10,000 search results (0.028 seconds)
  1. Glagolitsa - Unknown license
  2. Hall Fetica Upper - Unknown license
  3. Hula Skirt Girl - Unknown license
  4. Cthulhu Runes - Unknown license
  5. Pica Hole - ABS - Unknown license
  6. JI Tracks - Unknown license
  7. FuturistStencil - Unknown license
  8. GF Vienna heavy - Unknown license
  9. Damn the Man - Unknown license
  10. Will-Harris - Unknown license
  11. AIxDARBOTZCUMI - Unknown license
  12. Silom - Unknown license
  13. Quilline Script Thin - Unknown license
  14. Cake! - Unknown license
  15. Dungeon - Unknown license
  16. Aierbazzi - 100% free
  17. PF Tempesta Seven Extended - Unknown license
  18. Diogenes - Unknown license
  19. Frantic - Unknown license
  20. Candycorn Overdose by Fontosaurus, $19.95
    Candycorn Overdose represents how I used to feel on the morning after Halloween, way back when I was young enough to go out begging for candy.
  21. Augereau by Abrams Legacy, $52.00
    Named for Antoine Augereau, teacher of Claude Garamond, this much admired rendition of the classic Garamond typeface was created by George Abrams and released in 1997.
  22. Armouk by Nirmana Visual, $19.00
    Armouk , contemporary of Sans serif font, Armouk offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  23. Amug by Nirmana Visual, $22.00
    Amug ,contemporary of Sans serif font, Amug offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  24. Galmoru by Nirmana Visual, $22.00
    Galmoru, contemporary of Sans serif font, Galmoru offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  25. Bremen by Bitstream, $29.99
    Bremen was designed at Bitstream by Richard Lipton and released in 1992. It is based on German poster art from the period between the World Wars.
  26. Flute by Typotheticals, $5.00
    Flute was a font that was released in 2006 now, in 2022, it has been updated to increase the number of faces, including a bold version.d.
  27. Barox by Nirmana Visual, $29.00
    Barox - Modern Font, Serif Display Typeface. Barox offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.
  28. Bulmer by Bitstream, $29.99
    Morris Fuller Benton’s ATF version of Baskerville’s design cut by William Martin for the British printer and publisher William Bulmer. ATF released the design in 1928.
  29. Mr. Quincy - Personal use only
  30. ahonde - Personal use only
  31. Rintvera - Personal use only
  32. Overya - Personal use only
  33. Jumbalo - Personal use only
  34. Getboreg Minus Tech - Personal use only
  35. Fear Logo Fires Trial - Personal use only
  36. Funny Sports - Personal use only
  37. Helmswald Post - Personal use only
  38. Figgins Tuscan by HiH, $12.00
    Early in the 19th century, foundries began releasing a variety of decorated ornamental letters based on the Tuscan letterform. Fancy Tuscan letters quickly became so popular, they eventually came to represent the cluttered extremes of Victorian design. Foundries competed with each other to produce most extravagantly decorated letterforms. As often happens, success turned to excess. What is often overlooked is the long history of the Tuscan style. Early examples have been traced back to ancient Rome. Indeed, the characteristic bifurcation may have represented a fishtail to the early Christians, thus sharing in the roll of symbolic identification played by the simple drawing of a fish as a whole. Later. trifurcation was developed as an alternate termination, followed by loops, full fishtails, curls, hooks and other fancy variations. Nicolete Gray provides an extensive history in her Appendix One of NINETEENTH CENTURY ORNAMENTED TYPEFACES. According to Gray, the first metal typeface based on the Tuscan form was the Ornamented of 1817 by Vincent Figgins of London. Thorowgood followed suit in 1821, Fry in 1824 and Caslon in 1830. Each was to re-visit the form many times during the Victorian era. Here we present our interpretation of what Figgins might have produced in a basic, plain Tuscan form - free of the decorative additions. We are pretty safe here because Figgins was very creative. He explored many of the terminal variations listed above and combined them with different decorative devices to produce a constant stream of new faces to meet the demands of the marketplace. Figgins Tuscan ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. There are also a few glyphs for Anglo-Saxon, Gaelic and Old Gaelic. Total of 355 glyphs. 2. Added OpenType GSUB layout features: aalt, ornm and liga ˜ with total 34 lookups. 3. Added 351 kerning pairs. 4. Redesigned several glyphs: the comma, quotes, brackets, braces, acute accent, and grave accent. 5. Revised vertical metrics for improved cross-platform line spacing. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.
  39. Odishi - Unknown license
  40. ATFAntique - Unknown license
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