Civita is a new 'Modern Type' with a high stroke contrast, distinct formal features, and a strong personality. It has a fluid ductus but nonetheless a solid structure. Civita is well equipped with many OpenType features which make it especially suitable for ambitious typography. The Civita family consists of 12 styles, comes in OpenType format with extended language support for more than 40 languages. All weights contain small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals.

Danton is a serif dominated face with a crisp and distinct graphical flavor. Designed especially for use in magazines and newspapers, It is superb in headlines and, because of its solid structure, it is also an excellent choice for text applications. The Danton family consists of 14 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ordinals, ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, and arrows.

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.

Mi Casa is a new condensed version of our Home Style font which is a revival of an old 1800's classic ornate French font. This new 2021 condensed version takes this old classic to an all new level by adding small caps, italics and a new black version. Mi Casa is perfect for headlines and logos from advertising to product labels, t-shirt lettering and restaurant menus. Fill fonts are also part of this family, new to this font style is the half fill font for creating a two color effect on the letters, you'll need an application that works in layers to use the fill fonts in Mi Casa. The regular fill font for Mi Casa isn't meant to be used as a stand alone font so we've created a solid black version with thicker serifs on top and adjusted outlines throughout for a better appearance as a solo font. We hope you enjoy Mi Casa as much as we did making it. Mi Casa is a trademark of FontMesa LLC

Roc is a sans serif grotesk inspired by American wood types from the end of the 19th century. With nine weights in five widths, this family contains 45 fonts in total. The character set supports Western and Central European languages, as well as Turkish. Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications. Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings. The Normal width keeps all its nine styles in proportionally similar widths. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space. That is why the contrast between Compressed Thin and Compressed Heavy style is substantial. As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent. It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style. Roc has a large x-height and relatively short descenders and ascenders. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline. The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text. Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular. Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table. The lowercase g and r have alternatives to accommodate what most designers expect from a typical Grotesk typeface. The single-story g and the cut-off r are accessible via the OpenType feature.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The “Adora PRO family” is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The “Adora PRO family” is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

German type designer Ingo Preuss created this sans Super-family between 2010 and 2015. The family has 84 weights, ranging from Light to Ultra in Normal, Compact, Condensed and Compressed (including italics). It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows. The "Adora PRO family" is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, wayfinding and signage as well as web and screen design.

The Fornire family of typefaces grew out of a desire to provide a font that has a bold yet simple impression. For this reason, Anwar Patihan drew designs with a high foundation as letters based on humanist shapes and proportions. The letters are kept narrow to enhance the look, and the spacing between characters is narrowed for boldness. While the opentype Fornire feature has an alternate "A B E F P R" letter that looks very striking and easy to recognize, making the Fornire family very suitable for use on Posters, Cover designs, magazines, Banners, packaging designs, design considerations that he put into the Fornire family as well allowing it to perform well in a variety of other design environments. Fornier has a variety of weights ranging from Light, Regular, Medium, Bold

“Mitten” is a bold serif that has a classic and bold style. Depicted to provide basic headlines that are confident and impressive - while still feeling warm and welcoming. there are 3 different styles that you can apply in your design projects. This typeface is perfect for an book or movie title design, fashion brand, magazine, clothes, lettering, quotes, social media posts and so much more. Mitten Features: · 3 Weights font (Regular,Italic,Bold) · Uppercase And Lowercase · Numerals & Punctuation · Accented characters · Multilingual Support · PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day

Dynatron is a bold condensed retro-style font inspired by the old sci-fi comic covers, an example of which I have mocked up here.

An old extended Grotesque for use in advertising and display typography. Cyrillic version with adding Bold style created for ParaType in 2003 by Isabella Chaeva.

Neat Hand is a neat hand-lettered sans serif font set. As their names imply Neat Hand Lower Case has a lowercase alphabet while Neat Hand Small Caps has small caps in place of the lowercase alphabet. Both fonts have the same uppercase alphabet, numbers, punctuation, symbols, and miscellaneous characters. The Neat Hand fonts are ideal for use where a neat but casual feel is desirable. Neat Hand Lower Case and Neat Hand Small Caps are to be sold only as a set priced at $20.

Love songs are the perennials of music, outlasting all other popular fads and styles that come and go. The 1920s through the 1940s is considered by some to be the Golden Age of the American love song. Thousands upon thousands of copies of popular sheet music sold, and the cover lettering and art on many titles were from some of the finest illustrators of their time. Love Song JNL recreates the Art Deco-flavored design found on one such piece of sheet music from the 1930s.

Mr Palker Dadson — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - burly slab serif Mr Palker Dad. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dadson has all the features of P&P’s family.

Uninhibited by typographic demands, this artistic font freely expresses individual creativity. The use of line in conjunction with deceptively simple patterns of squares or dots and the occasional solid infilling gives the letters a lively vigor lacking in many modern designs. The joins between the letters' uprights and curves and the balance between thin and thick strokes are executed with impressive simplicity. The alphabet letters were inspired by Swiss art from 1939. The numbers were patterned after a design cut in stone dating back to the year 1692, while the punctuation and mathematical characters are a simple and modern typeface that is both pleasing to the eye and a whimsical contrast to the other characters.

A chunky fat font perfect for titles in both a chalkboard sketch style and a regular solid version.

Benedictus Brush is a stylish, fresh new layered brush script font family. With lots of alternate characters (415+) and more than 340 realistically created standard ligatures. The letters are made with brush pen and scanned thereafter carefully drawn into vector format. Benedict Brush is a versatile multilungual font family and comes with several of OpenType features: - 340+ Standard Ligatures - Stylistic Set - Character Variant - Terminal Forms - Proportional Figures - Tabular Figures - More than 1140 Glyphs - Multilingual To make you more better eye-catching and colorful designs, Benedictus Brush is a layered font! There are 7 variants of Benedictus Brush, to add even more flexibility to your designs: Solid Base, Shine Solo, Shadow Solo, Combo One, Combo Two, Combo Three and Complex. These are features that offers virtually endless variation. Enjoy!

Houdini was extemporized from the single word "Houdini" on a lithographed poster for the magician. The original was a shaded outline like our Houdini Shaded font, but we felt that a solid version would be worthwhile too. Like the companion font Houdini, the shaded version was created from the single word Houdini on an old lithographed poster for the famous magician. The original was hand-lettered by a litho lettering artist.

From the beginning “Esmeralda” was born with a strong influence of the classical “capitalis monumentalis”, carved in stone. In the same way, the origin of this majuscule writing emerged from the brush, from a way of writing made merely by hand. For this reason, these two universes were intended to lie beneath the shape of each letter, redefining them. And this combination of styles should also be reflected in a lower case set that also allows to open up the spectrum of usage possibilities. Foundational calligraphy represented a solid base for the development of lower case glyphs, ensuring proper interaction with the upper case letters. “Esmeralda” features a great number of ligatures that mix classic structures with a more contemporary impression. With more than eleven hundred glyphs, it provides a multiplicity of uses across a wide combinatory of ligatures, alternative signs, initial caps, miscellaneous and connectors; each one of them accessible through Open Type. “Esmeralda” is perfect to speak with a classical yet fresh, modern – and a little bit bold – tone of voice. Designed by Guille Vizzari, together with the tough and remarkable work of Ale Paul, in use “Esmeralda” stands out in a subtle and unexpected way that’s almost unnoticeable. Its delicate yet solid curves, serifs and endings give each composition a fine, elegant and exquisite feeling, along with a firm and sturdy look. “Esmeralda” was initially born as a typographic project developed by Guillermo Vizzari – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.

Cloverdale JNL is another addition to Jeff Levine's revivals of classic wood type fonts from the 1800s. Bold, broad and in the "cowboy" style, this typeface goes well with projects featuring the Old West, Victorian times or old-fashioned nostalgia.

The cover of vintage sheet music for "With Plenty of Money and You (The Gold Diggers' Lullaby)" from the Warner Brothers musical "Gold Diggers of 1937" had the movie title hand-lettered in a classic Art Deco style. Bold, brash and totally fun, this became the model for Golden Opportunity JNL.

Sheesh is a bold and playful font designed with the current trend of combination fonts for daring nostalgia branding trends in mind. It's perfect for branding projects aimed at Gen Z, who are known for their bold and fun style. This font features many stylistic sets and funky icons, making it easy to create eye-catching designs that appeal to this demographic. The font has a modern and fresh look that can add a touch of whimsy to any project. Whether you're creating a logo, a website, or a social media post, Slinky is a font that will help you stand out and make a lasting impression on your target audience.

Say hello to new serif font, Retro Monkey! Retro Monkey is a display serif font that delivers a classic retro feel with strength and boldness. Characterized by striking bold letters, Retro Monkey exudes elegance and uniqueness in every detail. Its retro-inspired design evokes nostalgia and conveys a strong and charming style. Retro Monkey's lettering proportions are audacious in their clarity and legibility. With bold lines and strong contours, each letter looks tough while retaining the elegance of a retro aesthetic. Consistent letter thickness provides an appealing visual appeal and is easily recognizable. Retro Monkey is suitable for use in various design projects that want a strong retro classic impression. This font makes a perfect choice for headlines, titles, posters, merchandise designs, and more. In any context, Retro Monkey carries an impressive presence, inviting the audience to feel nostalgia for a different era. Here's what you get: Retro Monkey Regular, Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Thank you!

Introducing the Feruka sanserif font. All Capital sans is charming and valiant in its application, a font with a bold style and strong character that makes your design look bold and bold to convey messages to consumers in every design, this font is equipped with regular and bold thin variations to simplify and meet project needs you. We designed this san serif family font by paying attention to the combination of each letter to create a beautiful impression and appearance, making it easier to answer your needs, both formal and non-formal needs. This font is perfect for a wide variety of design projects, sporting events, branding, banners, posters, movie titles, food and beverage, technology, quotes, clothing, logotypes, and more. Of course, by using this font your various design projects will be perfect and amazing, because this font comes with a family of fonts, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Hagenbeck is an old style font face with the intention to get really bold. It's a design from 2019, drawn during a rainy stay in the eponymous district in Hamburg, the designers ‘hood for a long time. There is the bold weight and a decorative stamped version of this font face.

Introducing HUMBLE BOYS - a playful font - It's great for branding, packaging, logo, quotes, and another project that needs a cheerful feel. It came with 3 styles Regular, Solid, and Accent Humble Boys Solid and Humble Boys Accent is a perfect combination. It is multilingual support This font is very easy to use...even for a beginner. Regards, Abo Daniel Studio

Durer Caps is three fonts in one. Based on master artist Albrecht Dürer’s 1525 geometric construction of Roman capitals, this font features A to Z as caps only. But there are three variations included: filled construction, unfilled construction, and the solid fill letters by themselves.The user can layer the unfilled and the solid fill letters to do two-color overlay effects.

About the Product Bistern is a typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / retro theme. This typeface contains with beautiful decorative ornaments in vector format that ready to use to create a vintage lettering in sec. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded. Features : ornaments in vector format uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

For decades, cereal companies have included premiums [promotional gifts] inside their packages, printed on the cartons or to send for with a special coupon and redemption instructions. During the 1940s, Pep cereal [a long-discontinued Kellogg's brand] offered a series of water-applied decals within its boxes. Most likely made by the Meyercord Company (one of America's largest transfer decal manufacturers at the time), one decal in particular had an alphabet in gold letters with black outlines. (One can only presume the marketing strategy was to have kids bug their parents to buy more Pep cereal if the child needed more than one letter of the alphabet for his or her initials!) Those decal letters have inspired a digital version as the outline character font Toy Decals JNL, which is available in regular oblique, solid and solid oblique styles.

Offered in both solid circles and "donut" versions, this fun font is quirky and cute but still completely legible.