10,000 search results (0.033 seconds)
  1. Giraffe - Unknown license
  2. Lexia - Unknown license
  3. Eight Track program two - Personal use only
  4. Y2K Analog Legacy - Unknown license
  5. Tork - Unknown license
  6. UKNumberPlate - Unknown license
  7. Coolvetica - Unknown license
  8. Teen Light - Unknown license
  9. Albino - Unknown license
  10. Teen - Unknown license
  11. Tintoretto - Personal use only
  12. Lexia - Unknown license
  13. GradoGradooNF - Unknown license
  14. PopularCafeAA - 100% free
  15. Walkway UltraExpand - Unknown license
  16. Cicle Gordita - Unknown license
  17. Weltron - Personal use only
  18. Ashby - Unknown license
  19. Fortyfive - Unknown license
  20. TonleSab - Unknown license
  21. Kandide Unicase - Unknown license
  22. Roslyn Contour - Unknown license
  23. Fugue - Unknown license
  24. Spinach - Unknown license
  25. Elliot_Swonger - Unknown license
  26. SF Iron Gothic - Unknown license
  27. Redhead Goddess - Unknown license
  28. Oh Crud BB - Personal use only
  29. Epitough - Unknown license
  30. Uptown - Unknown license
  31. Whitehall 1212 - Unknown license
  32. Phrixus - Unknown license
  33. Walkway Bold - Unknown license
  34. Bandy - Unknown license
  35. Shanghai JNL by Jeff Levine, $29.00
    Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.
  36. Gothic Grotesk JNL by Jeff Levine, $29.00
    In a specimen book from Stevens, Shanks & Sons, Ltd. of London (circa1930s) “Royal Gothic” was their version of a classic grotesk sans that had been in use as far back as 1899 when the Keystone Foundry called it “Charter Oak”. The terms "gothic" and "grotesk" were equally applied to early sans serif typefaces – at first not well embraced by printers as being too ugly (grotesque) for use. One familiar characteristic of early grotesk fonts (such as this one) is the numerous variations of character widths and shapes. By combining those two terms into a font name, the digital version of this design is called Gothic Grotesk JNL, and is available in both regular and oblique versions.
  37. Mati by Sudtipos, $19.00
    Father's Day, or June 17 of this year, is in the middle of Argentinian winter. And like people do on wintery Sunday mornings, I was bundled up in bed with too many covers, pillows and comforters. Feeling good and not thinking about anything in particular, Father's Day was nowhere in the vicinity of my mind. My eleven year old son, Matías, came into the room with a handmade present for me. Up to this point, my Father's Day gift history was nothing unusual. Books, socks, hand-painted wooden spoons, the kind of thing any father would expect from his pre-teen son. So you can understand when I say I was bracing myself to fake excitement at my son's present. But this Father's Day was special. I didn't have to fake excitement. I was in fact excited beyond my own belief. Matí's handmade present was a complete alphabet drawn on an A4 paper. Grungy, childish, and sweeter than a ton of honey. He'd spent days making it, three-dimensioning the letters, wiggle-shadowing them. Incredible. A common annoyance for graphic designers is explaining to people, even those close to them, what they do for a living. You have to somehow make it understandable that you are a visual communicator, not an artist. Part of the problem is the fact that "graphic designer" and "visual communicator" are just not in the dictionary of standard professions out there. If you're a plumber, you can wrap all the duties of your job with 3.5 words: I'm a plumber. If you're a graphic designer, no wrapper, 3.5 or 300 words, will ever cover it. I've spent many hours throughout the years explaining to my own family and friends what I do for a living, but most of them still come back and ask what it is exactly that I do for dough. When you're a type designer, that problem magnifies itself considerably. When someone asks you what you do for a living, you start looking for the nearest exit, but none of the ones you can find is any good. All the one-line descriptions are vague, and every single one of them queues a long, one-sided conversation that usually ends with someone getting too drunk listening, or too tired of talking. Now imagine being a type designer, with a curious eleven year old son. The kid is curious as to why daddy keeps writing huge letters on the computer screen. Let's go play some ball, dad. As soon as I finish working, son. He looks over my shoulder and sees a big twirly H on the screen. To him it looks like a game, like I'm not working. And I have to explain it to him again. This Father's Day, my son gave me the one present that tells me he finally understands what I do for a living. Perhaps he is even comfortable with it, or curious enough about that he wants to try it out himself. Either way, it was the happiest Father's Day I've ever had, and I'm prouder of my son than of everything else I've done in my life. This is Matí's font. I hope you find it useful.
  38. Simply Nouveau JNL by Jeff Levine, $29.00
    As Word War I raged on during 1917, a large number of songs were written as morale builders for both the soldiers leaving for overseas service as well as their friends, family and loved ones. One such song, "Send Me Away with A Smile" has its title hand lettered in a simple, yet somewhat stylized sans serif design that was so much a part of the Art Nouveau style of that era. Simply Nouveau JNL captures and preserves that design within a digital typeface; available in both regular and oblique versions.
  39. Schoolyard Blues JNL by Jeff Levine, $29.00
    Schoolyard Blues JNL is based on the hand lettered title found on the sheet music for the 1938 song "I Was Late for School". A condensed sans serif with chamfered corners, it reflects the Art Deco influences of the day in some of the letter forms. This type design is available in both regular and oblique versions.
  40. PALMSPRINGS PERSONAL USE - Personal use only
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing