A classic “American” sans serif with a kink Desphalia belongs to the kind of sans serif fonts that were created in the 19th century. You could also name it “American Gothic”, a sans serif in the style of fonts like Franklin Gothic, News Gothic and similar. Above all, the high x-height characterizes this typeface style, as do the identical heights of uppercase and ascenders. However, I allowed myself a few peculiarities ;-) On the one hand, there is the gently sloping horizontal middle line on letters such as H, E, F, A and e. The M also got gently slanted sides. Some of the lower-case letters have an up- or down-stroke: a d m n p u. This "kink" on the shaft also serves to better distinguish the small l from the capital I — as can be seen clearly with the term »Illinois«. In keeping with the tradition of American typefaces, Desphalia does not have a true italic. Rather, the letters of the “Italic” have the same character forms as the normal upright variant, but in oblique — and so it is not called “Italic” but “Oblique”. Style Set 01: Another American peculiarity is the capital I with dashes above and below. It is included in the Desphalia as an alternate character form. An alternative small l with the “kink” in the ascender is also included — as is a y with the “kink” in the descender. Style Set 02: The corresponding “straight” forms a d l m n p u without the break are included as alternatives in a separate style set. Small caps are uppercase letters that are optically the same size as lowercase letters. They offer a very classy way of emphasis. Desphalia is available in the widths Condensed, Normal and Expanded, the weights include Thin, Light, Book, Bold, Black. Using the variable font, all intermediate levels can be freely selected. The figures are optionally available as tabular figures, proportional lining figures or old style figures.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s, but automobile companies don't monopolize the style by any means. During the 80’s and 90’s, a lot of these logos leaned towards the geometric sans styles and the swiss styling of fonts like Handel Gothic, while playing with varying degrees of squared rounds and varying expanded widths per logotype. Mercurial has this flavor, but it wasn’t derived from logotypes. Instead, it began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Sam". It visual ties to this genre of automotive logotypes and fonts like Handel Gothic lend a familiarity to it, yet it has an identity all its own. As with so many automotive logotypes, this singular style film typeface, lacked an expansive family which shows off all potential the logotypes have and what they "could" be and do. And that's where we come in. What originally began as this family’s Regular Width - Bold Style has been expanded into a collection of 3 Width Families, each containing 5 Weights. Here’s what’s included with the Mercurial Complete bundle: 396 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the final poster graphics for a preview of the characters included) 3 widths in the collection: Narrow, Regular, & Wide 5 weights in each width family: Light, Book, Regular, Medium & Bold. Here’s why the Mercurial Family is for you: - You’re in need of stylish sans font family with a range of widths and weights. - You’re love those 80’s automotive logos, but want more range of use. - You’re looking for an alternative to Handel Gothic. - You’re looking for a clean techno typeface for your rave poster designs. - You just like to collect quality fonts to add to your design arsenal.

The letterforms that we now accept as the historical standard for printing latin alphabets were developed in Italy around the end of 1400. Deriving from Roman capitals and from italic handwriting, they soon replaced the blackletter letterforms that were used a few years before by Gutenberg for his first moveable types. Between these two typographical traditions there's an interesting and obscure middle ground of historical oddballs, like the Pannartz-Sweynheym Subiaco types, cut in Italy in 1462. Keratine is the result of Cosimo Lorenzo Pancini's exploration of that territory. Like our Kitsch by Francesco Canovaro it explores the impossible territory between antiqua and blackletter, not as a mere historical research, but rather as a way to re-discover and empower an unexpected and contemporary dynamism. Using contemporary digital aesthetics to combine the proportions of humanistic type with the gestural energy of Fraktur letterforms, Keratine develops a "digitally carved", quasi-pixelated appearance (clearly stressed in Keratine's italics) that allows an unexpected balance between small-size readability and display-size personality. Keratine also relies heavily on a variable identity as the letterforms change dynamically with weight, developing from a contrasted, text-oriented light range to more expressive and darker display range, for a total of 8 weights with italics. Open type features and glyph alternates further enrich the usage possibility of this typeface that embodies our contemporary swap culture by embracing the contradictory complexity at the crossroads between Gothic and Humanist styles, while playfully empathising with a digital, brutalist spirit.

Used Cars JNL is based on one of the many unique alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Special thanks to Tod Swormstedt of ST Media (who is also the curator of the American Sign Museum in Cincinnati, Ohio) for providing the reference material for this design

This is a simple and legible tag style font as written with a bullet tip marker. HumanRase includes characters for all uppercase and lowercase keys as well as numbers, punctuation and dozens of other symbols (many more characters than most other tag style fonts). This font works well at large sizes but is also very legible when used for body copy.

This is another grunge style hand drawn font I created with a poster marker. Including all Latin language extensions, Cyrillic and Japanese Hiragana and Katakana. It's an all caps font. I drew a couple versions of each letter then picked one of them for lower and one for uppercase so they can be combined for better flow and more even more natural look.

Proudly Presenting, Quarts Pachino a Bold Marker Font. Quarts Pachino is perfect for any tittles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Quarts Pachino come with many ligatures, ending swash and come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Like Marker Felt or Comic Sans, Art Club has that informal/playful feel. Only this time its made to look and feel like it was written using a paint brush at your local after-school art club. Next time you want to add that cheerful spice to your Art Club Syllabus, or ANY syllabus, look no further than Art Club (the font).

Balthasar is a very distinctive, stencil-type display font. Its letterforms originally appeared on a lettered book jacket by Michael Harvey. Its highly condensed letterforms being very economic in the use of space. The augmented, Balthasar Plus version has many alternative characters and ligatures, together with Opentype features for their automatic substitution where the application in which they are used permits.

Roadblock JNL is the solidified and slanted version of Patriotica JNL --a stars and stripes font based on lettering by the late Alf R. Becker as commissioned by Signs of the Times® magazine. Thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum in Cincinati, Ohio for providing source material for use as a work model.

The typeface Modernistic, designed by Wadsworth A. Parker for American Type Founders in 1927, provided the design cues for this typeface which, unlike the original, includes lowercase letters. Best used sparingly for dramatic and memorable headlines. Both versions of this font contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Suilly la Tour is an elegant calligraphic and legible font. With his three character sets, Suilly la Tour uses OpenType features (liga, init, fina, isol) especially in second set. Suilly la Tour is available in two versions : -Ot with full OpenType features for OpenType friendly applications. -Office for usual word processors. In every case, use it for cards, invitations, menus, packaging, announcements, jackets...

Qipao is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt marker. The Qipao name is derived from the traditional Chinese dress that Manchu women wore in China in the 17th century and became known as the qipao (旗袍), meaning “banner gown”. Qipao is great for display work, invitations, writing, architecture, posters, logos and headings.

It seems black crayons are out of stock where I live. I can buy all the colors I want, except black ones… I really needed a crayon, so I bought this ridiculously expensive professional marker crayon ($14 for 1!!!) and created this font. Use it for… well, uhm, dunno… book covers, product packaging and restaurant menus? Just have a ball!

An old rubber stamp printing set called the Aristocrat Sign Marker was the inspiration for this font from Jeff Levine. The letter shapes are truly reminiscent of the 1920s and early 30s with their casual playfulness, hence the font's name of Casual Friday JNL. To add a more nostalgic touch, the characters show slight imperfection of shape, as if hand-lettered.

I have always been fascinated by Grigory Rasputin, the rogue ‘monk’ who influenced the Russian Tsar Nicholas and - according to rumours - bedded the Tsarina. Grigory font was handmade with the use of a Chinese marker pen and rough paper. Grigory comes with all the trimmings; some alternate glyphs, a few double letter ligatures, a great amount of diacritics and basic Cyrillic as well.

Preview Video Here : https://youtu.be/sFSgLdQW_xY With 3 Version Style Clean - Brush - Rough Kindness is a hand brushed typeface, with authentic Clean and Dry Brush imperfections, and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards.

Get ready to make a statement with “Born Ready” - A dry marker handwritten font with textured lines and multiple personalities. Born Ready comes in various styles — Regular, Slanted and Upright — each with its own unique personality to suit the look you need. A handy set of alternate lowercase letters and ligatures allows you to get the perfect look you need for your design.

CIAO MAMMA is a vintage-style font, inspired by old almanacs and classic comics. It is ideal for auteur comics as well as commercial products. It is made with a marker, has contrast-free letters and regular spacing helping its legibility and clarity. The font is elegant and graceful and is reminiscent of the history of comics, evoking great, timeless comic strips.

Aladin is a calligraphic art deco face with an eastern touch, designed by Angel Koziupa and produced by Alejandro Paul. Casual, airy counters and friendly terminals give it an advantage as a packaging font for exotic coffees and teas. It also serves quite well on posters and book jackets where relaying the famous sense of Eastern hospitality and playfulness is a must.

modern marker script font, carefully crafted letters / alphabet in a completely natural hand-drawn look. Perfect for logo, branding projects, wedding designs, product packaging or simply as a stylish text overlay to any background image. Features : Full Set of standard characters and punctuations. Over 450+ characters (include : alternate sets, ligatures and multilingual support) PUA Encoded | no special software needed to access extra characters.

Dusty Hands - my crunchy legible comic font, originally with a fat marker and then digitally manipulated. I've made 3 versions for you, and they all fit like a glove - use them as they are, or do some layered effects. All versions have the "contextual alternates magic" - and in this case it means 4 slightly different versions of each lowercase letter.

Markin is named after the writing utensil with which it looks like it was drawn, the marker. Its even strokes display characteristics similar to those of a sans serif typeface, but the stroke endings with their typical handwritten look give Markin a personal touch. Extremely versatile, it is the perfect choice for any work where individuality and spontaneity are the emphasis.

Nightspot JNL was modeled from one of many display alphabets created by the late sign painter and lettering expert Alf Becker. His work has graced the pages of Signs of the Times® magazine for decades. Special thanks to Tod Swormstedt of the American Sign Museum and ST Publications, Inc. in Cincinnati, Ohio for providing the source material for this typeface.

Prestons signature is made with a medium-sized marker pen with a casual groove. Feel the sensation of natural handwriting. This font is a great choice for digital signatures, brand names, logos, banners, headlines, wedding invitations, business cards, book titles, movies, podcast texts and craft work. we complement with alternate and ligature to strengthen the natural impression on your design

Proudly present Microphone Check - Marker Type, created by ikiiko Microphone Check is inspired by the bold and expressive signature strokes of the 90s street hip hop movement. In that era, freestyle marking was a method of self-expression that was closely associated with the underground graffiti scene. This typeface perfectly encapsulates the vitality, attitude and resilience of life on the streets. Sharp lines with bold, bold bodies characterize this type of marker, allowing for substantial fills and bright colors to stand out on any surface. It gave them the opportunity to express their originality and creativity while leaving their mark on the urban environment. This type is very suitable for making a street wear brand, book cover, movie title, magazine layout, poster, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Ligature Multilingual Support Works on PC & Mac

Shizzle is a font with a graffiti marker style. The lettterform of ‘Shizzle’ essentially made by the combination of downward and upward stroke base on -15 degres angle guideline. The basic of downward stroke is pulling pen from the top left to thw bottom right with full width of marker, then the basic shape of upward stroke look like the ligh flick by using the tip of the pen from bottom right to the top left. Inspired by Hip Hop and Rap style style. ‘Shizzle’ is a slang way of saying "Sure". People generally use it to communicate agreement to another person. This term is a product of Snoop Dogg's penchant for replacing the end of words with "izzle" to sound cooler. And ‘Fo Shizzle’ (for sure) this font offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts and advertisements, especially with graffiti look.

Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time. The Alf Becker series of nameless alphabets published by Sign of the Times magazine in 1941 has attracted letter digitizers for a few years now, so it’s really a wonder that a few of those alphabets are still in the non-digital realm. It is understandable, though, that the basis for Buffet Script was not digitally attempted until now. The page presenting this alphabet shows a jungle of letters running into each others and swashes intertwining. The massive amount of work involved in digitizing such lettering, where scanning is nowhere near being an option, is quite obvious at a mere glance. If anyone was going to commit this particular alphabet to a digital form, it would have to be redrawn stroke by stroke and curve by curve on the computer. And don't we love a challenge! But seriously, the challenge was not the main attraction. In a way, the Becker approach to lettering is so far from digital that the imagination is almost forced to work out possibilities and letter combinations to solve problems presented by the scant showings in that magazine. After a few imaginative visualizations, the digital potential becomes clear in the mind, and the eye and hand follow. The result with Whomp (another Alf Becker-inspired work) was an enormous font with a lot of alternates and ligatures. With Buffet Script the imaginative process was no different, but the result particularly shines here, because this is some of the most fascinating flowing calligraphy ever seen. Calligraphy is where the accountability of all the little extra touches, such as alternates and swashes and ligatures, is raised to a higher level than in most other type categories. Buffet Script’s OpenType programming contains discretionary ligatures, stylistic and contextual alternates, interacting with each other to allow the composition of just the right word or sentence. This font is best used where lush elegance is one of the design’s requirements.

Introducing Bakihara is an attractive blackletter family with a full set of uppercase and lowercase characters, alternates characters, ligatures characters, multilingual support, currency figures, numerals and punctuation. Bakihara comes with 4 weights from Thin to Bold that will support your creativity in creating perfect designs for various projects such as logo design, branding, posters, magazines, labels, merchandise, invitations, advertisements, tattoos, clothing, music events, and many more project with a Gothic theme. If you need support or more information about this item please contact me: ekahermawanputu@gmail.com Thank you very much I really hope you enjoy using it!

New Millennium Linear is one of three font families that share a common name, a common design philosophy, a common x-height, and basic character shapes. (The others are New Millennium and New Millennium Sans; all three work well together.) New Millennium Linear is a "monotone" newer version of the Sans face whose smooth, geometric, "Gothic" look gives it a completely different personality. The typeface comes with regular, bold, italic, and bold italic styles, each with a complete character set. New Millennium Linear might best be used in captions, callouts, labels, titles, and similar display situations.

Furious Night - Blackletter Display Font is a display font that is inspired by gothic and horror style because its shape is very unique and is perfect for any project that you will use with this theme. Furious Night with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more) There it is! I really hope you enjoy it

Proudly present Juvelith a modern black letter font inspired by contemporary design and calls back to Old English Gothic Scriptures. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Vikive is a family of Sans Serif fonts, better known in its origins as "Gothic" in America or "Grotesque" in Europe. Some authors divide them into three categories: Grotesque, Geometric and Humanistic. Probably, it can be defined that Vikive has some characteristics of the first two: Grotesque and Geometric, high x-height, slight squareness of the curves, wide set, open tail, simple construction. The family concept provides several weights and widths for one face and its matching italics, therefore this family of types is more suitable for text settings, enriched with strong contrast fonts (condensed thin or expanded black) for headlines.

Ghost Place - Halloween Display Font is a display font that is inspired by horror and gothic style because its shape is very unique and is perfect for any project that you will use with this theme. Ghost Place came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Features : 1.Uppercase & Lowercase 2.Multilingual support 3.Number 4.Symbol 5.Punctuation. 6.Extra Dingbat 7.Support in Mac and Windows OS -Support in design application (photoshop, illustrator, and more). There it is. I really hope you enjoy it.

Introducing Royal Kingdom - Modern Blackletter Font Royal Kingdom is a modern blackletter font that elegantly blends contemporary design elements with the essence of Old English Gothic scriptures. Royal Kingdom is perfectly suited for branding projects, logos, social media posts, advertisements, product packaging, labels, photography, watermarks, stationery, and any creative project seeking a touch of modern blackletter elegance. FEATURES: - Stylistic Alternates - Ligatures - PUA Encoded - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Inspired by minimalism and black letter, introducing "The Black Sugare", the combination of a gothic era and geometric shapes. The more simple black letter display font that is suitable for any style, especially modern style. The flow of the letter shapes gives geometric looks also the stem (and the strokes) and is easy to combine once it writes in 2 lines or more. With fewer spurs The Black Sugare is suitable for classy design, and looks minimalist, elegant, and quietly awesome in your design. This font also good to use in body text. There are OpenType features to give more alternative looks.

The Fou typeface family was designed as an alternative to Trade Gothic condensed bold. During the design process of a normally wide font variant a system developed that responds to white space and changing proportions. Thus, round transitions become rectangular and vice versa, space is made and space is taken away. This system and the associated changes are continued on a model with semi-serifs. Fou can also be used as an alternative to Din or the wider Q-Type, but in comparison offers more room for emphasis with its italics, expert sets and numerous special characters.

Introducing, Bullgine - A modern gothic blackletter typeface. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as Logo, Clothing, Fashion, Headline, or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation stylistic alternate multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!