A Feel Good Kinda Font This playful and light-hearted, sans serif, display font includes uppercase letters, numbers, and punctuation. Great for carefree, boho, and fun designs like stationery, logos, wall art, stickers, patterns, and products. Use the font styles separately or try layering them! Built for easy use in Canva too. Includes: Happy Go Lucky font in 3 styles: Regular, Outlined, and Rounded

Portilla is a modern round sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Portilla font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Portilla font. Cheers, Maulana Creative

Pollet is a fancy signature script and sans serif font duo. With light contrast stroke, fun character with a bit of ligatures. To give you an extra creative work. Pollet font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Pollet font. Cheers, MaulanaCreative

an art deco font based on brazilian Rio's lettering old publish lettering style

A neat handwritten font in 2 styles- one with hearts and one without hearts.

Whitelisa is a complete script and sans combine font. With light and catchy display sans. fun character with some of ligatures, alternates script and extra swash. To give you an extra creative work. Whitelisa font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter. Make a stunning work with Whitelisa font. Cheers, Maulana Creative

Fong Shay Noon JNL is a non-traditional approach to an Oriental-styled font as there are some letter forms with curves and others with straight lines. The name derives from a Chinese restaurant in North Miami Beach, Florida during the 1960s, which in turn took its name from a play on a Yiddish phrase.

This elegant monoline script is based on a typeface called "Médicis" from a Deberny and Peignot catalog, circa 1920. Graceful but robust, it is equally suited for invitations, announcements and headlines. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

If you grew up in the north, you may have stomped out letters in the fresh snow during the winter. Memories of such winter fun helped inspire this typeface. If one can do the typeface with shoes or boots, one can also do it with bare feet and hands. Non-human variants are possible, such as bird tracks.

Don't Bug Me JNL is a collection of twenty-six of the cutest critters you've ever seen. Originally released as a freeware font in late 1999 to poke fun of the Y2K bug, the art has been cleaned up for more commercial or decorative appeal.

Gert Wunderlich’s Maxima font family in a new, most extended redesign by RMU Typedesign.

Receipt is a composite font. Each glyph is composed of either the dollar or cent sign.

D Sert—based on the Pirata typeface—is inspired by 70s Chilean constructivist design and the political propaganda posters artwork of La Unidad Popular (Chilean political coalition). D Sert is the result of the combination of the Chilean graphic art revival with new trends, such as the handmade movement and super font families. The super family comprises 47 weights and comes with two versions: D Sert and D Sert Alt, plus extras. Diagonal strokes are significantly different between the two versions: diagonals of the Alt version are much more logical than the diagonals of the normal version. Another difference is the bowls of the capitals: in the D Sert version, they slightly project above the cap height, making it a more daring version and bringing it closer to calligraphy; contrarily, in the Alt version, bowls do not project above the cap height, which makes it a more tidy font. This way, the combination of the two versions and extras provides the user with the freedom to create any kind of artwork.

Copperplate Deco is my sparingly decorated version of my Copperplate fonts. They can be used as standalone fonts. Yours once more very glitzy Gert Wiescher

FleurAloha are flowery embellishments Hawaiian style! Your very "Aloha" designer, Gert Wiescher

Exprima is a very expressive script with lots of contrast. Your expressive typedesigner, Gert Wiescher

Ornaments 1 are from designs from 18th and 19th Cent. founders descended to Stephenson Blake.

XX-Century-Ornaments are another trouvaille. Great looking ornaments, columns, eagles and lions by Gert Wiescher

Ben Harris' illustrated cover for the sheet music of "I Found A Million Dollar Baby (in a Five and Ten Cent Store)" from 1931's "Billy Rose's Crazy Quilt" lists the show's stars and other credits in a pen lettered monoline design with rounded terminals. This early Art Deco type style has now become the digital font Variety Store JNL (a reference to the Five and Ten Cent stores alluded to in the song title from the sheet music).

GUI Design Icons is pack of about 200 icons for every possible user interface (GUI). What makes this font special is combinations. There are background and foreground objects which you can combine any way you like. Imagine you have an icon of shopping cart. By just adding another symbol, you can make an icon for adding that item to shopping cart, removing the item, showing favorites or any other possible combination. See image example for some fresh ideas!

Pour ceux qui souhaitent utiliser la famille de fontes Natom Pro en version variable, cette famille se décline en 3 fichiers avec la Roman, la Roman italic et la version Title.

The design of Concert Series JNL is based on hand-lettering for a 1930s-era WPA (Works Progress Administration) poster for the Federal Music Project of New York City’s symphony concerts. Held every Sunday at the Theater of Music [located at 254 West 54th Street], the admission in those Depression-era days was 25 cents and 60 cents, with all seats reserved.

Robusta is somehow more elegant than Courier and sturdier than Bodoni. Yours in an in-between mood, Gert Wiescher.