Create a great combination design with this font family! Leophard font family is a modern slab serif that is inspired by sporty design and vintage style. There are 6 different styles that you can apply in your design projects. This font is made with tenacious basic shapes, the visuality of strength, old school movement, and modern minimalist style. - Regular style - good for your titles, sub-headlines or body text for readability. - Bold style - recommended for your titles, naming, labels or logos. - Bold inline style - is cool for your big typographic designs that are showing the precision of the shapes. - Outline style - good for your additional text, or minimalism design purposes. - Shadow style - suitable for vintage logos, minimalist effects, and titles. - Stencil style - inspired by street art and letterpress design. Recommended for design project which visualizes strength and movement. Make a great combination on your label designs, brand, poster headlines, movie titles, storefront, monograms, sport designs and merchandise design.

Nalom is a modern sans serif typeface font family . The family consist of 8 weights; light, regular, bold, rounded, italic, light italic, bold italic and rounded italic. It comes in uppercase and lowercase with special alternate and ligatures. This modern family font are great for user interfaces, logotypes, short text, long text, magazines etc. Features; 8 Weights; Nalom Light, Nalom Light Italic, Nalom Regular, Nalom Italic, Nalom Bold, Nalom Bold Italic, Nalom Rounded, Nalom Rounded Italic. Uppercase, Lowercase, Number and Punctuation Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word Fully accessible without additional design software. Mültîlíñgúãl Sùppört for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font and this font usefull font your projets!

Buddy is the new companion sans for Contenu, the book font family designed for my book on font design design. Originally, I called it Compagnon, but that seemed to pompous. Then I called it Aide, but that was too formal and dry. It's a loose, free, easy to read sans, so when my wife suggested Buddy, it clicked. This is the 4-font Buddy family of Regular, Italic, Bold, & Bold Italic. I made a new, more limited feature set for these fonts due to their designed usage, but there are still small caps, small cap figures, oldstyle figures, numerators, and denominators. The bold is closer to a black, and the italics are only slightly slanted obliques. If you need a strong black in caps, use the small caps of the bold.

Gutters Butter! A handwrittent marker font with 8 styles, Gutters Butter Regular, Gutters Butter Regular Italic, Gutters Butter Regular Bold, Gutters Butter Regular Bold Italic, Gutters Butter Rounded, Gutters Butter Rounded Italic, Gutters Butter Rounded Bold, Gutters Butter Rounded Bold Italic. Gutters Butter font is suitable for branding, logotype, apparel, T-shirt, Hoodie, product packaging, quotes, flyer, poster, advertising, etc. Whats Include? Uppercase and lowercase characters Supports international languages Opentype feature: ligatures, alternate Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word Please message me if you’re unsure of any language support. Thanks for looking, and I hope you enjoy it! Please don’t hesitate to drop me a message if you have any issues or queries.

With its extended complement, this comprehensive redesign of Bank Gothic by Elsner+Flake offers a wide spectrum for usage. After 80 years, the typeface Bank Gothic, designed by Morris Fuller Benton in 1930, is still as desirable for all areas of graphic design as it has ever been. Its usage spans the design of headlines to exterior design. Game manufacturers adopt this spry typeface, so reminiscent of the Bauhaus and its geometric forms, as often as do architects and web designers. The creative path of the Bank Gothic from hot metal type via phototypesetting to digital variations created by desktop designers has by now taken on great breadth. The number of cuts has increased. The original Roman weight has been augmented by Oblique and Italic variants. The original versions came with just a complement of Small Caps. Now, they are, however, enlarged by often quite individualized lower case letters. In order to do justice to the form changes and in order to differentiate between the various versions, the Bank Gothic, since 2007 a US trademark of the Grosse Pointe Group (Trademark FontHaus, USA), is nowadays available under a variety of different names. Some of these variations remain close to the original concept, others strive for greater individualism in their designs. The typeface family which was cut by the American typefoundry ATF (American Type Founders) in the early 1930’s consisted of a normal and a narrow type family, each one in the weights Light, Medium and Bold. In addition to its basic ornamental structure which has its origin in square or rectangular geometric forms, there is another unique feature of the Bank Gothic: the normally round upper case letters such as B, C, G, O, P, Q, R and U are also rectangular. The one exception is the upper case letter D, which remains round, most likely for legibility reasons (there is the danger of mistaking it for the letter O.) Because of the huge success of this type design, which follows the design principles of the more square and the more contemporary adaption of the already existing Copperplate, it was soon adopted by all of the major type and typesetting manufacturers. Thus, the Bank Gothic appeared at Linotype; as Commerce Gothic it was brought out by Ludlow; and as Deluxe Gothic on Intertype typesetters. Among others, it was also available from Monotype and sold under the name Stationer’s Gothic. In 1936, Linotype introduced 6pt and 12pt weights of the condensed version as Card Gothic. Lateron, Linotype came out with Bank Gothic Medium Condensed in larger sizes and a more narrow set width and named it Poster Gothic. With the advent of photoypesetters and CRT technologies, the Bank Gothic experienced an even wider acceptance. The first digital versions, designed according to present computing technologies, was created by Bitstream whose PostScript fonts in Regular and Medium weights have been available through FontShop since 1991. These were followed by digital redesigns by FontHaus, USA, and, in 1996, by Elsner+Flake who were also the first company to add cursive cuts. In 2009, they extended the family to 16 weights in both Roman and Oblique designs. In addition, they created the long-awaited Cyrillic complement. In 2010, Elsner+Flake completed the set with lowercase letters and small caps. Since its redesign the type family has been available from Elsner+Flake under the name Bank Sans®. The character set of the Bank Sans® Caps and the Bank Sans® covers almost all latin-based languages (Europe Plus) as well as the Cyrillic character set MAC OS Cyrillic and MS Windows 1251. Both families are available in Normal, Condensed and Compressed weights in 4 stroke widths each (Light, Regular, Medium and Bold). The basic stroke widths of the different weights have been kept even which allows the mixing of, for instance, normal upper case letters and the more narrow small caps. This gives the family an even wider and more interactive range of use. There are, furthermore, extensive sets of numerals which can be accessed via OpenType-Features. The Bank Sans® type family, as opposed to the Bank Sans® Caps family, contains, instead of the optically reduced upper case letters, newly designed lower case letters and the matching small caps. Bank Sans® fonts are available in the formats OpenType and TrueType.

Mr Palker Dadson — has appeared in a natural evolution of the Palker-Palkerson family. Its closest relative - burly slab serif Mr Palker Dad. This generation is more stout than the previous one. One may even be brave enough to use them for composing small texts. Notably Mr Parker Dad has become one of the frequently sold typefaces on the «Peterburg. The city speaks» map as it is highly readable while remaining extremely tight. Mr Parker Dadson has all the features of P&P’s family.

Pistol Twelve JNL is a novelty version of Jeff Levine's Twelve Oaks JNL wood type font, with the addition of random bullet holes in the upper case characters. The font design was suggested by fellow type designer Ray Larabie. Pistol Twelve JNL is a two-fold pun. Initially, this conveys the obvious fact that the design is a variation of Twelve Oaks JNL with bullet holes... but the name is also a play on an old, old joke. One person asks the other: "Would you care to join the Pistol Club? You drink 'til twelve and..." Well, you get the picture!

A bold new look great for magazines and paperbacks a strong yet beautiful headline face.

Tara is a bold, fun handwriting font that scales really well to large point sizes.

Blocky Shape is a bold script with attractive features. Get inspired by its unique style!

Commercial Script No2 is a bold weight of a moderately flourished script published by SoftMaker.

BD Schablone is a bold, human stencil with an anticipation of the digital lcd display.

Allstar is a bold retro font with serious attitude! It works best in display sizes.

LD Verdant Leaves is a bold font with leafy designs sprouting from the thick lettering.

A beautiful very bold serfi face, formal legible design, with matching Italic, Powerful yet elegant.

Winter Airs is a natural feel script font. With rough stroke, fun character with a bit of ligatures and has a two files lowercase alternates. To give you an extra creative work. Winter Airs font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Winter Airs font. Cheers, MaulanaCreative

Bravarya Sky is a Casual Modern Signature font. With light mono-line stroke, Condensed, fun character with a some of natural ligatures. To give you an extra creative work. Bravarya Sky font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Bravarya Sky font. Cheers, MaulanaCreative

Minute is a handwritten font with 2 glyphs for each upper and lower– case letters as well as 2 glyphs for each digit, for a natural hand-done look. There are yet clever stylistic alternates that can instantly surround the word with lines that look somewhat like a shining or blinking effect: just put the desired word between parenthesis and turn on the Stylistic Alternates feature. Or manually pick the glyphs, if you prefer. Everything will look great in this Minute​!​ You bet!

Batelik -This is handwriting on paper using a pen and then we turn it into 3 styles such as regular Batelik which is original or natural handwriting without being cleaned or tidied up in the slightest while Batelik1, or Batelik2 I tidy it up and clean it, it's very modern and minimalist, it's really cool and it's amazing that you can try it for the job you're doing. letters are equipped with uppercase and lowercase letters, punctuation numbers and also language support

Just Hopes is an script font. With natural feel brush stroke, slanted and fun character with a bit of ligatures and vector version. To give you an extra creative work. Just Hopes font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Just Hopes font. Cheers, MaulanaCreative

Aure Wye wraps a carefree dispassion with the dignity of tradition. The precise engraving and organic finials of these decorative serif forms engage the reader with a subtext of elegance. Wye brings an unpretentious grace to titles and drop-caps and provides dignity to astrological expressions and chartwheels. In Regular, Wye presents a formal presence; in Italic, Wye offers a more romantic feel. Its small-caps add a stately variety to Wye's typographic textures. Wye is an original design developed by Aurora Isaac. After more than a decade in development, 2018 marks the first release of the CJ and KB glyphsets, now available in regular and italic. The CJ glyphset is a full text font supporting a variety of European languages. A matching set of small-caps complements the extended lowercase and uppercase glyphsets. Supporting glyphs include standard ligatures, four variations of the ampersand, and check-mark and happy-face with their companions x-mark and grumpy-face. Numbers are available in lining, oldstyle, and small versions, with numerators and denominators for forming fractions. Companion glyphs include Roman numerals, specialized glyphs for indicating ordinals, and a variety of mathematical symbols and operators. The CJ glyphset also includes an extended set of glyphs for typesetting Western Astrology. These glyphs are also available separately in the KB glyphset: a symbol font re-coded to allow easy keyboard access for the most commonly used glyphs. Aure Wye will stand up as a text font, but for extended text, try pairing Wye with its close cousin, Aure Declare. Used in titles and drop-caps, Wye will provide a striking elegance that will blend well with the serifed forms of Declare. Give Aure Wye a trial run! You may discover a permanent place for this font family in your typographic palette. AureFontDesign.com

Altone was created in a pursue of regularity and conventional geometric sans serif typeface which tend to be easy to receive by it's reader, broad usage possibility, shown a simple, bold and strong personality. The letterforms are more likely associated with Grotesk rather than the original classical Bauhaus style, formed in moderate and proportional width, flat apex, closed aperture with straight cuts stroke ends. Consist of 9 weight from Thin to Heavy with each matching Obliques. Contain several OpenType features: Stylistic Alternates, Figures Variation (fraction, tabular lining, numerator, denominator), and also covered broad latin languages. Provided also variable fonts in two styles; Upright and Oblique

Introducing Baedar – Bold Rounded Sans Serif Font Baedar – Bold Rounded Sans Serif, a font designed to captivate your attention, is both inviting and approachable. Its rounded corners create a warm and friendly vibe that instantly draws in readers. Eye-Catching Appeal Baedar’s boldness immediately grabs your eye, making it perfect for headlines and attention-grabbing text. Whether it’s a poster, website, or marketing material, this font ensures your message unequivocally stands out. Versatile Usage Furthermore, with its rounded edges, Baedar exudes friendliness. Consequently, it suits a wide range of projects, from branding to social media posts, adding a touch of approachability to your content. Readability and Impact Moreover, Baedar combines readability with visual impact, making it ideal for conveying important messages with flair. Its boldness ensures crystal-clear clarity, while the rounded corners gently soften the overall look. In Conclusion Baedar – Bold Rounded Sans Serif Font strikes the perfect balance between eye-catching design and friendliness, making it an excellent choice for various creative endeavors. Therefore, seize your audience’s attention and convey your message effectively with this versatile font.

FE Sector is made up of sectors and sticks. it is intended to create various patterns and decorative titles.

Mun is a experimental script typeface for use on logos, titles, posters, etc. Mun is not intended for text.

Passport48 exclusively in otf. opentype format, originally debuted in 1997 as Passport, close to the beginning of the indie typographer boom. Almost 25 years have passed since it was introduced at MyFonts as PS1 and later in 2003 in TT TrueType.** It was designed by Joseph Coniglio of Coniglio Type as a revival. Historically, Passport was digitized from a shiny black enamel 1948 Royal Silent Deluxe portable. Kept on the ship of merchant marine, Captain John O’Learn, it was a salty manual typewriter with no intrinsic value as a collectable, even though it is awash as a work horse and a fine communicator of it’s time.. **NOTE: Little Passport family leaves the nest: The old weight variations, styles and formats have been eliminated to allow the original face to be stand alone, on its own attributes. For those purchasing their first typewriter fonts and to our diehard collectors as well, Passport presents a friendly new port-of-entry. A simple set, that is freed of many of the normal distressed points and paths that had made most “typewriters” authentic looking, but difficult to print and manipulate in layouts back in the day. It’s smooth nature comes from its impressions struck directly onto a piece of carbon paper bypassing the silk ink ribbon and going directly from metal to carbon paper transferring to a piece paper with very little tooth. Examine the glyphs to be certain you have what you need from this minimalist set, Passport48 is intended for ease of use and affordability. This is a warm font in a cold cruel world and a real port in the storm! It is versatile in today’s layouts with 24 years of worldwide sales. …Please enjoy the fruits of its travels, hoping your destinations and explorations into graphic design and letter composition are happy ones. -Joe Coniglio, the Pacific Northwest (2021).

Allofera is a beautiful script font designed with an incredibly modern feel. Whether you’re looking for fonts for Instagram or calligraphy scripts for DIY projects, Styll Love will turn any creative idea into a true piece of art! This font is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, gorgeous glyphs, and stunning alternates.

Sweet Gracia is a beautiful monoline font with movement and grace. Although simple, Sweet Gracia is stunning as a display, and can give your headlines a clean and modern look and feel. Whether you’re looking for fonts to make beautiful wedding invitations, beautiful artwork, interesting social media posts, and funny greeting cards, this font will turn any creative idea into a true work of art!

Minuet, an informal script with crossover deco elements giving it an unmistakable 1940s flavor, is a revival and expansion of the Rondo family, the last typeface drawn by Stefan Schlesinger before his death. This family was initially supposed to be a typeface based on the strong, flowing script Schlesinger liked to use in the ads he designed, particularly the ones he did for Van Houten’s cocoa products. But for technical reasons the Lettergieterij Amsterdam mandated the face to be made from unattached letters, rather than the original connected script. Schlesinger and Dooijes finished the lowercase and the first drawings of the uppercase just before Schlesinger was sent to a prison camp in 1942. Dooijes completed the design on his own, and drew the bold according to Schlesigner’s instructions. The typeface family was finished in February of 1944, and Schlesinger was killed in October of that same year. Though he did see and approve the final proofs, he never actually saw his letters in use. It took almost four more years for the Lettergieterij Amsterdam to produce the fonts. The typeface was officially announced in November of 1948, and immediately became a bestseller. By 1966, according to a memo from the foundry, the typeface had become “almost too popular”. This digital version of Schlesigner’s and Dooijes’s work greatly expands on the metal fonts. Both weights include a complete set of lowercase alternates — based on Schlesinger’s own drawings, as well as alternative variations for some of the capitals, a few ligatures, and extended language support covering Western, Eastern and Central European languages, plus Baltic, Celtic/Welsh, Esperanto, Maltese and Turkish. Minuet is available in all popular formats. The OpenType version, Minuet Pro, takes advantage of internal font programming to combine the main and alternate fonts into a single file per weight, making all alternates and ligatures automatically available at the push of a button in OpenType supporting programs.