Patricia Pothin-Roesch's Saussa typeface began life as brush-lettered artwork for fruit salad packaging in France. After the key letters had been painted, Patricia Pothin-Roesch switched to digital tools to create the final font. True to its roots, Saussa is a real advertising face, perfect for point-of-purchase displays. Even its name is consistent with its intended area of application: Saussa sounds a lot like the word “sauce.” Saussa is an informal script; its outstrokes function almost like serifs, and the capitals have a lowercase structure. The feelings this typeface conveys are due to the hand of its creator, Patricia Pothin-Roesch, an experienced brush-letterer.

I used to live in the English Lake District - in a town called Ambleside to be precise. It was a nice time in my life, as living in the Lake District gave me the opportunity to go out every day and enjoy the beautiful nature! Troutbeck is a small, old fashioned village on the narrow and hilly road from Windermere to Penrith. If you ever make it there, you will discover that the area is a walhalla for hikers! Troutbeck font is a pleasing, handmade all caps font. It would look great on product packaging or book covers, or maybe postcards reading ‘Greetings from the Lake District’.

Aristeo is a font family that is specifically designed for sports-related designs, although it can also be used for other designs. Aristeo is special because it is made with a balanced thickness and full of caution so that it emits a dynamic aura when viewed.

I suggest you to pay attention to the "Design" font. It's bold, with softened corners and some slope for dynamic effect. "Design" font has a unique charm and easy visual readability, so it's perfect for headlines, whether for sports events, automotive posters, logo or monograms designs.

Modenik is a handcrafted font that is futuristic and athletic, a series of sharp looks that are unique, beautiful and modern. Modenik comes with uppercase and lowercase letters, and punctuation. Suitable for company branding, film titles, book covers, logos, and also for team sports and others.

Norwill is a modern display font. Made for any professional project especially that related to the sports. Beside that, this font can be used for printing, branding and quotes. Features: PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Hello Everyone, introduce our new product Font Raverist This Is Modern Sport Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. This font Raverist is great for your next creative project such as logos, printed quotes, invitations, cards.

I suggest you to pay attention to the "Speed" font. It's bold, with sharp angles corners, spurs and slope for dynamic effect. "Speed" font has a unique charm and easy visual readability, so it's perfect for headlines, whether for sports events, automotive posters, logo or monograms designs.

Introducing our new item, "Rockrace". The font set which has 3 different styles that you can combine it as a headline, subheadline, and tagline. The techno style has a negative space in the middle letters, gives a modern touch. Suitable for sport, techno and minimalist theme.

Sportesia is a modern and techno-looking display font. It is the perfect font for any sport or racing-themed projects, such as logos, posters, games, product designs, and much more. Sportesia is PUA encoded, which means you can access all the glyphs and swashes with ease!

Golden Love is a modern, compact script with short ascenders and descenders but nevertheless very good readability.

Marker Note is a playful and vibrant marker font that brings a sense of fun and spontaneity to any design. Inspired by the cheerful strokes of a marker pen, Marker Note captures the essence of handwritten notes with its bold and slightly irregular letterforms. The ink-like texture and uneven lines give the font a whimsical and handcrafted feel, making it perfect for projects that need a touch of informality and creativity. Whether used for greeting cards, posters, or social media graphics, Marker Note adds a lively and energetic vibe, instantly drawing attention and creating a sense of joy. With its expressive and friendly style, Marker Note is a delightful choice for those seeking a font that exudes a carefree and casual charm.

Boxiest is a stylish cartoon typeface that effortlessly combines playfulness with a touch of modern flair. Its bold and chunky letterforms are reminiscent of cartoon characters, creating a sense of whimsy and fun. With its clean lines and geometric shapes, Boxiest exudes a contemporary aesthetic that adds a dash of style to any design. Each letter is like a carefully constructed box, giving the typeface a unique and distinctive look. Whether used for children's books, comic strips, or vibrant signage, Boxiest injects a lively and energetic vibe, instantly capturing attention and igniting imagination. This versatile typeface brings a delightful and fashionable twist to any project, making it a perfect choice for those seeking a stylish and eye-catching cartoon-inspired font.

ZT Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights and advanced features, Arturo comes in seven weights with matching italics, and sports a wide array of OpenType features including stylistic alternates, small caps and discretionary ligatures (providing options for display usage and fine-tuning in logo design) as well as more offbeat features as ordinals, superior and inferior numerals, tabular, lining and oldstyle figures and OpenType-generated fractions.  The family is complemented with a outline version that can be used on its own or together with the heavy weight for multi-layer color font inventions.

Here is a boxy, extremely squared alternative to display designs like Eden or Glamour. In comparison, Centric Serif does not share the fragile and delicate nature of these old 1930s classics. Instead it is fairly robust with a splayed M and a simple flattop A. It is interesting to note that Centric Serif (unlike Centric Geo) sports serifs in exaggerated and curiously bizarre ways. Centric Serif is now available in the OpenType Std format. Some new stylistic alternates and historical forms have been added to this OpenType version. Advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Here is a boxy, extremely squared alternative to display designs like Eden or Glamour. In comparison, Centric Geo does not share the fragile and delicate nature of these old 1930s classics. Instead it is fairly robust with a splayed M and a simple flattop A. It is interesting to note that Centric Serif (unlike Centric Geo) sports serifs in exaggerated and curiously bizarre ways. Centric Geo is now available in the OpenType Std format. Some new stylistic alternates and historical forms have been added to this OpenType version. Advanced features work in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

What does “smart casual” look like as a font? Try Portheras: a fairly wide, contemporary humanist sans with a laid-back attitude. Inspired by the fine Cornish beach of Portheras Cove, this typeface pays homage to British design tradition while incorporating an informal idiom. At ease both in flip-flops and silk blouses, in Bermudas and knit ties, Portheras sports a low x-height and comes with italics between “oblique“ and “true italic”. Despite its approachable look, the font family is equipped for heavy duty—you’ll get 16 styles with 780 glyphs each and OT features such as small caps, numerous figure sets (with old-style figures at mid-cap height), a bunch of arrows, three stylistic sets, and more. Portheras is as classy as relaxed gets.

Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence. Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.

Introducing: Megattor typeface! This font is beautifully made to look like natural hand writing. As you can see, the flow of the bold and thin lines creates a realistic hand lettering just by typing on your keyboard! It has many OpenType features like ligatures, stylistic alternate, and lots of Stylistic Set, also support many languages. This typeface is based on handwriting which is very suitable for any design needs you have especially for script logotype project.

Austina Capitton is our new modern, clean, and stylish monoline signature font and was created to look as a naturally handwritten as possible. Built with unique style in OpenType features, this script comes to life as if you are writing it yourself. This font is very suitable to be used to brand a product because if you write a brand name it will look like your company signature. Austina Capitton is perfect for photographers, bloggers, trademarks, magazines, fashion, logos, business cards and much more. There are two styles in this font package, they are Alt and Regular. You can use Regular style if you like the curve of the font or you can use Alt style if you like simple and minimal ones. It's highly recommended to use it in OpenType capable software - like a Coreldraw, Photoshop, Illustrator and Indesign. This font come with Uppercase, Lowercase, Numbers, Punctuation and swash. It offers Multilingual Support, works on Mac and Windows OS and is easy to install. Enjoy!

Franciszek Otto of Poland designed Linotype Notec in 1999. Linotype Notec is a low-tech" (or even "no tech!") typeface. By embracing handwriting's spontaneity, it has gotten as far away from technology as it can. Classified as an "inky"-style script face, for lack of a better term, Linotype Notec's informal design seems immediately artful and full of expression. Its irregularity and unexpectedness enlivens any composition, similar to how jazz or modern dance animate a room. Quite full of "ink," Linotype Notec's "strokes" are written in a sort of short-note-handwriting-style, which a slow-writing, thoughtful humanist might theoretically scribble to himself late at night. Yet Linotype Notec's character still maintains a jolt of energy; try Linotype Notec in small applications, in any size from 12-point on up."

FF Sizmo™ is available in two flavors. One is an honest, industrial strength, somewhat condensed, sans serif family. The other builds on the first, and is a display design with horizontally connecting baseline strokes. The five weights of basic the FF Sizmo typefaces are ideal for print and digital projects. Character spacing is generous, counters are open and apertures are wide and clear. Banners, navigational links, sub heads, and short blocks of contextual copy are natural on-screen uses for the design. Print projects from branding to way-finding also fall easily into FF Sizmo’s range of applications. The “line” versions of FF Sizmo can be arresting stand-alone typefaces – or distinctive complements to the basic roman and italic designs. In either instance, the line designs make powerful statements in headlines, subheads, posters and cover art. OpenType® fonts automatically insert beginning, middle or ending line element characters into the copy. Drawn by Verena Gerlach, both designs were inspired by the same source, a commercial signage system that enabled quick and easy copy changes. “The idea for the typeface,” explains Gerlach, “is a housing complex index board, on which movable white plastic capital letters were fixed by a thick line to the wooden board. This line is an important part of the font’s appearance.”

Strangelove NextSlab is a serif version of our bestseller Strangelove Next. It contains 3 styles with two weights each. (Be sure to have ‘Contextual Alternates’ activated in your design app of choice to get a more lively look when it comes to subsequent letters like ee, gg ... etc).

"Liberty Walk" is a display font featuring characters with straight, upright lines. Fonts like this are often used to give a clean, simple, and assertive appearance to designs. They are suitable for various design projects, including logos, posters, titles, or other design elements that require clear and upright typography.