A serifed handwriting font with equal parts fun and flair. Wide spacing gives the font a festive feel.

HU mobydick KR is a body font with square modules and a wide space composition. Korean is included.

Forme Furniture Type Em and Furniture Type En Designed by using the pieces of letterpress furniture usually hidden, to create letter shapes. The square nature of the type means it could be used as a low resolution type. Forme Furniture Type Em – Low resolution type. Designed using *Furniture and **Em quads from letterpress printing. *Furniture: Pieces of wood or metal placed around or between metal type to make blank spaces and fasten the printed matter in the chase. ** Quads: (originally quadrat) is a metal spacer used in letterpress typesetting. An em quad is a space that is one em wide and one em high. Also available as Em Shadow to be used as a headline or display font. Forme Furniture Type En – Low resolution type. Designed by using *Leads and ** En quads from letterpress printing. *Lead or Reglet is a piece of Lead or wooden spacing material used in letterpress typesetting, to provide spacing between paragraphs. **An En quad is a space that is one En wide half the width of an Em quad, and the same height as the typeface. Also available as En Shadow to be used as a headline or display font.

Milford is a font with its feet planted in several styles of design. It has aspects of Art Deco shapes and proportions, but has modern additions and tweaks that make it a handsome substitute for your tired heading fonts. Because of its tight spacing and filled, super-black forms, it responds nicely to treatments such as negative letter spacing and outlining.

Packing more copy in a narrow space is the main reason for using a condensed type. Characters with a more ovular shape tend to be less wide than their circular counterparts and will allow for more letters per line. In narrow columns for example, this typeface can provide up to 25% more copy than the regular typeface in the same space. Another reason is when a larger type size is called for — used sparingly it is useful for headings or headlines. For emphasis, narrower letters can provide a stark contrast in the flow of reading, creating impact while retaining typographic character. Condensed types can specially useful in tables and charts because typically both use few words in each block. If space now allows, you may think about the luxury of a larger point size. This optimizes space while keeping your typography more easily legible.

Voltec is a sharp, angular, futuristic font in a modern style. Perfect for sci-fi themes and space adventures!

A decorative font, plain and simple. Ordered and square. Inspired by space. It can be used easily with contour.

Americana was designed by typeface artist Richard Isbell in 1965. The generous forms of this typeface contain large inner spaces. Lines of text look light and airy and require generous line spacing. The high cross strokes and the open inner spaces make this font highly legible even in small and very small point sizes. The triangular serifs are a distinguishing characteristic of Americana. These first appeared in the 19th century in France and inspired by the developments in lithography, which allowed for freer forms. The forms were typical for advertisement and display typefaces. The sophisticated Americana is particularly suitable for advertisements and personal correspondence.

Americana was designed by typeface artist Richard Isbell in 1965. The generous forms of this typeface contain large inner spaces. Lines of text look light and airy and require generous line spacing. The high cross strokes and the open inner spaces make this font highly legible even in small and very small point sizes. The triangular serifs are a distinguishing characteristic of Americana. These first appeared in the 19th century in France and inspired by the developments in lithography, which allowed for freer forms. The forms were typical for advertisement and display typefaces. The sophisticated Americana is particularly suitable for advertisements and personal correspondence.

Sidewinder JNL is based on ultra-compressed serif wood type and is perfect for fitting long copy into limited space.

Brookhurst JNL has strong Art Deco influence, and features an ultra-compressed width to set copy into a tighter space.

A classic example of a narrow 19th century 'egyptian' style font. Excellent for old-fashioned posters where space is limited.

CamingoDos Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited space. CamingoDos Condensed comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

Equa is a font based on strict grid rules. The name "Equa" comes from the equal widths of the vertical strokes, inner spaces and counters and spaces between glyphs. Its geometric construction gives it a technical look with an art deco sensibility. A system of three "weight-widths" based various sized grids gives flexibility in uses, from large condensed headlines to small blocks of text.

Brave Eighty One is inspired by futuristic design concepts and space-like design concepts. This font is good for future, modern, space, sports, bold and speed themed designs. This font is perfect for collecting on your computer for up-and-coming design projects or work in progress, because the Brave Eighty One has no trending period, and will always look cool whatever year it is.

This typeface, in fact a bitmap font 'avant la lettre' is an interpretation of the Old Face condensed type. It is being used where space is scarce. Its skeleton is projected on the chain structure of a fly screen. Eventually your text lines fill the space as wide as hypothetical doors can be. In small sizes the text appears to be drawn with a pencil.

The letters of Bihext fit into the trapezoids formed by bisecting hexagons from the top corner to the bottom corner. Because these trapezoids have two orientations, there are two sets of characters and the typeface was designed assuming that the user would want to alternate these two character sets. The alternating of characters is done automatically with the OpenType feature of contextual alternatives (calt) in applications that support it. The typeface is monospaced with very tightly letter spacing. If the letter spacing seems too tight, consider alternating colors to make the individual letters stand out as an alternative to loosening the letter spacing. Almost certainly the user will need to adjust line spacing if more than one line of text is used. The family includes an outline style that can be used in a layer above the filled style. A decorative, display face, Bihext is too difficult to read to be used for long text.

Cybersky is a sharp, angular, futuristic font in a retro style. Perfect for sci-fi themes, night street race and space adventures!

Wah Wah Narrow is a compact, eye-catching, flat-sided display font that will tightly pack the empty space in your layout!

CA Kink was originally created for a book cover. Mostly suitable as a headline font and for all kind of "space" themes.

Cantilever is a variable, 20 style display typeface designed by Stew Deane. The idea came from using variable type mechanics to create a typeface that became more than type — it's designed to be impactful, fill space and turn text into something graphic and visual. Being fixed-width (at whatever width you choose) means it is perfect for stacking, as well as stretching ultra wide. It's a typeface designed to take centre stage and own space. By using the variable sliders in your design software you can give your typography a bespoke, ownable aesthetic. The sliders in Cantilever are Weight and Width, and are designed for maximum impact in any space. Play around.

Modérnica is a sans serif type including roman & oblique styles in 9 weights. Originally published in 2014, then in 2020 we released version 2.0, in which we expanded the language coverage and character set, adding a new Fat weight, tabular figures, smart fractions & arrows. We’ve improved the OpenType features adding new Stylistic Sets. Besides this, we have retuned the letters spacing in the whole family. Seeking for the best performance, we added a bit of spacing between letters in the text versions (middle weights from Book to Bold), while as for the display variants (extreme weights from Thin to Fat) we made them gain space in the light versions and loose it in the blacks.

Toiban is a classy modern sans serif font. Each Toiban glyph has been modernly drawn and designed for this expansive new edition, which maintains the Swiss mantra of clarity, simplicity and neutrality for the demands of contemporary design and branding. The larger View version is drawn to show off Toiban's subtlety and is spaced with the headline in mind, while the Text size focuses on readability, using strong strokes and comfortable loose spaces. The Toiban struggles to be legible at a small size because of its compactness and closed aperture. The Toiban Micro's design is simplified and exaggerated to maintain impression in small, loosely spaced type, providing excellent legibility at microscopic sizes and in low-resolution environments.

Valibuk is a compact clean typeface for headlines and short text. No details are small and it’s a bunch of details that make Valibuk as it is. It’s a heavy, condensed face with a high x-height and tight spacing and that’s why Valibuk can write loud. The quality of the spacing and kerning is ensured by Igino Marini. Lomidrevo is a grunge stencil family derived from Valibuk.

64-SRC is a condensed monospace font inspired by 1960s IBM Selectric type seen on HAL’s telemetric displays in 2001: A Space Odyssey. It is characterized by unique "double-space" alternates for the widest characters such as “w” and “m”. These alternates maximize legibility, improve the rhythm of readability and keep typographic color even. As a result 64-SRC is as well suited for extensive copy as it is display type.

Akrux is a futuristic variable wide font. It is inspired by forms that are close to futurism, stars and space. Everything related to space, movies, cartoons, art, books, spaceships. Ideas came from everywhere. The font is suitable for headlines, posters, logos, large typography, magazines, everything related to cars and anything that can be futuristic and meaningful. It has great language support, and Cyrillic is planned in the future.

This font is for gamers, game titles, for science fiction books and movies. Like hexagons fill and take space, in this font we attempted to employ hexagonal spatial typography. Sometimes it requires more rapid stroke direction change than in traditional typography. The same for Starfighter and for space quests – the competition and adventure will often require quick and sudden change of direction to succeed and survive. Have fun!

Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.

Maga shares the skeleton with one of our first typefaces (Quaestor, from 2004), but we didn't want to simply expand an existent design, so we took a step forward—not just with improved features and new weights, but also making the italics more usable than its predecessor. The balance between the counters and the space between letters makes this a very space-saving typeface with plenty of legibility, yet stylish enough for contemporary magazine design.

Simppeli is a simple-lined but rough font. As written text it gives an impression of drawn lines on cross-ruled paper. You can fill the entire text area: the space key gives an "empty" grid. You may have to change the settings of some text applications in order to eliminate the marginals and/ or the line spacing. Combining glyphs provides you with endless assortment of patterns for ornamental decoration, prints etc.

A serif font with a hint of retro. Includes a display font for larger words and a text font optimized for reading. Use them alone or pair them together to create amazing compositions and designs. Beauty Outside Text: a serif font with loose letter spacing suited for reading great for larger blocks of text. Beauty Outside Display: a serif font with with tight letter spacing suited for larger type and headlines. Multilingual

Chairdrobe is minimalistic typeface with a contemporary, urban style. It feels pure, raw and a bit dirty. You can use it as display type as well as in longer text. Try to space it up. It looks super tight with a lot of spacing! Chairdrobe is a sans-serif, condensed typeface. Available in 3 different variations – Normal, Rounded and Grunge. It features upper and lowercase letters and up to 7 Weights and Italics.

Condensed sans family Sidro comes in 9 weights – from extreme light Thin to dark Heavy. Compact, solid and still new and recognizable, Sidro is designed with purpose to serve in every project. It is tightly spaced family which is ideal for space saving in variety projects – from posters, packages and branding in general, to websites, editorial usage and applications. Sidro comes with Small Caps, Fractions and one Stylistic Set in extended Latin character map.

Core Label is a condensed sans serif font. You will be able to manage a lot of information into limited spaces with Core Label. Its highly legible even in condensed forms and also clear at small sizes. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols, except Chinese. This Type-face is good for narrow spaces such as Labels, Books and so on.

Grungy Old Typewriter is based on two typed letters, each on two pages and dated 1901. The results are eroded, rough, irregular and grungy. The final results are a vintage look. As a designer, I wanted as much flexibility as possible, so there are six versions that are designed to work together. Additionally, I decided to keep the grunge and irregularities within the shape and not include surrounding typewriter or paper marks. I leave it to the design to add those elements as desired. One note, the letter spacing is much tighter than an old typewriter. I felt that readability for modern readers suffered from the added space. Of course, you can get that same look by increasing the letter spacing in your favorite design program.

Novel Sans Condensed Pro is the humanist grotesque typeface family within the largely extended award winning Novel Collection, containing Novel Pro, Novel Sans Pro, Novel Sans Hair Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Novel Sans Condensed Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Condensed Pro being a space saving, modern humanist with the calligraphic warmth of a real italic. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography. Novel Sans Condensed Pro [1020 glyphs] comes in 6 weights and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.