Queen is based on the designer's own hand. It is a handwriting font with a difference (just like Affable). It has all the vigor and spontaneity of a hurried note, combined with a skilled and precise joining of characters to give a true cursive script. This font comes in three styles, Queen Regular, Queen Black & Queen Lite. Use Queen for: -- invitations -- advertising material where an informal and personal mood is required -- greeting cards -- menus -- book covers Queen is fully professional, carefully letterspaced and kerned, with line spacing (leading) that allows for accents for use in European languages. All upper and lower case characters, punctuation, numerals and accented characters are present.

Monterey Pop oozes 1960s freedom and optimism, and is based on Tom Wilkes’s poster lettering for the Monterey International Pop Festival in June 1967, the event which heralded the legendary Summer of Love. The fonts include a newly-designed lowercase and a full complement of Latin Extended-A characters. In addition to the normal font, Outline and Thinline versions with matching spacing and kerning are supplied for use separately or overlapped with the regular font for bicolor effects. The Outline font is best for darker lines, and the Thinline font is designed for white and tinted outlines which can tend to halo and appear slightly bolder.

“Aeternus”, a new geometric Sans Serif typeface, with matching italics. The combination of several weights, provides versatility in any text usage. Developed in a range of nine weights from thin to heavy, with a matching set of italics, Aeternus has been designed to optimize the space and preserve the legibility in any text size. Use effortlessly this typeface for titling, contemporary branding, web design, UI/ UX design, clothing, large print formats. Specifications. - Files included: Aeternus Thin, Aeternus ExtraLight, Aeternus Light, Aeternus Regular, Aeternus Medium, Aeternus SemiBold, Aeternus Bold, Aeternus ExtraBold, Aeternus Heavy with corresponding italics - Formats:.otf - Multi language support (Central, Eastern, Western European Languages)

Coben is a modern and futuristic san-serif font family. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Coben Family consists of 2 widths (Condensed, Normal), 4 weights (Light, Regular, Medium, Bold), and Italics for each format. Coben provides a Central European character set. Each font includes support for Tabular numbers, Old-style Figures and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Segaon Family is a humanist sans-serif typeface that is clean, simple and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Segaon is versatile type family of 18 fonts. Segaon family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes old-style figures, proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Viprox is a strong and elegant display typeface, created to maximize the use of horizontal space. Crafted from hand-drawn sketches and perfected in digital, Viprox consists of thin, regular, bold, and stunning black. Viprox makes a strong impression in print, headlines, video, and social media – whether paired with a contrasting typeface or on its own. Use this font to get an amazingly stunning project look. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

"Sambia" is a geometric sans-serif, straight, extra condensed, monoweight font, accidental with sharp corners and closed aperture. The font family consists of regular and bold fonts. Typeface is great for headlines, logos and posters. The typeface is inspired by the Bauhaus style and tributes to the first half of the 20th century era. It has concise rounded forms, geometricity and a small letter-spacing. - Uppercase and lowercase letters - Numbers, punctuation and symbols - Multilingual support (Latin, Latin Extended, Cyrillic) - Support for more than 20 languages: Albanian, Belarusian, Bulgarian, Croatian, Danish (Norwegian), Estonian, Finnish, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Moldovan, Portuguese, Russian, Slovak, Slovenian, Spanish, Swedish, Turkish, Ukrainian and others

IMPuzzled uses the OpenType feature of Contextual Alternatives to alternate two sets of characters. The sets are on two puzzle pieces that tessellate, that is, fit together to fill the plane with no gaps or overlaps. Empty pieces are on the brace keys and can be used to fill spaces. The black or solid style is designed to be used in a layer under the regular style, though it can be used alone if adjacent pieces are given different colors. This unusual font has limited uses but may be appropriate when the topic is related to the broad areas of puzzles, puzzled, and fitting pieces together.

Devoid is a sans serif typeface with a no frills stripped down design. The design has all the features of the neo grotesk typeface, horizontally cut endings, modern capitals, oval counters, with a bare bones appearance. The typeface comes in three subtle widths, Devoid Slim, which is spaced most narrowly, Devoid and Devoid Set, which have a wider letterspacing. There are regular, medium and bold weights with accompanying italics. The vertical metrics align across weights and widths, this allows for optical size adjustment as well as adjusting for same size text fit. Dutch designer Pier Taylor designed the typeface in 2020 for use in catalogs, lists and registers.

Created in 2009 by V.H. Fleisher, Monod is a geometric sans-serif typeface. The font has OpenType features that can be accessed in programs like the Adobe Creative Suite. These features include titling caps which are heavier & more tightly spaced than the regular caps, alternative punctuation marks, and arbitrary nut fractions (for single digit numerators & denominators). By clicking on the "gallery" tab above, you can see an illustration of the OpenType features. The "ff" tab on the "Sample Text" bar below allows you to test the OpenType features with your own text. Supported languages include: Albanian, Czech, Danish, Dutch, English, Faroese, Finnish, French, German, Icelandic, Italian, Norwegian, Portuguese, Spanish & Swedish.

Stubble is a distressed grunge font with many useful variations that make things easy. It comes in both a Regular and Bold version, and a Smudged version as if the print block has slipped a little bit just at the vital moment. Also there’s 2 jumbled versions with the letters and numbers, and some punctuation, at odd angles and slightly off-whack; there’s 2 versions with little bits of overprint on most of the main characters (as if the corners of the block or stamp have just caught the paper); a couple of Caps Only versions; plus condensed and expanded versions of the main faces. The Bold version is not an exact expanded version of the Regular version, please note, the characters are different (i.e. the misprinting is different) in the two weights. Western and Central European accented characters are included, and there’s a set of replacements for double-letter combinations such as bb, dd and OO, TT, so that 2 different letters will appear - which avoids having exactly the same grunge letter appearing twice in succession (20 or more pairings for each case, all the pairings that reasonably exist) which work as ligature replacements. The whole family constitutes a comprehensive package that offers a great variety of ways of presenting a grunge typeface for display, headlines and posters, while maintaining the thread of the same sans-serif style. The zip package contains both the TTF and OTF versions of the font. Install only one version on the same machine, installing both versions may produce all sorts of erratic behavior.

Magola is a creamy flavor font family whose purpose is to season with emotions the reading of words and phrases formed by puffy glyphs coated with a caramel of empty spaces external and internal. Independently or in groups, members of the family serve to decorate and organize packaging or advertising material in letters apparently crafted for food or entertainment contexts. Its starting point was to draw letters like a ballon fish evolved into a black version with empty areas and microscopic contrasted with colorful inflated and filled areas. Then the challenge was based on the sum transferred between full and empty into a lighter caliber. In that vein, its overall design adapted skeletons of italics and Roman calligraphy. Therefore, its regular, bold and black files have great height "x" with upwards and downwards extremely short and large internal counterblocks to facilitate reading. In this regard, to strengthen its objective and capture the reader's attention, its kind of contrast and simulated auctions flat tip brush strokes, and amount of contrast between thick and thin in the black version is slightly inverted. Its sizes, smooth strokes and irregular lines reinforce its traditional spirit, so it is favorable to shine the information on posters or large-format media. In short, its optical conformation based on a non-literal way, in metrics similar in all family members to be easily exchanged without changing the ìxî height. It is therefore a striking and versatile tool, that besides being useful in large sizes, can be used in small sizes as well. And more importantly, its general concept is more profitable when its members are mixed to nest headings, subheadings and short paragraphs, designed according to size, position, color and location in logos, covers, posters, ads and flyers.

Heimat Display is the high contrast sans serif typeface family within the Heimat Collection, also containing Heimat Didone, Heimat Sans, Heimat Mono and Heimat Stencil. Heimat Display is a typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Display’s character set provides different alphabets, the regular one plus alternate designs that comes across as less suspenseful. Heimat Display [873 glyphs] comes in 72 styles and contains extra sets of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

Heimat Didone is the high contrast serif typeface family within the Heimat Collection, also containing Heimat Display, Heimat Sans, Heimat Mono and Heimat Stencil. Heimat Didone is a neo-classical typeface family designed for contemporary typography, especially for use in headlines and on posters, but also for reading purposes. It combines an idiosyncratic appearance with the feeling of a grid-based letter construction of the late 20s. Since the design might be too extreme for some applications, Heimat Didone’s character set provides two alphabets, the regular one plus an alternate design that comes across as less suspenseful. Heimat Didone [872 glyphs] comes in 72 styles and contains 6 optical weights, extra sets of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior, fractions, extensive language support and many more OpenType features.

The upper-case letters of Lentzers fit into the shape of a convex lens and the lower-case letters fit into the shape of a concave lens. The typeface was designed to have concave shapes alternate with convex shapes so the letters snuggle together. The OpenType contextual alternatives (calt) feature will automatically make this happen if your word processor supports it. (To get only concave or convex shapes, one must turn off the contextual alternatives feature. With only concave shapes the spaces between letters form thin convex lenses and with only convex shapes the spaces between letters form thin concave lenses. The name of the family was inspired by these lens shapes and also by the name of distant ancestors.) Lentzers is caps only. It comes in three weights: light, regular, and bold. It is eye-catching for posters and titles and poorly suited for text.

Peppercorn seems to have been thickly painted on a rough surface. Comes in regular and a spattered Black version. Based on the font Hubbub, which compliments it well.

Shipping stencils cut on an antique machine with its somewhat crude slab serif type design inspired Container Stencil JNL, and is available in both regular and oblique versions.

Wood Line JNL is based on a printed example of a vintage handmade wood type. This sans serif digital font is available in both regular and oblique versions.

Abudabi is a connected script typeface that includes 3 font styles: • REGULAR for signs and basic text • BOLD for titles and highlights • STONE for single words or backgrounds

The hand lettering on a World War I recruitment poster for the French Air Service inspired French Nouveau JNL, which is available in both regular and oblique versions.

The hand lettering found throughout the movie trailer for 1942's "Mr. and Mrs. North" inspired Criminal Intent JNL, which is available in both regular and oblique versions.