Tufuli means "childish" in Arabic. In this font design I wanted to represent the characters as funny and flexible, just like childish characters can be. Tufuli has sloping terminal geometric shapes, giving it a playful feeling. Please also check out Tufuli's sibling Tufuli Arabic for more international fun.

Abdo Logo is an Arabic display and text typeface. It is useful for headlines, books covers, logos design, slogans, advertisement and other graphic projects. The font is based on the simple lines of free style calligraphy. The font supports Arabic language and I may extended to cover additional scripts.

Rosyidun is an authentic and geometric Arabic display font. Its capital letters and forms are rotated, creating a visually stunning display for captions, posters, or headlines. You’ll fall in love with the beautiful and ornate patterns of the Arabic Display font. The perfect addition to any design project.

HS Almaha is a modern OpenType Arabic Typeface. It combines the features of linear Naskh and modern Kufi. Segments of its letters are curvy and sharp. They are refinement more readable and present in extended texts in magazines, newspapers, books and other publications. This typeface supports Arabic, Persian, Urdu and Kurdish languages and it contains four weights; light, regular, medium and bold which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes.

Designed by Sol Hess in 1940 as a variation of Stymie Extrabold but with squared corners where round shapes would normally be. This striking display face is found in only some Lanston Monotype catalogs and specimens are somewhat hard to find.

Pasture is a display serif in a range of weights. Rounded interior and exterior corners, curvaceous details, and rotund terminals give it a warm, handmade quality. Classic style that is, at the same time, right at home in modern spaces.

Hasan Aya is an Arabic display typeface. It is useful for titles and graphic projects The font is based on the simple lines of Kufi calligraphy. This font was created based on the Latin font "Bedrock" which was designed by Corel Corporation in 1992. It supports Arabic, Persian and Urdu.

Wakel is a Bold display font that consisting on bilingual scripts, Latin and Arabic. The Arabic script was built based on the Naskh style. Wakel has approachable, fashionable and humanist look with low contrast and attractive curvature terminal. Wakel is great for large display projects, branding, package designs & much more!

It is the most common font and is used in most Arab countries because it has the potential to be written in a narrow space when compared to other Arabic fonts. It is suitable for titles of books, magazines, daily newspapers, commercials, banners, advertising, holiday cards, newspaper headlines, Introduction to students.

FawazeerNelly is a Bilingual Display Typeface, the Arabic font is based on Kufi Maghribi script with high contrast strike thicknesses. And the Latin font is an italic high contrast font that compliments the Arabic. They work best for titles and Poster Designs. It is an Authentic Design with a modern flavor.

Edangu Arabic display font is a new typeface inspired by the oriental fonts used in Arabic calligraphy and other Middle Eastern architectural features. This font features a Kufic version that has beautiful and neatly arranged shapes. This font will make your design elegant, especially designs that carry the middle eastern theme.

Droob7 is An Arabic typeface for desktop applications, for websites and for digital ads. Currently prepared by the weight one has the alignment between the Arabic and Latin letters to serve the articles sites without resorting to other fonts in the page or article each. Droob7 font family contains two weights: normal and bold. This font supports Arabic and Latin, Persian and Urdu. The font (Droob7) is characterized by clarity and readability and ease of being a promising line very carefully to be used in Web sites (best size is 12-bit).

Swissra is an Arabic typeface that was inspired from Swiss graphic design. The motivation behind the typeface was to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Swissra also aspires to tribute the experience of Swiss graphic design and pass it on to the Arabic graphic design scene. Swissra features sharply cut terminals, which are either horizontal or vertical. It also features closed apretures and a high x-height. It comes with eight weights, that range from thin to black.

HS Ishraq introduces a modern OpenType Arabic Typeface that combines the features of Kufi and Naskh Style with noticeable both curvy and sharp segments beside the refinements of its letters that made it more readable. HS Ishraq can be used in both titles and text in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains five weights: Thin, light, regular, Medium and bold which can add to the library of Arabic fonts contemporary models that meet with the purposes of various designs for all tastes and all projects.

Hakim Ghazali, designed by Hakim Ghazali in 2005, is an Arabic typeface in the style of Maghribi and a winner in Linotype’s first Arabic Typeface Design Competition. This style, which originated in western North Africa, is characterized by a strong baseline and long, fluid, and curvaceous curves. It can be used in headlines or in text and gives a very fresh and calligraphic look. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

Zahran is a lovely Latin and Arabic handwritten script, Inspired by modern calligraphy style. This style is a challenge for me in designing Arabic letters, I tried joining Arabic on one side so that the baseline shape is dynamic. Come with many feature; Stylistic alternate, character variant (cv01 to cv12), ligatures, multilingual characters, begining and ending swash, and lovely connecter for lowercase, that can be accessed with opentype feature. Zahran is perfect for branding project, product packaging, tile, logo, wedding, quotes and where ever you need lovely design.

Unveiling Arabico, a captivating typeface that bridges cultures and aesthetics with its exquisite design. Arabico is a tribute to the elegance and fluidity of Arabic script. Its letterforms are carefully crafted to echo the aesthetic beauty and expressive nature of Arabic writing. Every stroke and curve of its letters pays homage to the graceful artistry of the flow of Arabic calligraphy. Arabico fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

April font was initially designed with a different style compared to other Arabic typefaces

Jazm is an Arabetic typeface design with connected glyphs. Jazm was the earliest, pre-Islamic, script style of the modern Arabic script, before branching into Kufi and Naskh styles. The initial script had a lot less, position-dependent shapes and ligatures, and was not strictly connected. It occasionally included minuscule dots to distinguish identical shapes. This font family design is a modern visualization by the designer of the historical Jazm letter shapes following the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards, and one additional final form glyph for each Arabic letter that can connect with other letters from both sides in traditional cursive Arabic strings. Jazm employs variable x-height values. It includes all required Lam-Alif ligatures and selected marks. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form, if desired. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. Jazm typeface family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, in addition to Standard English keyboard punctuations and major currency symbols. Jazm is available in regular, bold, black, and corresponding italic (slated to the left) styles.

Gali Modern is a modern typeface that explores the flexibility in contrast inspired by classic Arabic thuluth calligraphy, Designed especially for short texts, headlines, and quotes. Gali comes with 11 weights ranging from thin to heavy, comes with several OpenType features and many characters alternatives, special ligatures supporting Arabic, Farsi, and Urdu.

Hasan Enas is an Arabic text typeface. This font is designed for reading texts and inspired in the simple lines of Naskh calligraphy. It supports Arabic, Persian and Urdu. The characteristic of its design is easily recognizable and very stable to use for extended texts in magazines, newspapers, books, and other publications.

Allabbad typeface was inspired by one of the hand letterings that belong to the godfather of Arab graphic design, Mohieddine Allabbad. The typeface is part of the Arsheef Alkhatt Project, a platform that revives and tributes classical Arabic lettering from different resources and presents them as affordable, digital fonts for independent designers.

Basic Stencil JNL was inspired by a lettering stencil sold by Dymo around 1968 that featured a sans serif design with rounded corners and an overall square look to the characters. This bold stencil design is available in both regular and oblique versions.

Hs Alnasma is an Arabic display typeface, under “titles” category. It is useful for book titles, creative designs and modern logos. Also, it is used when a contemporary and simple look is desired that can fit with the characteristics of Latin fonts where horizontal parts are thinner than vertical ones for use in technical and engineering company. The font is based on some modern lines of Kufi calligraphy along with some derived ideas of Latin fonts, maintaining the beauty of the Arabic font and its fixed rates. This font supports Arabic, Persian, Urdu, Kurdish and Pashto and also includes Basic Latin and consisting of two weights (regular and bold) which can add to the library of Arabic and Latin fonts contemporary models that meet with the purposes of various designs for all tastes.

Presenting 🕌Alibon Arabic Typeface🕌 by alitdesign. Alibon Arabic Typeface is a stunning font product that features a religious and Islamic style, making it an ideal choice for Ramadan promotions and other Islamic design projects. The font's carefully crafted design is sure to impress your audience and help your designs stand out. One of the standout features of Alibon Arabic Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages other than Arabic. With 958 glyphs characters, Alibon Arabic Typeface offers a vast range of options, allowing users to create unique and eye-catching designs. The font's characters are well-crafted and easily readable, making it an excellent choice for any design that requires an Arabic font. As a bonus, Alibon Arabic Typeface comes with a Bahlull Dingbats font that includes a collection of 304 Islamic symbols and ornaments. These extra glyphs can be used to add a personal touch to your designs and enhance their visual appeal. In summary, Alibon Arabic Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other Islamic design projects. With PUA Unicode support, multilingual characters, 958 glyphs characters, and a bonus Bahlull Dingbats font with 304 characters, this product offers everything you need to create stunning designs that resonate with your audience. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Someri (English: Sumerian) is an Arabetic type design with a Cuneiform spirit. The Someri family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Someri employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Someri family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

The Silsilah family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Silsilah employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Silsilah family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

An isolated letters typeface design with a comic feel. All letters start with a prominent circular dot. All final shape letters end with a smaller dot, in addition. The Nuqat (Arabic for dots) font family has four members which include two weights, normal and bold, and comes in regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. The Nuqat font family employs variable x-height values. Nuqat includes only Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Nuqat includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

The Nasrallah family follows the guidelines of the Mutamathil Taqlidi type style. It has one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards version 5.1, and one additional, final-position, glyph for each Arabic letter that is normally connected with other letters from both sides in traditional cursive Arabic strings. Nasrallah employs variable x-height values. It includes all required Lam-Alif ligatures and uses ligature substitutions and selected marks positioning but it does not use any other glyph substitutions or forming. Text strings composed using types of this family are non-cursive with stand-alone isolated glyphs. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form. Keying it before Alif Lam Lam Ha will display the Allah ligature. Nasrallah family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, Allah ligature, in addition to all standard English keyboard punctuations and major currency symbols. Fonts are available in regular and italic styles.

A completely isolated letters typeface design with an overall Hebrew look and feel. Glyphs were designed with an emphasis on isolation and vertical feel with a visual connectivity measure to help easy reading. The Ibrani (Arabic for Hebraic) font family has two members, regular and left-slanted italic styles. This font family design follows the guidelines of Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in the latest Unicode Standards, and one additional final form glyph, for the freely-connecting letters in traditional Arabic cursive text. Ibrani employs variable x-height values. It includes only the Lam-Alif ligatures. Soft-vowel diacritic marks, harakat, are selectively positioned. Most of them appear by default on the same level, following a letter, to ensure that they would not interfere visually with letters. Tatweel is a zero-width glyph. Keying the tatweel key before Alif-Lam-Lam-Ha will display the Allah ligature. Ibrani includes both Arabic and Arabic-Indic numerals, in addition to standard punctuations.

Elkdale is an Antique Tuscan typeface based on a series of wood types designed in the 19th century. Elkdale exudes the impactful ornamental designs found in posters, newspapers and signage of the day. With its wide complement of weights and widths, Elkdale should fill any space with attention-grabbing delight.

Syaipul is font that looks like Arabic letter. The ornament of each letter make the font is unique but still easily to read. This font perfectly suit for calligraphy, Islamic book, headline title, poster, Arabic ornament and many more. We're honored and hope this font can be the part of your special works. Thank you.

Miqdad font is inspired by Arabic letters which have bold characters. It is perfect for use as logos, quotes, and various other designs with Islamic or Arabic themes. Equipped with multilingual. Font files include: This font includes 2 styles, regular & oblique. It is very profitable to buy the Miqdad font. Get it Now ! Thanks.

Mushym Arabic Typeface is an elegant and sophisticated font product that is designed to add a religious and Islamic touch to your designs, making it an excellent choice for Ramadan promotions and other Islamic design projects. The font's carefully crafted design is sure to impress your audience and enhance the visual appeal of your designs. One of the standout features of Mushym Arabic Typeface is its support for PUA Unicode, which ensures that users can easily access all of the font's characters without any issues. The font also supports multilingual characters, making it perfect for use in various languages other than Arabic. With 845 glyphs characters, Mushym Arabic Typeface offers a vast range of options, allowing users to create unique and eye-catching designs. The font's characters are well-crafted and easily readable, making it an excellent choice for any design that requires an Arabic font. As a bonus, Mushym Arabic Typeface comes with a Mushym Dingbats font that includes a collection of 304 Islamic symbols and ornaments. These extra glyphs can be used to add a Islamic touch to your designs and enhance their visual appeal, especially during the holy month of Ramadan. In summary, Mushym Arabic Typeface is a versatile and elegant font product that is perfect for Ramadan promotions and other Islamic design projects. With PUA Unicode support, multilingual characters, 845 glyphs characters, and a bonus Mushym Dingbats font with 304 characters, this product offers everything you need to create stunning designs that resonate with your audience.

JH Noha is a geometric modern Arabic typeface. It includes black, bold, medium and regular weights.

A classic example of Art Deco lettering made with a round nib ink pen was found within the pages of “Lettering” by Harry B. Wright (circa 1950). Now available as a digital type font, Pen Moderne JNL is available in both regular and oblique versions.