Rat Infested Mailbox is a strange, exaggerated typeface with a seriously worn-out look. It can be used for posters, cards and websites. It will certainly give your designs an unusual touch.

The hand lettering found throughout the movie trailer for 1942's "Mr. and Mrs. North" inspired Criminal Intent JNL, which is available in both regular and oblique versions.

Variations on a theme by Nicholas J. Werner for St. Louis' Inland Type Foundry provided the pattern for this happy family, released in 1895 and 1899. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Evil Intentions is that lighthearted spooky font your looking for this Halloween! Inspired by an old Hanna Barbera comic Mr and Mrs. J. Evil Scientist, comes this visually shaken but friendly san serif font to stir you up. The Contextual Alternates feature in this font automatically alternates between the Capitals and alternate Capitals of the font to mix things up a bit and keep your type-settings lively, and the Stylistic Alternates feature throws a handful of playful ligatures in to even further make the letters playfully dance.

The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Our Infinity Love - Monoline Wedding Font. Our Infinity Love wedding script fresh & modern script with handmade calligraphy style. This font is inspired by monoline the character's style which shows the romance of a relationship through hand strokes with the added "love" symbol at the end of the line. This font is perfect for a professional touch making this font more elegant and suitable for all types of projects you are working on, especially for romantic-themed work. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. This font is also support multi language.

High-quality type design. Originally designed for headline / logo use. A lot of high-quality glyphs designs in this one so be sure to view the specimen PDF as well as the glyph page. Enjoy. - Kostelansky

The hand-lettered title of a vintage Walter Foster "how to draw" book inspired the Deco-influenced alphabet of Art Lesson JNL. Bold and retro in nature, this typeface gets the message across in a straightforward way, yet still has a bit of a casual feel to it.

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

William Caslon established the first major English typefoundry, re-creating earlier Dutch designs with excellent craftsmanship, color and rhythm. Caslon Old Face is one of many faithful revivals; the original matrices (from many hands; the lowercase of the 48 point is Moxon’s 1669 Great Canon) survive at Stephenson Blake. George Ostrochulski adapted this design for photocomposition at Mergenthaler with skill and understanding.

Lettering Lesson JNL is a bold serif alphabet found within the pages of the 1922 instructional booklet from the St. Louis Show Card School, and is available in both regular and oblique versions.

MRK Maston Pro is a vintage look display typeface with 7 versions of styles. This typeface adds a bold and iconic style to your retro and modern graphic designs. It’s perfect for any graphic design or typography project that requires a solid mood. You can also use in your UI designs for a better style and system. A stylish and extraordinary font containing all punctuations, and supports multi-languages. This font is suitable for various purposes such as street style designs, T-shirts, posters, logos, labels, packaging, branding, editorial design, UI designs, and modern purposes.

Open, outline or inline faces became very popular in the 1940's. By removing the usual weight, a clear-cut letterform is achieved. In Caslon Open Face, the right-hand strokes are accentuated, providing a slightly three-dimensional effect. The ascenders of Caslon Open Face are large and the overall design of this version does not relate to Caslon 3 Roman. This Caslon Open Face font is good for personal stationery, or sentences where a decorative but distinguished result is sought.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Based on the Ludlow/ATF versions of this great typeface.

During the 1940s and 1950s, the Miller Music Corporation issued a number of its songs with a stock cover design for their “Miller Series of Piano Solos” but the song titles were hand lettered in an Art Deco dual line design. Recreated digitally as Music Lesson JNL, this type design is available in both regular and oblique versions.

Piano Lesson JNL comes from the hand lettered title on a 1940s-era piece of sheet music called "The Adult Explorer at the Piano". The mix of both regular and irregular character shapes makes for an interesting font that's Art Deco influenced, yet has its own individual personality.

The Englishman William Caslon punchcut many roman, italic, and non-Latin typefaces from 1720 until his death in 1766. At that time most types were being imported to England from Dutch sources, so Caslon was influenced by the characteristics of Dutch types. He did, however, achieve a level of craft that enabled his recognition as the first great English punchcutter. Caslon's roman became so popular that it was known as the script of kings, although on the other side of the political spectrum (and the ocean), the Americans used it for their Declaration of Independence in 1776. The original Caslon specimen sheets and punches have long provided a fertile source for the range of types bearing his name. Identifying characteristics of most Caslons include a cap A with a scooped-out apex; a cap C with two full serifs; and in the italic, a swashed lowercase v and w. Caslon's types have achieved legendary status among printers and typographers, and are considered safe, solid, and dependable. ITC Founder's Caslon® was created in 1998 by Justin Howes, an English designer who used the resources of the St. Bride Printing Library in London to thoroughly research William Caslon and his types. As was common in the eighteenth century, Caslon had punchcut several different sizes of his types, and each size had a slightly different design. Howes digitized every size of type that Caslon cast, keeping their peculiarities and irregularities and reproducing them as they appeared on the printed page. This family has the 12 point, 30 point, 42 point, and Poster styles, as well as a full set of bona fide ornaments. In keeping with the original Caslon types, none of the sizes have bold weights, the numerals are all old style figures, and a full set of ligatures (some with quaint forms) are included. ITC Founder's Caslon® is a remarkable revival in the true sense of the word, and works beautifully in graphic designs or texts that require an authentic English or historical flavor.

Pursue Your Passion presents a sophisticated handwritten font meticulously crafted to infuse your designs with a touch of artistic elegance. Its natural flow and unique style make it a versatile choice for a diverse range of projects, from branding to editorial design. This font transcends conventional boundaries, inviting creativity to soar without limitations. Its innate charm adds a layer of refinement to your visual narratives, while the impeccable attention to detail ensures seamless integration into your design arsenal. Unleash your creative potential with Pursue Your Passion, where imagination knows no bounds.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

Baby Salmon Script is a beautiful script font with many alternative styles, natural looking, elegant and perfect for any extraordinary project. Baby Salmon Script is suitable for various products such as invitations, product packaging, product design, crafters, labels, photography, watermarks, logos & branding. Everything can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw. Please message if you have any questions, and say hello. Thank you :)

Handmade Caslon JNL is a somewhat imperfect version of one of the many Caslon faces in use during the late 19th and early 20th centuries. Based on vintage source material, Handmade Caslon JNL is the right typeface for projects reflecting antiquity, a hand-made look or where slightly imperfect lettering adds a bit of the "real world" to the message.

The three largest sizes of type made by the Caslon foundry are strangely unlike the famously consistent text faces cut by William Caslon. Perhaps they were the work of other hands—or of the master in a funky mood. Caslon’s text types have often been revived, but the display sizes, forceful and a touch eccentric, had no digital version until Matthew Carter’s Big Caslon. With striking Italics and rich design features , this typeface shines at BIG sizes.

La Maison Brush a Elegant Brush Font with many options underline styles for your need! La Maison Brush is perfect for any tittle, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. La Maison Brush also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!