Inspired by an old Russian book about Moscow’s plan to take over the world, this font was designed to give digital prints the taste of hand lettering. It’s vivid outlines and slight differences in boldness between characters give it an accurate and realistic imperfect letterpress look. It works amazingly well as a text font in small sizes and shows it’s crippled outlines only at larger sizes. »CA Moskow has a plan« has got an extensive character-set including Russian Cyrillic, the Russian Rubel and the Turkish Lira sign. Although it includes kerning, for a full simulation of letterpress print and cold-war feeling we recommend to turn it off.

Debira is a contemporary display wedge-serif typeface. Its sharp and longer serif makes Debira a versatile type family that can be used in many different themes of design projects, from classic style to modern. It comes in seven weights from thin to bold with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. The set of special ligatures can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more.

DT Serifia Sans is a modern grotesque with a playful character. The font family contains seven widths and one Variable Font. From extra thin to ultra bold, you will surely appreciate this font. Typography will take on its own mood with it. The vertical terminals give it a sense of sophistication even with all its playfulness. A wide range of weights allows using this typeface in a variety of projects, and a plethora of OpenType features will make your project look outstanding. A wonderful addition to your collection, it is perfect for branding, magazines, web, broadcasting, packaging, apparel prints, prints etc.

Introducing Oxine Display new generation Typeface with 7 Weights. Oxine Typeface created with the vision of to attract the audience to your brand . The finest details of this typeface are methodically and mathematically created. Oxine is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, servers, posters, screens, display, digital ads, and everything else. We are putting a lot of effort on this font as a long-term project. The Typeface includes Seven Weights. ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold

Zeebonk (literally 'Sea Chunk') is Dutch for a sailor - in particular, a large, pickled and brined, seven-seas-been-there-done-that specimen. The font itself brings back memories of the outrageous tattoos those same 'zeebonken' used to have. Zeebonk comes with extensive language support, alternates for the upper case (and some lower case letters as well) and a healthy dose of good old fashioned sea dog humor!

Fathom is a refined flared-serif face that is elegant and robust, modern yet suggests a legacy. The generous lower-case x-height make it worm and readable. Seven weights, plus matching italics, cover all headline and text requirements. The addition of old-style numerals and tabular numerals for charts make it a versatile family for brochures, corporations, heritage projects, packaging, book covers, reports, signage, magazines and more.

Elyzabeth Pro is a very elegant and practical sans serif font family and precise in its creation. clean fonts that stand upright elegantly that are soft and familiar and easy to read, Not boring to the reader. This type of font is great to use for very large writing purposes, ranging from notes on daily activities, magazines, newspapers, logos, posters, product compositions, product descriptions to be sold and indications of any product composition that requires writing shadows. Elizabeth Pro contains eight fonts. Broadly speaking, this font has two models, namely Regular and Italic. (Thin, Thin Italic, Regular, Regular Italic, Semi Bold, Semi Bold Italic, Bold and Bold Italic. They all support Latin, Greek, and Cryillic characters. This font will be a great asset to your font library, as it has the potential to enhance your next project creation.

Heavy Duty is a bold condensed sans serif font set. Heavy Duty Solid is crisp and clean while Heavy Duty Sketch suggests characters that could have been sketched with a pen or pencil. Both fonts have the same uppercase and small caps lowercase alphabet, numbers, punctuation, symbols, and miscellaneous characters. The Heavy Duty fonts are ideal for making a bold statement in headlines, titles, or text. Heavy Duty Solid and Heavy Duty Sketch are to be sold only as a set priced at $20.

This strange mysterious "blubber" is told to hold the secrets of the universe, many legends and myths have been told about its strange and amazing powers. Great fortunes await to those who can harness its power. NOT TO BE USED FOR EVIL. Get it before it gets you...

Ratatouille was inspired by wooden faces of old with pointed serifs. Very suitable for Packaging greeting cards magazines posters and Advertising Ads. Designed in four weights from Extra-Light to Bold including Italics, covering a large range of editorial and advertising applications.

Out with the old in with the BOLD. Raifin is a messy, gory and fantastical piece of work which shoves two fingers up at conformity. A title font, a copy font, a bonkers font. An experimentation of the rules, or lack thereof. Enjoy!

This is a deco-style text OpenType Pro font loosely based on Koch's Locarno as seen in KochAltschrift a recent free German tribute to Koch's work. I was familiar with Meek's Letraset presstype version called Locarno, but I never liked the proportions used by either Meeks or Koch. So I radically revised ascender, descender, and x-height to make them more usable and brought the shapes within my sense of design. Mine is probably closer to Meeks than Koch, but hopefully it is a tribute to both. Astaire looks much more modern and it is much more usable. I added oldstyle figures, small cap figures, small caps, several ligatures, and more. There are an italic, bold, and bold italic also in this family

Mouvere – Old Style Serif Family, comes with four types of typefaces, Regular, Italic, Bold, and Bold Italic. This font is very suitable to be applied in various aspects of design, and your branding. It’s perfect for logos, branding, title, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special event, magazine, web designs, etc. Features : Multilingual Support If you have any questions please don’t hesitate to contact me follow my Instagram: @fkryall Thank you

Taste, with seven weights, is versatile enough for use in headlines and text.

Jonquin was inspired by some hand lettering seen on a World -War One recruiting poster. It's a family of three faces for display work and headings designed to be used readily as an 'All-Capitals' face as well as in upper and lower case format. Regular and bold weights are offered, as well as an even more decorative incised form. The whole family is ideally suited for poster and advertising work, as well as book and record covers and period themed signage.

The Nixt Font Family is a new font with currently seven styles. As an alternative to Helvetica, Arial, Gill Sans, Futura, & Gotham, Nixt has a similar design aesthetic to those aforementioned in that its design, structure, and feel crosses decades of appeal. From Mid-Century, through the stark '60s, decades of succeeding modern architecture through the turn of the 21st Century, Nixt's glyphs are timeless, clear, ultra-legible in all styles and weights. Best use in Advertising, Branding, Signage, Architecture, Fashion, Posters, Headlines, and By-Lines, Print & Digital, and of course Labels. There are currently, at first release, 7 Styles: Extra Light, Light, Regular, Italic, Book, Bold, & Extra Bold. There are more in process and will be added when completed. The inspiration behind the Nixt Fonts is the Bauhaus, Mid Century Industrial Design, Art Deco through Moderne Era Architecture, American Pottery and American Design of The Twentieth Century.

EXCLUSIVE! Read all about it! The latest scoop from Comicraft is sure to be in all the newspapers today! The Times are a changin' -- comic book letterers everywhere can say a font farewell to typesetting the front pages of Planets and Bugles in Helvetica, Verdana or Gill Sans! Superhero's Pal, Johnny "Roshell" Olsen, was up all night writing copy for the late-night edition, making sure that your newspaper headlines and copy have a warm, pen lettered look... some might say a Rosen-glow! Put a little Extra Extra in your bylines and maybe there's a Pulitzer and an Eisner in your future! Not ready to purchase? Get ExtraExtra Engraved free with any purchase, or by subscribing to our newsletter at the bottom of this page. Features Seven fonts (Regular, Italic, Bold, Bold Italic, Heavy, Heavy Italic & Engraved) with upper and lower case alphabets.

Investigator JNL gives a serif treatment to Cold Case JNL, which was modeled from some old lettering stencils manufactured in the 1950s.

Screenplay JNL was modeled from the signage seen in an old photo of the RKO movie studios building circa the 1930s. This multi-line lettering is so classic of the Art Deco period. For best effect and readability, use wider spacing between letters. For single words or initials, regular spacing should do fine.

Hi, presenting a bold vintage font - Grand Label. It's an old-school typeface with decorative elements, included as a separate font file for more convenient manipulating and recoloring. Grand Label font supports most of Latin European languages (check out the screenshots with available characters).

LeftheriaPRO has its structure projected from the capitals of the Greek columns of Ionian order, it is a typography condensed with vertical emphasis composed by 5 weights (light, regular, medium, semibold, bold) including ligatures, alternates, smal caps, old styles figures, fractions, superiors, inferiors. | Download Specimen

Haglos Script was inspired by Modern Vintage & Retro style in combination with old American traditional style. It's bold and has amazing swashes. In my examples I show how this script can be used. It's very well suited for logotypes, product labels, food flyer, and others.

Aneba Neue is refreshed version of my old type family. It's a geometric sans serif typeface with a clean feel. The low contrast and high x height is perfect for headlines and display purposes. Aneba Neue contains 5 weights in two different styles - Bold & Slanted.

Korto is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Avant Garde, this elegantly minimal typeface is available in a comprehensive family of seven weights. It includes old style non-aligning (lower case) numbers, both proportional and tabular, as well as accented characters for Central European languages. A highly versatile, contemporary sans-serif, Korto is suitable for more-or-less any text or display purpose.

This typeface design was influenced by the British Rail corporate type introduced in an old lettering instruction book published in Japan. Of course, the only clue to this typeface is the lettering instruction book at hand. Therefore, this typeface is based on the British Rail corporate type introduced in an old lettering instruction book published in Japan, and I have expanded the design variations. I started with the Bold design first. Then I designed Light, Regular, and Black in that order. Light and Regular are intended to be used as the text type, while Bold and Black are intended to be used as the base for logotypes, headlines, and other eye-catchers.

Abalda adds to the number of “bad-taste” alphabets as seen on faded commercial inscriptions painted on neglected old houses. To enhance its warm character, some picturesque discretionary ligatures were added. Use it for posters, private invitations, or create a punchy company logo – the smell of old times will coin decent traditional look without a vulgar “Art Nouveau” cheapness. Yes, Abalda shares its overall proportions with Zeppelin 43, hence the whole family is a good choice to combine with.