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  1. Red Circle - Unknown license
  2. Smartie CAPS - Personal use only
  3. Font in a Red Suit - Unknown license
  4. Gravicon - Unknown license
  5. Depth Charge - Unknown license
  6. ARG219am - 100% free
  7. Idolwild - Unknown license
  8. COnsume - Unknown license
  9. Torgny.. - Unknown license
  10. Grange Shadow - Unknown license
  11. Thiamine - Unknown license
  12. Eaglemania - Personal use only
  13. Thundercats - Unknown license
  14. Ego trip Fat Skew - Unknown license
  15. Plastic No.20 - 100% free
  16. Eklektic-Normal - Unknown license
  17. Reaver - Personal use only
  18. Action Man Extended - Unknown license
  19. Quake & Shake - Unknown license
  20. Imperfect font - Unknown license
  21. Rogue Hero Italic - Unknown license
  22. Tank Junior - Unknown license
  23. ReskaGraf - Unknown license
  24. Grunge Serifia - Unknown license
  25. Tour de Font - 100% free
  26. Corrodated J - Unknown license
  27. RaveParty Offset - Unknown license
  28. Hall Fetica Wide - Unknown license
  29. KASnake - Unknown license
  30. oktober - Unknown license
  31. Amature Circus - Unknown license
  32. Drummon - Unknown license
  33. MDRS-FD01 - Unknown license
  34. Spongebob Dingpants - Unknown license
  35. Big Fat Ugly Cow - Unknown license
  36. Oxona Caps - Personal use only
  37. Beton by Linotype, $29.99
    The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as “modern” typefaces. (Their serifs kept them from being too modern.) The first slab serif typefaces were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in “Wild West” America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. The Beton family is a type “family” in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces.
  38. Hermona by Arterfak Project, $15.00
    A new experimental vintage font called Hermona. The combination of retro and old fashioned era. Inspired by old school badges and labels. Hermona is an all-caps font that perfect for a headline. A great choice to use in label, poster, signage, t-shirt, storefront, greeting cards and logotype. Hermona is also complete with a lot of special characters such as stylistic alternates or swashes which are possible to combine and get more calligraphic looks. The ornaments and pre-made also include in a pack. Typeface features: - Uppercase - Smallcaps - Numbers - Punctuation & symbols - Accents - Custom ligatures - Stylistic Alternates - Contextual Alternates - Swashes - Stylistic set 01-05 Best Regards, Ramz.
  39. Nouveau Techno JNL by Jeff Levine, $29.00
    The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.
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