Lampions are paper lanterns. They are very popular in Asian countries, where they are used at festivals. Lampions are mostly made from rice paper cuttings which are glued to a bamboo frame. Lampion font is a tall, narrow and very legible typeface, which comes with extensive language support.

The Arco Dot font features an exciting texture of dots in matching complimentary styles, making cool designs easy! Arco Dot features extended characters, and contains West European diacritics & ligatures. Highly suitable for international environments & publications. Arco Dot pairs well with Arco Web and Arco Crayon from Okaycat fonts.

Stereohead is a retro sans serif display typeface inspired by old eighties video cassette cover designs. This font would work perfectly in magazine headlines, t-shirt design, posters, packaging, advertising purposes. Uppercase and lowercase characters, numbers, punctuation and extended latin characters included. 2 font styles available, regular and italic.

Viareggio is a city in Northern Tuscany, Italy. Viareggio is famous for its carnival and its mascot, the clown Burlamacco (designed by Uberto Bonetti in 1930). Viareggio font was based on the hand lettering found on a 1931 poster, advertising the carnival. Viareggio font comes with extensive language support.

OpenType users benefit from an array of alternate glyphs for lowercase characters including non-connecting contextual alternates for word endings. Other features include crossbar ligatures for common letter pairings, case-sensitive quotes and smart apostrophes. Arbordale Pro extends the character set to support Eastern European and Baltic languages.

All uppercase typeface for comic book lettering. Designed by Abay Emes. Supports extended Cyrillic and Latin characters. Has a stylistic set alternate L and D for Cyrillic and a stylistic set for languages with dotless i and i with dot (like Turkish). "Hiykäyä" translates from Qazaq as "Story".

Oyuki's Ghost is a scary typeface made with a steel pen and Chinese Ink. The name comes from a painting by Maruyama Okyo (1733–1795), which depicts his mistress who died young. Maruyama Okyo claimed she haunted him in his sleep. The font comes with extensive language support.

Judera is an unicase and monospaced experimental typography of subtractive geometric construction with no diagonals with two styles plus italics which have a 13° inclination. • Flat: font of straight lines with all angles at 90° • Ring: Rounded in its external vertices with angles proportional to the constructive grid.

VP Pixel is a font family of eight fonts. Eight modern takes on the classic grid, that feel both retro and futurist. The family includes diverse and versatile styles of an extensive character set, with support for advanced OpenType features; making VP Pixel a smart typeface of unique personality.

Japoneh is a dynamic font set in all bold heavy brushed characters. It practically jumps off the page with the action of these fluid strokes! Take your design to the next level with Japoneh. Japoneh is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Patagon is a contemporary Woodtype Sans typeface especially designed for fresh, high impact sentences with a mix of flavoured features. Its upper-case Opentype ornamental alternate glyphs provide great elegant textures adding versatility to the three weight family: condensed, regular & extended. Mix them up for a really cool design!

Cross Stitch Gothic is not intended for text use. It was designed for use as fancy monograms or initials. Cross Stitch Gothic is based on upper case characters 28 stitches tall and contains the characters A-Z. Most characters extend above the capital line or below the base line.

Malte Thai is a geometric sans-serif typeface, inspired from the modern age. Designed to use as type play, headline, quote and for composition. Malte come with nine weights that mappings to CSS font weights. Malte supported many languages as included extend latin glyphs. This package included Thai scripts.

Neroli is an oil distilled from the blossom of the bitter orange tree and used extensively in perfumery. Its scent is sweet, honeyed with green and spicy facets. The eponymous OpenType font is of tidy Art Deco construction and will lend its own unique bouquet to any typographic composition.

A geometric sans serif with a precise fabricated appearance. Smooth corners are mixed with subtle angles to form a strong, legible typeface ideally suited for a wide range of applications. Details include 6 weights with italics, an extended European character set, manually edited kerning, stylistic alternatives and Opentype features.

Florencia flows with the spirit and excitement of a beautiful dancer. Its extended and flowing letterforms are designed to glide across the page. This contemporary script is perfect for any project that calls for a spicy, exotic feel. Florencia includes OpenType swash alternates, old style figures and ligatures.

Kryptic is based on a design for computer optical character recognition (OCR) from the 1960s developed by Epps & Evans at the National Physical Laboratory. Its pure geometric and elemental shapes create graphic patterns and visual puzzles that only secondarily communicate meaning. Not recommended for extended text, unless intentionally encrypting!

UnioneGX by TOMO FONTS is the variable version of Unione. A clean and modern sans-serif type family with a geometric touch. It has a single axes (Weight / Wgth) that you can control with a slider on Desktop apps or you can use it for the web, dramatically reducing file size for your web project. It's like magic! but no. If you want to learn more about variable fonts, please click here or if your are interested in web context read here. Geometric and modern Sans-Serif VARIABLE FONT! This means, you control the weight! 1000+ glyphs per font. Latin Plus support, Extended Latin Cyrillic support, Basic & Extended Fractions Circled Numerals & Letters Lots of Stylistic Alternates Interested in Unione 'static' family? Check it here

Supria Sans™ and Supria Sans Condensed is an extended family of 36 fonts designed by Hannes von Döhren. It contains two widths, six weights and three styles, including the curvy, feminine Italic as well as the more conventional Oblique. Although it is inspired by the utilitarian clarity of Swiss type design, subtle curves and fine detailing impart a more playful character to the whole Supria Sans family. Supria Sans™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages. Supria Sans™ received the “Certificate of Excellence in Type Design” at the TDC2 (2011).

This is the elaborately expanded version of what is arguably the most classic and popular of all historic Dutch faces: Sjoerd Hendrik de Roos's Hollandse Mediaeval from 1912. Over the decades, many pressmen and typography connoisseurs have gushed loving prose about this typeface. An extended family of two weights, corresponding italics, small caps, four condensed fonts, four book fonts, a set of initials and some very Dutch ornaments, Dutch Mediaeval is a versatile workhorse that flows comfortably and artistically, with the elegance of the main weights nicely complemented by the sturdiness of the bolds. Very few text faces are this clean and inviting while being crafty as well. The Dutch Mediaeval family comes with quite a few OpenType features and extended Latin language support.

Galea is a slightly condensed serif typeface with long extenders. Its elongated proportions and graceful terminals seek to bring femininity and elegance to any layout. It is a display face that works well at large sizes in editorial contexts as a headline, titling or introduction to a text. Galea was designed by Isabel Urbina Peña while at Cooper Union’s Type@Cooper Extended Program, 2012 and released on May, 2014. Galea obtained an Honorable Mention from the Fine Press Book Association in the Text Family Category, 2013. Also, it is featured in the book "Playing with Type: 50 Experiments" by Lara McCormick, Rockport Press, on Parenthesis Magazine, Autumn 2013 on Behance's Typography Served and will appear on "Typography Magazine", Japan (Nov 2014).

This is the elaborately expanded version of what is arguably the most classic and popular of all historic Dutch faces: Sjoerd Hendrik de Roos's Hollandse Mediaeval from 1912. Over the decades, many pressmen and typography connoisseurs have gushed loving prose about this typeface. An extended family of two weights, corresponding italics, small caps, four condensed fonts, four book fonts, a set of initials and some very Dutch ornaments, Dutch Mediaeval is a versatile workhorse that flows comfortably and artistically, with the elegance of the main weights nicely complemented by the sturdiness of the bolds. Very few text faces are this clean and inviting while being crafty as well. The Dutch Mediaeval family comes with quite a few OpenType features and extended Latin language support.

AG Bambook- compressed geometric sans serif with the closed forms. Contains 4 fonts. 2 regular and 2 italic. The font is universal and can be used in different directions of graphic design. Internet, printed materials, clothing, logos, posters, labels, navigation and more. Thanks to character compression, you can place a large amount of information in a compressed space. It will read equally well in large and small sizes. A small difference in the width of the glyphs for different styles allows you to change the saturation while maintaining the size of the text block. OpenType: alternate numbers, old-style numbers, arrows, case sensitive forms, superscript and subscript, numerators and denominators. Support: Cyrillic, Cyrillic extended, Latin, Latin Extended (Western European, Central European, South-East), Kazakh.

While uniqueness might be considered the main goal among type designers, our goal in this project was to be as far away from that uniqueness as possible. We designed MB Grotesk with strictest typography standards, holding fast to the type axioms long understood from the beginning of modern typography. After more than 600 hours of work — creation, production & release — the whole typeface family the MB Grotesk is a flawless branching away from the original Grotesque category. Included are 351 standard glyphs designed with geometric rules and grotesque type theories. MB Grotesk has 7 weights & their italics. It supports many languages including most languages which use both Latin and Cyrillic alphabets. We are looking toward extending this family to include condensed, extended & Arabic versions as soon as possible.

Brix Slab Condensed and Brix Slab is an extended family of 24 fonts. It was designed by Hannes von Döhren & Livius Dietzel in 2011. Brix Slab Condensed is a robust slab serif family with subtle details. It's optimized for longer texts and highly readable in small sizes. Brix Slab Condensed is intended to be used in applications like magazines, newspapers and digital devices. It also works great as a corporate typeface. With more than 700 glyphs in each font, Brix Slab Condensed is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Elmono Pro is Monolinet font which is make with natural movement, elegant for any other needed Elmono Pro Features: 3 Style (Thin, Light and Regular) 403 glyphs in each style 65 Ligatures 15 Alternates Support for more than 74 languages: extended Latin, extended Cyrillic Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North, Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa. Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu.

Magtis is a standout display font that is an ode to Contrast Serif typography in present day. It’s elaborate curves and unique shapes make it perfect for headings, logos & wedding invitations. Magtis is all class so if you want a stylish font that is guaranteed to draw the eye, then this is it! Magtis come with elegant style, strength and contrasts, with features an extended latin character set of 396 glyphs covering over 87 languages. Magtis is ready to be like a top model on the design catwalk, making your projects looking classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion. There Include : 7 Font Style 49 Ligature Extended Latin Opentype Feature Alternate Character Multilanguage

Hennigar is a Neo Grotesque sans serif especially useful for display text and headlines. Many of the rounded letters are based on the appearance of the letter O with very little variation in width. Because of it's condensed nature the apertures are narrow with extenders that dip well below the base line. Similarly many of the lowercase characters are based on the lowercase o. Terminals and tails always point east/west giving the entire alphabet a very uniform appearance. Basic Latin, extended Latin, diacritics, punctuation, math symbols, symbols,Greek, Cyrillic, ligatures, fractions, alternates, and kerning are included. Kerning support for Macedonian and Serbian is included via alternate substitutions along with proper italics for Russian. Use Hennigar for a poster, web graphics, or book title.

Shablon is a Stencil style serif typeface. The family consists of 6 fonts: Shablon Regular, Shablon Italic, Shablon Condensed Regular, Shablon Condensed Italic, Shablon Extended Regular, Shablon Extended Italic. Every font includes uppercase and lowercase letters. You can use Shablon for graphic designs that call for a rough-and-ready look, a military look, or even to create real stencils for signs and marking boxes or luggage. Shablon continues the design of Shablon CYR, created in 1994 by Zhivko Stankulov. A number of shortcomings in the construction of the glyphs have been eliminated, and the typeface as a whole has been updated. Shablon is available with active support and upgradeability. Licensees will receive all new versions of the font free of charge.

Described as “An extended script type that lends itself well to fine fashion, ready-to-wear and all quality merchandise” in a marketing blurb pitching Beaufont by the Morgan Sign Machine Company of Chicago for their Line-O-Scribe sign printing system. This advertising script font was originally manufactured exclusively for Morgan Sign under license by the Hamilton Wood Type Manufacturing Company. The source patterns and original artwork for this typeface exist in the archives of the Hamilton Wood Type & Printing Museum, and were used for this fresh digitization of this font. This digital take includes alternate letters as originally designed in the mid-century wood type version, and now includes a full extended latin character set with over 350 characters.

Blacker Pro is the revised and extended version of the original wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli in 2017. Blacker was developed as a take on the style that Jeremiah Shoaf has defined as the "evil serif" genre: typefaces with high contrast, oldstyle or modern serif proportions and sharp, blade-like triangular serifs. Due to the high contrast in the design - slightly reminescent of didone typefaces - Blacker has been developed in two optical subfamilies. The display version offers tighter tracking, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering at smaller sizes, with lower contrast and looser spacing. In the pro version, two additional condensed variant families have been added (condensed display and condensed text) allowing for more freedom and versatility in typesetting where space constraints are present. Also, three titling uppercase-only variants have been added, with a slightly extended feel, and two decorative subfamilies (inline and diamond). Each of these seven variants has been developed in six weights from light to heavy, with matching italics, for a total of 69 styles covering a wide range of editorial and advertising uses. All Blacker Pro feature a revised and extended character set covering over two hundred languages using the latin, cyrillic and greek alphabets. Open type features include small caps, positional numerals, fractions, superior & inferior figures, alternate forms, and an extended set of standard and discretionary ligatures. With its bold personality, Blacker aims to be a modern classic used for bold statements and self-conscious brands, making your text look great both on paper and on the screens.

The PARATYPE library is our latest major addition, consisting of more than 370 typefaces. In the spirit of the perestroika changes and following the collapse of the Soviet Union, a group of Russian type designers quit the state-owned Polygraphmash foundry to establish ParaType, the first, and now largest Russian digital type foundry. The ParaType team under the supervision of Vladimir Yefimov creates new typefaces and explores the Russian typographic heritage by making digital versions of existing Russian designs: these include the hits of Soviet typography such as Literaturnaya and Journal Sans. Most ParaType fonts are available in Western/Roman, Central European, Turkish and Cyrillic encodings. The Russian constructivist and avant garde movements of the early 20th century inspired many ParaType typefaces, including Rodchenko, Quadrat Grotesk, Ariergard, Unovis, Tauern, Dublon and Stroganov. The ParaType library also includes many excellent book and newspaper typefaces such as Octava, Lazurski, Bannikova, Neva or Petersburg. On the other hand, if you need a pretty face to knock your clients dead, meet the ParaType girls: Tatiana, Betina, Hortensia, Irina, Liana, Nataliscript, Nina, Olga and Vesna (also check Zhikharev who is not a girl but still very pretty). ParaType excels in adding Cyrillic characters to existing Latin typefaces — if your company is ever going to do business with Eastern Europe, we recommend you make them part of your corporate identity! ParaType created CE and Cyrillic versions of popular typefaces licensed from other foundries, including Bell Gothic, Caslon, English 157, Futura, Original Garamond, Gothic 725, Humanist 531, Kis, Raleigh, or Zapf Elliptical 711.