‘Thwaites’ typeface is fully dedicated to one of my best Canadian friends who I do cherish and value highly. This great and industrious Canadian friend is ‘James Douglas Thwaites’ who lives along with his good-natured family in British Columbia, Canada. For me, James is like a source of inspiration and I do consider him as an ideal in my life. Our strong friendship has started since 1999 and I hope that it will endure just to the last moment of my life. Sometimes I see him as the writer and poet that I learn a lot from, sometimes I see him as a devoted religious minister that I try to understand more about his teachings, and other times I see him as the educator that I strive to imitate verbatim in my life. When I want to talk more about this Canadian friend, I will not be able to give him his due in full. Thus, I will instead mention some excerpts of his biography that he wrote himself saying that: “James D. Thwaites is a self-accomplished man. Having worked in various fields including restaurant management and cleaning, he has achieved his goals of being a full-time teacher, past-time writer, and volunteer religious minister for the Christian Congregation of Jehovah's Witnesses. His personal and academic pursuits have led him to be published in various magazines, newspapers, self-published books, and websites, including his now defunct ‘poetryofthemonth.com’ website. He continues to learn and augment the craft of writing while working primarily in early literacy and delayed literacy learners, teaching reading and literature to a wide age range of students. He views his religious endeavors as an extension of his academic ones. He teaches others both as a public speaker and in one-on-one situations, teaching about the benefits of submission to God and to His teachings. His future goals include expanding his ministry and continuing his writing.” The name ‘Thwaites’ itself comes from Great Britain and originated from the last Viking raids upon England, being an Anglicized version of a Scandinavian term meaning—depending on the source material—either "a place that is difficult to approach" or "a small thicket of trees." Another recitation mentions that ‘Thwaites’ can be described also as an English surname but one of pre 7th century Norse-Viking origins. It may be either topographical or locational, and is derived from the word "thveit", meaning a clearing or farm. As a locational surname it originates from any one of the various places called "Thwaite", found in several parts of Northern England and East Anglia to the south. The various modern spelling forms include Thwaite, Thwaites, Thwaytes, Thoytes, Twaite, Twatt, Twaites, Tweats and Twite. The name, although often appearing unique to outsiders, can often be found within other famous names like Braithwaite, Goldthwaites, or Misslethwaites. With various spellings, some families not including the ‘e’ or the ‘s’ at the end, Thwaites and its derivations—although not exceedingly common—is a name found worldwide. ‘Thwaites’ typeface is simply a sans-serif streamlined, stylish, and versatile font. It is designed using a combination of thick and thin strokes for its +585 characters. Its character set supports nearly most of the Central, Eastern, and Western European languages using Latin scripts including the Irish language. The typeface is appropriate for any type of typographic and graphic designs in web, print, and other media. It is also absolutely preferable to be used in the wide fields related to publication, press, services, and production industries. It can create a very impressive impact when used in headlines, posters, titles, products’ surfaces, logos, medical packages, product and corporate branding, and also signage. It has also both of lining and old-style numerals which makes it more suitable for any printing or designing purposes. ‘Thwaites’ typeface is really the cannot-miss choice for anyone who wants to possess unique artistic and modern designs produced using this streamlined typeface.

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Variable axes: Weight, Contrast, X-Height. Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism Kerning: 4553 class-to-class pairs. Hinting: Not applied. Format: TTF – OpenType with TrueType outlines. Variable Font: Quietism Variable provides more options than static versions, and has three axes: Weight (Thin–Black), Contrast (Low-High), and X-Height (Low-High). Variable fonts includes thousands of styles that you can access using a sliders on graphic editor or via CSS on web browser. Mixing different axes gives you extra styles not represented by static fonts. Optical Size: The typeface is represented by four subfamilies: Text (low contrast, high x-height – for paragraph 10-20 pt), Deck (medium contrast, medium x-height – for subheading 20+ pt), Display (high contrast, medium x-height – for heading 72+ pt), Poster (high contrast, low x-height – for big size 120+ pt). Small Caps: Lowercase letters and Oldstyle Figures are replaced with Small Capitals forms. Capitals to Small Caps: Uppercase letters, all figures, and some punctuation are replaced with Small Capitals forms. Case Sensitive Forms: ()[]{}‹›«»-–—•·#%‰@ and Arrows are centered on capitals. Oldstyle figures are replaced with Lining figures. Oldstyle Figures: 0123456789 #%‰. Designed to work with lowercase letters. Used by default. Lining Figures: 0123456789 #%‰. Figures are the same height as uppercase letters (cap height). Proportional Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Tabular Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures. Contextual Alternates: Number sign character (#) before uppercase letters is replaced by its version centered on capitals. Hyphen character (-) between two uppercase letters is replaced by its version centered on capitals. First of two TT letters is replaced by its alternate form. Letters vwy before the letters fijmnprtuvwxy are replaced with an alternate shorter versions that fits better in the context. Contextual Alternates (Greek): ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps and Small Caps modes. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: FTГТИЦЩцщ and their versions with diacritical marks. Stylistic Set 01 “Arrows”: Left <- Right -> Up Left Right <-> Up Down North West South East \> South West Stylistic Set 02 “Round-Square Cyrillic”: ДИЙЍЛФвгджзийѝклнптцчшщьъю characters are replaced with its Bulgarian or Russian forms. Stylistic Set 03 “Cyrillic Tse Shcha short tails”: ЦЩцщ characters are replaced with its alternate form with short tail. Stylistic Set 04 “Cyrillic I full serifs”: ИЙЍӢ characters are replaced with its alternate form with inner serifs. Stylistic Set 05 “FT bent inward serif”: FTГ characters and their versions with diacritical marks are replaced with its alternate form with right head serif that bent inside. Stylistic Set 06 “Small Caps centered on Capitals”: Small Caps are vertically centered on uppercase letters. Standard Ligatures: fi fl fb ff fh fj fk ffb ffh ffi ffj ffk ffl. Discretionary Ligatures: Th ct st. Localized Forms: 52 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Macedonian, Moldavian, Polish, Romanian, Serbian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (571 characters). Precomposed.

Fierro is a heavy-geometric-retrofuturistic typographic construction that, without any curve, still retains good legibility. These shapes are based on great bended metal pieces, which represent its name, meaning "hardware store". It has been designed to be used in large sizes and for designs with character that look to create a strong visual block. Designed by Jko Contreras.

Trendy, classy & modern style serif font for your fancy projects. Elegant, fashion and classic style on Karchas font will be great for any branding project. Lot of alternates and ligatures will help you to create unique and original logo design or website header! Enjoy :) -Multilingual support -Lot of alternate characters -Lot of ligatures -Great for modern branding projects!

Penzance is a display monospace handwriting font. The typeface is a distinct hand drawn font using a fountain pen quill ink style. The Penzance name means "holy headland" in the Cornish language and is derived from the town on the English coast of Cornwall. Penzance is great for display work, invitations, writing, books, posters, logos and headings.

This cuddly face is based very loosely on Dave Farey's Beesknees. This version is a little more regimented but no less fun, and is notable for the addition of a lower case, not found in Farey's design. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

BR Candor is a geometric sans based on the functional characteristics and raw geometry of early European sans serifs. BR Candor however, is a more modernist interpretation of these classic styles, and its distinctly geometric letterforms produce a strikingly clear and contemporary typographic aesthetic. As the name suggests BR Candor is open, honest and straight talking.

Short Message is a 3 font combination that is suitable for all your design projects that aim to convey your message to your loved ones, with the font packages offered will definitely satisfy you Short Message came with opentype features such stylist ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more.

Wedding dress is a beautiful light handwritten font with a unique feel and looks stunning. This gentle font will look gorgeous on a variety of design ideas. This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

The raw emotional energy of German Expressionism is evident in this font, based on Judith Type, designed by C. H. Kleukens in 1923. This version takes its name from the Biblical character who lost his head to the original font’s namesake. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Goddard is based on some very unsual lettering by Art Nouveau period calligrapher Samuel Welo. It offers a full normal character set, plus mutliple alternate versions of every lower case character and selected upper case characters as well, plus very fancy over-and-under kerning to produce a really unique look, like nothing we've ever done before.

We Love Nature Leaves is an extensive and versatile collection of foliage illustrations. This font consists of 52 highly detailed drawings of twigs and leaves which can be used on their own or in combination with the other illustrations in the ‘We Love Nature’ font collection. All illustrations are drawn by hand and of the highest quality.

Record Store Stencil is based on classic stencil lettering from the first half of the 20th century. The font features Upper and lowercase, small caps, in upright, italic, and backslant. The font's multipart letterforms are ideal for color application. Available are two color variations, Black with Red accents and Blue with Red accents, with cycling activated through contextual alternates.

Senella is a script font with more than 350 characters and covers several languages based on the Latin alphabet; the whole font design has also been completed with extensive alternates, ligatures and swashes sets. Senella is suitable for any design project, vintage, fashion, branding, print design and whatever design you want Thank you for visits and happy branding !

Baraquiel is based on an interesting style of calligraphic script we found in a turn-of-the-century magazine ad. It is much more acutely slanted than most scripts, and has pretty dramatic variations in weight. Nonetheless it has high readability and works well in combination with many of our text fonts, particularly Evadare and Albemarle.

Badona is a custom typeface which is applicable for web, print especially for magazines, brochures, posters, flyers and motion graphics. Both weights are perfect for logos (light size has an elegant look and the regular one gives a unique feel). Regular size is also applicable for text. Badona has 232 glyphs and supports Turkish and West European languages.

Khayla Almira is a clean and elegant sans serif font, this font also provides ligature and alternate letters, this font itself has 6 families, namely regular, line, bold, regular italic, line italic and bold italic. for use as logos, display designs, and also for other purposes, make sure you have this font collection on your device.

Originator is a display modular monospace font. The typeface has a distinct technical geometry using sharp angled corners. "Originator" name is derived from Latin and means 'one who first creates or initiates something into existence.' Originator is recommended for display work, branding, logos, technical writing, team sports, aerospace, aviation, automotive, racing, fashion, cinema, architecture, invitations, posters and headings.

Colburn is a squarish typeface inspired by lettering found on vintage tins, Colburn is a display typeface that captures the essence of nostalgia while offering modern versatility. Colburn's variable font technology ensures seamless transitions between different styles, empowering you to create dynamic and harmonious compositions. From packaging and posters to websites and branding materials. PDF SPECIMEN

Mark Jamra based the design for Jamille on the forms of the 18th century Modern Face fonts of Didot and Bodoni, but was also influenced by the work of artists like Adrian Frutiger, who reworked such fonts to adapt to the demands of modern technology. A very legible font, Jamille will give text a classic, elegant feel.

BR Sonoma is a new geometric grotesque built for the 21st century with a finely tuned modern aesthetic. BR Sonoma builds on the foundations laid by the classic Swiss grotesques such as Helvetica and Univers but combines their features with a stronger geometric base usually found in other early classics such as Avant Garde, Futura and Avenir.

Eshajori is an elegant and soft serif font. The primary challenge in designing this font was finding a balance between complexity and simplicity, while ensuring it could be used on both computer screens and in print. Another challenge was achieving harmony between the characters, punctuation, and numerals, creating a visually appealing and playful visual vocabulary overall.

The Quitador™ Sans family is a fresh and distinctive design with roots that go back to the original Quitador typeface. Like its slab serif relative, the Quitador Sans suite of typefaces is large with several weights of roman and italic designs, making it an excellent choice for a wide variety of print and on-screen projects.

The hand lettered title on the 1911 sheet music for “That Railroad Rag” was designed in a block style letter with spurred serifs. This simple typographic layout evokes the imagery of early rail transportation although the song itself is was a ‘modern’ composition of then-popular ragtime music. Railway Station JNL is available in both regular and oblique versions.