8,554 search results (0.041 seconds)
  1. CartoGothic Std - 100% free
  2. Zeroes - Unknown license
  3. CuprumFFU - Personal use only
  4. Adam - Unknown license
  5. id-Kaiou-LightOT - Personal use only
  6. Juvelo - 100% free
  7. Caswallon Demo - Unknown license
  8. Quirkus - 100% free
  9. Fabrica - Unknown license
  10. D3 Smartism TypeA - Unknown license
  11. HeadlineNEWS - Unknown license
  12. Covington Cond - Unknown license
  13. Yanone Kaffeesatz - Unknown license
  14. CorpusCare - Unknown license
  15. Denmark - Unknown license
  16. Dustismo - Unknown license
  17. Exo - 100% free
  18. Rotondo - Unknown license
  19. Depth Charge - Unknown license
  20. Drummon - Unknown license
  21. Offenbach Chancery - Unknown license
  22. Imperator - Unknown license
  23. ArabicNaskhSSK - Unknown license
  24. Oloron Tryout - Unknown license
  25. Solemnity - Unknown license
  26. Snippletweak - Unknown license
  27. Shaded Spheres by Dingbatcave, $15.00
    These Op-Art-looking little balls and gems appear 3-D without the help of any special graphic filters, which makes them perfect for use with flat colors or one-color print jobs. 72 characters.
  28. Loreto by Tipo, $69.00
    This font gets its inspiration from the typography of the Manuale ad Usum (1721), printed by Jesuit missionaries who worked at the beginning of the XVIII century with communities of "Guarani" native indians from the Northeast region of Argentina. It is a manual of sacraments published by Paulo Restivo and some collaborators among the native population. This manual features the peculiarity of being the first printed piece where there is a record of the place where it was printed: at the Loreto mission.
  29. Regal box - Unknown license
  30. Royal box - Unknown license
  31. The Final Fantasy font is not a singular typeface but rather encompasses a series of fonts inspired by the beloved video game series Final Fantasy, developed and published by Square Enix (formerly Sq...
  32. Etrusco Now by Italiantype, $39.00
    Etrusco Now is the revival of a lead typeface originally cast in lead by Italian foundry Nebiolo in the early 1920s. Heavily inspired by the design of the Medium weight of Schelter & Giesecke's Grotesk, Etrusco was, like Cairoli, an early precursor of the modernist grotesque superfamilies: a solid, multi-purpose "work-horse" typeface family that could solve a wide range of design problems with its range of widths and weights. When designing the new incarnation of Nebiolo's Etrusco, the Italiantype team directed by Cosimo Lorenzo Pancini and Mario de Libero decided to extend the original weight and width range to keep this "superfamily" approach. Etrusco Now has twenty-one styles widths in three widths of seven weights each, with matching italics; the original weights for the typeface have been collected in the Etrusco Classic subfamily. Etrusco Now new widths allowed the team to include in the design many nods and homages to other vintage classics of Nebiolo. The lighter weights of the normal width have been heavily influenced by the modernist look of Recta, while the heavy condensed and compressed widths refer to the black vertical texture of Aldo Novarese's Metropol. This infuses the typeface with a slightly vintage mood, making Etrusco at the same time warmly familiar and unexpected to eyes accustomed to the formal and cold look of late modernist grotesques like Helvetica. Contemporary but rich in slight historical quirks, Etrusco Now is perfect for any editorial and branding project that aims to be different in a subtle way. Etrusco Now's deviations from the norm are small enough to give it personality without affecting readability, while its wide range of open type features (alternates, stylistic sets, positional numbers) and language coverage make it a problem solver for any situation. Like its cousin Cairoli, Etrusco is born out of love for lost letterforms and stands like its lead ancestor from a century ago, at the crossroads between artsy craftsmanship and industrial needs.
  33. ZT Grafton by Zeune Type Foundry, $30.00
    ZT Grafton is a neo-grotesque typeface based on geometric shapes with contemporary, friendly, and strong emotion. ZT Grafton was built from scratch to be calm, smooth, and clean, while subtle humanist influences add warmth to this typeface. It's available in 8 weights and includes the exciting variable font format.
  34. Bitra by Creativemedialab, $20.00
    Bitra is a beautiful, elegant, and versatile serif family. It has tons of alternative characters with Excessive flourishes, giving a playful feel to your design. Ornaments are inspired by the beauty of the bird of paradise tail. Bitra comes with seven weights with its matching italic, ornaments, and variable format.
  35. GS Franklin Ave. by Great Scott, $18.00
    Franklin Ave. is a condensed sans serif in the style of the classics Franklin Gothic and News Gothic. Nostalgic and gives a great vintage feel. It's bold and comes in two styles: Regular and Oblique. Franklin Ave. is best used in headlines and large formats or in logos or branding.
  36. Bravo ND by Neufville Digital, $29.60
    Designed by José María Cerezo, with a geometric style and futuristic touches. A typeface family that offers good results in labeling, posters and big formats. Inspired by art deco with a sci-fi touch, it is a typeface with a strong character and personality. Bravo is a Trademark of BauerTypes SL
  37. Samaritan Lower by Comicraft, $49.00
    It's another beautiful day in scenic Astro City, home of post modern gods and ordinary mortals alike. Look into the sky and perhaps you'll get a glimpse of everyone's favorite man of the hour, if not the man of tomorrow... SAMARITAN! See the families related to Samaritan Lower: Samaritan & Samaritan Tall .
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