Rugen is an urban all-caps sans serif that perfectly matches your branding project and more. FONT FEATURES Additional Accents 66 Languages Kerning Alternates

Hintdake is more than just a font; it's your ticket to a tattoo font collection. Featuring three styles (regular, rough, and stamp) and 26 bonus tattoo illustrations. Hintdake is your secret weapon for standout logos, branding, and apparel designs. Dive into the world of blackletter fonts and make your creative mark with this exceptional collection. Hintdake font features : - 3 style typefaces (regular, rough and stamp) - Uppercase, lowercase, numeral, symbol, punctuation and ligature in blackletter font - All-caps, numeral, symbol and punctuation in sans serif font - Multilingual - PUA Encoded Hintdake includes : - 8 fonts (blackletter, sans serif and dingbat) - 26 tattoo illustrations in dingbat

Botuna San Serif is a typeface designed by Botuna San Serif. This is a high-end font family with 18 different styles. Designed to aid you in the creation of visually stunning projects of all types. This font is simple to use and integrates seamlessly with any standard software. Your project will stand out with this font! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Wendys | Modern and Chic Sans Serif a modern and stylish style that has unique stroke characters, which is very easy to combine with other fonts, this will be very useful for designers making logo and layout designs. What are you get? Numbers & Punctuation Multilingual Support Works on PC & Mac Simple Installations Enjoy using the Wendys Sans Serif font and it will make a perfect addition to your font collection. If you have some questions, don't hesitate to drop a message!

Faston is a Modern Display Sans Serif Font. Unleash the power of contemporary design with Faston, a dynamic and versatile display sans serif font that elevates your projects to the cutting edge. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Introducing "Woly Wonka" - A Display Sans Font. Step into a world of whimsy and imagination with "Woly Wonka," a captivating display sans font that adds a touch of playfulness to your designs. There's some connected letters and some alternates that suitable for any graphic designs. This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Bushcraft is a fun geometric monoline script and sans serif font. This family includes five weights, a sans serif font and art. Bushcraft Basic and Pro scripts are simplistic with a geometric look. Bushcraft Basic scripts comes with one set of 63 alternates and ligatures. Bushcraft Pro scripts includes 278 alternates and ligatures. Both versions supports extended Latin Pro and OpenType. Bushcraft Sans is an all caps, vintage inspired font that pairs nicely with the scripts and artwork. Bushcraft is well-suited for type art, murals, product design, books, film, television, branding, magazines, signage and other creative projects. To use the OpenType ligatures/alternates you will need to use any program that supports OpenType features such as Adobe Illustrator CS and Adobe InDesign. Fonts designed by Cindy Kinash.

Graftyne sans serif typeface with a unique personality. It comes in normal and display alternate, each with 7 weights variable. Graftyne sans serif typeface is flavor in motion and each part of its system works together to captivate you, combining emotion and usability, allowing you to create attractive and unique designs. graftyne is made experimentally following a futuristic style recipe with alternate characters made with inktrap and display that makes this font more stylish and varied. Graftyne is a variable font that has 7 weights from thin to bold. also includes alternates that are more varied with variables. Graftyne sans is a versatile font system, designed primarily for display uses with a need of visual impact. Feature : Alternate Ligature Discretionary Ligature Multilingual Numeral & Puctuation Wish you enjoy our font!

Conceived as a slab serif companion to the Absentia Sans family, this typeface complements its sibling with charisma and style. Built on the same geometric framework, they combine and harmonize gracefully. Yet Absentia Slab stands on its own as a novel alternative to conventional options. Anchored by blocky serifs, it presents an appearance of stability and steadiness. Its audacious design integrates unique features such as vertical terminals in glyphs ‘a’, ‘e’ and ‘6’. To make optimal use of available space, one-sided serifs (and in some cases, simple strokes without any serifs) help maintain an airy, uncluttered footprint as seen in letters ‘m’, ‘E’ and ‘N’. This forward-looking typeface is well suited for a variety of projects: understated yet spirited, technical yet welcoming. It has a modernist appeal, while reminiscent of XIXth Century woodblock lettering. Designed by Daniel Robichaud, Absentia Slab is available in ten weights with matching italics and two variable fonts.

Sudtipos is proud to announce the release of Découpe, a display typeface program of eight fonts, designed by María Carla Mazzitelli and born during her Masters in Typography at the University of Buenos Aires (FADU-UBA). Inspired by gestural graphic expressions –like paper cut-outs (découpes) and spontaneous handwriting– from the most diverse postmodern and contemporaneous artists of the design world, Découpe has been created specifically to be used in big sizes. A little bit irreverent and effervescent from time to time, this gestural sans serif family reveals its contrasts and asymmetrical shapes when it breaks through display functions. From Light to Extra Bold, it reaches the most extreme weights, looking for power and impact. This program is meant to catch the eye in typographic compositions, to shout it out loud and clear. Definitely, to be seen. *Découpe has been recently selected to be part of different typography exhibitions such as Tipos Latinos and the Type Directors Club.

a, g, k and y It was a forensic examination by Jason Smith of his existing designs that laid the groundwork for FS Jack. Jason made a list of unique characteristics that would give the sans serif font its typographic thumbprint, which included an unusually large x-height and slightly off-the-wall letters like the lower-case “a”, “g”, “k” and “y”. “I wanted to make something that was slightly uncomfortable,” says Jason, “and in doing so simplify the quirkiness down to a few letters.” Fernando Mello did “the rest of the cooking”, filling the design out and making the additional weights. Tipos Latinos Upon its release in 2010, FS Jack was submitted by Fernando, who is Brazilian, for the esteemed type design biennial, Tipos Latinos, where it was selected as a winner in the Families category. It went on to be selected for type exhibitions throughout Latin America and around the world. “FS Jack is a workhorse,” says Fernando, “but also very ownable and distinctive, and available in a good range of weights, crafted by Jason and I.” Corporate “FS Jack took a couple of years to get noticed and is still fairly underused,” says Jason, “which is good in a way, for our Brandfont clients that have adopted it.” FS Jack was chosen as the signature font for The Shard in London, from its signage down to business cards. Fontsmith also worked with Lloyds Bank to customise FS Jack into a bespoke font for the bank’s updated brand identity – part of Fontsmith’s Brandfont service, which you can read about here. Fat Jack Included in the FS Jack family – just – is FS Jack Poster, the super-heavy weight of the range. “That was a last minute addition,” says Fernando, “after Jason and I started talking about how much we liked Gill KO, a typeface that is almost comically fat.”

Since the 2006 launch of Rennie Mackintosh Glasgow, the world’s first lowercase Mackintosh-style typeface, designer George R. Grant has been pleased with its acceptance by Mackintosh lovers around the world. In fact, “Glasgow” has proved to be as popular as the original “founding” font, the classic Charles Rennie Mackintosh Font. By modifying many of these letterforms, and giving a more “freehand” shaping, George has developed this latest offering. The font has irregular “serifs” at the extremities of each stem - a suggestion of being handwritten. The name “Allan Glens” comes from the high school Mackintosh attended which, coincidentally, George did too. Says George, “As the school no longer exists, I wanted a way to perpetuate the Allan Glen’s name in type. I can think of no better way than associating it with the name of one of the school’s most famous sons. One of the glyphs even features the school logo”.

Say Hello to Lovers Clouds! A set of three delightfully bold and sensual cloud-style fonts! Perfect for in-game quotes, packaging, branding, invitations, greeting cards and more. Super easy to use! Font Features: A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

Get ready for a modern spin on your typographic projects with the Typical Pro Sans Serif Font 9 Weight. This font offers a clean, grotesk feel that is perfect for any technical or heading design. Its contemporary design makes a perfect choice for projects with a modern flair. With clean lines, tight letter spacing, and a classic sans serif style, this font is sure to bring a unique edge to any project. Enjoy the perfect mix of texture and proportion with this modern font. Get ready to take your typography to the next level with Typical Pro Sans Serif Font 9 Weight. Typical Pro Sans Serif Font is a grotesk typeface of modern design, with technical precision and a clean finish. Its 9 weight offers clear and refined letters that provide perfect legibility for headlines and other text styles. Its line height is consistent and balanced, making it suitable for producing high-impact visual messages. Its modern, straightforward letterforms give projects an air of sophistication, while retaining a firm technical backbone. With nine different weights, it is the perfect choice for any heading or label that requires a strong, contemporary look.

An original text and display type family was designed for ParaType in 2007 by Manvel Shmavonyan. The face was named after the designer’s wife. This is an open sans serif font with soft letterforms distinguished by rounded details resembling rudimentary serifs. The family contains true italics developed like in humanist sans serif fonts. Susan is well suited for short and middle range text composing as well as for use in advertising and display typography.

Spoodbrush is a new lowercase brushed textured font family designed to perfectly combine the different styles with one another and allow you to create beautiful designs with a personal touch. It also contains some ligatures and swashes and additionally a Spoodbrush Sans style. Perfect for branding, logos, product packaging, posters, invitations, greeting cards, news, blogs, and everything requesting personal charm. Fonts Included : Spoodbrush One Spoodbrush Two Spoodbrush Bold Spoodbrush Slant Spoodbrush Sans Spoodbrush Extra

Introducing Easysans is a All Caps Handmade Sans Serif Font,Textured Sans Serif Font that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Easysans has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text,design more interesting. Easysans is perfect for homeware designs,branding projects, Logo design, Quotes product packaging

This is a stylized sans serif font family that is very high-waisted and sleek. The stroke is only slightly modulated. The letterforms are higher, with a more open aperture, and sprinkled with breaks to add light and sparkle. This an attempt at a readable sans serif for text. It has many OpenType features and 465 characters per font: Caps, lower case, small caps, old style figures, numerators, denominators, accents characters and so on.

Sorbet was designed with freshness and youth in mind. Sorbet is a casual, sans-serif font perfect for scrapbooking, teaching, and everyday notes in mind. It is a modest type with lots of potential. What was the inspiration for designing the font? Sorbet was inspired by fresh, casual, handwriting. What are its main characteristics and features? It is legible, sans serif, includes standard encoding (umlauts, etc) Usage recommendations - teaching, everyday, invitations, novelty, scrapbooking

Mavblis fonts have playful and fancy look, which may recall that seen in fifties ads. The look, which is quite bold may well allow for using this font in titles, packaging, or catchphrases. There are also some ligatures and alternates encoded, so you are not stuck with one look in case you require to add some variety to your text. There are over 900 characters in each font, and many languages are served.

Use this font to make lines, borders, patterns, backgrounds, unique bullets, or use it inline within text. Let your imagination explore the possibilities to combine these geometric shapes. Use letter spacing to connect the shapes in a continuous pattern, or space them apart horizontally. Stack them vertically and control their distance with leading (line spacing). Make fields of pattern and explore layering and opacity for color mixing. FormPattern Color Six takes inspiration from mosaic patterns seen in the south of Italy. It is easier to use this font to make patterns than to use drawings because you can control the size, color, and spacing from the type menu. It is also an effective way to make web graphics that are responsive with text. Using it is simple. As you type, forms will appear instead of letters. Each font in this collection is a colored set. The sets are primary, secondary, tertiary, analogous, dark, old world, vintage, greyscale, cool grey, and warm grey. There is a solid font that can be colored in the same way as regular fonts. The color fonts are accessed in the type menu where you would normally find the different weights or italics Most design software, such as Illustrator, InDesign, and Photoshop provide a glyphs palette where you can choose the precise form you want. It can work with the simplest text editors too. However, these may not support the color options. FormPattern Color Six is a vector-based and fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator 2018, and QuarkXPress 2018 (and later versions). This version of FormPattern Color Six is compatible with all FormPattern fonts by Tarallo Design. The display artwork shows it paired with the typeface Scanno.