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  1. MW TALON - Personal use only
  2. whatever - Unknown license
  3. Stahlbeton - Unknown license
  4. Georges - Personal use only
  5. SWEM - 100% free
  6. Motorcade - Unknown license
  7. GhostTown - Unknown license
  8. DoradoHeadline - 100% free
  9. Diploma - Unknown license
  10. Paternoster AH - Unknown license
  11. Planes-S-Modern - Unknown license
  12. UA Squared - Unknown license
  13. Berkelium Type - Personal use only
  14. Insert - Unknown license
  15. !Sketchy Times - Unknown license
  16. Acacia 23 - Unknown license
  17. NewMedia - Unknown license
  18. SERIESB - Unknown license
  19. Deportees - Unknown license
  20. Young Techs - Personal use only
  21. Vector - Unknown license
  22. ITC Stone Humanist by ITC, $40.99
    Type designers have been integrating the design of sans serifs with serifed forms since the 1920s. Early examples are Edward Johnston's design for the London Underground, and Eric Gill's Gill Sans. These were followed by Jan van Krimpen's Romulus Sans, Frederic Goudy's ITC Goudy Sans, Hermann Zapf's Optima, Hans Meier's Syntax and Adrian Frutiger's Frutiger. Now, ITC Stone Humanist joins this tradition. It is a careful blend of traditional sans serif shapes and classical serifed letterforms. ITC Stone Humanist grew out an experiment with the medium weight of ITC Stone Sans, a design that already showed a relationship to these sans serif-serif hybrids. ITC Stone Sans has proportions based on those of ITC Stone Serif, and its thick-and-thin stroke contrast suggests the bloodline of humanistic sans serif typefaces. But other aspects of ITC Stone Sans are more closely aligned to the gothics and grotesques, a tradition that accounts for the largest portion of sans serif designs. Enter ITC Stone Humanist. During his experiments with the earlier design, Sumner Stone recalls, I was actually quite surprised at how seemingly subtle changes transformed the face," moving the design firmly into the humanist tradition. "The form of the 'g,' 'l,' 'M,' 'W,' and more subtly the 'a' and 'e' are part of the restructuring of the family," he explains. The top endings of vertical lower case strokes have been cropped on an angle, as have the ascender and descender stroke endings. ITC Stone Humanist is a full-fledged member of the ITC Stone family. It has been produced with the same complement of weights, and the x-heights, proportions, and underlying character shapes are completely compatible with the three original designs. The original ITC Stone Sans is a popular typeface, in part because of its notable versatility. ITC Stone Humanist shares this virtue, and can be used successfully at very small sizes, in long passages of text copy, and even as billboard-sized display type."
  23. Rough Patch by Hanoded, $15.00
    Rough Patch is a quirky, handmade display font with a serious amount of erosion. Comes with all the diacritics you need and a band aid to boot!
  24. Pepper by Grummedia, $20.00
    Pepper was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a greater spotted version of Salt.
  25. Salt by Grummedia, $20.00
    Salt was first conceived as an authentic alphabet of runes, but that was far too serious so it ended up as a lesser spotted version of Pepper.
  26. Italia by ITC, $29.00
    Italia is the work of Colin Brignall, a refreshingly different serif typeface. At first glance, Italia might seem comparable to any other square serif typeface, but it has a distinctive pattern all its own. Italia can be used as either a display or text typeface and will give any text a unique look.
  27. Figaro by Monotype, $29.99
    Figaro is a very condensed slab serif design of the kind associated with nineteenth century advertising. The Figaro font has considerable weight contrast in the strokes, with a marked weight emphasis on the horizontal elements, including the serifs. Use the Figaro font for display and advertising and for 'Wild West' style posters.
  28. Cinque by Adrianna Bilas, $18.99
    CINQUE is a new Slab Serif Display Font inspired by Avant-Garde, Art Deco & the aesthetics of ‘The Grand Budapest Hotel’. It gives a new meaning to slab serif with a fresh and authentic touch. This playful and contemporary font incorporates various character alternates allowing flexibility and more creative possibilities. Geometric, fun & fancy!
  29. Nightsans by URW Type Foundry, $19.99
    The family Night by Nicolai Gogoll includes 10 styles – five serifs and five sans. Both variants harmonize well with each other and each come in five weights, which allows for good use in CI. Combining the Serif and Sans also enables versatile and hierarchical design, which is great for interfaces and infomedia.
  30. Mounth by Linecreative, $16.00
    Mount is Modern Slab Serif Font Mount is a bold slab-serif font for titling, captions and logo. this font is similar to Simple Note font, but it comes in round and rough shapes. Mount offers you: 1. Upper and Lowercase characters 2. Multilingual Support (Latin Western Europe) 3. Numbers and Punctuation
  31. Rolleston by Pepper Type, $40.00
    Rolleston is a rigid 42-style serif font family with peculiar spiky serifs. It comes in three optical sizes: Text, Title, and Display. Rolleston features extensive language support including Cyrillic, contains a variety of Opentype features, and an abundance of ligatures and alternative to choose from – for fancy headlines and elegant body copy.
  32. Rundo by Tour De Force, $30.00
    Rundo is all-caps decorative font family available in 5 styles: Fill, Inline, Decline, Stencil and Partenon. With wide proportions and serifs characteristics for slab serif fonts, Rundo is lively family intended to be used for product names on packages, big titles and outdoor graphics. Comes with standard ligatures as OpenType features.
  33. DG Zanardini by DubbioGusto, $35.00
    Zanardini it’s a bold serif display font with a high contrast between the stem width and between sharp and curvy terminals and slab / egyptian serifs. All the glyphs was freehand drawn so the curves are strong and they create more interesting shapes in the negative space between the letters. Use it irresponsibly!
  34. Begova by Mevstory Studio, $40.00
    Introducing BegovaStylish Classic Serif. Begova is a classic and stylis display serif with rich stylistic alternates, best used as a display for headings, logos, branding, magazines, product packaging and invitations. Begova equipped with Ligature and many Alternates and come with clean lines and smooth curves give any project an extra touch of class.
  35. Avegreat by Digitype Studio, $15.00
    Avegreat is a clean and modern serif typeface with a visually appealing character, complemented by a variety of discretionary ligatures, making it a chic serif font. Perfect for versatile applications across various formal formats such as logos, wedding/invitation cards, packaging, magazines, fashion, books, makeup, invitations, novels, labels, stationery, or any advertising purposes.
  36. 210 Jamak by Design210, Korean Fonts, $300.00
    It is a font designed in a balanced manner by optimizing the width and spacing of letters to make use of readability. Serif was treated as a curve to emphasize a soft and comfortable feeling. The serifs of the letters gave a distinct impression and gave it a natural look by adding inclination.
  37. Nature Keystone by Wildan Type, $15.00
    Nature Keystone is a modern sans serif font with a unique ligature and aletrnate style. A simple sans serif with special impression. Combaine with high contrast and slat style perfect for classy logo signs, fashion heads & editorial designs, branding projects, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more.
  38. Garyford by Martype co, $20.00
    GARYFORD VINTAGE SERIF FONT --- Garyford is a Serif font designed with carefully handcrafted. Also suitable for branding, T-shirt, Classic Design, Logotype, and any project. Comes with a tons of ligature and alternates make your life more than comofortable, easier to design and free stress. Multilingual Support, support many different languages 20+ .
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