»Guilloche B« is a set of graphics that join with each other to form very sophisticated, op-art-like borders. Try them on lots of different assignments, they form very surprising bands or patterns.

The slick and sexy letterforms of Ace ACTION COMICS artist, Pascual Ferry, are the latest to join our MASTERS OF COMIC BOOK ART font line. Pascual's work on the SUPERGIRLS storyline in ACTION made us want to lick each page -- but, y'know, not when anyone was looking... we know they're just comic book characters, they're not REAL and we don't fancy them or anything -- Uhhh... so we were delighted when Pascual invited us to create this stylin' sans souciant family of fonts for him. All we asked for in return was this smokin' alternate cover for the next issue of HIP FLASK... Hey, don't lick your monitor, you might get an electric shock...

Work on Scene began some time after designer Sebastian Lester joined Monotype Imaging in 2000. Clean, calm, and highly legible — thus the design brief Lester set for himself. With Scene, he wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects, incorporating what he had learned about on-screen and print legibility. Scene was developed during two years of after-hours and weekend work. The family comes in six weights with matching italics, there is a set of “semi-sans” characters to introduce more expressive word rhythms into headlines and blocks of copy.

WIP Money Maker depicts the handwriting of man with verve, strength of purpose and resoluteness. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

In NailsNStaples the letters are made up of nails and staples. (The staples are not the staples one uses to join paper, but the kind one hammers into wood.) It is not often that one needs a typeface made of nails and staples, but if one does, there is a font for that.

Maeva is a non-joining wide formal 60s script, directly designed and carefully finished by hand on screen, trying to keep the script alive – preventing it from looking mechanical – by drawing each letter from scratch.

Future Bugler is a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore. This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie “Sky Captain and the World of Tomorrow”. It also communicates the idea of high performance, or extreme sports, without the grunge. Also be sure to check out the upright version of this font, Future Bugler Upright, available separately. Digitized by John Bomparte. Additional tags: NFL, NFL Network, NFLN

Dorige is a modern retro serif typeface for branding, logo design and retro designs, This font comes with joining ligatures that give it a fancy and unique style. Dorige typeface comes with regular, italic, bold and bold italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates Multilingual support. If you have any questions, please feel free to get in touch. Thank you

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

The Penman fonts are partially based on the 19th century penmanship of one of the designer’s ancestors, and originally created for a personal mailing with an “old-times tradition” flavor. The fonts are lightly pair-kerned, in order to control punctuation and numeral spacing. Auto-kerning should be turned on, and tracking should be checked to make sure all characters join well.

Inspired by the unique lettering style of a poster seen in a well-known chocolate shop in San Diego. Unusual display font that's easy to read even at small sizes.

Midnight, Pacific Coast Highway. You're driving home alone at night and your battery's dying. Your headlights have dimmed and you can barely see the road or the signpost up ahead. But there's an eerie green light glimmering in your rear view mirror and that strange warning uttered by the pump attendant at the Devil's Elbow gas station has put the frighteners on you. Is that Satan's face glowering at you through the mist, or something far worse? ⁠The only way to handle this font is with one foot on the gas pedal and one foot on the brake. Originally designed by John Roshell for GAMBIT titles, this sharp font has appeared on vampire & rock magazine covers, Star Wars & Star Trek merch, and the logo for the INHUMANS comic & TV show!

Novido is a new very elegant – extremely slanted – joining script with long ascenders and descenders. It is the male partner of Novita which is the less elaborate female partner of the pair. Great job! Congratulations Ladies!

As you can see, Nefertiti is a font based on ancient Egyptian hieroglyphs and could be classified as a fun-font. I've always been really interested in Egyptology and a couple of years ago I thought it would be great to be able to write in hieroglyphs. I started to study them but soon realized it would take me a long time to be able to do this. Still, I was determined to find a way around this problem. At some point I came up with the idea of rearranging and reforming the hieroglyphs so as to resemble the English alphabet. During this process I tried as much as possible to preserve their ethos and appearance. However, since they are designed to write in English with, it's obvious that they are not always going to look like the real thing. Despite this, I'm really happy with the final result and I think many Pharaohphiles who just want to have some fun will be also. The only difference in this font between lower and upper case characters, is that the latter are set between two parallel, horizontal lines. These are for use with brackets (motif ends) to form cartouches - elongated ovals for names and/or titles. Try typing the following using the upper case in the sample text box. e.g. (JOHN} The zigzagged vertical lines at each end, separate the motifs from the hieroglyphs. Note the three types of ends/brackets. These lines are also used to separated words from one another and to give a more authentic appearance. So pressing the space bar gives a zigzagged line - not a space. They can also be used at any point within a cartouche to separate first and last names or titles. e.g. ; (JOHN;BROWN} walked straight home after work. Notice the eye glyph (period/full stop) at the end of the sentence. This is the only punctuation mark which can be used within a cartouche, e.g. after Mr. or to add a more Egyptian appearance to a name or title. e.g. (MR>;JOHN;BROWN} Parallel lines dividing hieroglyphical inscriptions and writing into rows or columns are very common. To incorporate these in a body of text, simple use the underline U. e.g. (OSIRUS) and {ISIS} were important gods of the ancient Egyptians. (HORUS) {HATHOR} and [RA],the sun god, were also highly revered deities. The punctuation marks available are shown below. . , " " ' ! ? "where is the king?" The font also includes the numbers 0-9, the following mathematical symbols and the hash sign(Scarab beetle). Once again, I've tried to make them look as Egyptian as possible; whether I've succeeded or not is open to debate. e.g. + - x / = # This font is named after Akhenaten's beautiful wife, Nefertiti, who's image can be seen in the graphic on this page.

Onirom is a Modern ligature serif font comes with joining ligatures that give it a fancy and unique style. This awesome font is perfect for branding, logos, invitation, watermark and so much more. Onirom typeface comes with regular and round font styles. Uppercase letters, numbers, punctuation, ligatures, alternates and multilingual support. If you have any questions, please feel free to get in touch. Thank you

Hollywood Stars (Volume 1) is a unique collection of signatures of 92 famous Hollywood stars in a high-quality font. A must-have for autograph collectors, desktop publishers, lovers of the arts, history, movie buffs, fans, or anyone who has ever dreamed of sending a letter, card, or e-mail "signed" as if by one of these famous Hollywood celebrities. This font includes signatures from the following Hollywood personalities: Michael Jackson, Farrah Fawcett, Elvis Presley, Marilyn Monroe, Ben Stiller, Kate Beckinsale, Steve Buscemi, Mel Gibson, Helen Hunt, Paul Reiser, Angelina Jolie, George Kennedy, Larry King, Edward Norton, Mira Sorvino, Steven Spielberg, Kate Winslet, Daniel Day Lewis, Laura San Giacomo, Holly Hunter, Jane Fonda, Alan Alda, Robbin, Williams, Alan Rickman, Al Pacino, Drew Barrymore, Bob Newhart, Brooke Shields, Burt Reynolds, Keira Knightley, Cheryl Ladd, Basil Rathbone, Minnie Driver, Debra Messing, David Schwimmer, Clint Eastwood, David Hyde Pierce, Burgess Meredith, Donald Trump, Linda Evans, Tony Danza, Gene Wilder, Cameron Diaz, Judi Dench, George Clooney, Nicolas Cage, Timothy Hutton, Jennifer Garner, Jay Leno, Tony Curtis, Suzanne Somers, Connie Selleca, Donald Sutherland, Jack Klugman, Tony Randall, Matthew Perry, Jenna Elfman, Morgan Fairchild, Jack Nicholson, Chazz Palminteri, Dustin Hoffman, Anthony Hopkins, Walter Matthau, Larry Hagman, Lisa Kudrow, Bill Cosby, John Mahoney, Ray Liotta, Jon Voight, Christian Slater, Chris Cooper, Dwayne "The Rock" Johnson, Drew Carey, Eli Wallach, Douglas Fairbanks Jr., Amanda Seyfried, Danny DeVito, Gary Sinise, Mary Tyler Moore, Edward Asner, Will Rogers, Cuba Gooding Jr., Bela Lugosi, Charles Grodin, Victoria Principal, Winona Ryder, Tea Leoni, Matt Damon, Loni Anderson, Emma Thompson, Ed O'Neill, Karl Malden. This font behaves exactly like any other font. Each signature is mapped to a regular character on your keyboard. Open any Windows application, select the installed font, and type a letter, and the signature will appear at that point on the page. Painstaking craftsmanship and an incredible collection of hard-to-find signatures go into this one-of-a-kind font. Comes with a character map.

Belly Swing is natural, organic and kind of cute. It's my handmade sans font with contextual alternates - meaning that you have 3 different versions of each lowercase letter to choose from!

WIP Macho Man depicts the handwriting of man with a strong need for independence combined with spontaneity and high potential. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Renowned British designer Martin Wait designed Balmoral in 1978. Balmoral is an elegant and free-flowing copperplate script style typeface. Generous initial capitals complement the more restrained lowercase letters that join for balanced letter spacing in word settings. Balmoral is excellent for use on certificates, citations, diplomas, and in greeting card applications. Featured in: Best Fonts for Tattoos

WIP FirstLady depicts the handwriting of a young woman with a consequent stroke representing ambition, open mindedness and talent. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

WIPEU The President depicts the handwriting of a versatile and energetic man of vision at the highest stage. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

WIP Grand Ma depicts the handwriting of an old woman, representing the kindness and reliability that we appreciate of our grandma. The (lower case) characters are joined as it is usual in German speaking countries. Originally designed in 1995 the font has been extended by a lot of new characters such as accented characters, punctuation, symbols and currency symbols.

Surf's Up! Head on down to the Barrier Reef with your favorite board, your latest pair of Oakleys and join us where the waves break. Zip up your wetsuit and be prepared to Wipe Out! On the other hand, if you'd rather not get wet, simply install this font and experience similar results. Splashdown is totally tubular, dude!

A 1905 poster for the Austrian National Highway by artist Gustav Jahn inspired the letterforms for this typeface. In the spirit of comity, Barnhart Brothers & Spindler's Publicity Gothic Initial Caps inspired the uppercase treatment. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Censorship JNL joins the wide array of stencil-themed fonts from Jeff Levine. An advantage to this particular design is the larger amount of stencil sections per letter or number. When used with a plotter/cutter, stencils in excess of 12 inches high can be cut into masking material without the cut-out characters becoming floppy or unstable.

Douglass Pen was inspired by the handwriting of Frederick Douglass, who was born an American slave but died a distinguished 19th century statesman, orator, and abolitionist leader. He also had fine penmanship. Douglass Pen is modeled chiefly after Douglass's handwritten account of John Brown's famous 1859 raid on Harpers Ferry, Virginia. It simulates his somewhat condensed cursive, dashed off in a swift, bold style. The OpenType release has more than 800 glyphs, including scores of ligatures, alternative upper cases, inkblots, crossouts, and Eastern European characters.

The inspiration source for MFC Sansome Monogram is a decorative serif lettering style that comes from the book Henderson's Sign Painter from 1906. Known as "Rustic Roman" and originally designed by John F. Irwin, this fantastic typeface has been digitally revived and expanded for monogram designs. While the original lettering did not include numerals and was never originally intended for monograms, its ornate nature lends itself so wonderfully to the craft. A PDF guidebook for MFC Sansome Monogram is available under the Gallery tab.

Yes it's true, from time to time those awfully nice chaps at Comicraft have been known to create fonts for artists simply because We Love Their Work. Affable HEROBEAR AND THE KID kreator, Mike "He's just like your Favorite Uncle" Kunkel was lettering his beautiful children's comic strip with a font used by many, many other comic strip creators. John "JG" Roshell put a stop to all that and created a font based on Mike's own unique hand lettering style and now we make it available to you so that you can bring a little bit of Mike's Magick to your own warm and fuzzy work... because the Mike Kunkel font will help you remember your childhood... pass it on.

This family was inspired by the well-known Caslon typeface created by William Caslon, the English font designer, who was, with John Baskerville, the progenitor of English Transitional typeface classification in the mid-18th century (See also our 1776 Independence). We were inspired by a Caslon style set used by an unknown Flemish printer from Bruges, in the beginning of 1800s, a little before the revival of Caslon style in the 1840s. Our font covers all Western, Eastern and Central European languages (including Celtic diacritics) and the Turkish alphabet, with a complete small-caps set in each of the two styles. (Please note: The complete character set is available only in TTF and OTF “Pro” version.)

Diastema is a modern ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This font perfect for branding, logos, invitation, watermark and more. Diastema typeface comes with regular, italic, bold and bold italic font styles. Uppercase & lowercase letters, numbers, punctuation, ligatures, alternates Multilingual support. If you have any questions, please feel free to get in touch. Thank you

Asfire is an All Caps modern ligature serif typeface comes with joining ligatures that give it a fancy and unique style. This font perfect for branding, Headlines, logos, invitation, watermark and more. Asfire typeface comes with regular, bold and condensed font styles. Uppercase letters, numbers, punctuation, ligatures, alternates Multilingual support. If you have any questions, please feel free to get in touch. Thank you

A 1920 Dutch poster for Public Placement Services by Johan Dijsktra provided the inspiration for this crisp geometric typeface. Instead of the normal underscore (_), this font features a set of parallel lines flush to the tops of the caps and small caps, which offers some intriguing design possibilities. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Somewhat of a mongrel, this font combines uppercase letters from an oriental font designed by Paul Carlyle and Guy Oring in 1938, and lowercase letters based on yet another variant of Joan Truchut-Blanchard’s Super Veloz system. As its name implies, it’s quite suitable for titles of all kinds. The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Suffolk is a traditional yet modern font family that takes inspiration from the county of Suffolk and its rich coastal history. This handwritten style font is a modern rustic take on a traditional script font and comes with a joined up 'script' style and an individual 'print' style. Along with a 'serif' style that evokes a similar feeling of old meets new that works well alongside the two handwritten styles.

Okay, we admit it! Comicraft's latest offering -- wrenched heavy-handedly from the pages of CHARLEY LOVES ROBOTS – is definitely a little awkward, maybe even loose-limbed and goofy. Those (usually) awfully nice chaps in the Comicraft studio are perhaps best known for their dexterity, their lightness of touch and nimbleness of finger rather than the kind of bungling, graceless, clumsy work evident in their latest digital alphabet. So, yes, MALADROIT is probably the most inept, cack-handed, undiplomatic addition to our catalogue ever submitted by freewheelin' John Roshell (formerly GAUCHE-ell) but might just possibly be the perfectly wrong font choice for your more bungling, inept, incompetent and hamfisted characters.

As a spinoff to his Tagesstempel™ design, Georg John created Johnstemp™ in 2008. The Johnstemp family has four weights, as well as a special Mix" variant. Each of the basic fonts (Light, Medium, Bold, and Heavy) contain many alternate glyphs, allowing users to set text that realistically simulates stamped impressions. For even faster design, Johnstemp Mix is the perfect choice; it contains letters with far more stylistic and weight variation out-of-the-box, and was developed to create even livelier impressions. Here as well, many alternates are included in the character set to prevent too much repetition of the same glyphs. "

Acies is a sharp sans with accented stroke width contrast and slightly condensed proportions. Its shapes are reduced to the bare minimum, conveying simplicity and sophistication. It has steep joins, aligning horizontal stroke endings and vertically ending ascenders and descenders, freely mixing typographic norms to create something refreshing and new. It is designed to function in a wide variety of environments, ranging from screen to print. Acies is available in 6 weights with matching obliques, that have the same pitch as their upright counterparts. With 690 Glyphs per font, it supports 100+ languages and offers a wide range of OpenType features like stylistic alternates, petite caps, old style figures, ligatures or case sensitive forms.