M Zuo Hei PRC is a graphic style Simplified Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Simplified Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

M Elite Hei HK is a graphic style Traditional Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Traditional Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

Introducing Delluza - Authentic Condensed Sans with strong and challenging nuances. very suitable for the title, typography, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional, You can activate Ligature OpenType panel.

An Italian travel poster from 1931 provided the inspiration for this attention-getting headline font with a strong architectural feel. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

M Zuo Hei HK is a graphic style Traditional Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Traditional Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

M Bitmap Square HK is a graphic style Traditional Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Traditional Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

M J Ngai PRC is a graphic style Simplified Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Simplified Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

Quill-formed roman/gothic with an olde-worlde flavor. Some background in the designer's own words: "A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg's development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. "This religious metamorphosis was reflected in letterforms: which, like buildings, reflect the mood of the period in which they take shape. The medieval era produced the Gothic cathedrals; their strong vertical emphasis was expressive of the vertical relationship then existing between man and God. The rich tracery to be seen in the interstices and vaulted ceilings typified the complex social dynamics of feudalism. Parallels could be clearly seen in Gothic type, with its vertical strokes and decorated capitals. Taken as a whole, Gothicism represented a mystical approach to life, filled with symbolism and imagery. To the common man, letters and words were like other sacred icons: too high for his own understanding, but belonging to God, and worthy of respect. "Roman type, soon adopted in preference to Gothic by contemporary printer-publishers (whose primary market was the scholarly class) represented a more democratic, urbane approach to life, where the words were merely the vehicle for the idea, and letters merely a necessary convenience for making words. The common man could read, consider and debate what was printed, without having the least reverence for the image. In fact, the less the medium interfered with the message, the better. The most successful typefaces were like the Roman legions of old; machine-like in their ordered functionality and anonymity. Meanwhile, Gutenberg's Gothic letterform, in which the greatest technological revolution of history had first been clothed, soon became relegated to a Germanic anachronism, limited to a declining sphere of influence. "An interesting Bible in my possession dating from 1610 perfectly illustrates this duality of function and form. The text is set in Gothic black-letter type, while the side-notes appear in Roman. Thus the complex pattern of the text retains the mystical, sacred quality of the hand-scripted manuscript (often rendered in Latin, which a cleric would read aloud to others), while the clear, open side-notes are designed to supplement a personal Bible study. "Tyndale is one of a series of fonts in process which explore the transition between Gothic and Roman forms. The hybrid letters have more of the idiosyncrasies of the pen (and thus, the human hand) about them, rather than the anonymity imbued by the engraving machine. They are an attempt to achieve the mystery and wonder of the Gothic era while retaining the legibility and clarity best revealed in the Roman form. "Reformers such as Tyndale were consumed with a passion to make the gospel available and understood to the masses of pilgrims who, in search of a religious experience, thronged into the soaring, gilded cathedrals. Centuries later, our need for communion with God remains the same, in spite of all our technology and sophistication. How can our finite minds, our human logic, comprehend the transcendent mystery of God's great sacrifice, his love beyond understanding? Tyndale suffered martyrdom that the Bible, through the medium of printing, might be brought to our hands, our hearts and our minds. It is a privilege for me to dedicate my typeface in his memory."

Kvant is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc. and perfect for t-shirts and logos.

Sudoku is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

Black spoon is a basic display font made for print. It was created for an Artbook about reptiles. It needed to be round, clear and modern.

Colo is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

This typeface was developed by Roland John Goulsbra in 1995. Almost like the printing of a child, the irregular forms of Agrafie make a unique impression.

Duplex is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

Wigan is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

Okay Tyra is a doughty placid handwritten unicase typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Rolka is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

Zerobyte is a protean jocuserious handwritten mix cased typeface apt for headline, editorial, branding, packaging, printed materials and typographic applications. 200+ glyphs including punctuation and numerical.

Rancher JNL was inspired by classic wood type. This wide, slab serif typeface is reminiscent of wanted posters, broadsides and other printed matter from the 1800s.

Pastel is a handmade font which is applicable for any type of graphic design - web, print, motion graphics etc. and perfect for t-shirts and logos.

Noveu is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

JH Naskh expanded light font is designed based on Naskh calligraphy; it is typical for greeting cards, book covers including spine, headlines, short text paragraphs, poetry…..

The powers of the SparkyType and PizzaDude combine to bring a font straight from the future. Nine Thousand is dripping with computer energy and robotic precision.

Avatar is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

Introducing the elegant display serif fonts very suitable for the use of nature-themed logos, for wedding invitations, print projects, and posters, magazines and much more

Dovde is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

Dox is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and logos.

Vacant is a precisely drawn, contemporary stencil face built with attention towards retaining pure underlying geometric forms and visual balance between letterforms. Stylistically, Vacant exudes a strong sense of clarity and sophistication which contrasts the unrefined nature of stencil typefaces.

Rockstyle is a natural, dry brush display font. It is a tough-looking font with a strong brush touch, ready to rock every design you are willing to create. It’s perfect for logos, quotes, posters, clothing, and so much more!

Khatulistiwa is a handwritten font that is very charismatic and with a strong character, that will be very suitable for the various needs of your design projects. Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Swash

Protonema is inspired by a strong and sharp motivational spirit to always look positively for achieving goals. It is suitable for any sports and related theme for widely range of usage. Such as logos, branding, magazine, label and many more

Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.

Inked Classic is hand-inked with a mix of strong lines and a classic feel. While it has a personal touch, it also conveys a sense of modernism with the didone influence. Great for display and works in smaller text settings.

Geoffrey Lee designed Impact font for the Stephenson Blake foundry in 1965. The sans serif display typeface is very heavy and condensed in the grotesque style, similar to Helvetica Inserat. Use Impact font in display situations requiring a strong statement.

Ht Pizzeria is strong looking script for eye-catching part. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Another Dan X. Solo find, prosaically named Earth, provided the pattern for this family of futuristic fonts with a strong retro vibe. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Borowedsoul is a font made with detail, inspired by the shape of metal logos, Borowedsoul displays a very strong black metal feel. Borowedsoul is suitable for metal band logos, merchandise, clothing, apparel, or anything that requires a black metal feel.