Snoofer is a modern font that works for both display and text. It comes in 4 weights(Regular, Italic, Bold, Bold Italic). Snoofer was inspired by a character in stories my dad told me as a kid. Somehow they always ended with "... and they never left home again." Enjoy!

Hi Joana feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Amelliyo is a classy handwritten font. Made for any professional project branding. It is the best for logos, branding and of quotes. Every letter has a unique and beautiful touch. Features: Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Embark on an epic journey with "Mythical Vikings Power," a font infused with the might of Norse warriors, runes, and Viking ships. Channel their fearless spirit and unleash your creative potential in every design. Follow the link for more info: https://www.behance.net/gallery/137062963/Mythical-Vikings-Power-font

Kanetin is a elegant sans serif font. Made for any professional project branding. It is perfect for printing, branding and quotes. Every letter has a unique and beautiful touch. Includes: Kanetin (OTF) Features: PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Black Raven is a sans serif font that has an eerie feel to it. It is meant to be used as a contemporary take on anti-design. It maintains an eclectic design and something that you normally wouldn't see every day. Use it for movie posters, book covers, etc.

Maraton is a modern display font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Maraton (OTF) Features: PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Anter is modern script font, every single letters have been carefully crafted to make your text looks beautiful. With modern script style this font will perfect for many different project ex: quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc. Anter script including alternate glyph.

The graffiti style that is favored by young people. Comes in 2 styles (Regular & Outline). Can be applied to clothing design, crafts, posters, hip hop music, children's book covers, comics, cartoons etc. See some of the previews above for reference. Features: -Uppercase -Numeral -Punctuation -Multilingual -PUA Encoded -Opentype Features

Introducing my new monoline handwriting font = Kitty Sweet = It's perfect for creating quotes, logos, or just adding a handmade touch to any project. Equipped with ligatures and alternatives for uppercase letters, made especially for those of you who want to be simple and make every simple job easier.

Have you been marking your words quixotically lately? Can't choose between an interrogative and a questionnaire? It can be quite the problem during question time, so we've quickly rounded up a quality quorum of questionable characters so you'll never be short of a Q during a Q&A!

Calvera is a modern display font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: - Calvera (OTF) Features: - PUA Encoded - Multilingual Support - Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Grand Amoura is a romantic and smooth handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. Grand Amoura is here to elevate your work to the highest level. Includes: Ligatures Swash

Hupfildac is coming. Vintage font have unique ornament in every charactes. Make your lettering design more attractive with stylistic set. Make design according to your taste. You can use to design tshirt, logo, poster, ect. Feature : · Uppercase · Lowercase · Numbers · Puctuations · Multilingua Support · Ligature · PUA Included · SS 01-03

Slazer is a futurist font designed for a dynamic and powerful effect when it comes to science, technology, games, web, cellphones and electronics. All glyphs are open, straight and smooth, enhancing their connection with images. Slazer’s lines never touch or split: they always go somewhere… and go fast!

Fjørd Serif is a modern classic serif typeface with an individual approach in every single letter. Fjørd will perfect for many projects: fashion, magazines, logo, branding, photography, wedding invitations, quotes, blog header, poster, advertisements, etc. What’s Included? Bruno OTF & TTF Uppercase & lowercase letters, numbers, punctuation European Multilingual support Ligatures.

Heavy as hell, awkward, asymmetric, sort-of-gothic… Four alternates for every letter, carefully kerned together and nicely shuffled for you by OpenType apps… Blunt has the sharp corners ever so slightly rounded off for a softer look at large sizes. Wired chops everything up for an origami angle…

This is a bold font with a simple and unique retro concept. We provide this font in uppercase, lowercase, number, and equipped with punctuation, alternatives and swash. Combine swash to add an interesting impression in every word you want, we provide swash as an alternative available in this font.

Striker is a modern display font. Made for any professional project branding. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Striker (OTF) Features: PUA Encoded Multilingual Support Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing Magestand typeface is serif font this is inspired by chopper font relesed in August 9th 2021. magesta typeface support multilingual languages, unique uppercase and lowercase ligatures. Create unique & elegant logotype, use it as an elegant for your next project headlines, logotype designs, posters or t-shirts, business cards.

Midnight Story font is specially designed for spooky yet horror occasion. This font has rough texture, so it will bring the creepy atmosphere in every glyphs. It's really horror when your project didn't meet the perfect font. So let Midnight Story be friends with your design and craft projects.

Mangana Sega is a bold display serif font with a retro design. Mangana Sega is equipped with alternate and ligature, which will add an elegant and luxurious impression to every project you make. Mangana Sega is PUA encode, which mean you can easily access all required alternates and swashes.

Valentina is an elegant calligraphy font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Introducing. Sugar Smile - All Caps Display Font Sweet font with hand strokes. Simple and eye catching. You can apply it to craft designs, promotions, creative posts, apparel, quotes, merchandise, posters etc. See some of the previews above for reference. Features: • Uppercase • Lowercase • Numeral • Punctuation • Multilingual • PUA Encoded Thanks.

This casually elegant typeface is based on an unnamed offering from Pen & Brush Lettering and Practical Alphabets, published by Blandford Press, Ltd., London, in 1929. Good taste dictates that, because of the ornate and unusual letterforms of the uppercase letters, the font never be used as all caps.

Batterlife is a lovely handwritten font. Made for any professional project branding that need a modern and attractive typeface. It is the best for logos, branding and quotes. Every letter has a unique and beautiful touch. Includes: Batterlife (OTF) Features: Beautiful Ligatures Multilingual Support PUA Encoded Numerals and Punctuation

Better Memories feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a handwritten touch. It is also PUA encoded which means you can access all of the glyphs and swashes with ease!

Gift feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Naveid Arabic is new version of Naveid with the addition of Arabic glyphs, for Arabic, Urdu, and Farsi. Basic form for arabic font is refers to the arabic kufi style, with combining the cuppped serif on top and the tinny Subtle Flaring on the terminal, to harmony with Latin.

Valesta is a modern handwritten font. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

Levato, the first font designed by Felix Bonge, is an Antiqua that is full of character and is refined but by no means sterile. This typeface provides for a wide range of options for creating individual designs. It was not really Felix Bonge's intention to create a whole font family when, as a second year student, he began several exercises in contrast and proportion as part of the typeface design course of Professor Veljovi? at Hamburg University of Applied Sciences. However, these initial studies developed into a project that Bonge persisted with over the following years while working towards his degree. He continually had new insights and ideas that he was able to exploit for his font. Of particular importance, he claims, was a calligraphy seminar, which prompted him to completely rework his concept. It took him several years before his extensive font Levato™ was ready. Although the forms of Levato are ultimately derived from Renaissance Antiqua, Bonge has slightly increased the relative contrast in his version. This gives the font a graceful appearance that is further emphasized by the reduced x-height and the associated prominence of the ascenders. And, in addition, the relatively fine serifs, which are almost linear at their ends, infuse Levato with a hint of classical Antiqua á la Bodoni. At the same time, Bonge cleverly compensates for the sterilising tendency of this font form. Soft and rounded serif attachments and rounded line apexes offset the severe nature of the font and provide it with an aura of vivacity. This effect is promoted by the calligraphic-like foot of the lowercase h, n and m and the not quite horizontal bars of the uppercase E and F. Overall, Bonge has succeeded in creating a refined and yet very dynamic typeface. Levato is available in five weights; Light, Regular, Medium, Bold and Black, in each case with the corresponding italic versions. Bonge treats Levato Italic as a genuine cursive typeface. Its letters are thus slightly narrower than the analogous upright letters and their forms are considerably more curvilinear. All the versions of Levato boast an enormous range of characters to meet all possible requirements. In addition to four sets of minuscule and majuscule numerals for tabular and proportional typesetting, there are also small caps, numerous ligatures, ornamental characters and even swash variants of letters. With their generous, sweeping curves, the swash variants (available as OpenType versions) can be used for striking titling effects or as initials.

Oxford Street is a signage font that began as a redrawing of the capital letters used for street nameplates in the borough of Westminster in Central London. The nameplates were designed in 1967 by the Design Research Unit using custom lettering based on Adrian Frutiger’s Univers typeface, a curious combination of Univers 69 Bold Ultra Condensed, a weight that doesn’t seem to exist but which would flatten the long curves of glyphs such as O, C and D, and Universe 67 Bold Condensed with its more rounded lobes on glyphs like B, P and R. Letters were then remodelled to improve their use on street signs. Thin strokes like the inner diagonals of M and N were thickened to create a more monolinear alphabet; the high interior apexes were lowered and the wide joins thinned. The crossbar of the A was lowered, the K was made double junction, and the tail of the Q was given a baseline curve. K-Type Oxford Street continues the process of impertinent improvement and includes myriad minor adjustments and several more conspicuous amendments. The stroke junctions of M and N are further narrowed and their interior apexes modified. The middle apex of the W is narrowed and the glyph is a little more condensed. The C and S are drawn more open, terminals slightly shortened. The K-Type font adds a new lowercase which is also made more monolinear so better suited to signage, loosely based on Univers but also taking inspiration from the Transport typeface both in a taller x-height and character formation. The lowercase L has a curled foot, the k is double junctioned to match the uppercase, and terminals of a, c, e, g and s are drawn shorter for openness and clarity. A full repertoire of Latin Extended-A characters features low-rise diacritics that keep congestion to a minimum in multiple lines of text. The font tips the hat to signage history by including stylistic alternates for M, W and w that have the pointed middles of the earlier MOT street sign typeface. Incidentally, Alistair Hall (‘London Street Signs’, Batsford, 2020) notes that when the manufacturer of signs was changed in 2007, Helvetica Bold Condensed was substituted in place of the custom design, “an unfortunate case of an off-the-peg suit replacing a tailored one” and a blunder that has happily since been rectified, though offending nameplates can still be spotted by discerning font fans.

Alt-Gotisch Verzierte is a typeface of decorative initials that is Victorian in style and bears a close family resemblance to the many ornamental tuscans cut throughout the nineteenth century by British foundries. Instead of the bifurcated terminals of the archetypical tuscan (see Figgins Tuscan by HiH or Stereopticon by Dan X. Solo), these letters display what Nicolete Gray might call a “wedge and bite” design -- as if they started with the wedge serif of a latin form and someone came along and took a perfectly round bite out of the wedge. We need not dwell on the lack of teeth marks. The calligraphic curls and flourishes are often graceful, sometimes a bit contrived, but always complex. There is a busyness that marks the style of the period. If you ever see an old photograph of a well-appointed Victorian parlor, you will recognize that same quality of busyness. Overdone is a word that frequently comes to mind. Alt-Gotisch Verzierte means “adorned or decorated old gothic.” The typeface is attributed by Alexander Nesbitt to an unidentified German foundry of the nineteenth century (Decorative Alphabets and Initials, Dover, New York 1987, plate 92). The designer is unknown. Our font is supplied with a lower case that is similar to the upper case, but is 15% shorter and is simplified by the omission of the decorative vines. For the lower case, alternate letters A, E, & T; and ligatures LE, OT & LY have been supplied. In addition, a few small decorative vines were planted here and there for optional use. An accented upper case is not part of the original design and is not here supplied. This design is also seen under the name “Sentinel” -- as always, it is worthwhile to compare the completeness of the character set and the faithfulness of the rendering. We believe you will agree that we provide a balance of quality and value that is unmatched in the contemporary marketplace. Alt-Gotisch Einfach is a simplified version of Alt-Gotisch Verzierte. The vine-less lower case of the Verzierte font is the upper case in Einfach. For a lower case for Einfach, the letters were further simplified by stripping away the three-dimensional outline, down to the bare bones and bites, as it were. Einfach, in fact, means “simple” or “plain.” It is interesting to note that this bare bones & bite lower case bears (I have a special license to use two homonyms in the same sentence) a striking resemblance to the 15th & 16th century ornamental letters from Westminster Abbey shown in Plate 47 of Alexander Nesbitt’s Decorative Alphabets and Initials (Dover, New York 1987).

JT Collect is a hybrid sans-serif typeface for the 21st century that takes a playful approach to the type design heritages of Germany and Switzerland. Confidently built on a geometric structure and infused with elements from traditional grotesque typefaces, it hits the sweet spot between geo and grot. I developed JT Collect purely digitally, drawing from years of experience with analog type design. The letters aren’t based on one particular source but seek to merge different type genres from the first half of the 20th century and lift them to a contemporary quality level. JT Collect is less reserved than strictly geometric designs and brings some industrial workmanship and honesty into the game. The six weights plus three optical sizes of JT Collect offer what you need to make an impact. While cool and elegant in the Light weight, the fonts show more presence on the page as they grow bolder. To this end, I drew the letterforms with a slightly unrefined, brawny air in the bolder weights. This sets them apart from the perceived purity of more geometric designs. The Book weight is ideal for short texts and medium-length copy, and the forceful Bold makes wordmarks look crisp and lets headlines radiate cosmopolitan self-confidence. JT Collect is suitable as a primary typeface for branding, advertising, packaging, stationery, posters, documents, and websites from trades and industries as diverse as food & fashion, media & makers, culture & creators, games & gems, sports & startups. Use JT Collect for film titles or watch faces, for leaflets or store signs, for business cards or billboards: this font family is as adaptable as a chameleon (and like a chameleon, it’s never boring). Try it in different contexts. You won’t be disappointed. Its adaptability also makes JT Collect a great starting point for poised and persuasive font combinations. Even a sans/sans pairing is possible due to hybrid nature of JT Collect—something that’d be hard to achieve with most other sans-serif typefaces on the market. You can add to it a heavy slab from the OGJ library, like Temper Wide. You might go for a geometric or a grotesque typeface as secondary (text) typeface. Or you could set your body copy in a classic serif typeface such as Caslon, Sabon, or Plantin. That’s right: JT Collect is a true team player. Whether you need a grotesque or a geometric sans: try JT Collect. You can get the best of both worlds.

Hua type family is a sans-serif with very humanist details to represent the essence of nature. It features 14 weights from the very thin to the very bold, generously covering a wide range of the natural spectrum. Aiming to represent the soft and elegant side of nature, Hua features very unique italics that have their own take on the identity. The letterforms of the italic fonts are inspired by the lineage of both traditional calligraphic approaches for serifs and much simpler forms for sans-serifs. Hua provides very crisp performances on screens and its large x-height combined with fine-tuned proportions help it retain legibility very well on smaller sizes.  Features: • Support for 200+ Latin languages • Double & single storie “a” & “g” • Unique italic letterforms • Low contrast with unique details • Small caps with symbols • Arbitrary and defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style