Hiromina03 is named after the wife of its designer, Hajime Kawakami. The three fonts in the set are based on Hiromi Kawakami's unique hand-lettering style. The distinctly feminine character of Hiromina03 is harmoniously integrated in all three writing systems, Katakana, Hiragana and Latin. The enclosed key charts give instructions for character placement in Katakana and Hiragana.

In 1935, Morris Fuller Benton designed Phenix American for American Type Founders. For 2017, the classic Art Deco design has been reinterpreted in an all-caps display version with an ever-so-slight "hand made" feel. Industrial Arts JNL is available in both regular and oblique versions.

Cats OTF color font. Creative set of characters, kittens pictured in a variety of poses. You can use this font for design logos, quotes prints on t-shirts and other. OpenType-SVG Font was designed with Fontself Maker in Illustrator CC. Contains only uppercase letters and digits. WARNING Color fonts are pretty new technology - they currently show up in Photoshop CC 2017+, Illustrator CC 2018 and some Mac apps. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/

Labour Brusher is a captivating natural brush font that seamlessly merges the untamed beauty of nature with the charm of handwritten text. Inspired by the organic strokes of a brush, Labour Brusher brings a touch of authenticity and warmth to any design. Each letter exudes a natural flow and a sense of imperfect elegance, capturing the essence of a brushstroke on paper. With its textured appearance and irregular shapes, Labour Brusher adds a rustic and handmade feel to logos, packaging, and creative projects. This font beautifully combines the ruggedness of nature with the versatility of brushwork, making it a versatile choice for designs that seek to evoke a sense of earthiness and artistic flair.

The inspiration for the designing of the font Skuul was Letraset in 1981. Font Skuul, for each character has three alternative characters with their automatic replacement.

Estricta font family has been designed for Graviton Font Foundry by Pablo Balcells in 2017. It is a sans serif typeface with a geometrical and mechanic appearence, its sharp, angular edges provide a strong and solid design. It has been conceived to be most suitable for short and middle length text blocks, as well as on all sized headlines. Estricta consists of 12 styles. Each containing small caps and glyph coverage for several languages.

Muffin is a soft and rounded humanistic low-contrast sans serif based on broad nib writing. It comes in five weights ranging from Regular to Black. The friendly character of the font becomes even more pronounced in the darkest styles. Muffin is well suited for food packaging, menus, children's products, while Regular may be easily used for long runs of text. The font was designed by Natalia Vasilyeva and released by Paratype in 2017.

Urban Hive : reinterpreting three-dimension to the typeface A blueprint consists of two-dimensional elements changes into a three-dimensional structure. What works would be created by reversing the process? The building components were divided into three parts : Facade, Inside space and Construction materials to apply all the features to the typeface. This is Facade version.

Rotato Sans is a geometric sans-serif typeface that brings a fresh, modern look to any design. This minimalist but distinctive font is defined by its crisp composition and symmetrical elements — designed for optimal legibility at all sizes. Available in three different weights, Rotato leaves an understated impression of elegance & futurism! Currently available in three standard weights (more coming soon): Rotato Sans Bold – Strong and futuristic Rotato Sans Regular – Clean and crisp Rotato Sans Light – Elegant and modern FEATURES Three (3) Font Weights + Italics Numbers & Punctuation Special Characters Rotato Sans is a dynamic font that works great across various applications: from branding & logos to technology & fashion — whether in a giant heading, or paragraphs of body text.

Ardina was designed for the Portuguese newspaper Jornal de Notícias. Right after the exclusivity period, we decided it was a wonderful addition to our type library, therefore we redesigned it and included an extended set of characters. Ardina is a soft and warm news typeface, with five weights and matching italics, three grades (Display, Title, and Text), and slightly narrow proportions but with a very nice x-height. It’s the right typeface for a serious newspaper that intends to achieve a very contemporary feeling.

Ardina was designed for the Portuguese newspaper Jornal de Notícias. Right after the exclusivity period, we decided it was a wonderful addition to our type library, therefore we redesigned it and included an extended set of characters. Ardina is a soft and warm news typeface, with five weights and matching italics, three grades (Display, Title, and Text), and slightly narrow proportions but with a very nice x-height. It’s the right typeface for a serious newspaper that intends to achieve a very contemporary feeling.

Ardina was designed for the Portuguese newspaper Jornal de Notícias. Right after the exclusivity period, we decided it was a wonderful addition to our type library, therefore we redesigned it and included an extended set of characters. Ardina is a soft and warm news typeface, with five weights and matching italics, three grades (Display, Title, and Text), and slightly narrow proportions but with a very nice x-height. It’s the right typeface for a serious newspaper that intends to achieve a very contemporary feeling.

At first glance, Jules, appears to be just one more Didonic variation, but a closer look starts revealing all the extraordinary features of this type family, specially designed for use in extremely big sizes. Jules reflect the last of the late 18th century and was inspired by several plates from a portuguese calligrapher named Antonio Jacintho de Araujo. Available in three different optical sizes: Big, Colossal and Epic, Jules has a plethora of ligatures and stylistic alternates, plus refined Italics and a super elegant Swashes version.

We are introducing Mellar, a Variable display font. Mellar is an obese font with a simple and bold modern look. It consists of 2 styles: round and square, also three widths on each type: Toppo - Medio - and Botto. Mellar is a variable font, officially known as Open-Type Font Variations. You can generate many styles with the three available slider axes. Mellar will add fresh fun vibes to your designs. This font is perfect for clothing, book covers, titles, etc.

La tipografía Castelan Hispane es una tipografía inspirada en documentos y textos antiguos históricos españoles del siglo XVI. Los trazos semi-medievales - cursivos, le dan una apariencia antigua pero también moderna para los proyectos en los que se desee utilizar la tipografía. Cuenta con seis estilos y tres pesos, ligera, regular y negrita. Cada peso contiene también su forma “itálica”. The Castelan Hispane typeface is a typeface inspired by ancient Spanish historical documents and texts from the 16th century. The semi-medieval - cursive strokes give it an ancient but also modern appearance for projects in which you want to use typography. It has six styles and three weights, light, regular and bold. Each weight also contains its “italic” form.

Terrance Weinzierl's Terry Junior typeface is a perfectly imperfect design – one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms. Originally drawn during a Monotype Font Marathon, Weinzierl later refined the typeface digitally – adding an Inline version and designing alternates that replicate the irregularity of real-life brush scripts. “It has a natural, cheery and bold appearance,” says designer Terrance Weinzierl. “It's young, but not wild. Painted, but not sloppy. A sign painter's apprentice, perhaps.” Terry Junior is an obvious choice for designers and brands communicating with younger audiences, but would also work well on book covers, packaging, and in digital environments that need a little bit of extra playfulness. The family includes five fonts, including an Inline version.

Tribal Aleut OTF color font. Native Historic font, traditional ethnic characters in style of customs and traditions of national culture. You can use this font for design logos, quotes prints on t-shirts and other. OpenType-SVG Font was designed with Fontself Maker in Illustrator CC. Contains only uppercase letters and digits. WARNING Color fonts are pretty new technology - they currently show up in Photoshop CC 2017+, Illustrator CC 2018 and some Mac apps. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/

Organic Brush, the epitome of green design, seamlessly blends handwritten finesse with organic charm. Its strokes mimic flow of nature, creating an unmistakable authenticity that resonates with eco-conscious consumers. Each letter exudes a raw, unprocessed feel, making Organic Brush the go-to font for brands committed to conveying an earthy aesthetic. With Organic Brush, the typography becomes a celebration of sustainability, mirroring the values of eco-friendly and natural product lines. The font's organic cadence is like a visual symphony of growth, perfectly harmonizing with labels, packaging, and promotional materials, as it weaves a narrative of authenticity and environmental consciousness. Elevate your brand's identity with Organic Brush, where the language of design speaks fluently in the dialect of the earth."

From original samples of Rudolf Koch's Maximilian, Gothicus and Gothicus Alternate have Fraktur style captials, Gothicus Roman has Roman capitals. All three have the same lower case which includes three swash characters for g, s and t, available as discretionary ligatures in OpenType versions, and manually otherwise. All include two authentic ornaments, also penned by Koch. Gothicus Roman has three additional floret ornaments.

Good Vibes is a three-variation font family with a groovy retro vibe. This lettering style conjures up the early 1970s and the whimsical post-psychedelic graphic era. Stack the three styles to build different combinations of shaded and outlined layers. Good Vibes, as it's name suggests, has a charming and lively funkiness that will add splash and pizzazz to your designs.

America otf color font. Letters and numbers in national flag design, stripes of red and blue, white stars ornament for festive decoration.You can use this font for design logos, quotes prints on t-shirts, Presidential election posters and other. OpenType-SVG Font was designed with Fontself Maker in Illustrator CC. WARNING Color fonts are pretty new technology - they currently show up in Photoshop CC 2017+, Illustrator CC 2018 and some Mac apps. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/

Hands up crazy font. Creative letters done with arm gesture, palm, fingers, and thumb in a funny way. You can use this font for design logos, quotes prints on t-shirts and other. OpenType-SVG Font was designed with Fontself Maker in Illustrator CC. Contains only uppercase letters and digits. WARNING Color fonts are pretty new technology - they currently show up in Photoshop CC 2017+, Illustrator CC 2018 and some Mac apps. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/

PiPi is named after a happy Italian cat with a remarkable pattern, color and attitude. Designed by Andre Toet in 2011. Every letter is a different expression in itself although it has an identical base. It gives a joyful feeling to use this font in all your designs whether they be graphic or digital. M E O O O W ! Concept/Art Direction/Design: André Toet © 2017

QUIPO is a typeface based on my recent survey (Freeflow) on hand drawn logotypes used by American and English pop groups in the 60-70s. We thought it an interesting project and a free flow exercise to design this particular font just in capitals and well... yes it’s rather ‘bulky’. Needless to say it comes with numbers and the normal punctuations ! Concept/Art Direction/Design: André Toet © 2017

This whimsical font family is a hand-crafted, youthful sans-serif font with three weights and two cute sister fonts...a shadow version and a "showy" version with curls and flourishes.

Yiehar! Woohee! This is a funky and chunky wild west PizzaDude font! Buy all three versions at once and save a fistful of dollars!

AndrewAndreas is a simple, clean, sans-serif font family that is highly legible and useful for both text and display purposes. The original three weights were designed in 1994 and three additional weights plus oblique styles were added in 2020. Also added were several OpenType features, including subscripts, superscripts, and fractions. The six oblique styles slant the upright styles but do not change the shape of the letters. However, three OpenType stylistic alternatives provide alternative letter forms for a, f, i, j, and l for five of the obliques and they can be used for a more traditional italics appearance.

Torpedo is a five-weight rounded, compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017 alongside its sister typefaces Coliseum Pro and Clydesdale. Torpedo, whose name was inspired by round torpedo warheads, is a visually sturdy font that maintains excellent legibility. Torpedo is flexible in its applications, like its violent namesake; it is explosive at large sizes, and still works efficiently at low profiles.

Font 'myoungwon' is a 'colorfont' that contains a color(Gradient) other than the existing one of a single color font. You can use it on Photoshop(since CC 2017), illustrator(since CC 2018), InDesign(since cc 2019), QuarkXpress(since 2018), Pixelmator(since macOS 10.14 Mojave), Sketch(since macOS 10.14 Mojave), Affinity Designer(since macOS 10.14 Mojave), Paint.NET(windows only), Microsoft edge(since 38 on windows 10), Safari(since 12, macOS 10.14 & iOS 12), Firefox(since 26), and so on.

Clydesdale is a five-weight compressed sans serif font family. It was designed by Steve Jackaman over a several-year period, and was released in 2017. Clydesdale, much like its sister typefaces Coliseum and Torpedo, was inspired by authoritative Roman display typefaces. The font family excels in displays, but is a great performer in all text sizes. It is perfect for users who enjoy the impressiveness of Coliseum Pro and Torpedo, and need a complementary sans serif typeface.

A dramatic contrast between thick and thin strokes, “ball” shapes at stroke terminals, and straight hairline serifs are main Evuschka characteristics. In this font, the x-height is specifically accentuated in relation to body height. In spite of its extreme geometrical shape, Evuschka exudes fairytale romance. Belonging to decorative type fonts, it is best suited for headlines, titles, and small amounts of text in large sizes. Evuschka was selected for TDC Certificate of Typographic Excellence 2017.

Mexican Pattern is my vision of classic Mexican style with colorful and ornate pattern. Mexican patterns appeared as a result of the fusion of two cultures. Aztec and Mayan heritage mingled with Spanish traditions in bright colors. You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

STRAW The inspiration for this capital alphabet came from those beautiful haystacks you see in summer and the old fashioned Mikado game! We wanted to create a light, fragile and airy typeface with an optical effect. And here it is ... it’s just STRAW ! Concept/Art Direction/Design: André Toet © 2017

Modulair is a dot matrix based font with nice typographic features. Various figures, complete punctuation and small caps in three weights makes the Modulair a very usable font for subtile typographic solutions or headlines. Since autumn 2023, the Modular has been expanded with italics in three weights. The first sketches were made in 1979 on my father's Olivetti typewriter. Forty years later I used these sketches as the basis for the Modular.