Ellograph® CF is a charming monospaced font family with easy readability and striking cursive italics. A generous x-height and short descenders allow for even, organized lines of text. Beautiful as a coding font and in logos, headlines, and text. With its clean construction and expressive italics, Ellograph® CF stands as a versatile font family on its own. It also pairs well with a wide array of typefaces – contrasting Ellograph with a serif like Artifex CF or Wayfinder CF is effective and beautiful. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

The inspiration for this font came from a wall-writing in Cuba. At first glance we thought: "There is something wrong with the wall-writing." But a closer look revealed, that it just mixed up different stroke-styles. That "feature" became the designing principle behind CA Segundo: Round characters like O, U or C are available either with a fat or a thin stroke, whereas other characters with orthogonal lines come in two different styles – uppercase characters emphasize the vertical strokes, while lower cases emphasize the horizontal strokes. This gives you the opportunity to design just while you type.

SK Fencer™ is a typeface inspired by the fine art of fencing. Its light linear features contrast with the angular thicknesses, creating a unique image of the font and influencing its behavior in the line. Using alternative uppercase characters, you can implement a lot of typographic ideas that will decorate your design. A large selection of weights will also be a great help in your work. The SK Fencer typeface is suitable for both headers and small text arrays, and its widest set of glyphs supports both extended Latin, Cyrillic and many other languages. SK Fencer – elegant, practical, dynamic, unusual!

Normaliq is a geometric and modern sans serif family that exudes a unique and minimalist charm. comes in nine weights, ranging from Thin to Black, combined with an Italic style, as well as the addition of Black Outline and Black Italic Outline. The balance of hard lines and subtle curves provides strength and eye-catching for every weight of the family. Each font in the family can stand alone, dynamic and authoritative. This font family offers versatility for a variety of design needs, designed specifically for looks such as titles, branding, logos, books, branding and other impactful editorial work.

'Brokken’ is the Dutch word for ‘chunks’. They are the hearty specialty of the house, prepared by the ship’s cook Donald DBXL Beekman. Nice'n'greasy and monospaced, you'll always find a decent way to cram the letters in. Brokken is straightforward, straight-lined with beveled corners, and all caps. For the ones who have to watch their weight, or who simple don’t like their fonts to be too fatty, DBXL designed a diet version called Brokken Light. With their big contrast, both weights combine very well and are great for making ultra-compact ribbon headlines or stacking vertically.

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

The Gold Rush is over, the prospectors have made their fortune and the mine has been worked out! The inhabitants of Boomtown USA have moved on -- the saloon is dry, the sheriff has hung his hat and the only visitors to the local whorehouse are tumbleweeds. Yeah, the buildings remain -- hollowed out husks carrying memories of bar room brawls, high noon shootouts and high stake poker games between outlaws -- but if you take a walk down the street be careful not to kick up too much dust... Turn the corner and you might see Ol' Toothless Joe standing on the corner sucking on a bottle of whiskey... And don't walk too slowly past the storefront of the undertaker -- that guy made his living putting strangers like you in a wooden overcoat from sunrise to sundown. Spooks and Spectres linger everywhere... there's a sign just down the road -- didn't you see it? "Ghost Town! Abandon Hope all who Enter Here!"

Giambattista is a long-time project of mine finally come to an end. After redesigning all of Giambattista Bodoni's work and then some additional cuts I started a long time ago with this Non-Bodoni Bodoni. The idea came to me while redesigning the original Chancellerosa (chancery). I thought Bodoni just didn't have the right approach to a chancery, this was just not his cup of tea! Maybe that is why he never used the Chancellerosa very much for his own printshop in Parma. So I thought someone has to design a script, that looks like Bodoni could have designed it but is more lively than his. Over the years I have been working on and off on the face and it turned out to become three typefaces which can be freely mixed. Here is my modern version of a script in the style of Giambattista, meant as an hommage, I called it Giambattista. Your modern scribe Gert Wiescher

With the publication of the “Today Sans Now” Elsner+Flake extends its offering of the “Today Sans Serif” type family, developed in 1988 by Volker Küster for Scangraphic, by another cut so that the gradation of the stroke width can now be more finely calibrated. The type complement is available for 72 Latin-based languages as well as Cyrillic. Where available, small caps were integrated, and mathematical symbols as well as fractions were included. In order to make the symbols for text applications in regard to headlines more flexible, the insertions which were formerly added, for technical reasons in order to sharpen the corners, were eliminated, and the optical size adjustments of the vertical and diagonal stem endings (I, v, H, V) to the horizontal bars (z, Z) were scaled back. Already since the end of 1984, Volker Küster experimented with broad sticks of chalk and a broad felt pen in order to develop a new sans serif typeface which, in the interest of easy legibility, would be built on the basic structures and proportions of the Renaissance-Antiqua. Using a normal angle of writing, his experiments lead to the form structure of the characters: a small contrast between bold and light weights, serif-like beginning and end strokes in some of the lower-case characters, and the typical, left-leaning slant of all round lower-case letters and the typical left-leaning axis of all round letter forms. In this way, a rhythmization of a line of type was achieved which created a lively image without being “noisy”. With this concept, Volker Küster has enlarged the Sans Serif by a distinctive, trend-setting form variation.

Elliptical The squareness of curves. That was the elliptical – in more than one sense – notion being explored in the making of FS Hackney. The squareness of curves and vertical terminals to create a gentle, soft sans serif, with a little bit of magic. A momentary thought – “It doesn’t have to be like this” – provided the spur to explore the verticals and skeletons of letterforms beyond conventional type design limits. A 12-month gestation period gave rise to a font with a larger-than-usual character set, including non-lining figures, small caps and superior and inferior numbers. It’s a collection that speaks confidently for itself. Assertive It was the Hackney carriage – the black London cab – that gave this font its name, not the north London neighbourhood. Solid, dependable, effective and built to last, FS Hackney was honed to perform in all conditions. Cool, compelling lines and a satisfying overall simplicity lend FS Hackney its assertive air. Assured, versatile and effective; just like a black cab (but without the grumbling). Machined Over a string of meetings, Jason Smith and FS Hackney designer Nick Job worked out how to infuse Nick’s sketched letterforms with Fontsmith’s familiar geniality. “Nick is very meticulous and produces very clean design work,” says Jason. “Hackney is ideal for branding as it’s very clear and its quirks are sensible ones, not odd ones, that don’t distract from the message.”

Cross Stitch Gothic is not intended for text use. It was designed for use as fancy monograms or initials. Cross Stitch Gothic is based on upper case characters 28 stitches tall and contains the characters A-Z. Most characters extend above the capital line or below the base line.

Regular Bien is a display font that is created out of two shapes - a circle and a line. It has a plain and a mutated face, depending on the usage of lowercase or capital letters. Regular Bien can be used in various fun ways and connections between lines.

Basquiat Irregular is a font inspired by graffitti and children's writing. Contains 3 alternative characters for each letter, multilanguage support including cyryllic. It's perfect for creating artistic publications, writing quotes and many other designs. The family also has two fonts with frames, lines and ornaments. Its apperance is rough, hand painted and casual. Perfect for music and street art designs. Frames and lines are created by typing uppercase letters for starting or ending frame or creating an arrow and lowercase letters for typing lines.

Cardillac Text is the down to earth version of the subtle and high contrasted Cardillac family. More suitable for longer text and for strong headline applications. The Cardillac Text Family consists of 16 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

Orgon, a new linear typeface family, fresh and easy but with a warm touch. It appears uncomplicated, unpretentious, but still distinctive. Its quiet text flow allows smooth reading even for longer texts. The Orgon family comprises 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, small caps, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

Sina Nova is the slimmer sister of Sina. It has a slightly vertical tendency, a higher x-height which makes it more open in small text sizes. Its economical proportions allow an even more universal application. Sina comes in 12 styles and in OpenType format. All styles contain standard and discretional ligatures, small caps, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals. Sina supports Western European, Central and Eastern European languages.

Cross Stitch Coarse is based on upper case characters 5 stitches tall and contains the upper case characters A-Z, numbers 0-9, ampersand, exclamation and question marks, comma, and period. Also, under the character set are all possible combinations of stitches 5 high from 1 through 5, which allows for the creation of custom glyphs. If the font is set at solid leading, lines following will align and mesh with stitches above. When setting lines of copy, extra leading is required to separate individual lines.

Bambusa Pro is a sturdy expressive modern calligraphy family of 4 fonts: Regular, Bold, Basic and Ornaments. It owes its name to the bamboo pen that was used to draw all of the characters and swashes. The typical ink-strokes of the bamboo pen give Bambusa Pro a distinctively different appearance than dip pen calligraphy fonts like Salt & Spices Pro. Similarities between the two are a wide variety of long swashes that connect to the first and last letter of a sentence or name. But with Bambusa Pro this even goes for accented characters, and all upper and lower case letters. Together with five different connecting spaces you can create phrases that look as if the pen was never lifted from the paper. Like Stylist Pro all characters of Bambusa Pro connect to each other, both lower case and upper case letters and vice versa. Bambusa Pro Basic also is hand-lettered with a bamboo pen, but is a lot more straight forward. It combines beautifully with the connected styles Regular and Bold. On top of that Bambusa Pro Ornaments offers 100+ glyphs for additional designs possibilities. Enjoy! You will need an opentype savvy application to get the most out of Bambusa Pro.

Equip, a new versatile geometric sans face in 16 styles, designed on a geometric base, forms together with EquipCondensed and EquipExtended a superfamily of 48 styles. Low contrasted lines and a sturdy ductus give it a strong appearance. It looks open, generous and unsentimental. A large selection of weights and many useful OpenType features allow an easy adjustment for a wide range of applications, in print and on the web. Equip is very well suited for ambitious typography. The Equip family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

Maze is a modern font created from a single line with no interruption.

Abril is an extension of the Abril typographic system that was engineered as a response to a very specific requirement from the editorial design community: a low contrast typeface for head- lines. Given its broad range of styles though, Abril deserves to be considered a separate font family on its own. Based on the original text styles of Abril, the letter shapes are sturdy, very legible, and deliver a newsy and trustworthy feel. The accented editorial style of the Scotch Roman finds continuity in this new type family, but some of the details have been ironed out for improved performance in headline, both in print and on screen. The family is conceived as four series of different widths, with four weights in each series plus matching italics, a total of 32 fonts. This wide range of styles allows for setting titles at almost any size. The wider series are aimed for smaller point sizes while the con- densed weights can deliver a striking and cohesive appearance as front cover headlines. Abril was designed as a versatile tool for those graphic and web designers looking for a workhorse with high impact. It is also an excellent companion for the rest of the Abril type family: Abril Titling and Abril Narrow.

Gramers is an elegant and modern minimalist font family, a new roman sans serif font carefully crafted, These font ideas come from various references, from vintage, classic, art deco, to the modern era. Carefully drawn with high contrast between the strokes bold and thin with the aim of making even the simplest sans serif letters look sensual, elegant, and warm. The feeling of versatility and luxury you get in Gramers. As you can see in the display of our creations such as Branding, Header, Logotype, Posters, Magazines, Packaging, Art deco wedding invitations, and others. This shows that Gramers can accommodate various design styles. The flat lines cover five styles (each light, regular, medium, semi thick, Thick), each of which includes nearly 293 glyphs. OpenType features include 103 standard ligatures and a small number of character variants, and multilingual support (including multiple currency symbols). Features: • 5 Font weight • uppercase • Alternative & Ligature Styles • Numbers & Punctuation • Characters with accents • Supports Multiple Languages This type of family has become the work of real love, making it as easy and enjoyable as possible. I really hope you enjoy it! I can't wait to see what you make with Gramers! Feel free to use the #Dora Typefoundry and #Gramersfont tags to show what you've done!

Bengala is a font based on Calligraphy & Geometry designed by Carlos Fabián Camargo. Its purpose is to be an innovative typographic system combining Script letters with geometric and hard Caps letters. The contradictory styles are ideal for designing covers, posters, branding and packaging. Its smooth calligraphic look meticulously incorporates characters to design logos and phrases that communicate dynamism and strategy. Bengala Script was inspired by Mistral by R. Excoffon. Bengala Script provides violent and unstable lines with generous spacing between the letters and tight horizontal proportions, producing showy upper and lower case italics inspired by French Gothic calligraphy late fifteenth century. For this reason, Bengala Script retains some uninterrupted calligraphic logic, up and down sometimes higher or shorter than the height of the lowercase, creating dynamism through a variable amount of contrast between thick and thin strokes. Bengala Dingbats has 62 drawings designed to accompany the designs. Script and Caps Bengala have different gender and the similar X height produces more visual appeal. This way Bengala Caps - inspired by the Porshe logo, due to its geometric uppercase Roman construction, extended horizontal proportions, light caliber, rounded strokes terminations and generous spacing between letters. Special thanks to John Moore and Manuel Corradine for their help with Open Type.

German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic, Greek, and Hebrew writing systems. FF Meta Variable are font files which are featuring two axis and have a preset instance from Hairline to Black and Condensed to Roman In 2011, FF Meta was added to the MoMA Architecture and Design Collection in New York. This FontFont is a member of the FF Meta super family, which also includes FF Meta Correspondence , FF Meta Headline , and FF Meta Serif . FF Meta® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Resumes

Delirian Script & Ornaments Delirian is elegant script with contemporary mood and perfect forms, inspired by immortal classic calligraphy. Not too thin and not too thick, good balanced and variable, born for luxury and beauty. In my examples I show how this script can be used. It's great for logotypes, branding, wedding invitations, romantic cards, alcohol labels, packaging, spelling of names and others. Delirian Script comes with beautiful Uppercase and Lowercase letters, numbers and punctuation. In addition to the main character set, there are 158 alternates characters, 36 ligatures and 10 lengths of end-swashes. You also get Ornament set of 26 elements which harmoniously complements original script. Multilingual Support Script support Western European characters and works with following languages: English, Croatian, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish. OpenType Stylistic Alternates works on the principle of simple combinations with activated Standard Ligatures option in OpenType panel (Adobe Photoshop, Adobe Illustrator). To get alternate just add for example number 2 (two) after any letter. Every Uppercase has 1-2 variations and Lowercase about 3-4 alternate characters. For example: A2 A3 - Uppercase; a2 a3 a4 - Lowercase; a.1 a.2 - Lowercase with underline. _1 _2 _3 - End-swashes Ligatures works with activated Discretionary Ligatures option in OpenType panel. This special features don't work in Microsoft Word.

EUROPEAN SOFT PRO ABOUT FAMILY: What makes "European Soft Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Soft Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Soft Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Soft Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

EUROPEAN SANS PRO ABOUT FAMILY: What makes "European Sans Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Sans Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Sans Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Sans Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimeted fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Withrose is a romantic and elegant handwritten font. Its distinct and well rounded letters make this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! Withrose is PUA encoded which means you can access all of the glyphs and swashes with ease!

Cinnamon scent: check. Swirls: check. Curls: check. Cinnamon Swirl is a very romantic, very 'sugar-and-spice-and-all-things-nice' kinda font. It would look great on book covers, slumber party posters and postcards. The Swirl comes with some lovely ligatures and stylistic alternates - and a Smörgåsbord of diacritics.

Holina Journey is a beautiful and romantic handwritten font. It looks amazing on thank you cards, quotes, wedding invitations, greeting cards, business cards, logos and any other design that requires a touch of handwriting. This font is PUA encoded which means you can access all the glyphs and swashes easily!

Love West is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards, or any other design that may need a romantic, personalized touch! This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

The Icons developed to the font Only You Sexy make reference to hipsters concept a recurring nostalgia and a recovery of an almost forgotten romanticism. Bring all that romance back. Bring the sensuality in your works and projects. The font has more than 300 icons. Also available Only You Sexy.

Amoure Brides Couple Font is a pairing font between sans serif and handwritten script, These two couple lovely fonts would be perfect to combine in your design. This combination creates an elegant and romantic impression. Suitable for digital invitation, wedding design, fashion design, logo, business cards, branding materials, quotes, etc.

Easter Nice is a sweet and delicate handwritten font. Dainty and joyful, this font will be ideal for writing wedding invitations, cards or any other design that may need a romantic, personalized touch! This font is PUA encoded which means you can access all of the glyphs and swashes with ease!