Tlidia is a modern sans serif font, tall, thin and elegant. Talidia will work perfect for business card design, cover design, advertisement and many more Talidia have 10 families will make great combination

Noma is a new wide-set display font with a minimal geometric style. I designed Noma because I wanted a tech-inspired font that has plenty of character while remaining legible. Noma is a great choice for high-impact headings and logotypes. I hope you enjoy, thanks for checking it out!

It is a Latin-based Greek font that I developed by taking the typography used in ancient Greek monuments and inscriptions in cities in the Aegean region of Turkey as an example. I am working on the Latin font of this model. Karamanli version is finished, I will upload it soon.

King Sans is a stylish sans serif font family. The mix of modern and vintage elements results in an elegant design. The different weights offer a variety of options to help you find the best typographic color for your project. Lighter weights are ideal for body text, while heavier weights are best for high-impact headlines. The available stylistic Ligature provide a variety of different characters that give your project design or logo an unique shape. 5 Weights (Light, Regular, Semibold, Bold, Black) 2 Styles (Regular and Italic) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Halesbridge is a soft sans serif font family consisting of 7 weights (from hairline to black), 4 widths (regular to super wide) and all styles are in italic. Many languages are supported (see the picture showing the international glyphs). It’s simple letterforms make it easy on the eyes for reading large amounts of body text and looks very modern, especially in the lighter weights. This family is perfect for editorial design, website design and general informative media. However, I can see endless possibilities for typographic logo designs because of the different widths and weights. Overall, this font family will be a great addition to your design assets, commanding the attention your creative projects deserve. For regular updates and freebies please follow me on Instagram at joannemarie_cm

This time I touched another classic manuscript for my font. The Lindisfarne Gospels is an illuminated manuscript probably produced around the years 715–720 in the monastery at Lindisfarne, off the coast of Northumberland. It’s the work of a monk named Eadfrith. He was a highly trained calligrapher, and he used insular majuscule script in the manuscript. I’m happy to present you the Regular and Colored styles for your design. --- You can use color fonts in PS CC 2017+, AI CC 2018+, ID CC 2019+, macOS 10.14 Mojave+ Please note that the Canva & Corel & Affinity doesn't support color fonts! --- You’ll get: * Initials & Regular styles * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation * Ligatures Please feel free to request any help you need: kaer.pro@gmail.com Thank you!

Candycorn Overdose represents how I used to feel on the morning after Halloween, way back when I was young enough to go out begging for candy.

This is what my good friend and painter Vincent’s handwriting looks like. I have put in a couple of ligatures and I hope you like it.

Morganismi is the first font I made for myself. I originally used it for making notes at the outsider art exhibition Morganismi here in Sysmä, Finland.

This font is based on real prints made out of a linocut. The glyphs were handprinted, then scanned and then turned into a computer font.

This font is called "Hallen" with modern classic themes, it represents a carefully serif display typeface. Hallen comes with unique swashes alternates and combines every character in good typography. Select regular and smooth style for modern theme, for classic theme you can select rough and texture style. You can type some words and then make yourself the best layout, it will look perfect for professional design taste. You also can use this font in some designs such as the logotype, magazine, poster, packaging, branding, website, quote, invitation and more custom design. Hallen includes : 4 style typefaces (regular, smooth, rough, and texture) Uppercase, lowercase, numeral, punctuation & symbol Ligature and Alternates (ss01 - ss06) Multilingual PUA encoded Thank you for your support and choosing us.

As a font designer for films Henning Brehm delivers fonts with a whip-sharp eye for precision. His latest Vette Letters release, VLNL Agitka is a Cyrillic-inspired (and including) alphabet with both feet rooted in Soviet Union-era propaganda posters. Its design is constructivist (look Mom, no curves!) geometric and strong. Like Russian vodka. Aside from the Regular, Light, Bold and Black weights, Agitka comes in four Neon styles as well. For a dazzling design effect, layer those neons over a regular weight for a star struck embossed-letter effect. We would also like to point out the usage of VLNL Agitka in the Bourne Ultimatum movie, for which Brehm designed neon signage for a scene at a Russian supermarket. За здоровье – Za Zdarovje!

Soul Drifter is a handwritten font collection of 6 fonts that were designed to go together nicely. All six fonts were drawn using the same brush pen, so that their weight and design are consistent, and you can mix and match them easily. Soul Drifter includes: - a brush script font in regular and slant versions, with over 100 ligatures - a matching set of swashes to ornament your texts and designs - a cute sans font in two weights, regular and bold (true bold, drawn separately) - a tall serif font in all caps, with two sets of caps All you need for beautiful and easy designs with a hand-lettered feel, such as postcards and notes, creating logotypes, social media posts, branding and packaging, etc.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

M Marker is a humanistic script design characterised by its italic, modern, box marker pen-like style. M Marker incorporates features of carton box marker pen, its strokes beginning and ending are rough, parallel without flare. Contrast of strokes is high. Its extra bold stems (豎) make it suitable for large display text to catch attention. Crossbars (橫) and stems (豎) are straight but slanted while angles (折) are smooth and well rounded. Dots (點), ticks (剔), hooks (勾) and downstrokes (撇、捺) are irregular, smooth and long to create softness, liveliness. It is best suited for casual and lively display, illustrations, set upright (naturally slanted), non-condensed.

Skizzors is a family designed by Ethan Dunham created by cutting letters out of paper. The fonts have an irregular edge but are clean and legible. The bold version is almost black and complements the regular version nicely.

Original Quality: I often see these words on various objects - from T-shirts to sprinkles and cookies. In fact, I see this term so often that I decided to name a font after it. Original Quality font is an adaptation of an older font of mine called Butterfly Ball. It is a totally different typeface, but I hope it hasn’t lost its original quality… ;-) Comes with all the diacritics you want, plus a handful of cute stylistic alternates.

I like cookies. Especially butter cookies and ginger nuts. The word cookie comes from the Dutch word ‘koekje’ - which means exactly the same. Cookie Crumble is a cute little font that I made on a rainy day. I just needed something that looked and sounded happy and I guess it applies to this font. Cookie Crumble comes with a bunch of alternates, a full set of diacritics and a bit of sunshine to chase away your rainy day.

Knip, in Dutch, means ‘cut’. You can tell by the glyphs that I made this font by cutting out the shapes from black paper, gluing it onto white paper and photographing the result so I could digitalise it! I don’t make too many cut out fonts, as it is a lot of work and it often leads to nothing. Besides that, I depend on the paper supply from my kids and they happened to have black paper this time!

Hello! I’m SideNote Variable. I specialize in: Annotations Headings Friendly dialogue Social media marketing Looking both smart & casual I’m perfect for descriptions and explanatory text. Use me to deliver tricky information in a helpful, reassuring manner. I look friendly and relaxed but professional enough to make you look awesome. I add personality to otherwise dry information making it fun and easier to understand. I come with all sorts of useful features, like emoji, arrows, and underlines.

The Tecn@ Wide family was designed so that its characters are legible and easy to interpret in any writing in its headers or titles to cover more space; For example, the descriptive memory of Plans or Instructions. Tecn@ Wide complements the Tecn@ Background Light and Dark Square Triangle font family.

The purpose of this monospace font is to display braille in an original although rather steganographic way. Its glyphs are built from a flat hexagon which can be read as 3 rows of 2 vertices (i.e. regular braille glyph grid). The initial design is illustrated by glyphs 'ç' (no dot) and 'û' (6 dots) as shown by poster 5. Glyphs are connected to each other, thus 6 connections for each hexagon (2 on left/right and 4 on top/bottom). In the final design many diagonal segments of the hexagon were removed for esthetical reason. Text is displayed not as a honeycomb but as a lattice instead which mixes hexagons, squares and "irregular convex octagons" (mostly unclosed), the design favored squares over octagons. The whole slightly resembling a PCB. Text can be framed with 3 sets of Frame glyphs (as shown in Poster 4): Octagonal: { €, °, £, µ, §, ¥, ~, ¢ } which can be mixed with Rectangular High Rectangular Low: { è, é, ê, ï, î, à, â, ä } Rectangular High: { Â, ù, Ä, Ê, Ë, ô, õ, ë } which can be mixed with Octagonal NB: When using Frame glyphs, it is advised to show Pilcrow (¶) and Non Breaking Space, which are replaced by empty shapes (e.g. in Microsoft Word, use CTRL+8 or use [¶] button in the ribbon).

SchwarzKopf is an 18th Century European "Schwabacher" blackletter which features a distressed edge for creating authentic "antique" documents. Old features the long "s" and other archaic forms. Both Old and New variations feature many additional ligatures such as tz, sch, ss, ff and ck.

Multiverse is a display typeface designed to combine retro and futuristic styles into one package. Its geometric characters intertwine in unique ways that can support a high-tech context, but its curves and boldness echo the sci-fi of the 70's and 80's.

March Evoked is a brand new display font pack that includes regular and outlined version. march Evoked is inspired by an early spring in Spain, with flowers in full bloom all over the capital city - Madrid. With contrast lines & curves it will give your design that chic & modern appeal you are looking for. It is perfect for logos, branding, posters, social media & all other creative projects. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. If you end up publishing your designs on Instagram, tag me - https://instagram.com/silverstagco and I will make sure to showcase your design and work to my audience as well! March Evoked - Creaive Display Font Includes: Numerals & punctuation Full language support Would you like to get 5 completely free fonts worth over $75? No tricks, no hidden words, terms or anything. Just subscribe to my newsletter, make sure to check your email to approve the subscription, add me to your contacts so that the emails don't end up in spam folder and you will get 5 fonts for free. The fonts are packed with alternates, ligatures and some even come with extra goodies. https://view.flodesk.com/pages/63594052b967a943dd6cc528 Happy creating everyone!

Aksara is a sans serif font with a geometric touch. Aksara is not purely geometric, proportions have been designed so that all characters can look harmonious and have better readability. Aksara comes with five types of weights including Italic style, bringing a total of ten styles and has been supported in various languages.

Galexica is a geometric, modernistic, sans-serif typeface. The original family had five members, but an upgrade in 2019 expanded that to ten, with five weights and italics for each of those weights. The eccentric letter forms have a techno or futuristic look. There is also a monospaced version of this design,

As as a computer programmer, it is my job to stare at screens of text all day. As soon as I learned the mechanics of font design, I boldly set out to design a typeface from my own handwriting that I could use to make my life easier. First, it had to have very distinctive numerals (trust me, it can be easy to mistake an 8 for a 3 in code), it had to have huge punctuation characters (even Perl code like '[lN*1lK[d2%Sa2/d0' looks good in Debug), and it had to be a bit friendlier than Courier (so that I don't give up hope when my code won't compile). I had so much fun designing it that I decided to give it strange lower-case 'i's and 'm's as a bonus. I also spent far too much time hinting it so that it would look as nice as possible at low resolutions.

You may think cartoon or kids product, when you take a look at Breaze - and you may be right…but I did have retro grafitti in mind, when I drew the letters. Well, actually I may have mixed both cartoon and grafitti! Anyway, it’s a playful font and is suitable for many things!

With packaging in the back of my mind I created Crema only in one specific weight. But there are 3 styles from the connected Forte to the quiet Piano. You can see Schoko the other packaging scripts I designed everywhere in the supermarkets. And I am looking forward to see Crema as well.

What excactly is a snacky plop? To be honest, I don't know!!! The name comes out of a wordplay! :) But what I know is that this font is playful, unpredictable and fun to look at and use! I have added 5 different versions of each letter, and they automatically changes as you type!

I like ‘magical’ fonts and it’s been a while since I created one, so here is Fairy Godmother. Hand made, cute and curly and full of magic!

Salt&Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp smooth letterforms that result in a totally different look and feel. Great for creating neon effects. Fun features like connecting spaces and long swashes for customization of words and phrases are preserved in Salt & Spices Mono. This versatile 10 font family, consisting of 4 casual script styles: Regular, Bold, Shadow and Bold Shadow offers great flexibility. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 4 script styles 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added, all mono lined. They add great variation to your designs and supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project. You'll need an Open Type savvy application to get the most out of Salt & Spices Mono.

Pounder Fonts were designed by Tom Nikosey / CozyFonts Foundry. This font, as all my fonts started with pencil sketches based on the letter O. Once I arrived at the comfortable shape I worked out the C, G, & Q. The H, M, T matched the visual weight and so I moved on to E & S. As the E & S are 2 of the most repeated characters in fonts' I wanted a little bit extra here. The font is obviously heavy weighted yet very legible and almost architectural in presence. There are flashes of Art Deco yet futuristic style. After sketching the feel of this font I was excited by the possibility of the numerals styling. I can see these used for many applications. Why the title Pounder? Why not it seems to fit.

Franko Luin, Odense's designer, on this typeface: With Odense I entered the field where Optima reigns in royal majesty. The first question I received was, in fact, why I designed another Optima. Look closely: Odense has as much in common with Optima as Garamond with Baskerville. Am I right? Odense Neon is a special variant that can be used for logos or single words. I had the idea for it when I noticed that the neon tubes in a sign over a store only partially followed the characters. The name comes from the Danish town Odense, the town of the famous storyteller Hans Christian Andersen, author of, e.g., 'The Little Mermaid.' Odense is also the place where the first book in the Nordic countries was printed, the 'Breviarium Ottoniense', in 1482.

SAV Display PT is directly inspired from hand-painted commercial signage found around Savannah, Georgia. There is a strong tradition of hand-painted signs adorning small car wash stations, to beauty salons, to mechanics and restaurants. Currently a collection of about four to five painters account for the majority of the signs. This font was derived from 10 uppercase letters that seemed to represent the aesthetic thread found throughout the signs. There are no lowercase letters found in these signs, so the lowercase of the font had to be designed from scratch. I felt this added versatility to the font and its possibilities for usage. This font is strictly a display font. However, because of the apparent roots (intended or unintended) of the lettering to transitional/modern modulated fonts, it does read surprising well at smaller sizes.