Sheet music for a selection from the 1928 musical “New Moon” had the show’s title hand lettered in a bold sans serif that reflected the upcoming Art Deco movement, along with a contoured outline around the letters. This served as the model for Poster Contoured JNL, which is available in both regular and oblique versions.

The cover of "Intermediate Steps to the Band" (an instructional book for marching band originally published by Mills Music in 1947) featured the title in a hand lettered multi-line sans serif with Art Deco influence. Re-drawn as a digital typeface named Marching Band JNL, it is available in both regular and oblique versions.

Sheet music for a song featured in "East to West", a film starring Mexican bombshell Dolores Del Rio, had the movie's name lettered in a bold sans style with early Art Deco influences. East to West JNL preserves not only the name, but all of the characteristics of this wonderful bit of typographic nostalgia.

Savigny began as an offshoot of Le Havre. Le Havre met my design objective of a geometric sans serif with a strong art deco touch. Le Havre’s primary inspiration came from the art deco titling of the 1930’s, and the lower case was just icing. The art of the 1930’s is of particular interest to me, and I love the art deco era and its art, and the simplicity of geometric shapes. I am mostly interested in designing display typefaces. In many ways Le Havre was the exact opposite of another popular insigne offering, Aviano Sans. Le Havre has very high ascenders, a lower case and is very condensed. Aviano Sans has no lowercase and extremely extended capitals. With the rise of webfonts I began to see Le Havre being used frequently online. It’s short x-height and very tall ascenders made it difficult to read in on screen text settings as it was intended as display type. With this observation, I felt that there is more room for a geometric sans in the insigne catalog. So I set about to design a new geometric sans using the successful skeleton of the Le Havre family. Although I planned to extend the Le Havre line, the new family is so drastically different I decided on a new name: Savigny. The face evolved and began to take on a few humanist touches. Designed from the very beginning as a webfont, the design is open and pleasing to the eye, with a tall x-height. To optimize it for onscreen settings, the spacing is generous. In addition, it includes extended and condensed members, making it insigne’s first superfamily. The family includes over 100 OpenType alternate characters. These include several style sets. Some are stemless, others are purely geometric, and in a nod to Savigny’s origins, Art Deco titling alternates. Please see the informative .pdf brochure to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Savigny is a great choice for a professional designer who wants a well rounded typeface family that is ready for the web.

A fresh, curly and delicious sans serif. Designed by Daniel Hernandez, Merced is a sans serif font that can be given different uses due to its wide variety of alternate types. Its main virtue is the endless number of possibilities for you to write words, texts or paragraphs. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

Ardagh is the younger ›Irish brother‹ of Arthur Sans. I thought it was about time for a new Art-Deco exercise in Irish type. Ardagh will adorn your title settings and headings, ennoble a new menu card, festivity invitation or label design. For a perfect combination with other languages in mixed settings, go to the Arthur Sans or Arthur Cabinet series. Ardagh matches Arthur Sans Medium and Arthur Cabinet Diamond, Onyx, Pearl and Timber in proportions and stroke weight. • Please note that ARDAGH is a capitals-only product! For more new wonderful Irish fonts look at Andron Gaeilge and Hibernica!

ITC Luna is the work of Japanese designer Akira Kobayashi. He turned to the designs of the 1930s for his inspiration for both ITC Luna and ITC Silvermoon. Luna is designed to fill the gap between a pure Art Deco display face and an ordinary text face," says Kobayashi. "It has an Art Deco style but is still fairly easy to read. It can be used in short passages of text. As for individual characters, I especially liked the distinctive O, shaded only on one side. Lowercase a and g are also unusual, but they are somehow legible enough in text matter." And for a finishing touch on his Luna, Kobayashi added the charming moon face as an extra character.

Saint Pauline is a modern minimalist serif font. Elegant Vintage aesthetic design inspired by the Art deco era. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Artographie is a Art Deco sans-serif family. The lettering was designed by Måns Grebäck during 2019 and 2020. It gives any project a moderist appearance, as a reinvention of the hundred-year-old style of design, adapted and adjusted to fit in present-time purposes and technology. The typeface is a family containing five styles: Thin, Light, Medium, Bold and Black. The weights are top quality and created to balance perfectly against each other. It has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Maat is a modular geometric stencil display font that includes a number of modular pattern characters, and can be used to create designs that echo early Modernism by merely applying letters, patterns and color. Maat is a loose interpretation of a hand lettered alphabet by the late Dutch designer Jurrian Schrofer called Sans Serious which was included in Wim Crouwel's publication Letters of Maat. It is inflected with a bit of influence from British designer Ken Garland's similar lettering form the cover of his textbook, The Graphics Handbook. Maat derives its name from the title of Couwel's booklet.

Linoblox is a sans and ornaments font family made using hand-carved linoleum, based on my Bloxhall art deco font. This collection has a quirky handmade look, but can also be used in retro and vintage designs, such as collages. The fonts have a realistic ink stamp texture that will look great in logos, notes and quotes, social media posts, and branding and packaging. Linoblox includes: Linoblox font in three variations: regular, jumpy and underlined An ornaments font, with doodles, swashes, smudges and frames (Please note: this is the same set of ornaments as the Notes From Home serif font)

On occasion, one type design's influence can result in a completely different end result. Take the hand lettering found on a 1920s piece of sheet music for the song "Let Me Call You Sweetheart". The simple sans with a few Art Nouveau-inspired characters started out as the basic design of Concierge JNL, but shortly after beginning the project, the lettering took on more of an Art Deco flavor. Add to this the many rounded-edge characters that have a bit of a techno look to it and the typeface takes on many different design characteristics.

Schoolyard Blues JNL is based on the hand lettered title found on the sheet music for the 1938 song "I Was Late for School". A condensed sans serif with chamfered corners, it reflects the Art Deco influences of the day in some of the letter forms. This type design is available in both regular and oblique versions.

Modeco is a merge of modern and art deco styles. Its shown elegance, classy, ??and glamour look as 1920's visual trends, blended with geometrical sans serif in a functionality approach and complete font family styles. Its consist of 9 styles from Thin to Black with each matching oblique. It's contain 400+ glyphs that covered broad latin language.

Presenting a condensed Art Deco sans serif font with rounded corners and squared inner lines, based on the hand lettered title on the cover of the sheet music for 1944’s “Just A Little Fond Affection”. Allerton JNL is available in both regular and oblique versions, and was named after a neighborhood in the Bronx, New York.

The hand lettered title found on the 1938 sheet music for "I Haven't Changed a Thing" is a condensed Art Deco thick-and-thin sans serif with rounded corners. Reminiscent of office door and similar signage, this classic bit of lettering from the past is now available as Personnel JNL in both regular and oblique versions.

An early-1960s Canadian magazine ad for a brand of birth control pills featured the least likely spokesperson – Annette Funicello (“starring in “Beach Blanket Bingo” and “How to Stuff A Wild Bikini”). The text was hand lettered in an Art Deco-inspired sans serif type design. Tarpon Spring JNL is available in both regular and oblique versions.

Mekanik font is the work of British artist David Quay and as the name suggests, this geometric typeface reflects the simplicity of mechanical sans serif type design. It is an echo of the type styles developed by the Soviet Constructivists in the early 1920s. Mekanik font is excellent for use where a feeling of precision and strength is desired.