FOLKLORIC is A Retro Sans-Serif Style They were particularly common in the 70s, this is a great choice for expressing a summer. The Typeface comes with Stylistic Set and Ligature Combinations Exellent typeface to use for covering your Project, like Branding, Movie Title, Headline Letter, Bookcover or Book Content, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Ligature - Stylistic Set inumocca type

BD Unicorse is a retro futuristic mixed case display font with the main characters set on the small keys and alternatives on the capital characters. It features 12 ligatures and is great for the use as headlines in magazines, logotypes on posters, games, movies or music packaging.

Urbana is a contemporary, naturally condensed sans-serif typeface inspired by the traditional lettering found in Colombian city buses. A mixture of influences reminiscent of modernism, hand lettering, cluttered spaces and improvisation are the source of its unique forms. Urbana was designed to save space and catch the reader’s attention while keeping a high legibility in virtually all situations. Urbana is recommended for setting headlines and short paragraphs in newspapers and magazines or wherever graphic designers need to save space. Its distinctive shapes also help designers to produce easy-to-recognize logos and work as an ideal companion of visual identity systems.

Last Dance: Redux - The 80s Feel-Good Script Font - Updated! Welcome to Last Dance: Redux, a new and improved version of my popular brush-script font inspired by 80s movie posters, VHS covers and Friday nights at the video store! This hand-drawn script aims to capture the feel-good vibes of movie blockbusters that won our teenage imaginations, while serving as the go-to font for recreating this unique and nostalgic period. The original Last Dance font features a gritty, hand-drawn texture that looks equally at home on an aerobics competition poster or steamy urban thriller - making great titles that look distinctly cinematic. Last Dance: Redux takes that original design and strips it back to it’s bare essentials resulting in a clean, uniform look that improves letter flow and readability. It’s also much lighter on system resources making it the preferred choice when using extensively across print and web projects. Both versions come with upper and lowercase characters along with punctuation, numerals and language support, plus two full sets of alternatives and a selection of underlines. Check out the visuals to see it in action!

Augent Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Augent Sans Serif is a subtle serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Doxent Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Doxent Sans Serif is a subtle sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Ninetail Serif font duo is a balanced, smooth, elegant and stylish serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Ninetail Serif font duo is a subtle serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Havely Condensed Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Havely Condensed Sans Serif is a subtle sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Vulcant condensed serif is a balanced, smooth, elegant and stylish serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Vulcant is a condensed serif is a subtle serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Volika Sans Serif is a balanced, smooth, elegant and stylish sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Volika Sans Serif is a subtle sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

Grayson is a 1940s art deco typeface. The inspiration came from vintage store signs in London, New York, and other major cities. The font is clean, easy to read, and its letterforms are memorable which makes it perfect for branding. You can use this font for a wide variety of projects, possibilities are endless. The downloads comes with OTF and TTF versions of the font. Enjoy!

Public Utility JNL digitally duplicates the look of those small white-on-black self-adhesive stickers used by cities, power companies and telecommunication firms in order to identify utility poles and other service locations. A blank rectangle is available on both the solid and broken vertical bar positions.

An advertisement in a 1936 issue of “The Film Daily” for the movie “Mr. Deeds Goes to Town” had much of its copy set in an extrabold typeface similar to the Beton/Stymie/Karnac group of slabserif designs. This is now available digitally as Serif Formal JNL in both regular and oblique versions.

Using examples of antique street signs from New York City, Stickball JNL recreates the iconic lettering in a digital typeface and is available in both regular and oblique versions. For a nostalgic touch, a blank street sign is located on either the solid or broken bar keystrokes.

Caterina, was selected personally by Francis Ford Coppola for the film he produced called The Legend of Suriyothai. It's not the credits, but text placed in the center of the screen to introduce information about the setting, the characters, and so on. Something like chapter headings in a book, or the text in silent movies.

Hello Alexandria is a modern handwritten font, the name of this font taken from a city in Egypt (Alexandria). USE Hello Alexandria works great in branding, logos, Quotes, headlines, high fashion, Landing Page and Magazine. FEATURES Ligatures, Stylistic Alternates, Numbers & Punctuation / Extensive Language Support Thanks for checking out Hello Alexandria. I really hope you enjoy using it!

Occidental Tourist JNL is based on a set of die-cut cardboard letters used by teachers. They were primarily found on classroom bulletin boards or felt boards. The font's name is a pun on the movie The Accidental Tourist.

Dominica Calligraphy is a balanced, subtle, elegant and stylish handwritten font. It has beautiful character. This font comes with a matching Outline/Monoline version. Perfectly match the design of invitation cards, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Dominica Calligraphy is a chic, refined script font that emanates sophistication and elegance. Its stylish alternates and ligatures make this font the perfect match for any project.

Like many cities in the Midlands and North of England, Stoke-on-Trent has a rich history linked to making and industry. In Stoke’s case it was pottery. In the early 1900s bottle kilns could be seen covering the landscape of the six towns making up Stoke-on-Trent with hundreds of factories producing some of the best ceramics in the world. But by the 1990s most of these had gone. Torn down for development of housing or just left to rot. During the next few decades Stoke continued to change. The industry was in a decline and Stoke itself was seen as another poor midlands city with a dwindling industry. Then in 2008, Spode, one of the largest and most famousceramics factories in Stoke entered into administration. Pens cast aside, drawings left half finished, designs left in the turned-off kilns; Spode factory was abandoned. This was a real shock and the way everything was getting thrown into skips to be put on the tip was heartbreaking. Thankfully people salvaged some of the technical drawings, sketch design, old sample pieces and ceramics that people hard worked so hard on. Potbank has been in development over a number of years taking inspiration from the heritage and designs from the ceramics industry. It has a mixed Clarendon and Antiqua style structure with its main purpose to be used as a printed type.

Forjada—designed by Raúl Israel—is a monolinear, rounded and condensed typeface, belonging to the slab serif classification, inspired by wrought iron window and door grills on facades of historic buildings in America and Europe. Forjada is a rigid yet softly curved font with exquisite ornaments and optimized for great legibility. Forjada Family comes in 3 weights—Light, Regular and Bold—with matching italics and includes alternate swash caps and ligatures plus Ornaments and Catchwords sets that provide a wide range of choices for creating the most beautiful designs. The font character set supports 212 languages. Forjada is well-suited for branding, packaging, food & drinks menus, wedding invitations, party invitations, guidebooks to old cities or any glamorous design you want to add a fresh and modern touch to!

The key words for this font are taste, elegance, storytelling, and a little bit of dynamism. HIGH TABLE family have exquisite details and great quality. We believe that only high quality and unique details can move people more than exaggerated shapes. Fonts are so powerful, they tell a moving story. The PACE typeface was chosen to tell a story quietly but with dynamism. Readers are delighted and relaxed when they see this font family, and colleagues read the story with respect. A brand needs a story, and a brand’s story needs the most appropriate font to carry it.

In 1978 I went to work at Mergenthaler as a letter drawer. Being an inquisitive sort I decided that I should take a stab at this type design 'stuff'. I drew 25 or 30 glyphs before the work found its way to a high shelf in a dark corner of my apartment. Just 23 years later I found the drawings on a different shelf, in a different home, in a different city and decided to finish what I had started. I'm still trying to deal with my predisposition toward procrastination but I've finished the font. The name of the font is the last name of somebody I played softball with before I moved to Beantown. Ronnie Geis was one of the courageous firefighters we lost on September 11th when the WTC collapsed.

An image from the Library of Congress showing a New York City Italian Kitchen storefront window and its various neon signs inspired Spaghetti Joint JNL, which is available in both regular and oblique versions. The term “Spaghetti Joint” is old-fashioned slang for any restaurant serving Italian cuisine, especially those featuring spaghetti or other pasta dishes.

A design experiment run amok! To some, the upper case A of this font resembles a diving helmet. If you put same on a guy in a gorilla suit, you have the really cheesy 50s sci-fi movie that gives the font its name. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

An offbeat not-quite-slab, not-quite-bracketed serif. And its extreme weight and width. Richard Dix started as a surgeon and turned out an actor, one of the lucky few who made a successful transition from silent film to talkies. In 1929 he made the movie western, “Redskins,” and his name appeared on a brilliant poster promoting the film. “Richard DIX”; four upper case and six lower case letters. The font Dix is derived and extrapolated from impressions of those 10 letters. Inspired by the poster for the 1929 film, “Redskin,” and a desire to create a black Edwardian font with an offbeat serif. Usage recommendations Western movie or 19th century-style advertising posters.

Quitle Sans Serif is a an elegant and smooth combine typeface regular and italic sans serif font. He has a beautiful character. It fits perfectly with invitation card designs, company logos, movie titles, movie names, business cards, book titles, brand names and various other designs. Quitle Sans Serif is a subtle sans serif font that exudes sophistication and elegance. Its stylish alternations and ligatures make this font the perfect partner for any project.

If you're familiar with the work of Eisner Award winning artist Tim Sale, you'll also be familiar with the soft curves and hard edges of the characters he brings so vividly to life in the pages of GRENDEL, BATMAN and SUPERMAN. Now you can get to know a selection of the characters Tim has been working on his whole life, and Comicraft has been kind enough to arrange them in alphabetical order for you! Based on Tim's own hand lettering work in the lost Dark Horse classic, BILLI 99, the Tim Sale font brings together the class and finesse of Hunter Rose, the elegance and charm of Bruce Wayne and the honesty and trustworthiness of Clark Kent. Don't go into the big city alone at night without it. See the families related to Tim Sale: Tim Sale Lower & Tim Sale Brush.

A WPA (Works Progress Administration) sponsored Water Carnival taking place in Central Park in the 1930s had "Department of Parks, City of New York" in the thin Art Deco hand lettering which is now available as Parks Department JNL.

Night Visions: An Unsettling Hand-Drawn Brush Script Font Night Visions is a hand-drawn script font with a loose style typical of late night horror and thriller movie posters. It’s designed to look as though ink has been laid with the nervous flick of the artists brush, giving a random, imperfect, but elegant result. This font comes with the flowing script of the regular version or a complete set of non-script alternatives. Added to which there are additional character alternatives and special ligatures to experiment with for a truly hand-made look. Each version comes with a full set of uppercase and lowercase characters along with numerals, punctuation and language support. I recommend this font for anyone about to design a header or title that needs an authentically hand-made look. It’s the perfect choice for movie titles or posters, album covers, comic books, t-shirts or editorials. It’s a font that rewards experimentation and offers many options for your designs. Check out the visuals for usage ideas.

RealFat is a typeface that has been started with the intention to create a very squared bold font with a futuristic look and feel. The squared shapes also refer to the architecture of big city buildings with small windows. This font fits perfect on modern posters, flyers and other artwork or pixel based work. Most characters have the same width and height and are perfect 'building-blocks' for typographic compositions.

Loosely based on a hand lettered title found on vintage sheet music for the song "Hong Kong", the design for Kwun Tong JNL emulates the letters and numbers formed from pieces of bamboo stalk. Kwun Tong JNL is named for a locality in Hong Kong although (according to Wikipedia) "the Hong Kong Government is unitary and does not define cities and towns as subsidiary administrative units."

BD Kickrom Mono is a retro futuristic monospaced, uppercase font with the main characters set on the small keys and variants on the capital characters. It is great for the use as headlines in magazines, logotypes on posters, game titles, movies or music packaging.

London is always hip. With William and Kate and the 2012 Summer Olympics it made sense that London Doodles would be second in the City Series following Paris Doodles. 29 illustrations and a script word London. Kate’s ring, the Queen’s carriage, crown, skyline, cityscapes, cars, double-decker bus, castles, bridge, tea items, flag and more.

“Broken Legend” is a unique and nice graffiti font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. Very suitable for use for city wall graffiti, tattoos, banners, posters, stickers, branding, business branding, logos, and others.

According to Wikipedia, Tin Pan Alley is the name given to the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century. The name originally referred to a specific place: West 28th Street, between Fifth and Sixth Avenues in Manhattan. With this in mind, Tin Pan Alley JNL, a typeface based on the bold hand lettering from a vintage piece of sheet music is aptly named.

Nobody knows what God looks like but we know that the Devil has a thousand different faces. Samuel Casal sees the demon everywhere. In the streets, the movies, rock music, books, gambling, other things and even in Hell. Devilishly, he captures it all with his magical design. Purchase the font Inferno Dingbats now and take control of the forces of Evil.

Originally presented as an alphabet suitable for movie title cards, this font is based on a 1920 work by showcard artist E. C. Matthews, and named after the eponymous 1940s radio show about a local saloon and its never-present owner. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Konrad Kachelhofen was a printer in the city of Leipzig beginning around 1483. He printed many works by contemporary authors and also many of the classics. He acquired an unusually large amount of typefaces for his shop, a place that included a wine bar and book store. This particular face is based on the Typ.8:170G GfT101 Gesamtkatalog der Wiegendrucke. He probably died in 1529 after passing his business on to his son-in-law Melchior Lotter.

A collection of shields, crowns and heraldry designs. Represents heraldry devices, Spanish city seals, world nations seals, coats of arms, helms, crowns, crests etc.