SK Seren is a clean, double weight and semi-serif font family. This font family, which you can use in long texts or headlines, logos and posters you will design without hesitation, manages to stand out even in the most crowded environments. As you can easily use in print and web design, this is the only font you need in every medium. This family consists of 10 different fonts and 5890 glyphs. In this way, it contains all the typographic materials you will need in your design and offers full support to the Latin alphabet. This font family is a new version of the first font I designed while studying college in 2018. This version includes many new glyphs that were not available in the first version, and all bugs found in the first version were fixed and kerning settings were reconfigured.

Sapphire Script is a hand-lettered modern calligraphy font based on the signature script of Design by Laney. Made with wedding invitations in mind, this font with over 500 playful, romantic characters is perfect for branding, stationery, packaging, social media templates, magazine layouts, artist prints, and more! With 3 or more characters for each uppercase letter and 35 stunning standard ligatures, you'll be able to create that perfectly imperfect calligraphy style. Sapphire Script contains over 500 unique, coded features for a realistic, handwritten look: 35 standard ligatures, full Western European language support, over 100 stylistic alternates, ordinals (1st, 2nd, 3rd, etc.), 2 alternate number sets including 1-10 Roman Numerals, and a few word glyphs (for, to, from, and). Sapphire Script was named for the street where Design by Laney began, and where I moved in downstairs from my future husband!

I set out to design a contemporary font that is condensed with thick and thin strokes. The highly structured forms of this condensed font was made more interesting and softer by giving it a slightly calligraphic tone and by adding round corners. Atto's express purpose is to be both utilitarian, compact and technical but with a friendly face. The name "atto" was adopted since it refers to the measurement of "smallness" or detail. You will no doubt discover all the many pleasant nuances within Atto. Adopted in 1964, "atto" comes from the Danish "atten", meaning eighteen. Atto - (symbol a) a SI prefix to an unit and means that it is 10 to the power- 18 times this unit. Examples are one attosecond or one attometer/attometre. Atto is available in for Mac and Windows in Postscript, Truetype and Opentype.

The Macarons font family consists of a monoline version, regular and bold weights, and a set of gestural catchwords, which reflects the use of the ruling pen as a freestyle tool. Ornaments and dingbats are also included. Macarons is a display type based on the classic Garamond typeface. It’s inspired by the foodie culture and the slow food movement, which began as a rebellion against fast food and has now grown to a global scale. Every day, thousands of people around the world take pictures of their food, look for new recipes to try and recover old ones, enjoy wine-pairing, and value locally produced food. Macarons is a fresh and spontaneous looking typeface that has been designed by Coto Mendoza, who also has developed a hand-made product line (Ride my Bike, Ride my Bike Serif, Four Seasons, D.I.Y. Time, Dans le Cuisine and In a Jar). This font is not constructed out of modules: each character is drawn by hand. Macarons is ideal for cookbooks, menus, liquor bottle labels, food packaging, wedding invitations, greeting cards, tea boxes, food blogs, small shops, cupcake bakeries and so on. Try! A freshly-baked homemade macaron!

Zigfrida Typeface was born from a process of re-designing a logo where, through a grid created, I was developing all its main characters. As the project grew, it was noted that it was necessary not only to limit itself to the Latin alphabet, but also to develop Cyrillic characters. Its possibilities of use are endless, can be used in projects for your favorite sport, signs, posters, large formats, advertising projects, architectural, packaging, titles, among others. The result of all this was the development of a font that has up to 747 glyphs that can understand 100% of Latin languages and the vast majority of countries that use the Cyrillic alphabet. It has unique personality and characteristics that bring a differential to any project it is part of. ----- A Zigfrida Typeface nasceu a partir de um processo de re-design de um logotipo onde, através de um grid criado, fui desenvolvendo todos os seus principais caracteres. A medida que o projeto foi crescendo, observou-se que era preciso não apenas se limitar ao alfabeto latino, mas também desenvolver os caracteres cirílicos. Suas possibilidades de uso são infinitas, pode ser utilizada em projetos para seu esporte favorito, sinalizações, cartazes, grandes formatos, projetos publicitários, arquitetônicos, embalagens, títulos, entre outros. O resultado de tudo isso foi o desenvolvimento de uma fonte que possui até 747 glifos capaz de compreender 100% dos idiomas latinos e a grande maioria dos países que utilizam o alfabeto cirílico. Tem personalidade e característica únicas que trazem um diferencial para qualquer projeto que ela fizer parte.

Font family Titla Brus was developed as an extension of Titla, released earlier in 2009. New slab serif family consists of 20 members the normal and condensed proportions that present 6 weights from Light to Ultra. The fonts can be used in combination with Titla or by itself in different display matters. Typefaces demonstrate original and catchy way of using serifs -- in some places there are traditional slab serifs, in other places -- one-sided and often there are no serifs in the places where they normally should be. This approach brings to the letter shapes an unusual appearance and peculiarity. Design was developed by Oleg Karpinsky. Released by ParaType in 2011--2013 at first as a set of ten condensed styles and later in extended version enhanced by ten normal styles.

Roughcast is a kind of outside plaster, composed of cement and pebbles. It’s not the best looking plaster and it is estimated that in the UK, a roughcast outer reduces the value of a house by 5%. I am in the middle of renovating our old farm, but I won’t cover it in roughcast! Roughcast font is actually quite an attractive brush font. I made it with a brush I found hiding underneath my stove (where it had been for a while). I cleaned it and used it to make a couple of fonts, including Roughcast. Roughcast is best used for packaging, book covers and posters.

NewYorkerType was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked at the type and redrew it completely by hand. So it is not just a copy, but rather a redesign. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin's design for New-Yorker magazine was just one of them, but the best. Yours, sincerely honoring Rea Irvin a great type- and magazine-designer Gert Wiescher

I love going to flea markets and second-hand stores; in fact a lot of the furniture in our home is second hand (or pre-loved, a euphemism I find rather peculiar). I personally believe that buying used products is a good way to help this planet, as no new stuff needs to be made and the old stuff gets a second life. Fleabitten is a ‘western style’ serif font. You could use it to pimp the posters for your line dance festival, but hey, be creative! I am sure you’ll find some good use for this very nice pre-loved font. Yes, pre-loved: I loved it first!

Bodoni Classic Deco is against all rules. Giambattista Bodoni himself would probably hate me for doing it; he was a real purist. The whole idea of the Bodoni typeface is no embellishments and here I go and decorate those nice clear letters. Shame on me! But I find this is a very nice and useful typeface for all kinds of cards and certificates. So I just did it for all of you out there that are not born purists, but want a little embellishment to their lives. And to make things worse, I added a Small Caps cut. I even decorated it. Enjoy! Yours, breaking all the rules, Gert Wiescher

This is my first fontrelease in 2021, and it's one of those "things will get better soon" kinda fonts (Here I am thinking about 2020, which was a year I am glad we just left!) Anyway, the first thing I ate in 2021 (not counting the "kransekage" after midnight) was a delicious and lovely tuna sandwich - or as I called it: Party Toast! Heh-heh! :) Well, it is a playful font with it's jumpy and slightly quirky letters. I've added 5 different versions of each letter and they automatically cycles as you type. I cross my fingers for a 2021 where everything gets back to normal!

A really, really long time ago, I watched a movie called ‘The China Syndrome’ (starring Jane Fonda, Jack Lemon and Michael Douglas). It was one of those disaster movies that were quite popular at the time (I also recall airports, alien viruses and skyscraper fires). Anyway, when I finished this font, I suddenly (and quite inexplicably) remembered that movie, so I named this font after it. China Syndrome is a legible brush font - ideal for your product packaging and halloween posters. Maybe use it for a metal album cover, a book about nuclear disasters or, dunno, the logo of your really strong coffee brand. Whatever. Just enjoy!

What I needed in my projects was a solid oldstyle serif typeface with impact for heads. I had an old engraving font, which I’d never really finished. It happened to be built on the Minister/Diaconia base drawings I used to create Biblia Serif, so I took a shot at it. It’s wide enough to minimize the large solid ink shapes of many of the bolder display headline faces. It’s not readable, but it’s very legible. This is exactly what I needed for headlines, callouts, and special subheads. It uses the same vertical metrics of the Biblia Serif book Production Group It helps keep fiction designs comfortable

I love honey - as a dessert or just as a quick snack. I didn’t really like it as a kid, but I guess that is just a result of people changes taste as time goes. I also love letters and notes - and that I also loved as a kid! And the Honey Burst font is a tribute to people to likes to take notes, and those who likes their letters being legible, but not focusing on height, width and position according to the other letters. I’ve added 7 slightly different versions of each letter, which leaves your text quite random and lovely organic - go ahead and type those notes! :)

The idea for Gilman started simple enough, a serif typeface that works well for large amounts of text. However, after many struggles creating a quality typeface digitally, I decided to first draw the complete alphabet by hand on paper, and then trace that digitally. The result is a unique workhorse typeface with a subtle “human touch” that is very rare in this modern technological age. Gilman has extensive language support and comes with many opentype features like true small caps, tabular lining figures, stylistic alternates, ligatures and more. Gilman Sans (derived from the serif) is an excellent compliment and works together harmoniously with Gilman on the page.

Proudly Present "Sanatha - A Stylish Calligraphy Font" Sanatha is a stylish calligraphy font with natural handwritten that perfect for any kind of design project like wedding invitation, branding, poster and others. This font come with lovely swashes and ton of ligature which make this font stylish and elegant. What inside and what will you get: Uppercase and lowercase letter Number and punctuation Ligature Lovely swashes I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

It starts slowly, gently drawing you in... you're introduced to a number of strangely interesting and compelling characters. The plot seems at first to be satisfyingly predictable, then -- suddenly -- the narrative takes a completely unexpected turn! The protagonist is thrown into a series of devastating and alarming twists and turns! The antagonist triumphs -- evil trounces good, mass hysteria seizes the city streets! Our Hero is separated from his One True Love, and it seems that she has fallen for The Villain of the Piece! Will Good Prevail? Will Evil Perish? Will Love Conquer All?!? I don't know yet -- that's as far as I've got. Don't worry, it has a Great Ending.

It occurred to me years ago that the graphic arts community might find useful a digital typeface that mimicked the classic look of nineteenth-century handwriting. Conveniently, my mother then still volunteered at the Center for American History at the University of Texas at Austin, my hometown. She made copies of the letters of a few famous Texans -- Houston, Austin, Travis, Burnet, Rusk. Thomas J. Rusk’s penmanship caught my eye as the most accessible of the bunch. I hadn't realized at the time what a challenge it'd be to render a realistic-looking script face, but the result has, in fact, filled a niche.

Proudly present "Memorebillia - Modern and Stylish Serif Font" Memorebillia is a serif font with ornaments. This font comes with elegant uppercase and lowercase, uppercase and lowercase, number and punctuation, a ton of stylistic alternates and ornaments. you can mix and match stylistic alternate and ornaments to create fun designs with this font. This font perfect for branding/logo, posters, magazines, cricut projects, embroidery and many others. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Sketchson is an aesthetic vintage typography font, contains of script, serif and wide serif . Inspired from the past, elegant signage, gold leaf art , sign painting , lettering , tattoo , logo and old label product. Sketchson Script comes with tons of alternates characters and special alternate (i) lowercase is a ending swash thats to make more eye cacthy and the Sketchson Serif is a pairing font to combine in your design . finally BOOM..!! you get a great design for your project. Sketchson It's suitable for authentic logos, headings, sign painting, tattoo, posters, letterhead, branding, magazines, album covers, book covers, movies, apparel design, flyers, greeting cards, product packaging, and more.

What a nice tranquil feeling you get from the wide forms of this font. The air of spontaneity was the most important thing about developing Rifleman. The forms were carefully and slowly constructed and then loosely traced with a paintbrush. Maybe the original drawings will become a font someday but i like to think that they won't for some reason. Surprisingly Rifleman is left to only the bare essential elements, anything that wasn't necessary was left out or removed. The goal was to make it as lightweight as possible to make up for the intricate detail. Rifleman is a surprisingly lightweight font offering lends itself to speedy typesetting!

Chocolatte font is a yummy, creamy script font, made entirely with chocolate.. No, sorry, that’s not true. It was made with a pen, but I thought I’d create a nice urban myth. Chocolatte is a pretty useful font: you can stick it on your X-mas cards, write a little poem with it and surprise the love of your life with an enormous amount of chocolate, decorate your cake with it (preferably a chocolate cake) or use it for your… well, whatever. Just remember that this delicious font cannot be eaten, but it does come with copious amounts of diacritics for all you chocoholics out there!

Nightlife is a neon style font family reminiscent of Broadway, Hollywood, Las Vegas and the bright lights and razzamatazz of show business. Not that I want to typecast it. It’s a fluid type style that is equally at home on food and drink, confectionery and fmcg packaging: my original working title for it was ‘Jelly Bean’, for reasons that should be obvious! (Note to designers: to create the neon glow effect in Photoshop, make a duplicate of the type layer, rasterize it and add a Gaussian blur filter of approx. 50%. Then bring the original type layer to the top and offset it as required).

One of my all time favourite movies is Baz Luhrmann’s Moulin Rouge. In it, there’s a brief scene where the proprietor of the Moulin Rouge (Harold Zidler) signs away the deeds to the establishment. The actual signing of his signature is what motivated me to create this script font. Although it’s not an exact replica of the character’s hand, I like to think that it has the same crisp immediacy of the original. With its consistent oblique slant, narrow and long ascenders and descenders, and the occasional blobbing of letters, the overall effect, gives the appearance of a correspondence penned by lamplight while a storm rages outside.

This highly stylish, engraved blackletter font was cut by Rudolf Koch between 1919 and 1921 for Klingspor in Offenbach on Main. It was then sold under the name Deutsche Zierschrift. I completely redraw and extended this font and called it Zierfraktur. To take full advantage of this fine headline blackletter font, please use it from, at least, 18 points upward. This font contains a bunch of useful ligatures, and it is recommended to activate both Standard and Discretionary Ligatures. The round s can be reached by typing the # key, and you get the numero sign by typing the combination N-o-period and activating the OT feature Ordinals.

Proudly present "Munchie Michella // Ligature Serif Font" Munchie Michella is a modern serif font that has a ton of awesome and unique ligatures. Not only that, this font also comes with beautiful alternate which is very suitable and easy to use for various design projects. Some design projects that match this font include branding, logo design, posters, social media, web design and many more. I really hope you enjoy it – please do let me know what you think, comments & likes are always hugely welcomed and appreciated. More importantly, please don’t hesitate to drop me a message if you have any issues or queries. Thank you

Bari Sans is a solid grotesque typeface with tense curves and compact proportions, but also more subtle details like the angled terminals, the double storey g and the distinctive shape of the lowercase a. Designed to look robust and masculine, this family is also quite versatile with its 9 weights, ranging from thin to black, plus matching italics. Each font include over 500 glyphs with several OpenType features and 8 stylistic sets: alternate lowercase a, g, l, and y, alternate uppercase I and J, alternate quotation marks... Tabular figures, localized forms, ligatures and automatic fractions are also present, among others. Check the pdf specimen for more details.

TiedUp is a distortion of the font Ingone. I no longer remember which font distortion program or procedure I used to get this cut-up or ragged effect.

Even as a child, I was interested in letterforms. I admired my grade 4 teacher's handwriting and so Ronita is based on fuzzy memories of her elegant script.

Ornata F is the sixth of a series of old ornaments that I am trying to save from oblivion. I am completely redesigning the ornaments from scratch. These ornaments have been designed around 1910, I could not find out by whom. This set is perfect to design flowery frames. Your digitizing typedesigning savior, Gert Wiescher

When I created my first website, I loved using vintage sewing pattern illustrations in my designs. Thinking back on it, I wanted to create a dingbat inspired by those images and Sewing Patterns is the result. The font features ladies-fashions in silhouette form for uppercase and lowercase letters and childrens- styles for the numbers.

I have no particular affection for ducks, nor do I keep them, but I thought it was about time someone named a font after them! Sitting Duck is a jolly comic/kids font. Handmade (of course), cute and useful. Comes with extensive language support and a cool alternative asterisk in the shape of a duck.

Brainstroke is a collection of twelve variations on a typeface. This release was supposed to be a much larger set, but due to a medical issue, where I recently suffered a stroke, I am releasing only those that I managed to complete. The name is a reminder to me to take care of my health.

Another one of those faces that caught my eye in one of my art deco type books, and I wanted it. After I finished the face, I noticed that there is a more clean-cut version of this face in digital format, but my version retains more of the funkiness of the original drawings.

Don’t ask me why I called this font Blabbermouth, as I really don’t know. I guess it reminded me of a person who talks too much, as Blabbermouth is kind of in your face, uneven and slightly crazy. Blabbermouth won’t keep your secrets, but I’m sure it’ll make your designs get the attention they deserve.

On a huge garbage bin in Lisbon I saw the sentence, “Perdidos no kaos”, which means lost in chaos and I really liked the rough stenciled lettering. Back home I designed a typeface that wasn't quite as chaotic as the lettering on the garbage container. Yours – always on the lookout for great typefaces – Gert Wiescher

The Richie™ typeface grew out of a lettering experiment inspired by the work of Czech type designer Oldrich Menhart (1897-1962). Menhart’s typefaces were primarily text designs with a strong personal calligraphic influence. Monotype Studio designer, Jim Ford, wondered what a display typeface from Menhart might look like, and began drawing bold script characters with a broad-tipped chisel marker. “It was a familiar but laborious exercise,” explains Ford, “I tried to achieve an authentic – yet controlled – randomness that would serve as the foundation of a typeface.” Ford first drew a large suite of characters using the marker. All the drawings were then carefully adjusted, and scanned. Ford then pieced together a typeface from the best versions of letters, and refined those further. The result is a rugged, somewhat eccentric and playful script built on an obvious hand-drawn foundation. In a world of smooth scripts, the Richie design is heavy, chunky and rough. Its hand-made feel and vigorous rhythm put the power of raw brush lettering into the typographer’s hands. OpenType® fonts of Richie include standard, contextual and discretionary ligatures, in addition to contextual and stylistic alternates, old style, lining and superior figures, plus a large complement of swash characters. The name “Richie”? It grew out of Ford’s original premise for the design. “I wondered what it might it look like if ‘Old Richie’ had designed a heavy display face or script.”

Tavern is a super font family based on our Algerian Mesa design, with Tavern we've greatly expanded the usability by creating light and bold weights plus all new for 2020 with the introduction of extra bold and black weights Tavern is now a five weight family. The addition of the bold weight made it possible to go further with the design by adding open faced shadowed, outline and fill versions. Please note, the fill fonts are aligned to go with the open faced versions, they may work with the outline versions, however you will have to apply them one letter at a time. The Tavern Fill fonts may also be used a stand alone font, however, the spacing is much wider than the regular solid black weights of Tavern. In the old days of printing, fill fonts rarely lined up perfect with the open or outline font, this created a misprinted look that's much in style today. To create that misprinted look using two different colors, try layering the outline fonts offset over the top of the solid black versions. Next we come to the small caps and X versions, for a font that's mostly seen used in all caps we felt a small caps would come in handy. The X in Tavern X stands for higher X-height, we've taken our standard lowercase and raised it for greater visibility in small text and for signage where you want the look of a lowercase but it needs to be readable from the street. In August of 2016 I started the project of expanding this font into more weights after seeing the font in use where someone tried creating a bold version by adding a stroke fill around the letters. The result didn't look very good, the stroke fill also caused the shadow line to merge with the serifs on some letters. This lead me to experiment to see if a new bold weight was possible for this font and I'm pleased to say that it was. After the bold weight was finished I decided to type the regular and bold weights together in a first word thin second word bold combination, however the weight difference between the two wasn't enough contrast. This lead me to wonder if a lighter weight was possible for this font, as you can see yes it was, so now for the first time in the history of this old 1908 type design you can type a first word thin second word bold combination. So why the name change from Algerian to Tavern? Since the original font was designed in England by the Stephenson Blake type foundry I decided to give this font a name that reminded you of the country it came from, however, there were other more technical reasons. During the creation of the bold weight the engraved shadow line was sticking out too far horizontally on the bottom right of the serifs dramatically throwing the whole font off balance. The original font encountered this problem on the uppercase E, L and Z, their solution was a diagonal cut corner which was now needed across any glyph in the new bold weight with a serif on the bottom right side. In order to make the light and regular weights blend well with the bold weight diagonal cut offs were needed and added as well. This changed the look of the font from the original and why I decided to change the name, additional concerns were, if you're designing a period piece where the font needs to be authentic then this font would be too new. Regular vs. Alt version? The alternate version came about after seeing the regular version used as a logo and secondary text on a major product label. I felt that some of the features of the regular version didn't look good as smaller secondary text, this gave me the idea to create an alternate version that would work well for secondary text in an advertising layout. But don't stop there, the alternate version can be used as a logo too and feel free to exchange letters between both regular and alternate versions. Where are the original alternates from Algerian? Original alternates from Algerian are built into the regular versions of Tavern plus new alternates have been created. We're excited to introduce, for the first time, all new swash capitals for this classic font, you're going to love the way they look in your ad layout, sign or logo. The best way to access alternate letters in Tavern is with the glyph map in Adobe Illustrator and Adobe InDesign products, from Adobe Illustrator you can copy and paste into Photoshop as a smart object and take advantage of all the text layer style features Photoshop has to offer. There may be third party character maps available for accessing alternate glyphs but we can't advise you in that area. I know what you're thinking, will there be a Tavern Condensed? It takes a lot of hours to produce a large font family such as this, a future condensed version will depend on how popular this standard version is. If you love Tavern we're happy to introduce the first weathered edge version of this font called Bay Tavern available in February 2020.

We present our new font "Twilight Font" This font was created with a touch of original handwriting using a brush pen. Has a natural and textured feel, and has a distinctive character and is different from other fonts. One more thing that is interesting is that this font is suitable for various kinds of your design needs, namely logos, brochures, posters, quotes, branding and so on. If you are interested in buying this font for your design needs, then you will get 3 types of files that will be installed on your computer. Thanks so much for checking out my shop! Happy creating! Cheers! Hanief - Hanzel Space

Authenia is a casually and quickly written brush script. Letters are made with brush pen on a paper. Then scanned and carefully drawn into vector format. There is just a right amount of texture left so it looks good in small and big sizes. These elements gives Authenia its organic, authentic and laid-back characteristics. Authenia has two sets of lower cases to give some variation and more natural look to your text. You can enable Contextual Alternates on OpenType panel to make these two sets vary randomly. It also has a bunch of stylistic alternates and underlines that makes your text and design even more appealing.