IF Kargo Sans Clean and Highly Professional. This sans serif typeface includes nine (9) weights and variable format. Aims to serve a wide variety of graphic styles, branding, logotype, packaging, ecommerce in modern way. 9 weights Variable Upper / lower case, numbers, punctuation Language support: Latin and Greek

Sage is a hand generated font with great impact. Robust and vigorous, it's great for informal, exciting design projects. Available all popular font formats, including opentype, Sage has been carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

This came from a shop near Munich, Germany, and was a very poor proof with no font name on it. Never did identify it. When we cleaned it up, we liked it pretty well. We think it is typical of some early twentieth century art nouveau fonts.

Kamaru Sans is a sans-serif display font and works best in text and display applications, such as headline, posters, signage, magazine, product branding, corporate branding, logos and titles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols.

Aiffon handwritten script allows you to create stunning and easy hand-lettering in an instant. Ideal for the logo, quotes, wedding, product label/packaging, fashion, letter, advertising, invitation, poster, merchandise, greeting cards, etc. This font came along with lots of ligatures options for more natural looks.

If you like thematic fonts, this is for you. It appeared in an old lettering book (from the 1930s, if memory serves) and later came out as a film font for photolettering machines. We cleaned it up and drew the missing characters, and here it is. Enjoy.

Dutch type designer Max Kisman created this display FontFont in 1991. The font is ideally suited for logo, branding and creative industries and music and nightlife. FF Network provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Streamlined Stencil JNL is based on a photo of an Art Deco era shipping stencil saying "With Care" which was heavily influenced by the Futura Black style of lettering. The image was seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Escaut is a modern calligraphic font, with a casual style and a lot of rhythm. It is designed with a pen with its characteristic ink discharges. Escaut includes a huge variety of ligatures and decorative characters in upper and lower case, to give it more handwriting reality

This is our name for Antique Tuscan, of which there were many variations. This font came from a large lot purchased around 1970 from an east coast newspaper shop. Subsequently, we acquired several more versions of the face, but this one had lowercase so we used it.

Charlatan is (despite the name!) a truly trustworthy font. Works well with everything that needs something legible and handmade! Comes with contextual alternates (6 different versions of all lower-case letters!) that automatically cycles as you type! And, of course, Charlatan is full of international characters!

Destrod is a modern techno sans serif font. Its futuristic and minimalist style makes it incredibly suitable for all your projects that need a sci-fi touch. Uppercase letters with alternate characters in lower case. Included: Latin base and extended. Cyrillic base and extended. Multilingual support.

Ottmar is a bold casual script font, created using a brush that is etched on paper with care to produce a unique and organic character. With contextual alternate and ligature it will give a very special nuance if used in the design. Hope you like it!

Lemonado is a type family drawn with a dry brush pen. It includes upright and italic scripts and all caps fonts with brush texture or with smooth edges. Lemonado Script is playful and slightly bouncing connecting script. It includes two sets of lower cases to increase the hand writing effect. By enabling Contextual Alternates from OpenType panel you can cycle these two sets and achieve variation. Lemonado Script also includes set of lowercases without connecting stroke, you can use those in the middle of words or automatically add them at the end of words by enabling Stylistic Set 1 at the OpenType panel. There are also set of lower cases with end swashes, you can automatically add these swashes to end of words by enabling Stylistic Set 2 at the OpenType panel. Also other alternate characters and underlines are included to give you even more possibilities to play with. Lemonado Caps has two sets of upper case letters, high and low ones. You can achieve this fun looking bouncing effect by varying them. Just enable Contextual Alternates from OpenType panel and those two sets will cycle.

Rockinstead counts 1, 2, 3, 4, 5, 6, 7, 8... Eight variations per letter, plus alternates for numbers and even for punctuation marks! It is equipped with some clever OpenType programming to make substitutions on-the-fly: the Contextual Alternates feature, with the help of a very careful kerning table, takes care of cycling the alternates in an amazing random-like way, impressively mimicking a true handwritten text. The Discretionary Ligatures feature manages the substitution of handy cursive catchwords, adding that charming twist. To put it more bluntly, this font AUTOMATICALLY alters your typing so that it substitutes glyph variations while you do nothing but type away! No need to use PopChar here to do the substitutions manually, the font itself takes care of that for you. This typeface was originally painted on paper, drawing inspiration from Ralph Steadman’s seminal lettering style. On a first glance it may look quite wild - and it proudly is, indeed. But look again: it is stylishly wild, it is strong, unpredictable, full of attitude and good energy. This multifaceted font will certainly strike its way for free-spirited design applications. Just please be warned: it’s seriously addictive!

Filigree, reminiscent of the delicate lace and jewelry produced in Europe in the 16th to 18th centuries, was inspired by the font Always, and by the way in which the threads (or filia) of the characters in Always intertwined. It has a soft, wafty character. It is best used as a display font at a relatively large size. At too small a size the delicacy of the individual filaments will be lost. Best results also from a combination of upper and lower case characters. Using upper case characters alone will not look as good. Alternate characters and ligatures are also included. If your application program supports "kerning" then I suggest that you turn it on. Although not essential, this will enhance the spacing of the letters. The font contains over 272 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It also includes a number of "open-type" characters - these enhance the flexibility of the font by providing alternatives that are used either at the discretion of the designer or are determined by the circumstances in which the font is used. It has all the accented characters used in the major European languages.

The Augsburger Family is a product of the Art Nouveau period in Germany and Austria, reflecting the darker, heavier Jugendstil approach typical of the Secession movement in these two countries. Originally released by H. Berthold AG of Berlin and Bauer & Co. of Stuttgart in 1902, Augsburger has been attributed to the designer Peter Schnorr. This current version represents a year-long revision of the Augsburger Family. All three fonts have been updated to eliminate duel encoding, harmonize metrics, and review all glyphs. In addition, the following features have been included in the individual fonts: Augsburger Schrift: a total of 249 glyphs have been added, for a total of 467 and an increase of 114%. New are Tabular Numbers, Small Caps, a variety of Ligatures and the refinement of all accents. Augsburger Initials: complete redesign of upper case, inclusion of upper case from Schrift instead of lower case, plus inclusion of small caps and a selection of appropriate ligature. Augsburger Ornamente: includes some additional glyphs. Augsburger may be purchased as a complete family or as individual fonts. Each font package includes both TTF and OTF versions to allow you to select what is most useful to you.

This script font was inspired by the type used in Leyden by Jan Seversz to print Breviores elegantioresque epistolae [...], author Francesco Filfelo, circa 1509. The original font contains all lower case characters, except w, eth, thorn, lslash, oslash and so... and almost upper case. In addition, one set of small lombardic initials were also nearly complete. It take place instead of the Bold style (in only one package)offering a real and rare complete historical printing set... The original small "a" hight was 2,8 mm !, the upper case hight no more than nearly 5 mm, the initials hight almost 15 mm, covering nearly two lines. This font includes "long s", naturally, as typically medieval and also a few ligatures, but not any variants. We have entirely recreated some characters, upper, lower and initials, to fill gaps. It is used as variously as web-site titles, posters and fliers design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, menus, certificates, as a very decorative, elegant and unusual font, besides its historical scrupulous reality... This font supports enlargement as well as small size.

Offense is an unyielding rectangular slab-serif face designed with consistently balanced letterforms and a refined finish. It’s extremely angular geometric form commands attention in display settings, yet is also legible in short text blocks. Numerous alternate character sets allow room for customization, while the expanded ligatures push letter combinations to the limit. Stylistically, Offense’s almost crude, sharp-cornered construction is balanced by it’s sophisticated finish and attention to detail, often unrealized in similar faces of this genre. The upright weights are complimented by pairings of true italics, completely rebuilt, slightly narrower in width with modified letterforms, increasing their contrast and flow. Features include: Precision kerning Standard Ligatures set including 'f' ligatures (fi, fl, ff, fh, fj, ffl, ffi, ffj) Discretionary Ligatures set including (ft, rt, ae, oe, st, ft, ct, oc, oo, ry, AE, OE, AL, TH, HE, AK, AN, TT, HD, AM, AP, AR, NF, NE, NH, NL, NB, FL, ND, FE, AB, OB, OD, OF, OG, OH, OK, OL, OM, ON, OO, OP, OQ, OR, OU, AH, UE, UF, UB, UD, UH, UK, UL, UM, UN, UP, UR, UU, MP, XY, YX, KY, WY, VY, AF, FF, FI) Alternate characters (O, o, S, s, a, h circumflex, @, ®, ¶, $, &, _, and various ligature alternates) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

In 1903, faced with the welter of sanserif typefaces offered by ATF, Morris Fuller Benton designed News Gothic, which became a 20th-century standard. In 1995 Tobias Frere-Jones studied drawings in the Smithsonian and started a redesign. Cyrus Highsmith reviewed News Gothic, and with the Font Bureau studio expanded it into Benton Sans, a far-reaching new series, with matched weights and widths, offering performance well beyond the limits of the original; FB 1995-2012

Delator font is a display typeface, inverted contrast, and condensed. Inspired by the personal experience of the designer who, with resilience and daily struggle, managed to get ahead. Its name is linked to the song of an Argentine rock artist called "Corazón delator", this means that it is a typeface that does not go unnoticed, it attracts attention for its shapes and its way of being and above all, when it is present, it automatically "gives itself away".

Linotype Afrika, from German type designer Jörg Herz, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Dancing, jumping, and playing, the lively beings of this symbol font exude joy. Ornaments and a few frolicking animals complete the font. Combining the single figures, whether as decoration or border, creates a pattern which will surprise you with its lightness and dynamism.

This font is a late work of the famous Berlin font artist Martin Wilke. Presented by Linotype AG in 1988, Wilke is a lively font with eccentric, playful forms. Wilke was influenced in part by the letters of the Irish handwriting in the Book of Kells, written in the late 8th century, while the pronounced contrast in strokes goes back to the styles of the 18th century. the font’s uniqueness is particularly emphasized when used in larger point sizes.

Lewis F. Day, in his book Alphabets Old and New, offered this typeface as an example from sixteenth-century England of lettering incised in wood. The font is essentially monocase, but there several lowercase letters are alternate letterforms. Please note that, due to the ornate nature of the letterforms, this font does not contain math operators, fractions or superior numbers. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Introducing Vibrant Victory, a stunning and captivating font that will inject a burst of energy into your designs. With its bold, thick lines and playful geometric shapes, this typeface exudes a sense of joy and excitement. Its carefully crafted design captures the essence of modern aesthetics while maintaining a unique and charming appeal. Whether you're creating eye-catching headlines, vibrant logos, or engaging posters, Vibrant Victory is the perfect choice to convey a sense of dynamism and positivity.

Ladybird is an unabashedly playful face for joyful, summery, and youth-oriented settings. The fittingly named Ladybird sprouts gently arcing ascenders and cutely curved descenders from its cozy, compact letterforms. A sprinkling of ligatures and alternates give this font a sprightly variety. See what’s included! http://bit.ly/2bGRnnR This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Scrungy Picnic is my handpainted all-purpose typeface with a fresh and legible feeling to it. With all-purpose, I feel that the shapes and organic feeling of each letter, suits designs such as a headline, massive text, toys for kids, candy, posters, invitations, signs...well, the list goes on and on! I've added 4 different versions of each letter, and they automatically cycle as you type - or you can pick the individual letters from the glyph menu!

Hot Grinches Font exudes playful charm and whimsy, making it an ideal choice for vibrant and lively designs. With its lively characters and distinctive style, this font adds a touch of fun and character to any project. Perfect for conveying a sense of joy, Grinched Font is particularly well-suited for children’s themes and pairs seamlessly with lively color palettes. Elevate your designs with this cheerful and spirited font that brings a dash of personality to any creative endeavor.

E-Lie is based on the logo for the Portland band E-Lie. Jon Lincicum designed the logo, and then the basic shapes of the principal letters and numbers. He then gave these designs to Shaun Kennedy, who expanded the design, adding punctuation, accented letters, and math symbols. Shaun then compiled the designs into an OpenType font, adding kerning and ligature information. The design is a distinctive, stylistic font excellent for use when you need to grab someone's attention.

Inspired by the signage of one of the greatest theme park rides in the world (you know, the one with the song that you can't really get out of your head), The Happiest Cruise in Anaheim is sure to bring your small world of fonts closer. Whether a world of wonder or a world of cheer, the playful, quirky and childlike joy of the curves and lines will hopefully set your work on a journey through imagination!

Klandestin Typeface An aesthetic font that has a unique and elegant character to use. Klandestin is a beautiful and elegant serif Font with script for alternate. This font I created is meaningful & very versatile, it goes well with a variety of designs, elevating them to the highest level. Add this font to your favorite creative ideas and watch how it becomes real! Features : Uppercase, Lowercase, Numerical, Alternates, Ligatures & Multilingual Support There it is! I really hope you enjoy it

Borrowdale is a valley and civil parish in the English Lake District. In the 16th century a major deposit of graphite was discovered near Seathwaite, which kickstarted the pencil industry. Borrowdale font was made with one of my son's coloring pencils (which probably does not contain a single molecule of graphite). It is a very legible and easy-on-the-eye font, ideal for children's books, texts and product packaging. Comes with a mother lode of diacritics.

We call this font Fancy Pants and if you give it a glance, it WILL just dance, dance, dance! In tall high heels and pretty toes, this slick chick font is ready to pose for invitations, party plans or high society soirées and forays into the boom boom rooms and pubs and clubs where fancy meets schmancy, and your pants will make YOU get up and dance and your face want to grin. It's all win-win!

Rigrok is a 14 style semi serif designed by Stew Deane. The design of the typeface was intended to create a premium feel that is suitable for the widest range of tasks, while still maintaining a unique sense of character. Stew designed Rigrok to draw on his graphic design experience to create a typeface that is suitable for many a design or branding job. The result is an easy to use, versatile typeface that charms with personality and character.

Fancy Font Family is a font that I have been working on since 2012 and I have been trying to complete it for a long time. Thanks to its wide lines, you can use it easily in your paragraphs and poster designs. In fact, the purpose of using a font is entirely related to your imagination and your originality. The Fancy Font Family adapts to any design format you need and does not let you down.

Brak is the dutch word for ‘brackish’, the mix of fresh and salten sea water found in river deltas and estuaries. Brak is also VetteLetters’ straightforward display font with straight lines and rounded ends, and comes in two weights. It does really well in sea food dishes like fish, lobster, mussels and shrimps. Brak doesn't beat around the bush, it is an all-caps typeface with alternative capital letterforms assigned to the lowercase positions, for a variety of combinations.

Cindie 2 is an update of the optical type Cindie Mono. It retains the monospace-stacking system of the original, but some letters have been redrawn. It also now includes a lowercase and Cindie 2 has a script accompaniment (which isn’t mono and should be used with Contextual Alternates turned on!). Good for posters, branding and headlines, Cindie 2 has 26 monospaced widths which will fit any job. Cindie 2 also comes as a Variable Font.

Saythis Script Upright is our latest product that need so much effort to create it. We research and do the best to make this font good for you. This is very suitable for beautiful logo, poster, magazine, photography and any other design project. Saythis Script Upright goes with Romantic and Elegant Upright Calligraphy, ready to give your design project with Fresh and Feminine Style. This font have an 264 Standard Glyph + 503 Glyph Alternate in Open Type Standard Format.

Nabana is a quotable sans serif font that offers a relaxed, comfortable and informal feel. This font is inspired by the packaging of environmentally friendly products, as well as from book covers for children. The first impression when you see this font is a sense of joy and fun. Moreover, this font package also includes a variety of floral element designs that are very harmonious when used together. Instructions: For complete details, please visit my Behance profil.