Belkin Display new generation Typeface. Belkin Dispaly Typeface created with the vision of attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Belkin is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding product, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. 6 Weights Included.

Dutch type designer Evert Bloemsma created this serif FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Avance provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Introducing new typeface!!! Warrior of World is a display modern serif. it has unic construction. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details. There are two style hollow and regular. The font is intended for short inscriptions and texts and is adapted for use on the screen. Warrior of World perfectly used for movie poster, product presentation, elegant logo design, packaging or invitation cards or heading text. Features Two style/ Numbers & Punctuation / Extensive Language Support

Bruta is a contemporary sans-serif grotesque typeface, conceived to become the Swiss army knife of your font library. Inheriting the modernist approach of the grotesque fonts, Bruta aims to be a rational and neutral typeface suitable for a wide range of applications. Whether it’s used for print or screen, in large or small sizes, for magazines or branding, Bruta will stay on your font library for long time. Loaded with Opentype Features, +100 emojis, Greek and Cyrillic support, Bruta can easily become your new default font.

Fresh new type from the Netherlands. An original, lively, eclectic semi-slab serif intended for general use. Quirky yet seriously usable, the family features enough weights to fit any design situation and all fonts are suitable for screen and print. Full Latin-script language support, including Maltese, Turkish, Vietnamese, Greenlandic, Azerbaijani, Afrikaans and localized Polish and Romanian. Download the Quick Start Cheat Sheet here to help you get the most out of Ipsum Semi. For requests or remarks, feel free to get in touch.

Brandon Text is the companion of the famous Brandon Grotesque type family. It has a higher x-height than the Grotesque version and is optimized for long texts, small sizes and screens. This special Office version of Brandon Text is especially for all Microsoft Office applications (Word, Excel, Powerpoint …). It contains just the 4 basic styles which are style-linked and can be easily accessed by the “I” or “B” button in Office. The fonts are manually hinted so their appearance is also optimized for these applications.

Being a Star is one thing, but being a Twisted one is even better! JWX Twisted Star incorporates your deep desire for stardom into each alpha and numeric glyph, in a bold bordered font. The upper case letters sport a trailing accent, making them shooting twisted stars. This is a single bold typeface, and is intended to be used at a large size in graphics work, adding a not-so-subtle statement to everything from screen printed t-shirts to posters or even embroidery (available at www.janworx.com).

Introducing Moraco Display new generation Typeface created for building brand identity. Moraco Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. Moraco is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project.

OpenType Layout features: stylistic alternates, localized forms, uppercase-sensitive forms, oldstyle figures, lining figures, arbitrary fractions, superscript, subscript. Consolas is intended for use in programming environments and other circumstances where a monospaced font is specified. All characters have the same width, like old typewriters, making it a good choice for personal and business correspondence. The improved Windows font display allowed a design with proportions closer to normal text than traditional monospaced fonts like Courier. This allows for more comfortable reading of extended text on-screen.

DF Riga is a minimal bitmap typeface which works very well in small sizes both on your screen and on paper. But... if you want to express its deep beauty, use it in display sizes and the smell of ink is there. These typefaces (DF-A BIT, DF-Riga and DF-Dudok) owe their existence to the excellent letterpress printing of Hanneke Briër at the Grafisch Centrum Groningen. Beyond ‘the perfect’ there is a lot to get, it is made, you can see that.

Bebas Kai is free font which is licensed under the SIL Open Font License 1.1. Designed by Ryoichi Tsunekawa. We have another Bebas edition called Bebas Neue and there are some derived, rounded fonts such as Bebas Neue SemiRounded and Bebas Neue Rounded. Bebas Neue Pro has lowercases and Italics. When you need more impact for titling, please try Dharma Gothic and Rama Gothic. When you need body-text font matching with this Bebas family, please try our Bio Sans font family.

A heavy duty block-shadow font derived from Sentinel Sten Type, Maus' inflexible, near-featureless block-like shapes give the impression of great mass and solidity. Maus is an example of minimalism in type design, using a minimum of sculpting to elicit the essence of familiar Latin forms. Two sets of complimentary letters allow designers to pick and choose combinations for letter fit, for their symmetric values, or to create a particular look or feel to suit the subject. Obviously Maus has great potential for signage, posters and billboards, and screen-printed garments.

For more than 70 years the 10-foot tall letters displaying the word FOSHAY have illuminated the Foshay Tower in the Minneapolis skyline. However, the typestyle has never been made into a font before. This new modern font family, dubbed Fosho Book, is optimized for book print usage as well as functioning as big bold display type on screen. The Fosho fonts are available in three styles: Outlines, Dotted Bulb Inlines and Composite with both. You can use the three styles in overlapping colors for dramatic chromatic effects.

OpenType Layout features: Smallcaps, stylistic alternates, localized forms, standard ligatures, uppercase-sensitive forms and spacing, oldstyle figures, lining figures, smallcap figures, arbitrary fractions, superscript, subscript. Corbel is designed to give an uncluttered and clean appearance on screen. The letter forms are open with soft, flowing curves. It is legible, clear, and functional at small sizes. At larger sizes, the detailing and style of the shapes is more apparent, resulting in a modern sans serif type with a wide range of possible uses. This font is suitable for business documents, email, web design.

A monospaced companion of the Syke type family. Using the proportional typeface as the reference details are carefully drawn into specially chosen characters to help improve centre alignment, function, and readability. Syke mono has a modern aesthetic style that is distinctive and stands out from the typewriter crowd without being too overpowering making it ideal for computer coding, database applications, ebooks and other screen-based interfaces. Details include five weights and true italics, over 590 characters with an alternative lowercase a, i, l and r. Five variations of numerals, manually edited kerning and Opentype features.

The Daytona™ typeface family grew out Jim Wasco’s desire to design a readable and legible typeface for video and on screen use. Because of its high levels of legibility, the Daytona family is additionally an ideal design for display usage in digital user interfaces and a wide range of print applications. Wasco drew each character with legibility as a primary goal, some of the letters having unique attributes to minimize the ambiguity. Daytona Variables are font files which are featuring two width axes and have a preset instance from Thin to Fat.

Our Englebert Pro draws inspiration from the title screen of the 1930's film entitled, "Der Blaue Engel", starring Marlene Dietrich. Playful but subdued, yet striking enough to catch the eye, this casual sans has a distinct signature look to it. The offbeat letterforms engage the reader, while the SmallCaps and extensive figure sets lend a wider versatility to the typeface. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Resnick is a Display typeface that is luxuriously bold and bold in style specifically for strong use, with a versatile touch. Consists of 3 styles, Regular, Outline, Extrude, and Outline Extrude and is very suitable for all medium or large uses because of the exact line shape, which made by flying machines. It is suitable for graphic design and screen use whatever your project is like branding, magazines, editorials, wedding invitations, logo design, posters, social media, and more! Also supports multilingual and PUA encoded! Feature UPPERCASE lowercase Number & Symbol International Glyphs Ligatures

Belle Sans is a clean, straightforward sans serif typeface family, and a very large family at that! It has seven widths, from Ultra Condensed to Extra Wide, and seven weights, ranging from Light to Black, all with Oblique companions. Belle Sans offers up great legibility for on-screen usage, and the breadth of width and weight make it very usable for text applications as well. The heavier weights, especially the Black, are exceptional for creating visual impact! Each font supports Western and Central European languages, ligatures, tabular figures, unlimited fractions, superiors & inferiors, and ordinals.

German type designers Axel Bertram and Andreas Frohloff created this serif FontFont in 2012. The family contains 4 weights: Light, Regular, Medium, and Bold and is ideally suited for film and tv, editorial and publishing, small text as well as web and screen design. FF Videtur provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Dulce is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures makes it a versatile typeface, suitable for headlines and short phrases. You will see all of these ligatures on the screen, enabling “standard ligatures” and “discretionary ligatures” options. Ornaments are also included, which can be very useful for designing. Dulce is ideal for magazines, logotypes, advertising, etc. Use it for whatever you want and enjoy!

Ostent Rounded is based on my first release "Ostent' which is a font family which is inspired by the early Din-Type fonts. In particular, Din 1451. This is reflected in Ostents simple and uncomplicated design, which results in creating a good sense of legibility. Each of the three weights has been carefully designed to work in conjunction with one another, or individually, complimenting other typefaces. Ostent can be used across a wide range of design mediums (both print and screen). There is also a non-rounded version of Ostent available to purchase.

Zebra, designed by Janet Valdez of Janworx, is a bold sans serif typeface, heavy on one side, and sporting a realistic zebra animal theme. Both upper and lower case are all caps. Incorporating the stripes into the font eliminates the need to power-clip or edit an existing font to reflect the animal theme. Creating artwork for spirit wear of a team with a zebra mascot has never been easier. This typeface is suitable for use at a large size, and would work well for screen printing, vinyl work and posters.

Nena Serif is a transitional readable typeface, with a contemporary style, designed for extensive reading in books, newspapers and magazines. The font is very legible when used in small body text, with medium x-height and moderate contrast it creates an elegant look on the page and is well suited for stylish headers and various on-screen uses. The Nena Serif family is available in 6 weights, ranging from light to heavy, with matching italics and alternate glyphs. The font contains a character set of 411 characters supporting 206 different languages.

Amster is an energetic & refined type created by Francisco Gálvez, with a sharp idea on how elegance & legibility can meet harmoniously. Amster can build a text that is highly readable as well as friendly. It has five weights of roman & cursive both with smallcaps and fully-equipped with all OT sorts and even a wonderful set of illuminated initials. Amster is a very versatile typeface, allowing for a wide range of uses: screen to print, small text to display, science to poetry. Amster speaks more than 200 languages.

A book in the library of University of Wisconsin caught David Berlow’s attention. It was set in a clear text face - a predecessor of Bookman, cast by the Western Type Foundry who called it Custer. Upon noting how well the typeface worked in 6 and 7 points, he developed it into a member of the Reading Edge series specifically designed for small text on screen. Custer RE was a broad and approachable typeface drawn large on the body with a tall x-height to maximize its size when set very small.

Simah zaza typeface - خط سمة ظاظا Simah Zaza is an Arabic typeface that has luxury yet warm and humane feelings. It's legible, soft, clear, flexible, simple, and contemporary. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Simah Zaza is highly crafted in order to perform well both on screen and in print. it functions well even on small font sizes. It has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Simah Zaza consists of five weights.

Sys is a condensed font designed to work well at small sizes (i.e. phone books, maps, or the like) but it has enough personality to be used at big sizes, too. The TrueType version, thanks to its incredibly accurate hinting, may be used to replace amazingly well TrueType system fonts in every platforms, in web or other screen applications. After the succcess by the first version designed ten years ago, the version 2.0 has numerous improvements in the design of the glyphs, new Unicode ranges, useful OpenType features and enhanced readability.

Bolded is a new complete type family, designed and developed by creative professionals. Contains geometric and rounded features, optimized for both long texts and small screens and texts. The complete family offers seven weights divided between the basic, italic, condensed and condensed italic family. Created in 2022, Bolded has a modern and functional look, designed for the most diverse uses and projects. Bolded is a geometric rounded family that can meet the needs of the most varied professionals looking for a clean and elegant font family with a wide set of Latin characters.

Burdigala is a clean-cut, modern yet classic typeface inspired by Didones and Aicher’s Rotis family. The Semi Serif is ideal for larger amounts of (printed) texts in brochures, magazines and books. It is slighty narrow in order to conserve space, but spacious enough to faciliate reading and overall clarity. The expanded versions of the semi serif, being wider and more open, works equally well in media intended both for print and on-screen reading, e.g. in Pdf-documents etc. Burdigala is the ancient Roman name of the city of Bordeaux France.

German type designer Hans Reichel created this sans FontFont in 1999. The family has 12 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. FF Sari provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

The Mitram family has 7 weights, ranging from Thin to ExtraBold (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, way finding and signage as well as web and screen design. Mitram provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, and super—and subscript characters. It comes with a complete range of figure set options—old style and lining figures, each in tabular and proportional widths. The typeface supports Western, Central and South-Eastern European and Vietnamese languages.

Swedish type designers Örjan Nordling and Göran Söderström created this sans FontFont in 2009. The family has 12 weights, ranging from Thin to Black (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries, poster and billboards, software and gaming as well as web and screen design. FF Dagny provides advanced typographical support with features such as small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional lining, tabular oldstyle, and tabular lining figures. In 2011, FF Dagny received the ISTD award.

Hoxton North came out of the concept to create something distinctly British, drawing on modernist influences such as Edward Johnston's typeface for the London Underground and Gill Sans. A humanistic san serif typeface with a British modern quality. Open forms with subtle contrast promote good readability across a wide range of media in both print and screen. The compact letterforms give it a strong lateral dynamic that is space efficient across design layouts. Details include 620 characters, seven weights with true italics, small caps, manually edited kerning and Opentype features.

Wak is a lively calligraphy-based sans serif. The simplicity and smoothness of its forms is combined with the sharpness and suddenness of the details. There are six weights from light to extra bold, with a variety of alternative signs, additional ligatures and initial and final forms with swashes. Lowercase letters repeat the uppercase pattern. The font is intended for short inscriptions and texts and is adapted for use on the screen. Wak was designed by Viktor Fitzner, character set expanded by Alexander Lubovenko. The font was released by ParaType in 2018.

Rohn Rounded is a rounded version of Rohn. This family is a modern squarish typefamily with a large x-height and soft feeling. Its letterforms are based on the shape of square with rounded corners. With particular details and large x- height, it is more legible at small sizes both on screen and paper. It has seven weights from Thin to Black with corresponding oblique styles and each weight includes ligatures, fractions, old style numbers, case-sensitive forms and more. Rohn Rounded is ideally suited for branding, logo, packaging, magazine, poster and editorial design.

Anicon Slab font consist of 18 weight: from Thin to Black with each weight paired by italic. Also including Latin & Cyrillic language support with more than 35 languages. Anicon is a fonts superfamily, semicondensed sans serif and slab serif with humanistic forms of characters. This font was crafted with the intention to present a clean, legible, multipurpose font family that is easy to read wether it's on screen or print. Fit for all purposes; text, display, headline, print, corporate identity, logo, branding, product, infographic, photography and other application and medium.