Newspeak is a display typeface based upon Soviet architectural forms from the Stalinist period (spanning the 1930s—'50s). Stalinist architecture is now considered unsightly and without aesthetic merit, yet it has a strange beauty, hinting at an unrealised utopia (while its function was to buttress a brutal dictatorship). Inspiration was also drawn from the Cyrillic alphabet which, to kids growing up in Western Europe in the '70s and '80s, was a cipher for an alternative way of living – Cyrillic letterforms represented the exotic, familiarity-twice-removed universe of Eastern Bloc states. When you visited a communist country you were confronted with unfamiliar typography that reinforced your sense of alienation and unease that there existed a real, if imperfect, working alternative to consumerism.

Originally designed in 1985 and released by Letraset for dry transfer Lettering, Kestrel has, until now, never been digitized. The face now has been completely re-drawn and digitized for all formats. It is a heavy formal script similar in form to Commercial Script.

The Adolescence font was created by Adam Roe through Lunchbox Design.

On October 12th 1976 a new basilica was inaugurated in honor and in gratitude to the Patron Saint, the Virgin of Guadalupe, loved by the Mexican people. This basilica was designed by the Mexican architect Pedro Ramírez Vázquez (died on April 16th 2012). It stands out by its hug spacious interior, generously decorated with bronze elements. The aesthetic value of these items even includes many signs and text inscriptions in a particular typeface and style, of which this font is a reinterpretation. The purpose of this project is to revival this eclesiastical written letter forms in bronze and taking them to digital format. I was inspired to this on my last trip to Mexico in September of 2012.

The now discontinued Brag & Brag Stencil are hereby available as Pro fonts, with an extended character set (Latin Extended A) and Oldstyle figures. All features of the original fonts are still there, but now you can talk with Brag's signature bold look in many more European languages.

Situgintu Calligraphy has lots of alternate characters, swashes and ligatures. It has also a bunch of tails with different shapes and widths to give the logotype or sports look to your design. You can design beautiful, elegant and diverse typographic elements with it. It’s well suited for logos, lettering artwork, t-shirt designs, editorial illustrations to name a few. Features : -PUA Encoded 100% Acessibility -Stylistic Alternates -Standard Ligatures -Stylistic set SS01-SS07 If you don’t have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows).To Access Alternate Characters Click The Link Below: How to access alternates in Adobe illustrator CS https://www.youtube.com/watch?v=geL0Ye02Ryk How to access alternates in Adobe illustrator CC https://www.youtube.com/watch?v=V25yiUh8BcE How to access alternates in Ms Wordhttps://www.youtube.com/watch?v=HxkhZiCuwEw How to access alternates in Coreldraw X7 https://www.youtube.com/watch?v=UBVsufJjons How to access alternates in Indesign CS https://www.youtube.com/watch?v=HgZTCxKG14Q How to access alternates in Adobe Photoshop CC https://www.youtube.com/watch?v=BYKXl58AdNY

Hi all, there is a new modern and unique Mangoli sant font, please have it immediately for a quality project. It comes in many styles, including fasteners. OpenType features include style sets, character variants, start and end forms, and multilingual support. The Mangoli font is suitable for branding logos, poster designs, t-shirts, invitations, designs for children, and editorial designs. Hope you enjoy!

A freely hand-drawn display face evoking aggression, speed and raw energy.

Based on the S. H. de Roos design, Amsterdam Foundry circa 1923.

Suburban Collier is a dreamy, humanist demi-serif sister of Romford Stencil typeface. It was created during the COVID-19 pandemic and its name is inspired by Collier Row, a suburban area of Romford, East London (UK). Suburban Collier features subtle ligatures, an alternative ‘a’ and supports Western, Central, Southern, and Eastern European as well as Pinyin. Use it to add character to your body copy or as fancy display text.

Linotype Gavotte was designed by Rudo Spemann in 1940. His style was unmistakable, marked by original ideas and completely new forms. His tendency toward the unusual and adventurous resulted in unique, decorative characters. When he wrote, the tip of his pen flew across the page, leaving behind rows of letters which displayed an almost unbelievable regularity of form and flow. Gavotte is a perfect example of the best of Spemann’s calligraphy.

Based on a fifteenth century Textura Blackletter typeface, Octoberfest has a companion with Lombardic style capitals, Octoberfest Alternate. Both Octoberfest and Octoberfest Alternate use the OpenType ligature feature to automatically substitute a subtly unique pair of distressed characters when any lower case character is keyed twice in a row. The Pro versions of Octoberfest and Octoberfest Alternate extend the character set to support Eastern European and Baltic languages.

This unique font is influenced by the graffiti writing on the walls of Los Angeles. Raw and Uncut. This font can be used on web pages, banners, hats, shirts, advertising. Perfect for all streetwear brands, music groups, and whoever else looking for that raw Los Angeles street style.

RoyHand RP is a new OpenType font family release by BluHead Studio, LLC from the wonderfully talented English designer and illustrator Roy Preston. RoyHand, as the name would suggest, is based upon the handwriting of Roy himself. The family has three weights and is suitable for many everyday uses.

Alardo is intended for branding that is synonymous with sports. The initial character was built in bold with a bold personality, but thin strokes and flowing italics provide a flexible and unique family series. Glyphs are made in low contrast strokes, short ascenders and descenders, and low caps.

The curves are vintage and the serifs are big. They're so big that for years I never had the courage to tackle this intimidating font. But when fellow signmaker Frank Smith laid the groundwork for this intriguing typeface by Frank H. Atkinson, I couldn't pass on the opportunity to take it from paper to keyboard. After all, at over 100 years old, I felt this alphabet had never been given a proper, digital treatment. So how did this face survive the last century? Well, for those who don't know the history, it survived in Atkinson's ubiquitous book, Sign Painting, published first in 1908, the generational standard for anyone interested in sign-related type design. The layouts and lettering treatments in this book have influenced countless designers for more than a hundred years, but most haunting to me was this strange face with the big serifs. Well, I'm haunted no more. The work is done, the kerning is complete, and nothing but a mouse-click separates a very old idea from the modern world. It's wide, it's big, and with those crazy serifs, it is definitely eccentric-!!!

With Dreadnought I go back to my roots: one of my very first fonts was a scary brush typeface called Face Your Fears - a very popular typeface with horror lovers, thrill seekers and gangsta rappers. Dreadnought was created using a stiff brush and some very high quality paint on textured paper. The result is a lively, scary and very legible font. Use it for your movie, book or album: you won't be disappointed!

Graffiti Bomerang is a bold display font that captures the rebellious spirit of street art. Its thick, uppercase letters feature jagged edges and unique embellishments that evoke the look of spray-painted graffiti. This font is perfect for creating eye-catching titles and headlines for urban-inspired designs, music posters, and other projects that require an edgy and daring style. The font’s bold and unapologetic personality is sure to make a statement.

Oceanside Sans is a display typeface produced in 2022 by Bepop Font Foundry. This typeface was born out of a month-long trip to the Bahamas. The scenery, both natural and architectural, was stunning, yet restrained. Each settlement featured its own flavor of beautiful hand-painted signs promoting local businesses - fresh fish & Conch, liquor, ice, gifts, and more. Oceanside pays homage to the visual vernacular of the islands we visited during our stay.

Maskule Combo is a vintage combination pairing font that captures the essence of hand-painted signs. It features two fonts: Maskule Regular and Script, which work harmoniously together. With its charming and nostalgic style, it's the perfect choice for creating designs with a vintage theme. Whether you're working on headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, or album covers, Maskule Combo will add a touch of timeless appeal to your projects.

Maraka is a handwritten font family, drawn with a paint marker on rough paper, then scanned and turned into vector format. Maraka has a lot of alternative letters and is available in three versions: “Regular”, characterized by an unique look obtained by drawing the letters on a rough sheet, "Solid" and "Serif". Maraka is ideal for large headers, straplines and typographic compositions, but it still gives a great dynamic effect when writing wordy paragraphs.

Wildline is a fast logotype font, created to help you designing logotype or lettering that looks just like a hand-painted brush logo. Use it for designing signs, packaging, headlines, or a cool typographic print. Wildline has characteristics such as strength and confidence, while being dynamic, readable and very energic. Containing extensive lingual support, it covers all Latin European and Asian scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

AZ Varsity Brushed font was inspired from a combination of typical collegiate t-shirts designs and also the current wave of Hollister t-shirt designs (rough painted look). This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. It is designed to compliment it's sister font; AZ Vintage. This font is designed for use as a worn and antiqued headline or subheadline.

Golden Hours Script is a Natural Brush handwriting modern calligraphy font. Introducing our dynamic dry brush style font, a typeface that infuses your designs with a lively and handcrafted aesthetic. With its bold strokes and rough texture, this font is perfect for creating designs that exude a sense of energy, spontaneity, and authenticity. the appearance of being painted with a dry brush create a unique, hand-drawn quality that sets your designs apart.

Zoney is a rustic slab serif typeface family. The lettering was hand-painted by Mans Greback between 2019 and 2021. It will give any project a handmade, natural and down-to-earth look. The font comes in four styles: Regular, Italic, Bold and Italic Bold It has very extensive lingual support, covering all European Latin scripts as well as Cyrillic. The font contains all characters you'll ever need, including all punctuation and numbers.

Bali Beach is a script handwritten font with a casual, inky and modern look. You can use the alternates and ligatures to give your design a realistic, hand painted look. If you find a single repeating glyph, you can change that by toggling between Stylistic Alternates. There are Cyrillic glyphs and more then 150 playful Dingbats with inky texture. Bali Beach is the perfect choice for all natural and unconventional beautiful things.

Nevoa is a typeface inspired by the vernacular calligraphy from the streets of Brazil. While walking in the streets of some small towns, I felt so inspired by those rounded letters painted on the walls. That is what inspired Nevoa. Nevoa is a soft and smooth serif typeface, with dynamic curves. It is available in Condensed, Semi Condensed, Regular, Semi Extended and Extended to adapt to various uses, such as visual identity, magazine, branding, ...

Hello Balcony is a lovely handmade paint font. You can use it for anything ranging from t-shirts, book designs, packaging and greeting cards to stickers and posters, or anything that needs a casual touch. If you want to use it for Christmas or Valentine or other lovely themed designs, it will be your perfect font to pick. Fall in love with its incredibly versatile style, and use it to create lovely designs!

WORKSHOP Brush is one more of three WORKSHOP handwritten fonts, created to imitate a manuscript written with brush. You can use the alternates and ligatures to give your design a realistic, hand painted look. If you find a single repeating glyph, you can change that by toggling between Stylistic Alternates. There are Cyrillic glyphs and few Stains in the same style. WORKSHOP Brush is the perfect choice for those who prefer more expressive typography.

Modern Love has been one of our most popular fonts during last year, so we decided to create a new version of this sweet character set.    Modern Love Slanted is a new casual slanted brush-handwritten family. It has the effortless hand-painted feeling and keeps a high density of contrast like Modern Love Regular and It also includes a set of ornaments, swashes and alternates accessible through Opentype features. Check out also ‘Modern Love’

Inspired by old school sign painting techniques, Grand is a display condensed sans serif that isn't shy to put its foot down. Its verticality and bulky curves combined with its sharp angular connections between the bowls and stems give Grand a distinctive look and feel. It comes in 12 styles (6 weights and accompanying italics), and supports over 200 languages. Grand Regular and Grand Italic are both available for free (personal and commercial use).

This font is based on the handwriting of Norwegian painter Edvard Munch. Using his many letters, drafts, notes- and sketchbooks as reference, this font characterizes the elegant yet sometimes quite irregular writing style Munch had. To resemble naturalistic writing and remain as authentic as possible, a combination of extended ligatures and alternates has been included, as well as Swash characters (accessible via open-type). Additionally, several of Munch's paintings and woodcuts are embedded as extras.

Dynamic and urgent in style, Delux draws influence from '50s science fiction pulp magazines and hand-painted military letterforms. Delux evokes an era when the future was neo-plastic, solid-state, isotopic bright (and everything was better with fins and chromium plating). Both retro-futuristic and nostalgic, Delux embodies a time when there was no melancholic longing for the past, just a naive burning optimism that 'things to come' would be better.

Bold Heart Outline is a lovely handmade paint font. You can use it for anything ranging from t-shirts, book designs, packaging and greeting cards to stickers and posters, or anything that needs a casual touch. If you want to use it for Valentine or other lovely themed designs, it will be your perfect font to pick. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Routemaster is a hand-drawn condensed title font by the graphic designer Daniel Thomas. Found under the stairs, hand painted on a dusty rolled up bus route canvas. Re-created and refined with additional glyphs, Routemaster is old, bold and unique. A characterful font. Pleasant for posters, lovely for a logo, brilliant for branding, tasteful for t-shirts, playful for packaging and becoming for book cover design. Enjoy your design journey with Routemaster

Based on an early wood type design. An original creation, that kept growing...!

A revival design by Ron Carpenter and Malcolm Wooden of DTP Types Limited.