In the years 1937 and 1938 Paul Renner drew these both styles of the Ballade font family. Now freshly redesigned and extented for contemporary use, both styles have reappeared. These fonts contain the historical long s, which can be reached by typing the integral sign [ ∫ ] or by turning the round s into the long s via using the OT feature historical forms. It is also recommended to activate the OT feature discretionary ligatures.

RMU Edelgotisch is a carefully redrawn revival of the then trend-setting Schelter & Giesecke hot-metal original from the fin-de-siècle period. This fine vintage font elevates all your projects in an Art Nouveau style. To reach the historical long s, either type the integral sign [ ∫ ] or turn the round s into the long s by using the OT feature historical forms. It is also recommended to activate the OT feature discretionary ligatures.

Hola! This is our new handwritten font. It's casual, young and pretty, perfect for logotypes, magazines, writing notes and comments. Thanks to many ligatures and alternate characters it is varied handwriting font. Enjoy!

Subeve was first made for a young fashion designer in Montreal. We used the silhouettes of her models to create nice icons for her website. Feel free to play with these nice women !

The long-awaited extension of the freeware font "Action Is", this Sixties-inspired typeface has an added lower case and additional glyphs including accented characters.

A redesign of Typoart's Thannhaeuser Fraktur. You can access the long s either by typing the integral sign [∫] or activating the OpenType feature historical forms.

This font was made to be clean and legible. It's versatile nature makes it perfect for note taking, posters, or even for long form copy.

AiT/Planet Lar publisher and writer, Larry Young loves The Space Program. Next time you see him at a comic convention just ask him about any one of the Moon Landings and you'll see.

A tool for cross-stitch creators. A highly readable backstitch alphabet font to be used in a word processor, especially useful for long, or centered text.

The original source of design for Sign Sans JNL was an image online of an old New York drinking establishment called the Lenox Lounge. The metal channels encasing the neon had an unusual "feel" to some of the letters. While the original E,G and U of the sign looked "interesting", they didn't quite fit the font's layout. Those letters were scrapped for more traditional versions of them.

Are you feeling the need...the need for speed? Dash Decent is a top flight executive font that won't leave you high and dry... Unless we're talking dry martinis in the air stewardess's lounge. Our speedball cocktail is guaranteed to get you up into the atmosphere and guide you in for a smooth landing. And that really is dash decent of us, don't you think? Splendid, I'd say!

Quara is a typeface that takes its cues from cutting edge technology and new gadget lust. Quara enjoys short downloads on the web, long walks on mobile devices, and romantic dinners by LED light. An avid gamer (esp. MMORPG) and science fiction fan, Quara longs to be the first font in space and have its pixels scattered among the stars. Designed by Delve Withrington in 2009, this slightly rounded square sans has a generous x-height and low contrast.

Milk Made | a rounded retro font Milk Made is a fun rounded retro font inspired by mid-century magazine and print advertisements. Perfect for; retro brands, young brands, gen z branding, logos, social media, posters.

Ruby is a poster font with proud geometry and rounded terminals. With its roots in skateboard graphics it is young, fresh, strong and confident. Ruby comes with two complimentary styles for adding that precious sparkle.

Handwritten letters inspired by various ancient & modern scripts. Ballers is a "gangsterish" tag font that avoids overlap & features long acenders & decenders for an eye catching unique style.

This script loops and loops like a spaghetti using the power of OpenType alternates. The lettering made by this font would evoke your young days in the 60s & 70s.Please check the instruction in the Galley tab.

Transport yourself back to the year 1994, a time when MS DOS games ignited the imagination of an impressionable young boy. Enchanted by the pixelated wonders of that era, he embarks on a journey that will shape his creative destiny. As the boy loses himself in the captivating landscapes of Commander Keen, the strategic depths of Warcraft: Orcs & Humans, and the mysterious quests of The Secret of Monkey Island, a seed is planted in his mind. The beauty of these games' typography, crafted pixel by pixel, captivates his young heart and fuels a passion for design.

The character of Sopran is expressed by long serifs that replace traditional drops. Contrast is distributed from monolinear in hairline and all the way to the extreme in the black style. Symbols and punctuation are drawn with monolinear strokes to give the typeface more playful typesetting. The long serifs allow for some interesting discretionary ligatures, like “fa” or “Ta”. With two stylistic sets the typeface enables different typesetting opportunities. Its characteristics should be expressed in headlines, larger texts, show posters, displays, signage etc.

Live long and prosper. Barnhart Brothers and Spindler. 1884. Originally named Vulcan. Enough said. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Simple Ronde is conceived for young pupils. This upright script is based on the french use at primary schools. A large set of ligatures make the links between characters more natural, especially with o, b, v and w.

CookieNookie is a silly but cute font, great for your scrapbook pages or where you want a unique handwritten look. Leave lots of leading...the ascenders and descenders are long!

Stencille Une is that long-sought delicate and refined stencil font. Unique but not gimmicky, giving it the legibility often lost in most stencil fonts. Totally kerned pairs, including puncuation.

JH Hadi is an Arabic Naskh typeface, including three weights; it is typical for long running text, headlines, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.

TD Beta is a bold and light sans serif typeface inspired by Futura and Helvetica. It is best used for headlines, titles, display, and even long paragraphs on digital collaterals.

Aryana is young, fresh, and has arrived just in time for the back-to-school season! The perfect typeface for labeling notebooks and putting together poster projects. This handcrafted font is a casual and fun addition to your library.

Aurora Lights was designed by Moon Young. Aurora Lights was inspired by album [ AURORA - URC ]. Included: -Uppercase and Lowercase -Number and Punctuation It expresses the fluid shape of the aurora. Recomended to use it on album covers and posters.

Carot Text fonts are especially tuned for reading sizes: their serifs have adequate strength and do not cause fatigue when reading long. Originality lies in the tradition revived by modern language. The whole Carot system is built up from what has long been around; in any case, it was the intention: to evoke the already experienced visual reminiscences of today's spectacled people. I believe in the raw effect of “Carot” typefaces. The family of 64 members offers a modern alternative for all types of design work.

Whittington is a revival of a congenial ‘modern’ typeface of the mid nineteenth century, unassuming and businesslike with an even colour that reads comfortably over long stretches. It is intended primarily for use in running text. Whittington provides wide support for west, central, and east European languages that use the roman alphabet. Among its OpenType features are ligatures, small caps, several sets of numerals, contextual alternates, intelligent implementation of long ‘s’, and fractions. For more detail, please see the pdf available in the Gallery.

JH Roy is an Arabic handwriting Naskh typeface, including two weights; it is typical for long running text, headlines, branding & signage... The diacritic positioning is fine tuned per the publishers requirements.

The font design is inspired by the long autumn evenings in London. Those "fast brown foxes" ran along the streets. Camden smelled delicious. And she was as beautiful as a queen.

Semi-Serif Roman and Italic for typefaces for setting legible children’s reading books. A gentle introduction for young readers to seriffed letterforms they will encounter. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Inspired by some scribbles I made as a young kid in the 80'ies at school - when I should have paid attention to the teacher! Comes with a complete multilingual set of letters with alternate versions of both upper- and lowercase

This started out to be a font with an Egyptian hieroglyphic look, but took a detour just beyond the first pyramid. A young lady we know said many of the letters reminded her of the hooks on a bra strap. Whatever.

Those who design books for young children should consider the different needs of their readers. When laying out pages for young readers, particular care should be taken over word spacing. Don't forget that justifying short lines disrupts spacing. Justification should be used only when absolutely necessary. In the research undertaken with young readers the importance of consistent spacing was clear. It also appeared that the poorer readers profited from wider word spacing, while spacing that suited the poorest readers, positively annoyed the better readers. These typefaces have built-in letter spacing because of their exit strokes, as well as extra clarity designed into them. Sassoon Primary Medium Condensed is a compact style for headlines combining the right amount of weight, yet in a friendly style. When used at large sizes the friendliness of Sassoon types really shines. Why not use it for headings throughout a book. You can find many other new ways to use this typeface. Ideal perhaps for the masthead or a magazine? Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Shanghai JNL is loosely based on the title lettering from “Charlie Chan in Shanghai”, one of the long-running series of detective films featuring the Asian sleuth and his “number one son”.

Journalistic is one in a series of fonts designed for use in creating replica vintage newspapers. It is inspired by the nameplate of a New England newspaper from the 1920s. Its rough character is apparent at headline sizes, and it remains nicely legible at smaller sizes for diplomas and other formal documents. The OpenType font contains a variety of discretionary ligatures and contextual alternates, including the long s and other glyphs for classic German typography. Long s substitution can be achieved through either historical or titling alternate OpenType features.

Gutenberg Gotisch is a redesign of an inhouse font released by Bauer in 1885, and it is a predecessor of Princess Engraved. So both fonts make a perfect match. The long s can be reached by typing the integral sign or turning the round s into the long s by using the historical OT feature. In this font, you have the possibility to turn I, V, X, L, C, D, and M into Roman numerals by activating the salt feature. Finally I recommend to use both ligature features.