An industrial-weight typeface inspired by graphics laser-cut from sheet metal.

Orlando is a quirky display face inspired by Art Nouveau metal types.

An inline shadowed Clarendon designed in 1973 for VGC by Ernst Volker.

A futuristic stencil typeface characterized by its extended forms and rounded terminals.

Based on the popular VGC typeface designed by Ronald Arnholm in 1972.

Niju was designed and published by Mikaele Biana. Niju contains 1 style.

Here is a nice sign-painterly display font inspired by the 1920s.

A set of figures designed at ParaType in 1992 by Elvira Slysh.

An original Freehand script designed for Mergenthaler in 1965 by Matthew Carter.

Inspired by tulips, Nellyana is a modern monoline script featuring beautiful ornaments.

Hand-drawn typeface, inspired by sunny mornings with cup of good coffee.

Concreta was inspired by Josef Albers' work and Augusto de Campos' poetry.

Eiger, a great display font by Intellecta Design. Contain only capital letters.

Introducing medieval blackletter typeface "Odd times". It's inspired by old fracture calligraphy.

Systopie is inspired by stories where fears about dehumanized futures are shown.

Pligo - a balloon, graffiti, liquorice, party and cartoon typeface by Måns Grebäck.

Pascal is a font inspired by handwriting of mail artist Pascal Lenoir.

Inspired by hand written letters on a street sign in Tel Aviv

Free interpretation of the classic Gothic Tuscan 1, by William Hamilton Page.

Cute and fun handwriting inspired by the playful antics of a child.

This font was inspired by music from the band The Dresden Dolls.

Campi, a great display font by Intellecta Design. Contains only capital letters.

Domani from CounterPoint is a faithful digital revival of an old photo-typositing face called ITC Didi. Originally designed by Herb Lubalin and Tom Carnase, Domani brings to life a font that has been somewhat neglected by the digital era until now. Brought to the attention of Jason Walcott by graphic designer Rob King, this font immediately captured Jason with its 1970s high contrast Didone style, typical of that time period. It has some unique design details that set it apart from other didone style typefaces. “Domani” is the Italian word for “tomorrow”. The name was suggested by Rob King, and Jason felt it was perfect for this revitalized design. Walcott has created a professional quality digital version that is both faithful to the original design while expanding the character set to make use of OpenType features. A full set of swash capitals and several swash lowercase, designed by Walcott, has been added, as well as support for Latin-based and Eastern European languages.