It's a weird name, but it's a weird font! Introducing RAISIN RAGE, a quirky font that expresses that feeling of when you bite into a cookie expecting it to be full of chocolate chips, but it's full of squishy, rubbery raisins instead. (Don't write to me, raisin lovers - you'll never change my mind.) Raisin Rage has some fun casual elements like varying stroke widths plus some bouncing heights which make this fun to use for branding, packaging, logos, and more; I've cleaned the letters up extensively, so the font is great for cutting and crafting as well!

Introducing Another Story is All Caps Display Font Authentic that is written casually and quickly. Then scanned and carefully drawn into vector format. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. That is why Another Story has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel design more interesting. Another Story is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

Introducing Snarf - modern script Snarf is organic and casual script loaded with ligature glyphs and multilingual support. It's a very versatile font that works great in large and small sizes. This font is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Multilingual support No special software is required to type out the standard characters of the Typeface. Canva friendly Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Hello Everyone, Introduce our new collection Font Not Found This is a Unique Display Font that is written casually and quickly.this a Authentic Style and classy style Inspired by famous logos of Technology and brands that have very strong characteristics, this font is great for your creative projects such as watermark on photography, and perfect for logos & branding, invitation,advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste. Font Not Found has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text.

Introducing Clumsy Virginia, a delightful handwritten script font that effortlessly combines casual charm with a touch of chic. Its playful strokes and natural flow capture the essence of relaxed elegance, making it the perfect choice for a variety of creative projects. Whether you're designing invitations, branding materials, or social media graphics, Clumsy Virginia adds a unique and captivating personal touch. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing, Kanote. A Whimsical display font. This typeface is have a playful and casual look, very suitable to use for headline, title, logo or anything especially related with fun themed design project. Features : uppercase & lowercase (alternates) numbers and punctuation multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to activate opentype feature : https://letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Introducing Sinthasta, the beautiful handwritten font with texture. Looking for a font that’ll make your branding radiate elegance, beauty, modernity and stylish? Just get ready for Sinthasta, a casual textured handwritten font that will make your design perfect. This font will work for invitation design, logos, posters, packaging, book cover, quote, social media post, etc. Just open your Opentype features while using the script font to use the ligatures and swashes. Also, this font includes alternates for lowercase. Features: Accents (Multilingual characters) Ligatures Swashes, Numerals and Punctuations. So, enjoy the Sinthasta Font and make some cool stuff!

Showcase, the new typeface of Daniel Hernandez and Paula Nazal is a handmade font consisting of a set of types that are composed of four styles, one script, one sans, a slab, sans mini and finally a set of ornaments and dingbats, all made to work together in the same language. It’s inspired by a pen that writes different typefaces and ornaments, and casually reaches into a harmonious family. Showcase is very easy to use and allows great versatility, can be used both in a magazine as a restaurant, through windows, cafes, and really anyway you can think of! Photography by Mauro Andrés

Introducing Romavich, a beautiful condensed serif font, inspired by the modern serif style features with thin lines and bold serifs. This casual and minimalist typeface is versatile and can be used for a wide range of designs, including magazines, editorials, posters, logos, branding, logotypes, wedding, fashion, cards, titles, and more. Romavich is an all-caps font with small caps, allowing you to create an elegant short texts and quotes. It comes equipped with numerous alternates and ligatures, adding a gorgeous touch to your designs. What you’ll get : Uppercase Smallcaps Numbers & symbols Punctuation Stylistic alternates Custom ligatures Multilingual support PUA Encoded Thank you!

M Comic is a humanistic script design characterised by its modern, stiff, free and blocky construction. M Comic incorporates free and irregular characteristics of M Cute. Crossbars (橫) and stems (豎) are straight and slightly slanted. Entry and finial points of strokes are squarish and parallel without flare. Contrast of stroke is low, together with its bold stems (豎), making it suitable for large display text to catch attention. The result is a loosely coupled line of text of free, stiff and blocky glyphs. It is best for casual and humanistic display, illustrations, set upright, non-condensed.

MY WAY belongs to a genre of fonts which contain the “aesthetic of ugly”. This is a font with a good balance of rhythm and contrast. Its aim is casual, wild and anarchic. Because of the spontaneity this font contains, there are plenty of Standard and Discretionary Ligatures to avoid frequent repetition of letters. If you find single repeating glyphs, you can change that by toggling between Stylistic Alternates. There are ligatures created for Cyrillic too. MY WAY is the perfect choice for all dirty, natural and wild, yet authentically beautiful things such as Blues, Jazz, Punk...

Pial fonts Family includes: Pial Regular that is totally hand-designed, casual and youthful, with lines that sometimes swell extremely, contain 546 glyphs with many stylistic variations, swashes and ligatures. Pial Sans Regular and Expanded, also hand-designed, and Pial Serif Regular and Condensed to add a little seriousness. We have added also, a font of ornaments, extras and catchwords in the family. Using this font you will achieve a very elegant and warm work. Pial Family is very versatile and ideal for logotype design, magazines and book covers, children's material, fashion, headlines, cards, posters, websites, packaging and, basically, anywhere you want.

Mill Valley is a monoline script with a casual and fun theme. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Plenti is the fat font to add to your visual communication toolbox. Friendly, square, and quirky all at the same time. It is itching to get used on posters and websites.

Occasionally a designer needs the combination of caps and lower case glyphs for a particular purpose, visually or otherwise. Designer’s Gothic was designed with the Caps equal to the x height.

Tingle has that quick pen look popular with many designs, I have also added the various discretionary ligatures. Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins.

The Parisii was a small Gallic people settled in the current Paris region, which gave its name to the city of Paris. According to Caesar (53 BC.), their main town (oppidum) was Lutetia (Paris). Parisii was born of inspiration to be leafing through some old magazines on the terrace of a cafe in the beautiful city that is Paris. Parisi is like the city: casual, youth, romantic, free spirited and, at the same time, sophisticated, elegant and classic. The Parisi family font is a lovely and casual handlettering script, which is based on gestual calligraphy. Parisi has a slight bounce and intentional irregularity giving your words a wonderful flow. Fat and thin stroke in this font impresses the harmony. Parisi consists of 3 subfamilies: Regular, Italic and Condensed. This font includes Parisi font has OpenType features such as Stylistics and Contextual alternates, swashes, Standard and Discretional Ligatures, stylistic sets and ornaments that allow you to mix and match pairs of letters to fit your design. This will help your creativity and make it easier to make the impressive and elegant typographic work. This OpenType features may only be accessible via OpenType-aware applications, a Central European language support. Parisi looks lovely on wedding invitations, greeting cards, logos, business-cards and is perfect for using in ink or watercolour based designs, fashion, magazines, food packaging and menus, book covers and more!

Signage is not made up of grid-based dots. They are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Signage comes up with 3 weights and 3 italics and is perfectly suited for logos, brands, magazines and special for signage systems and mobile devices. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

PostScript fonts are constructed by connecting dots, dots that have special attributes that control the shape of the connecting lines. In designing Minimalist, I wanted to see how few dots could be used to construct each letter. This is the source of the name--it is (or was) a minimum-point alphabet. I did not expect much from it, and was surprised that it turned out as well as it did. Since I originally drew it, I have added some points to some of the letters to get them to generate proper bitmaps, so it no longer has minimum points.

The name Dash Wisher is a wordplay. The letters of the font are also quite playful - you never know what comes next, when typing. There is no exact x-heigh, the baseline is jumpy, the descender and ascender are messed up...there are no real rules for Dash Wisher! But with all that in mind, it comes out surprisingly legible, which means it does have a wide range of use. Let your fantasy and imagination break the boundaries and Dash Wisher do the rest - or maybe the other way around! :) I've added both ligatures to substitute double letters and a set of alternate letters as well.

A bottle party is a party where you are supposed to bring whatever you wish you drink. When using my Bottle Party font, you need not bring anything at all! The font does all the partying itself - all you need to do is type, and the contextual alternates makes sure that your text doesn’t repeat the same letters over and over again! How is that? As I said, it happens automatically as you type, because the font cycles through the 4 different versions of each lower-case letter! The font is handmade with a brush feeling to it, legible at even very small sizes and it’s quite full of international characters!

Domestic Bliss is a perky dot fonts that can bring some fun and bounce to your project.

From the designer, Tim Ahrens... I started designing this typeface about half a year after learning that Frutiger was not a new brand of sweets and that Garamond is not the name of a fragrance. In time it became clear that designing a sans serif must always be considered as a transformation of traditional serifed typefaces instead of deriving it from typefaces that have been derived from others which have been derived from others again. I did not want Aroma to be one of those odourless and tasteless typefaces wich sacrifice a natural feeling and the characteristic shapes of the letters to neutrality. I think that beauty often evolves unintentionally. For example, I am fascinated by the beauty of airfoils, which are actually a careful transformation of a bird's wing. I love their anorganic and abstract shape which still bears the essence and all the complexity of what they are modelled on. This is exactly the formal concept behind Aroma. Many of the outlines are actually parabolics. The small r, for example, consists exclusively of straight lines and parabolics. I decided to give Aroma more stroke contrast than it is usual for sans serif designs. Many strokes are slightly convex, which gives the font an anorganic feeling. The font was intended to have a feel similar to the antiqua. More specifically, it is based on Old Style Faces. The character of those fonts, which were cut during the Renaissance, is still inherent to Aroma.

A tessellation is a shape that can be used to completely fill the plane—simple examples are isosceles triangles, squares, and hexagons. Tessellation patterns are eye-catching and visually appealing, which is the reason that they have long been popular in a variety of decorative situations, such as quilting. Most of the shapes in TessieSpinners suggest a spinning motion. Most do not resemble real world objects. The TessieSpinners fonts contain shapes that can be used to construct tessellation patterns. It has two styles, an outline style and a filled or black style. The black style can be used to construct colored patterns. To see how patterns can be constructed, see the “Samples” file here. Most or all of these shapes were discovered/created by the font designer during the past twenty years in the process of designing maze books, coloring books, and a book about tessellations.(Earlier tessellation fonts from IngrimayneType, the TessieDingies fonts, lack a black or filled version so cannot do colored patterns. Make sure the leading is the same as font size or the rows will not line up.)

Any typeface has two intrinsic elements that does´t work at the same levels, form and appearance. These peculiar visual behavior generate a wide range of graphics games. At reading level, we observe a uniform gray spot, but large bodies allows us to appreciate their shapes and counterforms. Milio takes this duality to offer unparalleled service in newsprint and magazine publishing, specially in small bodies but hard and formal cogency in titling. Its wide variety of weights, 10 in total, together with a slight condensation allows us to save space without losing legibility, even under poor printing conditions. Its basic quasi humanistic forms include support for a wide range of details that give great originality and strength. A friendly appearance, but a strong, all-road typeface with internal forms that reinforced visibility in small sizes thanks to its high average eye and the contrast that generates its soft curved external and internal squared angles. The nuances here are fundamental and explain its powerful large sizes, where you can see these contrasts between the curved, organic, humanistic, and straight, angled, almost mechanical shapes. Milio has the bonus of a large multilingual support for all alphabets based on the Latin and Cyrillic, as well as large Opentype features for expert users, among which we have true small caps, ligatures and automatic contextual alternates. Several sets of numerals for use on tables and other “delicatessen” as fractions are also included. Having in mind the daily struggle in newspaper and magazines´ edition, Milio has been designed with the idea of being Cinta´s perfect couple, a similar contrast and proportion typographic san serif family produced by the same Foundry as Milio, to cover almost all the graphic needs in actual DTP.

Lutfey is a chunky & cute typeface, visually featuring bold, firm and gentle characters. It’s has smooth lines on each side, especially on the outside, with subtle ink-trap details at every corner.

Limousine JNL takes the basic outline shape of Crestview Six JNL (an actual design from the Art Deco era) and gives it a stylized treatment as a solid black letter display face.

Inspired by Paleochristian engravings and writings, this font has a timeless aspect while keeping a real monumentality. It was originally designed to serve as a visual identity for a group of museums.

Kellvin is a fun and friendly display font, that can easily stand out. Simple but with a strong visual effect, this font will instantly make your creation more appealing than any others.

Basic Pixel is the right font to have fun with. With 15 different styles you can combine styles and color like building blocks to create endless new combinations and intriguing visual outputs.