Introducing by Timur type Proudly Present, Houston Journey Houston JourneyA Handwritten Font Houston Journey is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Houston Journey also multilingual support. Enjoy the font.Thank you!

Hermaphrodite was developed for the Bastard Project and had its origin in the idea of applying the process of an Antiqua on a Grotesque. In other words, a Grotesque font was drawn calligraphically and then digitized. Some inconvenient corners were simply cut off.

Proudly presenting: Bellafela Bellafela is a handwritten script font. Bellafela is perfect for product packaging, branding projects, magazines, social media, wedding invitations, or just used to express words above the background. Bellafela also comes with multillingual support. Enjoy the font, thank you!

Diva Doodles Too is more of Outside the Line's top selling font Diva Doodles. More girl things in a line drawn, playful style. Font includes clothes, purses, shoes, jewelry, glove, high heel, bikinis, hats, perfume, flowers and cocktails and the scripted word Diva.

Proudly presenting: Meanshine Meanshine is a handwritten script font. Meanshine is perfect for product packaging, branding projects, magazines, social media, wedding invitations, or just used to express words above the background. Meanshine also comes with multillingual support. Enjoy the font, thank you!

Stenciling Cards JNL is the digital equivalent of the individual letter and number stencils used to paint markings on walls, crates, boxes, etc. Use this type design when you want a reversed stencil look. Kern it super tight for a continous word stencil.

Introducing Happy Cookies Font by Tlatoustype Happy Cookies is a Modern Handwritten Font. Happy Cookies is perfect for book cover, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This font also multilingual support.

Proudly presenting: Smilemint Smilemint is a modern calligraphic font. Smilemint is perfect for product packaging, branding projects, magazines, social media, wedding invitations, or just used to express words above the background. Smilemint also comes with multillingual support. Enjoy the font, thank you!

Creamy Sunset is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Creamy Sunset also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Introducing Ailee Sofia Font by Tlatoustype Ailee Sofia is a Playful Thick Display Font. Ailee Sofia is perfect for book cover, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.This font also multilingual support.

Quincy Is a Modern Script Font The Quincy is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email

Introducing by Qwrtype Proudly Present, Elmimore Elmimore is a Monoline Script with Swash Elmimore is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Elmimore also come with Multi-Lingual Support. Thank you!

The name Vedo is derived from the Latin word for "I see". Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The Thin cuts are free of charge. Yours designing new fonts in the Bauhaus tradition - Gert Wiescher

Introducing by Qwrtype Foundry Proudly Present, Spearmint Spearmint is a Brush Handwritten Font Spearmint is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Spearmint also come with multilingual support. Thank you!

Thick, wide and medieval, Dragon Drop would feel at home in Arthurian times. The name is an obvious play on words that the designer saved for a long time before creating the right font to use with it. Looks best at larger sizes.

Named for his childhood neighborhood in Brooklyn, NY, Jeff Levine's Crown Heights JNL is a lightline all-caps titling font excellent for short words or phrases. Its inspiration is remotely based on the symmetry of earlier designs such as Beton and Stymie.

Introducing by Timur type Monstera Garden A Handwritten Font Monstera Garden is perfect for product packaging, branding projects, magazines, social media, wedding, or just used to express words above the background. Monstera Garden offers also multilingual support. Enjoy the font. Thank you!

Astrospy JNL is a square-shaped, futuristic techno-style font from Jeff Levine. It is very well suited for short phrases, but caution should be used in setting too many words with it because of legibility issues. Best used in larger point sizes.

The common Slavic word Основа (Osnova) means basis in English and βάση in Greek. This universal but still distinctive typeface can make a good ground for any design project. Special Navigation version separated by Western Latin, Greek and Cyrillic families is here.

Flanela Monicha Is a Modern Script Font Flanela Monicha is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email

The design idea for Meter Room JNL comes from a vintage brass hand-cut stencil of the words "High Voltage". What makes this stencil font a bit different than others is the placement and angle of some of the "breaks" within the letters.

The name of this font brings back memories of an old fried chicken restaurant in Willow Springs Illinois circa 1960’s and 1970’s, my family would all get in the car and take a long drive down to an old country road Illionis Rt 171 through a forest preserve where we’d come upon the old Willowbrook motel with a bar and restaurant next door. The restaurant was called Kegal’s, when you entered the building you had to walk through the smoky bar first to get to the restaurant, I can still see the hard wood floors with all the finish worn off from decades of foot traffic. Up until the mid 1960’s Kegal’s used to raise their own chickens behind the restaurant, back then fried chicken in the Midwest was either coated in flour or bread crumbs, Kegal’s was covered in a beautiful layer of golden bread crumbs. Before your meal arrived they’d bring a basket of dinner rolls along with crackers, bread sticks and country butter, on the side they’d serve coleslaw with a vinegar sauce, which is very common in the Midwest, the first time you try it your face puckers up like you just sucked on a lemon but you get used it over time. After waiting for what seemed like forever to a child the waitress comes out of the kitchen with a huge tray of that golden deliciousness and your mouth begins to water, in her other hand was another tray filled to overflowing with crinkle cut french fries all made by hand, I’d eat a hole handful of those french fries first then take a bite of that tender juicy farm raised chicken. Today a fine Italian restaurant occupies the old Kegal’s building and the motel is long gone, only my fond memories remain. Fast forward to 2020 and FontMesa has just made some Fried Chicken as an eight weight type font family with alternates. With the Fried Chicken slab serif font family we’ve broken some rules by removing a few of the slabs on certain letters for a unique homemade look. Fried Chicken is perfect for your next product label, t-shirt design, logo, headline or cookbook cover. Treat yourself to some good ol’ Fried Chicken today.

Take The Money is a wonky all caps font, made with a Sharpie pen. The name was inspired by something I read in the newspaper: apparently a Danish artist received €72.000 from a museum to create two works of art. The works of art should depict the average income of someone from Austria and someone from Denmark - in real money. The museum then loaned him the €72.000 and told him he'd receive €3.300 for his work. The artist decided that €3.300 would merely cover the costs, so he delivered two empty canvases and called the work: Take The Money And Run.

The story of Scripps College Old Style is a heart-warming and inspiring chronicle about a young librarian, a handful of students, a wealthy grandmother, a dedicated educator -- and two eminent American type designers. The story begins in 1938, when Dorothy Drake, the newly hired librarian at Scripps College, a small women's college in southern California, became an impromptu dinner companion of the American type designer Fred Goudy. By the 1990s, the original fonts that Goudy had created for Scripps College in the 1940s had become prized -- but they were seldom-used antiques. Scripps needed digital versions of the metal fonts. This goal posed two immediate challenges: finding a designer familiar with letterpress printing who was skilled at creating digital fonts, and locating the money to commission the designer's services. The first challenge was the easiest to conquer. Sumner Stone was my first and only choice," recalls Kitty Maryatt, the current curator of the Scripps College Press. "I knew he had letterpress experience, was an accomplished calligrapher, and that his typeface designs were simply exquisite. The choice was easy."The second challenge was more difficult. It took the dedication, hard work and tenacity of Maryatt to bring the beautiful Goudy designs into the twenty-first century. While Stone was eager to begin work on the project, the college had no more money for new typeface designs in the 1990s than it did in the1930s. Years of lobbying, cajoling and letter writing were necessary to obtain the college's approval for the design project. Once she had the necessary funding, the design brief posed yet a third challenge. Goudy had provided two sizes of type to the Press: 14 point and 16 point. Which would serve as the foundation for Stone's work? In addition, the Goudy fonts were quite worn. Should Stone use printed samples as his design master, or base his work on the original Goudy renderings? The 14-point master drawings were the ultimate choice, with the stipulation that the finished fonts would provide both a seamless transition from the worn metal versions and a faithful representation of the original Goudy designs. Once the budget and design brief were established, the process of converting the original Goudy drawings into digital fonts took just a little over two months. Stone delivered finished products to Scripps in the fall of 1997. The first official use of the fonts was to set an announcement for a lecture by Stone at Scripps in February of 1998. But the story is not quite finished. Maryatt was so pleased with the new digital fonts, she wanted to share them with the graphic design community. At Stone's suggestion, she contacted Monotype Imaging with the hope that the company would add the new designs to its library. An easy decision! Now Monotype Imaging is part of the story. We are proud to announce the release of Scripps College Old Style as a Monotype Classic font. The once exclusive font of metal type is now available in digital form for designers around the world. "

Resiliency2 has been designed for use in sports,and fitness themes to elevate design work in those genres. The fonts work great with esports themes, in particularly. .The font family contains 6 fonts;3 weights, 2 styles

Scratoon is our latest font created for cartoon and comic-themed design work. This font is perfect for displaying posters, banners, flyers, and also suitable for cloothing. I hope this font really helps your creative working.. ... Thanks ...

from the wood type heritage of America

A clever font derived from wood planks

Wood Body w/ Electric Heart & Synthetic Mind...

In 2006 the art director of Emotion, a women’s psychology magazine, asked me to design a copy typeface for them. Before I actually got the job I started to work on a serif. I wanted it to be feminine but still clear and modern. On one hand there are the floral round elements and on the other hand the angular serifs. In the composition I wanted the two extremes to work together. All the other elements had to be harmonized. The proportions needed to match the magazine’s requirements. The ascenders and descenders are short enough to work in narrow columns but long enough to work in small sizes. As you can imagine, the emotion-job never happened. In copy you should not get heavier than Heavy. Extrabold and Ultrabold work best in display.

This beautiful handwritten font we made very attractive with a natural touch we worked back to clean smudges and into smooth lettering it's easy when you cut as well as print stickers and other cool work you're working on this font has 3 front swashes and 3 back swashes for lowercase and one alternative for uppercase, 98 ligature Fonts include uppercase and lowercase letters, punctuation numbers, and language support

The BOT font package includes two character sets, BOT-Regular and -Stencil. The futuristic looking characters are designed to work in both large scale and small sizes; it works very well as a comfortable, readable lettering on machines of any kind as much as in print and screen publications. In addition, the BOT-Stencil letters can easily be cut out and work as a template for painting type on any surface.

Canadian Serge Pichii was inspired by decorative lettering produced during the early 1920s by Jan Tschichold to create Ironwork. Similarly, his ITC Ancestor family was influenced by early work, but in this case, much earlier work: the characters carved by native British Columbian people on solid rock. He worked with anthropologists and linguists to produce a series of books dedicated to the history and culture of the people.

Dead Meal is a cute hand made font made for pixel art style. Yes a mix of handmade pixel font style. Say like that is weird but trust me, it's simple useable for print works and web works.

Chockablock is an homage to Charles Schulz's lettering in the comic strip Peanuts. It's not an exact match for Schulz's work, but the inspiration is obvious, as is the designer's love and respect for Sparky's body of work.

An elegant duo of fonts and floral illustration extras - designed to work together in harmony, to produce a plethora of beautiful, sophisticated & feminine designs. The luxurious modern calligraphy script works perfectly together with the delicate hand-drawn florals - ideal for elegant branding projects, greeting cards, packaging, social media, logo design and of course, wedding invitations. Also included is Serenity Serif, a rustic serif font, with a touch of imperfection as you'd find in old printed press inks - to contrast with and therefore compliment the more refined luxurious contemporary flow of the script font . Serenity Script includes handy OpenType features that makes the font look more natural - it includes a universal beginning swash for lowercase letters , a full set of lowercase letters with ending swashes, a beginning swash that can be added via OpenType Ligatures by typing either { } or ( ), and a full set of alternate lowercase letters , as well as 70 beautifully crafted ligatures . A more slanted, and heavier version of the script is also included for you. OpenType capable software is required to access these features - The most popular of which is and Photoshop CC, any version of Illustrator, Indesign, Word (new versions).  The Serif font comes in 4 versions: Regular, Bold, Heavy and Italic - when used together with different tracking settings and weights, they produce beautiful looking type designs to compliment the Script.

Make the typography logo on your brand more elegant and professional by using the Logistra font, The Logistra font is a serif font that has thick and thin strokes that contrast in the glyphs and is made with a straight line structure and smooth curves so that the Logistra font looks professional and elegant, and there are alternative letters and ligatures to make your typography design look unique and attractive. Logistra font is also perfect for various projects such as hand lettering, merchandise, advertisements, invitations, social media posts, video thumbnails, quotes and etc. What's Included : - Logistra (otf/ttf/woff) - More than 280 of glyphs (include Uppercase, Lowercase, Numerals & Punctuations,Ligatures and Stylistic) - multilingual support - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters (fully accessible without additional design software) Support For Language : Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Finnish, French, Frisian, Galician, German, Italian, Malagasy, Norwegian, Portuguese, Spanish, Alsatian, Aragonese, Arapaho, Arrernte, Asturian, Aymara, Bislama, Cebuano, Corsican, Fijian, French_creole, Genoese, Gilbertese, Greenlandic, Haitian_creole, Hiligaynon, Hmong, Hopi, Ibanag, Iloko_ilokano, Indonesian, Interglossa_glosa, Interlingua, Irish_gaelic, Jerriais, Lojban, Lombard, Luxembourgeois, Manx, Mohawk, Norfolk_pitcairnese, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Potawatomi, Rhaeto-romance, Romansh, Rotokas, Sami_lule, Samoan, Sardinian, Scots_gaelic, Seychelles_creole, Shona, Sicilian, Somali, Southern_ndebele, Swahili, Swati_swazi, Tagalog_filipino_pilipino, Tetum, Tok_pisin, Uyghur_latinized, Volapuk, Walloon, Warlpiri, Xhosa, Yapese, Zulu, Latinbasic, Ubasic, Demo

Maleha Bold Modern Sans Serif Font Introducing Maleha, a bold and sophisticated modern sans serif font designed to elevate your projects with its confident and sleek aesthetic. Crafted with precision, Maleha embodies a perfect balance between professionalism and contemporary style. With two versatile styles—regular and slant—Maleha offers a dynamic range of possibilities, enabling you to effortlessly convey a sense of authority and modernity in your designs. The bold strokes and clean lines of Maleha's characters exude confidence, making it ideal for headlines, branding, editorial designs, logos, posters, and more. Its versatile nature ensures readability across various mediums while maintaining a strong visual impact. Maleha's boldness is matched by its adaptability; whether for digital or print, its clarity and elegance remain consistent. The regular style presents a crisp, clean appearance, while the slant adds a touch of dynamic flair, perfect for emphasis or adding a contemporary twist to your typography. Features: - Uppercase, Lowercase, Number, and Punctuation - Standard and Special Ligatures and alternates - Works on PC & Mac - Simple installations - Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works on Microsoft Word - Fully accessible without additional design software - Multilingual Support, ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡. Unleash the power of expression and professionalism with Maleha, the bold modern sans serif font that effortlessly commands attention while conveying a sense of sophistication and modernity in every project.