Polyphonic is a highly versatile slab serif typeface comprising 60 fonts across 6 weights and 5 widths. It is a no-nonsense, clear and legible type family whose multiple voices will suit numerous typographic applications. Its overall personality is polite, understated and formal – there are no frills with this typeface, it conveys messages simply and efficiently without hyperbole. Polyphonic’s lighter weights are great for body text and its heavier weights the perfect complement for branding, titles, headings and logotype options. Small Caps are included with each font and available with one click, as are Old Style Figures, there is extensive language support too – European/Latin only. Key features: • 6 Weights in Roman and Italic • 5 Widths – Condensed, Narrow, Regular, Wide, Extended • Small Caps • Old Style Figures • European Language Support (Latin) • 600 glyphs per font. See more detailed examples at the Polyphonic microsite.

Introducing the newest addition to your font collection — Sparkling Sunday! This font is the perfect combination of vintage and modern, with bold and chunky letters that are sure to make a statement. The font is inspired by the 80s and 90s era, with a touch of modern typography. Each letter is carefully crafted with attention to detail, giving it a unique and eye-catching look. The font is perfect for posters, flyers, logos, and any design that needs a retro touch. It comes in a regular style and an extra including 26 retro graphics to allow versatility in your designs. Simply install the file as a separate and you will get to type them using the alphabets A-to-Z to access them. Get ready to take your designs to the next level with this cute Sparkling Sunday Duo.

Retro Voice is variable serif font meticulously crafted by BlessedPrint to evoke the nostalgic charm of the 80's. Drawing inspiration from trendy vintage magazine headlines, this font family boasts regular and italic versions. Retro Voice's variable font format provides you with boundless opportunities to fine-tune your typography. With the ability to adjust width, weight, and contrast, you can create a wide range of visual styles that cater to various design projects. No need to fumble with glyph panels; simply type a "+" after the letter to access alternate characters. This feature extends to all characters, thanks to our PUA encoding. Each character within Retro Voice has undergone a meticulous design process. Every curve, line, and thickness was refined to perfection through a precise and rigorous mathematical verification, resulting in a font that radiates luxury and elegance.

Introducing Inertia - Logo Typeface - 5 weights Inertia is futuristic, logo typeface loaded with alternate glyphs, ligatures, 5 weights and multilingual support. It's a very versatile font that works great in large and small sizes. Inertia is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation & Symbol Hairline Light Regular Bold Black Alternate glyphs Ligatures Multilingual support How to access alternate glyphs? To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Avallon is a wild and playful paintbrush font. With each letter authentically hand painted, Avallon maintains a wonderfully messy texture and realistic strokes. It's the perfect choice for lively & loud display typography. Avallon also contains a full set of alternate lowercase characters in the 'Alt' version. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Not only that, Avallon contains a third variation - Avallon All Caps. This is a brand new set of capital letters, designed to pair perfectly with the regular version, and provide you with even more layout options for your text composition. Language Support; English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Turkish, Polish, Finnish, Romanian, Hungarian, Estonian, Filipino, Indonesian, Icelandic, Romansh.

Anderlacht is a vintage serif font with a stamp texture that is perfect for quotes, logos, designs, digital art and more. Also accompanied by several illustrations that make it possible to make designs very easily, and there is also a multilingual language. Anderlacht Regular & Italic Anderlacht Stamp Regular & Italic 12 illustrations in lines, solids and textures PUA Encoded Multilingual Language Support

This fun typeface is great for quote, tagline, or headline. Letter Sketch is all caps hand drawn font with two style, rough sketch and filled version. It's have natural drawing feels in each characters and give personal touch to your projects. Letter Sketch Regular : a funky rough pencil sketch font Letter Sketch Bold : the filled version of Letter Sketch Regular

FECKTOR - MODULAR TYPEFACE Fecktor is a decorative typeface made for display needs, headlines, logos etc. Made with minimalism inspired by the shape of butterfly wings combined with modular to produce a modern Art deco impression and style. Fecktor has 8 variations ( light, regular, bold, solid, extended light, extended regular, extended bold and extended solid ) equipped with uppercase, lowercase, numbers and some symbols

Here is another design by jewelry designer Max Joseph Gradl. Zier is a verb, meaning to decorate, adorn or ornament; zierlich means decorative, elegant, fine, neat. Schrift means type. Zierschrift, therefore, means decorative type. Gradl Zierschriften is a decorative type in the Art Nouveau style, rather than the more ornate Victorian style. Very modern, very young, with an elegant simplicity of form. Maria Makela, in her book The Munich Secession (Princeton 1990) suggests that the frequent use of simple, flowing, organic forms that was so characteristic of Art Nouveau was a reaction against the growing complexity and rapid urbanization that resulted from 19th century industrialization. In keeping with that reaction is the hand-drawn quality that intentionally rejects a mechanistic mathematic precision of line rendering. Gradl Zierschriften preserves that hand-drawn quality. Designed with upper case only, this face was obviously intended for short headlines only and is best set at 18 points or larger. However, I don't think you really get to experience the grace of this design until you get to 36 points or more. In the larger sizes, it is simply stunning. Please note that while most of the uppercase letterforms are repeated in the lower case for convenience, the ‘F’,‘L’ and ‘T’ are rendered a little narrower than in the uppercase to provide for visual variety. The font also includes a generous supply of ligatures for just the right fit ... and just for the fun of using them. Three common ways of inserting a ligature, accented letter or other special character are: 1) Key in “ALT”+“0”+[ascii #]; for example ALT+0233 for the e-acute, 2) From within your application program, go to the INSERT menu and look for something like “Insert Symbol,” (this function is NOT available in all application programs) & 3) Cut & Paste from the CHARACTER MAP display that has been supplied by every generation of Windows Operating System that I can recall (All Programs>Accessories>System Tools). Isn't it amazing what you can do? Don't be afraid to experiment. If you back up your work, you have very little to lose and a lot to gain. Not only do you acquire a new tool, but by the very process you have learned how to continually expand your knowledge and skill base.

Reacher-Sans is an elegantly simple sans-serif font. Designed for versatility, it possesses unique letters perfect for logos and still maintains a simple and readable look beautiful for both headlines and large blocks of text.

Abelarde is a classic medieval gothic style font which combines traditional blackletter style lower case characters with more ornate and decorative capital letters with some nice swash features. We've done some simpler fonts in the same general vein like Cymbeline, Aneirin and Perigord, but Abelarde takes the style to a higher level.

Inspired by pointed pen calligraphy and modulated sans serif typefaces used for advertising in the 1920´s, Bologna is a high contrasted sans serif with a modern and fashionable look. Bologna comes in three weights: Regular, Bold and Black. The Regular and Bold weights are, despite of their high contrast, also build for body texts. Whereas Bologna Black, with a more expressive look and sharp angles, is specially designed for large and striking headlines, packaging or identities. Overview: 3 weights - Regular, Bold, Black Regular/Bold: 657 Glyphs Black: 871 Glyphs Lining, tabular and old style figures Ligatures: fl, fi, ff, ffi ffl, Unicase Letters: a, e, m, n, r Alternative Guillemets Case Sensitive Arrows Bologna Black: hairline accents and interpunctations Fractions Extended Language Support Stylistic Sets: ss01 = Alternative Guillemets / Alternative y ss02 = Unicase glyphs ss03 = Numerals in circle ss04 = Numerals in black circle ss05 = Hairline Accents and Interpunctations (Bologna Black)

MIX TRIPPY TAROT is a witchy handwritten serif, sans serif AND a dingbat set. The perfect balance of cute and creep to complete any of your crafty woowoo, astrology, zodiac, mystic, spellbook, or magic projects. This family of fonts come with an abundance of glyphs, alternates and ligatures. The dingbat set is a collection of 36 doodles that perfectly go with the regular or serif Trippy Tarot font (or any other font, for that matter)! WHAT YOU'LL GET: Mix Trippy Tarot Regular Mix Trippy Tarot Little Sans Mix Trippy Tarot Dingbats Mix Trippy Tarot Regular comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤•· ÷×+−±≈=≠≥≤[]:;’”,.|/?{}“”‘’-–—_… ©®™‹›«»°¹²³ªº¡¿₱¢€£¥½¼¾¶§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕŌŐØŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŬŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõōőøœŕřśŝšșťțúùûüůűŭūųẃẁŵýŷÿźẑžżþß Ligatures: ee ff fl ft ll mm nn ss tt Alternate: Q Mix Trippy Tarot Regular comes with the following glyphs: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤•· ×+−=[]<>:;’”,.\|/?{}“”‘’-–—_…©®™‹›«»°¹²³ªº¡¿₱¢€¥Þþß Fellow witches, enjoy!

Breaking from our catalog of typefaces to create a new handwritten font family, Modern Love was born out of our desire to see what would happen if we took a step back from the norm. We weren’t looking for the perfection of the many calligraphy techniques, but more of a natural way of writing with the same tools. Our escapist experiment into casual lettering culminated into 4 fonts: Modern Love Regular, Grunge, Rough and Caps. Modern Love Regular is a hand-painted script, each glyph individually designed with a pointed brush and walnut ink. The aim was to create an effortless hand-drawn feel while keeping the contrast high density. Playful, yet polished, this font works very well when accentuated with the family’s two distinctive styles: Modern Love Grunge, simulating a washed-out effect, perfect to add a vintage look to your projects; and Modern Love Rough, with its crunchy borders, makes letters visibly rough-around-the edges and gives large letters an unmistakeable pop. All three fonts include a hand-painted set of ornaments, swashes and alternates to limitlessly customize and decorate your texts, accessible through Opentype features. Modern Love Caps is the fourth font, a handwritten Sans Serif that ties the family together with its simplicity and readability. Designed with a pointed nib and Indian ink, this font boasts a different style that perfectly complements Modern Love Regular, Grunge and Rough. The result is a fresh font family perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging for cosmetics, fashion supplies, food products, artisanal goods, and an endless array of options for your projects. Modern Love…when brush meets passion. Check out also ‘Modern Love Slanted’ Turquoise Nautica

Introducing "Korge", a captivating and versatile retro bold slab serif font that seamlessly marries vintage aesthetics with modern functionality. With its bold design, serif form, and a trio of regular, rounded, and extruded versions, Korge offers a wealth of creative possibilities for your design ventures. Korge is a font that transports your projects back to the golden eras of design. Its bold and distinct serifs evoke a sense of nostalgia, lending your creations a classic and enduring appeal. Korge provides not one, but three distinct styles to choose from. The regular version exudes a commanding presence, while the rounded variant softens the edges for a more approachable feel. The extruded version adds depth and dimension, giving your text a 3D, eye-catching quality. Korge is a font that speaks the language of design across borders. With its multi-language support and PUA encoding, it ensures your message resonates with audiences from diverse linguistic backgrounds. From logo design to branding, packaging, posters, and beyond, Korge adapts seamlessly to a wide array of design projects. Its bold slab serifs demand attention, making sure your message is delivered with both authority and style. Korge invites you to embark on a journey of creative exploration. Craft memorable headlines, iconic logos, or striking signage – this font is your canvas for pushing the boundaries of design. With Korge, the possibilities are limitless. Its vintage-inspired bold slab serif design, multi-language support, and versatile styles make it the ideal choice for designers seeking to infuse their projects with timeless charm and contemporary appeal. Get ready to bring your visions to life with Korge, where classic meets cutting-edge. ——— Korge features: A full set of Uppercase & Lowercase letters Numbers and punctuation Multilingual language support PUA Encoded Characters OpenType Features +237 Total Glyphs Rounded Style + Regular Style Extruded Style Korge Includes: Korge Regular Korge Regular Extruded Left Korge Regular Extruded Right Korge Regular Extruded Left Italic Korge Regular Extruded Right Italic Korge Rounded Korge Rounded Extruded Left Korge Rounded Extruded Right Italic Korge Rounded Extruded Left Korge Rounded Extruded Right Italic

The Depot Trapharet 2D is based on lettering of Lviv tram stands describing the city tram routes. The font is characterized by brutal simplicity bordering with primitivity.

Official is a very clear and legible font family of 14 fonts. Its simplicity makes Official an ideal style to use in any project you could imagine.

Rich curvilinear borders and corner pieces, based on organic forms, for use as individual ornaments or as repeat units in the creation of complex shapes and patterns.

GroteskRemix — remix of a Grotesk typeface in 6 styles (thin - light - regular - medium - bold - black) language: all latin glyphs

Cephalonia is a geometric sans-serif with a unique set of alternates that draw their inspiration from classical greek engravings. The crossbars in the alt characters O, E, F and D are the most notable examples of this greek influence. The landscape of Greece and in particular its islands were the inspiration behind the angular A, H and G, which conjure images of rolling hills and waves. Cephalonia's alternate Q and ampersand are completely original designs. Cephalonia combines the simplicity and elegance of the most famous geometric sans-serifs while adding original embellishments that make it something new and exciting. The end result is a typeface that can evoke a classic feeling while simultaneously holding an edgy contemporary feel.

Mode is a typographic experiment exploring how same sans serif form adapts to different circumstances and what are the possibilities in variations of Thin / Black, Contrast / Negative contrast. Two main groups are Mode 0 (with rounded shapes) and Mode 1 (with angular shapes). Each of them varies from Thin to Black in six cuts, in the same manner it varies from contrast shapes to negative contrast. Mode comes in total of 72 cuts regular and italic, it speaks majority of Latin based languages and is equipped with smcp, c2sc, Old style and all caps numerals. Mode is made by DAGGERtypo during a period of 2019/2020

Mr Eaves is the often requested and finally finished sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this 2009 addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complimentary families: Mr Eaves Sans and Mr Eaves Modern. Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics. The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves. Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower. Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters. The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves’ DNA. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version (Sans and Modern) contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in six weights. The simpler forms of a sans-serif provide the opportunity of more weights than do serif letter forms, which are more complex in structure, making it difficult to accommodate additional weight without distortions. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.

Mr Eaves is the sans-serif companion to Mrs Eaves, one of Emigre’s classic typeface designs. Created by Zuzana Licko, this 2009 addition to the Emigre Type Library expands the versatility of the original Mrs Eaves with two complementary families: Mr Eaves Sans and Mr Eaves Modern. Mr Eaves was based on the proportions of Mrs Eaves, but Licko took some liberty with its design. One of the main concerns was to avoid creating a typeface that looked like it simply had its serifs cut off. And while it matches Mrs Eaves in weight, color, and armature, Mr Eaves stands as its own typeface with many unique characteristics. The Sans version relates most directly to the original serif version, noticeably in the roman lower case letters a, e, and g, as well as in subtle details such as the angled lead in strokes, the counter forms of the b, d, p, and q, and the flared leg of the capital R, the tail of the Q. The distinctly loose-fitting letter spacing of Mrs Eaves was applied also to the Sans version. This, together with generous built-in line spacing due to a small x-height and extended ascenders and descenders, renders the same kind of lightness and airiness when setting text that is so characteristic of Mrs Eaves. Deviations from the original Mrs Eaves are evident in the overall decrease of contrast, as well as in details such as the flag and tail of the f and j, and the finial of the t, which were shortened to maintain a cleaner, sans serif look. And the lower case c had to be balanced out differently after it lost its top ball terminal. And with the loss of serifs, Mr Eaves set width is slightly narrower. Mr Eaves Italic also carries over many forms from its Mrs Eaves model, most notably the v, w, and z, which are unusually flamboyant for a sans italic design. It also utilizes lead in and terminal tails that are reminiscent of the serif italic. The biggest departure here is the width of the characters. The extra narrow gauge and delicate features seemed more appropriate for the Serif than the Sans. To allow for a comfortable fit, Mr Eaves Italic has a more robust design and wider character width. Meanwhile, the Modern family provides an overall less humanistic look, with simpler and more geometric-looking shapes, most noticeably in the squared-off terminals and symmetric lower case counters. This family has moved furthest from its roots, yet still contains some of Mrs Eaves' DNA. The Modern Italic is free of tails, and overall the Modern exhibits more repetition of forms, projecting a cleaner look. This provides stronger differentiation from the serif version whenever a more contrasting look is desired. Each version (Sans and Modern) contains its own set of alternates providing unique options for applications such as headlines, word logos, letterheads, pull quotes, and other short text settings. Both the Sans and Modern come in three weights. The simpler forms of a sans-serif provide the opportunity of more weights than do serif letter forms, which are more complex in structure, making it difficult to accommodate additional weight without distortions. Regular and Bold match the original Mrs Eaves weights, while the Heavy provides an additional weight for extra emphasis.

AHAMONO is a simple rounded monospaced typeface.

Naston Regular is the font of choice for those who seek an elegant and versatile typeface. With its timeless design, Naston Regular adds sophistication to a wide array of applications, be it formal invitations, business presentations, or creative projects. Its meticulously crafted letterforms prioritize readability while maintaining a unique and distinctive style, leaving a lasting impression on your audience. This font's broad language support and impeccable craftsmanship ensure a seamless reading experience, making it an excellent choice for anyone who values professionalism and aesthetics in their design projects. Choose Naston Regular to elevate your content and effectively convey your message with clarity and elegance.

English HU Dear Molly is a headline font for the title, and it is a cute typeface that is close to a round circle. Coolly stretched strokes create an interesting sense of rhythm. There is 1 weight of HU Dear Molly : Regular Greek Το HU Dear Molly είναι μια επικεφαλίδα γραμματοσειρά για τον τίτλο και είναι μια χαριτωμένη γραμματοσειρά που βρίσκεται κοντά σε έναν στρογγυλό κύκλο. Οι δροσερές πινελιές δημιουργούν μια ενδιαφέρουσα αίσθηση ρυθμού. Υπάρχουν 1 βάρη του HU Dear Molly: Regular Cyrillic HU Dear Molly - это шрифт заголовка для заголовка, симпатичный шрифт, расположенный рядом с круглым кругом. Крутые штрихи создают интересное чувство ритма. HU Dear Molly имеет 1 толщины : Regular

Introducing, Pearlone (Read : Pearl One), a stylish stencil serif! Pearlone is a stylish and modern stencil serif that will make your project more elegant and appeal. This font called Pearl-one, because the dot in some characters inspired by the beautiful pearl. This font comes with regular and bold style that have a contrast look. You don't one to use the pearl version? Don't worry, it comes also in regular form. You can access the regular form with uppercase, and the special one from lowercase. You can use this font for any purposes, such as a branding logo, poster, or even editorial! This font also support multi language. Happy Designing!

A set of slab serif framed capitals is displayed in the 1906 edition of the Keystone Type Foundry specimen book as “John Alden Initials”. Digitally redrawn as Keyden Drop Caps JNL, regular and reverse versions are available in one font file. Upper case keys contain the regular version, lower case keys have the reverse version. Blanks frames for each are on the parenthesis keys. The font’s name is a hybrid of both ‘Keystone’ and ‘Alden’. These vintage letters can easily be used as drop caps, monogram initials or for short novelty titles or headlines. Choose from either regular or oblique for your next print project.