9,452 search results (0.025 seconds)
  1. As of my last update in April 2023, "Radion" is not a widely recognized font name within major typographic resources or font collections. However, based on the typical attributes of font naming and d...
  2. Font Anastasia, with its artistic and elegant demeanor, brings a compelling presence to the world of typography. Though diverse interpretations of this font may exist due to the evolving nature of de...
  3. As of my last update in April 2023, the font Blix Black by FBruehl might not be widely recognized or it may not exist under that specific name in publicly available font libraries or known typographi...
  4. Absolutely, I'd be delighted to share a bit about ChopinScript with you! ChopinScript is a font that dances on the page, much like the compositions of the composer it's named after, Frédéric Chopin...
  5. Quintus LeadedGlass is a font that exists in the realm of artistic imagination, embodying an exquisite blend of classic elegance and contemporary flair. Its design is inspired by the intricate crafts...
  6. As of my last update in April 2023, GAU_font_modern does not appear to be a widely recognized or established font within the typographic or graphic design communities. It's possible that GAU_font_mod...
  7. UglyQua, a font created by the prolific designer Manfred Klein, is an intriguing entry into the typographic world that defies conventional beauty in design to make a bold statement. This typeface, ro...
  8. As at the last update I received in 2023, the font "NewMedia" created by Denis Potschien offers a fresh and contemporary take on digital typography. It is designed to capture the essence of modernity...
  9. Mutter, a font conceived by the creative mind of Levi Halmos, stands as a unique testament to contemporary typography, merging artistic flair with practical functionality. At its core, Mutter embodie...
  10. Cubicle is an intriguing font style that exudes a blend of modernity and meticulous design, tailored for both digital and print mediums. It plays a pivotal role in delivering messages with a crisp an...
  11. As an artist with a penchant for typography, exploring the attributes and unique qualities of SF Diego Sans by ShyFoundry is a delightful journey. This particular font stands out as a testament to th...
  12. The "You Found Me" font by Kimberly Geswein is truly a charming and whimsical creation that captures the essence of personal touch and creativity. Designed by Kimberly Geswein herself, a designer kno...
  13. Librium is a distinctive and versatile font created by Apostrophic Labs, a collective known for their innovative and eclectic approach to typeface design. This particular font showcases the laborator...
  14. As of my last update in 2023, "Twenty Four" may not refer to a widely recognized or standardized font within typographic communities or font libraries. However, the playful and imaginative name sugge...
  15. "Hugh is Life Personal Use" is a font designed by the talented Billy Argel, a designer known for his proficiency in creating unique and expressive typefaces that are not only aesthetically pleasing b...
  16. As of my last update in April 2023, there isn't a widely recognized or specific font known as "Beautiful ES" by ES Typography directly searchable in mainstream font databases or typography circles. H...
  17. Subatomic Tsoonami is not merely a font; it's a vivid journey into the realms of creativity and innovation, embodying a blend of whimsy and sophistication that's rare in the typography world. At firs...
  18. The font KG Payphone, designed by the talented Kimberly Geswein, is a captivating typeface that exudes both charm and nostalgia. This carefully crafted font takes inspiration from the vintage aesthet...
  19. PTF NORDIC Rnd is a fascinating typeface that embodies a sleek, modern aesthetic while drawing inspiration from the simplicity and functionality inherent in Nordic design principles. Its round, soft ...
  20. Droid Serif is a contemporary serif typeface family commissioned by Google and designed by Steve Matteson of Ascender Corporation. Unveiled in 2007 as part of the Droid family of fonts, it was crafte...
  21. Drum Komputer by Channel Zero! is not just a font; it's an ode to the era of early digital experimentation and the pioneering days of electronic music and computer technology. This unique typeface em...
  22. As of my last update in early 2023, the font Syntha, crafted by the Bulgarian type designer Ivan Filipov, embodies a sleek, futuristic appeal that captures the essence of modern design. Renowned for ...
  23. The Wildcard font by Iconian Fonts, designed by Dan Zadorozny, is a remarkable addition to the dynamic world of typography, capturing the essence of versatility and creativity that seems to burst for...
  24. The Canadian font, much like the country it's named after, is characterized by its diverse and inclusive design elements, making it a versatile and welcoming choice for a wide range of applications. ...
  25. The !PaulMaul font, crafted by the distinctive type foundry !Exclamachine, is a bold statement in the world of typography, reflecting an adventurous spirit combined with a modern twist. At its core, ...
  26. As of my last update in early 2023, there isn’t a specific font universally recognized by the name "Pink" that could be easily pinpointed within the vast landscape of typography. However, let's stret...
  27. As of my last knowledge update in 2023, there isn't a widely recognized font named "Complete" that has gained significant attention in the graphic design or typography communities. However, the conce...
  28. Gipsiero by Bumbayo Font Fabrik is a font that arrests the eye with its unique blend of whimsy and elegance. Crafted with keen attention to detail, this typeface embodies a bold and adventurous spiri...
  29. As of my last update in April 2023, "Newsiren" by Stephen Bird offers a fascinating glimpse into the contemporary world of type design, blending tradition with innovation. This font stands out for it...
  30. As of my last update in April 2023, I don’t have information on a font specifically named "Ogilvie," indicating it may not be widely recognized in mainstream typography resources or it could be a mor...
  31. The Kremlin Samovar font by Bolt Cutter Design is an intriguing typeface that draws heavily on the rich and ornate visual traditions associated with Russian culture and history. This font skillfully ...
  32. As of my last update in April 2023, "Paul6" does not appear to be a widely recognized or documented font within the typographic community or among the standard collections from major type foundries. ...
  33. As of my last update in April 2023, "FAXADA" is not a widely recognized or specifically documented font within major font libraries or typographic resources. However, discussing it hypothetically, le...
  34. Imagine a font that embodies the sleekness of modern design and the openness of futuristic concepts, all while maintaining an ease of readability that makes it perfect for a wide range of application...
  35. Catharsis Requiem, a font that seems to exist at the intersection of elegance and strength, offers a deep, emotional resonance through its design, making it a distinctive choice for various design pr...
  36. Argor Got Scaqh, created by Jean-Pierre Mallaroni, is a font that captivates with its gothic charm and historical elegance. This particular typeface is an embodiment of artistic craftsmanship, blendi...
  37. Yiggivoo Unicode - 100% free
  38. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  39. The Mordred font, crafted by the talented Paul Reid, is a unique and expressive typeface that captures the essence of medieval times with a modern twist. Named after the notorious character from Arth...
  40. Neverwinter is a captivating display font designed by Neale Davidson that draws its inspiration from the realm of fantasy and adventure, echoing the mystique and grandeur of ancient times and legenda...
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