Dumm DUM. Dumm DUM. Duh dum duh dum duh dum DUMMMM... Just when you thought it was safe to get back in the water, this font surfaces to take one last bite out of your summer vacation skinnydip! Scream and scream again — it won’t do you any good, SHARKSNACK is rough and ready to EAT YOU ALIVE! It’s too late to close the beaches, Chief Brody, this particular set of saw tooth letters has already consumed Dracula, the Werewolf, the Frankenstein Monster and any number of 70s comic book characters foolish enough to dip a toe in its maw!

Malagua is a rough, hand-drawn font in the style of 18th century handwriting. It's designed to evoke an era of pirates, highwaymen and desperate conspiratorial notes written with a crude pen in a hand shaking from too much rum. The full version of the font includes a selection of interesting alternate character forms.

There are Rum doings in the harbor tonight, me hearties! Black-hearted buccaneers are gatherin' in the tavern and there's talk of gunpowder, treason and plot. Even if there are ladies in the room, we advise that you Pass the Port, put away your pieces of eight and weigh anchor until the Pirates have Caribbean and gone.

An austere grotesque with a hint of 1990s flair. Designed in the suburbs of Washington DC.

Free-form hand lettering on a 1979 poster for the Washington, D.C. exhibition of watercolors and etchings by the Elie Abrahami inspired Art Director JNL, which is available in both regular and oblique versions. This type of lettering was most popular in the late 50s through the mid-60s for movie titles, greeting cards and poster text.

The entire Headquarters Building of Active Image Comicraft has been ripped from the ground by a giant lizard monster which has unexpectedly risen from the sea! It has the power of bodily transformation! By merely willing it, it can transform its atomic structure into any form and shape. It is completely hostile. It regards our entire island nation as its enemy. Run! RUN! Run from the Giant Monster!

Rugged distressed look, tough look good for display.

A strange design; just let your imagination run wild.

This pale face -- a Byronic offering from the disaffected youth section of our library -- will provide that slightly sad, sunken eyed feeling most closely associated with Doc Martins, heavy crosses and clothes as black as the blaquest heart... so if you're looking for tragic tramp stamp typography, we think our tattoo parlor maid to wear font will provide just the right amount of Goth Chic.

Babble go gaga? Babble a liddle baba aba dittle boo-boo? Babble gotta Owie? Babble wanna see dada go bonk? See dada go WAAHHH?! Babble wanna bockle? Babble wanna see mama? Babble wanna have milky milky num-nums? Ahhh... Babble id soooooooo cuuuuuute! Dada and Mama love Babble. Big Hug, babble!

A rugged angular display typeface, with variations in the upper and lower case characters.

Gert Wunderlich’s Maxima font family in a new, most extended redesign by RMU Typedesign.

Key Largo JNL is a serif treatment of the lettering found in Gummed Letters JNL.

Inspired from bubble gum shapes, Gampolins come with playful bubble shapes in a fun way.

Two fonts entirely of decorative initials of which the uppercase basic letters of RMU Initials One are occupied by Walthari initials, the lowercase ones by Eckmann initials, both released first by Rudhard, '92sche Gie, 'dferei, Offenbach, Germany, about 1900. RMU Initials Two consists of Jubilaeumsinitialen in the uppercases and Augsburger Initialen in the lowercases.

Eh, what's up, Doc? This cuddly little oddball of a typeface was originally released under the rather unlikely name of Hercules by the Amsterdam Typefoundry in 1926. This face includes OpenType Stylistic Alternates for b, h, h, k and l, which feature very tall ascenders with a "bunny ear" vibe. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Moldovan and Romanian.

SGT PEPPERS LONELY HEARTS CLUB is a typeface inspired by the capital letters on the bass drum in the Beatles' Sgt Pepper album cover. The original lettering was hand painted by fairground artist Joe Ephgrave during March 1967 in an art deco style he called 'futuristic'. The font completes the uppercase, adds a lowercase, and includes a full complement of over 400 characters. SGT PEPPERS OUTLINE and SGT PEPPERS OUTLINE FILL are two fonts with matching spacing and kerning that can be overlapped for creating bicolor/multicolor effects and faux drums. The Outline and Outline Fill fonts do not contain lowercase characters, instead they comprise two weights of outline capitals as painted on the Sgt Pepper drum. The uppercase letters are in the wider style from around the outer edge of the drum, and the lowercase keys deliver the more condensed 'Lonely Hearts' inline style from the middle of the drum. The uppercase Y has been flipped to produce a more conventionally acceptable character with the thicker diagonal arm on the left. However, Joe Ephgrave's reverse Y (with inline) is included in the Outline fonts at the Section keystroke § (Alt-0167 on Windows). A simplified vector image (mono) of the bass drum without lettering is also included within the Outline fonts at the PlusMinus keystroke ± (Alt-0177 on Windows).

Rubba was created using rub-on type to create completely new letterforms from the bits of others.

Dollar Tree Stores imports a number of items from China, and many times these are limited-run products only available until the existing supplies run out. One such item was a sans serif stencil lettering guide with rounded ends that takes on the look of 1980s-influenced techno lettering. This is now available as Import Stencil JNL, in both regular and oblique versions.

Lighten things up and let your imagination run free with Mrs. Shmelding JNL, a lighthearted novelty font from Jeff Levine.

This is an RMU multilingual font family with eight style, of which all come with small caps and oldstyle figures.

A futuristic styled font that takes influences from 1970s music and film. Examples include: David Bowie, T-Rex, Rollerball & Logan's Run.

Madrone is an Adobe Originals typeface designed by Barbara Lind in 1991. Madrone was digitized from proofs of the woodtype collection in the National Museum of American History of the Smithsonian Institution in Washington, D.C. A fat face roman, Madrone is typical of popular early nineteenth-century styles. Fat face types are characterized by their squatness and extreme letter width. One familiar version of this design is Bodoni Ultra Bold. Madrone is eye-catching for display uses in advertising and packaging.

The source of inspiration for MFC Heathcliff Monogram is a crudely hand drawn vintage monogram transfer depicting a wider format diamond monogram. We revised numerous letters for better clarity and a more vintage industrial vibe. MFC Heathcliff Monogram is capable of traditional two and three letter format monograms, as well as gapped and hugging framing options for each. Numerals 1-9 and 0 on the keyboard for the 2 letter framing options typed before the letters, and use the shift key on the numerals for the 3 letter framing options type before the letters. It's just that easy. Looking for an MC in one of the letter slots? Just type mc on either side of MC in the middle to get it. Otherwise, just type a lowercase, a Capital, and then a lowercase to build your monogram. As one of the most popular shape based formats for monogramming since the beginning, it must be true that diamonds are forever.

An RMU redesigned font family of Kapr’s Leipziger Antiqua which was extended for multilingual use, and added small caps and oldstyle figures.

Pacific Atoll JNL is a stylized slab serif type design based on the movie title lettering for the 1942 wartime film “Pacific Rendezvous”, and is available in both regular and oblique versions. According to Wikipedia, “…an atoll (sometimes known as a coral atoll), is a ring-shaped coral reef, including a coral rim that encircles a lagoon partially or completely. There may be coral islands or cays on the rim.”

This is a perfect font for historical or fantasy titles. It is influenced by ancient Nordic runes. the strokes flare slightly, to a concave terminal for a finely carved appearance. There are two sets of capitals in PR-Vanaheim-DC (Dual Capitals); one set of narrow letters, more closely related to Runic forms, and one set which includes wider and circular letters, which can be freely combined with the narrow letters for the variety associated with hand lettering. There is one version with dots placed in the centre of large counters and one version without the dots. The broad caps character set includes characters which allow for tight spacing; a dropped L, and a tall T. There are also two different lowercase sets, one modern, and one archaic, all of which can be freely mixed to fine tune the appearance of your text. Here is the brief description of the available faces: PR-Vanaheim-Med-DC-01 Duplex Caps PR-Vanaheim-Med-DC-02 Duplex Caps, Dotted counters and dot space PR-Vanaheim-Med-DC-03 Duplex Caps, Dotted counters PR-Vanaheim-Med-LC-04 Broad Caps, with modern style lower case. PR-Vanaheim-Med-LC-05 Narrow Caps, with modern style lower case. PR-Vanaheim-Med-LC-06 Broad Caps, with archaic lower case. PR-Vanaheim-Med-LC-07 Narrow Caps, with archaic lower case.

A special offer by RMU Typedesign for those who like it old-style. Now finally with the possibility to create a Greek Meander frame.