answer: A line of 'Celebrity' fonts -- digitally remastered lettering based on handwriting samples of the many Artists and Creators we all know and love. Of course, our first font would have to be...the SAMMY DAVIS Jr font! But Jim didn't like that idea and made us create a font based on his handwriting instead. You're no fun, Jim.

This year we attended the Bologna Children’s Book Fair in Italy. In our days off, we went to Piazza Maggiore to see what the city had to offer and luckily for us we saw an incredible store sign saying CAMPORA. We took some pictures of the typed font and later back in the studio we discovered that it was Dynamo. Immediately our minds were blown away by its beauty and thus we decided to design a new font inspired by its sharp and geometric design adding new weights and OpenType features. In the process we realized that both Dynamo and one of our favorite fonts Avant Garde, share a similar structure, so we made a type mashup between these beauties, including the sharpness of Dynamo and the revolutionary ligatures of Avant Garde.

Marathon was originally designed by Rudolf Koch in 1931 for Schriftgiesserei Klingspor. It is a roman with short ascenders and descenders. The serifs are small, but longer at the ends of the arms of E, F and L, M is rather splayed and is without top serifs, like M in other typefeaces designed by Rudolf Koch. The lowercase g has no link and an open tail, again like the g in other Koch types. U has the lower-case design. In the W the middle strokes cross, the lower case w has no middle serif. The figures are short-ranging. Ute Harder from the Fachhochschule Hamburg had redesigned Marathon with the help and supervision of Professor Jovica Veljovic. She has added a book weight to offer more flexibility with this beautiful typeface.

This beautiful font explores 3 very individual styles of one typeface. Each style pays homage to classic sans serif typefaces while adding contemporary flair to its characteristics. With both formal and informal styles, Aestetico explores how the shapes and curves of letters change their perception and focus. The informal letters are rounder and more quirky while the formal style utilizes more traditional sans serif letterforms. The whole set (54 styles) consists of 3 sister families, each in 9 weights with matching italics. The 3 variants ensure every design project is covered by Aestetico; its versatile nature is perfect for a huge variety of applications from editorial design to branding, advertising, publications and digital. As you would expect from Latinotype, this font comes with a standard character set (395 glyphs) and supports over 200 languages.

Cake Shop has a lengthy history. Originally designed during the Eighties by Aussie artist David Art Wales, the font was inspired by the awkward but charming hand-lettered signs in a Maltese cake shop near his Sydney home. "These signs were hand-drawn by someone who clearly had no experience but who'd really put their heart and soul into the job. There was a real sincerity to the characters that I wanted to capture." For a brief time during the early Nineties, MTV used Cake Shop for all their on-air interstitials. Since then, it's become a go-to font for everything from children's books to album covers and ice cream branding. In a recent update, Wales added airier spacing to more closely resemble the original signs the font was based on.

Early Texas patriots had fascinating penmanship. In researching Texas Hero years ago, I had occasion to pore over copies of letters by the likes of Stephen F. Austin, William B. Travis, Thomas J. Rusk, and others. Austin's hand was pretty messy. Young, brave Travis wrote his last during the Alamo siege. Rusk's suited my original task. But a couple other styles caught my eye -- among them the bold yet graceful strokes of Sam Houston, the prototypical Texas Hero. Houston Pen has a complete character set.

Mr Palker Dadson — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - burly slab serif Mr Palker Dad. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dadson has all the features of P&P’s family.

Cookogram is a package of 50 pictograms which have been drawn in two styles - outline & solid. The pictogram set consists of cooking and eating utensils, pots, pans, glasses, bottles and crockery.

Comicraft just want Puny Humans to leave Comicraft alone... Why soldiers shoot at Comicraft? PAH! Bullets do not hurt Comicraft... Bullets only make Comicraft Angry... and when Comicraft angry... COMICRAFT SMASH!

Comicraft just want Puny Humans to leave Comicraft alone... Why soldiers shoot at Comicraft? PAH! Bullets do not hurt Comicraft... Bullets only make Comicraft Angry... and when Comicraft angry... COMICRAFT SMASH!

It isn’t very beautiful, very badly written, but it’s cheap. C'est pas bien beau, très mal écrit, mais c'est pas cher.

Bendita could evoke the didones of the 19th century. It has an extreme contrast that makes it only suitable as a display typeface, with its characteristic shapes. The fatty type par excellence.