The 1920s film production company Tiffany-Stahl often used a hand lettered Art Nouveau novelty type design with thick horizontal lines in their various film release ads. One such ad was in the August 11, 1929 of “The Film Daily”. This served as the model for Nouveau Event JNL, and is available in both regular and oblique versions.

The August 11, 1929 issue of “The Film Daily” carried an ad for Tiffany-Stahl Productions’ presentation of a special film release featuring a wrestling match between “Strangler” Lewis and Gus Sonnenburg. The hand lettering for the ad was rendered in an Art Deco sans serif style, and is now available digitally as Film Event JNL in both regular and oblique versions.

This font began as an attempt of draw alternatives to the images of Microsoft’s Wingdings, but then grew beyond that. This new version from late 2010 has over 1400 characters, including almost all of the geometric shapes in unicode 2500 and 2B00 ranges, almost all of the arrows in the unicode 2100, 2700, 2900, and 2B00 ranges, almost all of the dingbats and symbols in the unicode 2600 and 2700 ranges, many of the pictures, symbols, and emoticons in the 1F300 to 1F600 ranges, and a few of the miscellaneous technical items in the 2300 range. There are also pictures on the standard open type letters, most of which can be accessed from the keyboard. However, most of the characters in this typeface have to be accessed using their unicode designation. In Windows this is done with the alt key and the unicode hex number. On the Macintosh the easiest way (and for the five digit unicode characters, perhaps the only way) is to use the “Special Characters” window under the Edit Menu in the Finder. A unicode index of the font is provided in a pdf file that was generated using FontLab. However, it only has four of the unicode digits for the five-digit elements. Almost all of the unicode numbers starting with F should have a 1 in front of the F.

It’s true -- having your own font IS The Secret Of Happiness! At times suave and sophisticated, at other times rough and ready for anything, superstar comics artist Dan Panosian has worked on the likes of CAPTAIN AMERICA, SPAWN, THE FLASH,, SPIDER-MAN, X-THE X-MEN and GREEN LANTERN, as well as the movie, HARRY POTTER AND THE SORCERER'S STONE and games like DUKE NUKEM. He hasn't been seen in comics for some time, but he’s back, baby, working on a series of JOHN TIFFANY bandes desinée, and he’s brought his own font with him, courtesy of that awfully nice John JG Roshell at Comicraft. John Tiffany is one of the best bounty hunters in the world and he has no illusions about the world that employs him. Tiffany relies exclusively on four people: the Reverend Lovejoy, who taught him to love his money; Wan Chao, of the geek underworld who serves as an interface with the outside world; Dorothy, his partner, and Magdalena, the ‘call girl in his life.’ But in Mexico, the hunter has become prey, his head has a price. And if his rivals know his location, it means that John Tiffany was betrayed by one of four people he thought he could trust...and now he can rely on only ONE thing, his secret weapon. His FONT. See the families related to Dan Panosian: Urban Barbarian.

A trio of fonts based on the handwriting of some of Adobe?s own designers. The three eponymous styles of the family ? Ernie, Frank, and Tiffany ? each have a unique flavor with its own rhythm and character.

This original display family was designed by Vladlen Erium in 2000 for advertising and display typography, especially for advertising of teenage goods and services. The caps-only face has modern letterforms, dynamic slanted styles, and stable upright ones. It is very useful for creating a memorable product image.

In NailsNStaples the letters are made up of nails and staples. (The staples are not the staples one uses to join paper, but the kind one hammers into wood.) It is not often that one needs a typeface made of nails and staples, but if one does, there is a font for that.

Novella has always been one of Fonthaus' more popular period (Art Nouveau) fonts. The style of Novella captures the essence of typography that was popular at the turn of the 20th century (1890-1905). Its curvilinear lines are organic and floral, complimenting the work of Louis Comfort Tiffany, Charles Rennie Mackintosh and Gustav Klimt among others of the time.

“The Film Daily” issue for August 30, 1927 ran an ad for Tiffany Pictures in which all of the main text was hand lettered in a sans serif style displaying the beginnings of the Art Deco movement. With their rounded terminals, the characters were designed using a round nib lettering pen. Redrawn digitally as Silent Cinema JNL, it is now available in both regular and oblique versions.